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The Lead: Summit Concludes Without Iran Breakthrough Donald Trump has claimed that the US and China "feel very similar" about ending the war in Iran but offered no details about a possible breakthrough during the final day of his summit with Xi Jinping in Beijing. The Diplomatic Stance: Shared Goals but No Clear Path "We did discuss Iran," Trump said. "We feel very similar about [how] we want it to end. We don't want them to have a nuclear weapon. We want the straits open." He added: "We want them [Iran] to get it ended because it's a crazy thing there, a little bit crazy. And it's no good, it can't happen." The Strategic Pressure: China's Role in Iran Crisis There is much speculation about how much pressure the US is putting on China, the biggest buyer of Iranian oil, to use its leverage with Iran to encourage the country to reopen the strait of Hormuz. US trade representative Jamieson Greer said in an interview with Bloomberg TV on Friday that the Chinese "don't want to be on the wrong side" on the Iran issue. "It's really important for China to have the strait of Hormuz open," Greer said. The Economic Calculus: China's Energy Security Concerns About half of China's crude oil passes through the waterway, but the bigger threat for the Chinese economy is if the conflict in the Middle East causes a global recession that dents demand for its exports. However, many in Beijing feel that the crisis in Iran is not China's responsibility. The Public Statements: Contradictory Messages US Secretary of State Marco Rubio initially said the US hoped "to convince [China] to play a more active role in getting Iran to walk away from what they're doing now and trying to do now in the Persian Gulf." But later he downplayed the idea that the US was seeking support from Beijing. "We're not asking for China's help. We don't need their help," Rubio said. The Chinese Response: Cautious Diplomacy China's foreign ministry on Friday again called for a ceasefire in Iran and said the strait of Hormuz should be opened "as soon as possible." Zhou Bo, a retired senior army colonel and a senior fellow in the Center for International Security and Strategy at Tsinghua University, said: "On Iran, China definitely wants to help but I read what Rubio said: he actually seems to shift the burden to the Chinese side. In China, we have a saying: it is like, 'Why should I clean your shit?'" The Official Readouts: Diplomatic Language The White House readout of the more than two hours of talks between Trump and Xi on Thursday said the leaders "agreed that the strait of Hormuz must remain open to support the free flow of energy" and that "President Xi also made clear China's opposition to the militarisation of the strait." The Chinese readout of the meeting just made a brief reference to the "situation in the Middle East." The Controversial Remark: Trump's PR Comment Trump raised eyebrows during a TV interview when he suggested that finding Iran's enriched uranium was primarily for show after Israel demanded it as a goal. "I just feel better if I got it, actually, but it's – I think, it's more for public relations than it is for anything else," the US president told Fox News host Sean Hannity. The Trade Deals: Symbolic Gestures Trump told Fox News that China agreed to buy US oil, soybeans and 200 Boeing planes. But on key issues including Taiwan, there seems to have been little by way of concrete agreement. Trump was heard saying on his way into the tea room at the Zhongnanhai garden that Xi was giving him roses for the Rose Garden, according to a White House pool report. The Strategic Balance: Shifting Power Dynamics Julian Gewirtz, a former director for China on the national security council during the Biden administration, said the new Chinese formulation about US-China relations was about "locking in this current phase of strategic stalemate for the remainder of Trump's term and ideally beyond." Wu Xinbo, a professor of international studies at Fudan University and a Chinese government adviser, said the balance of power between the US and China was "shifting towards greater parity." "In the past, it always seemed as though the United States held the upper hand, constantly exerting pressure on China and taking the offensive. Now, however, it's fair to say that the two countries have reached a new point of equilibrium," Wu said.

Codex Goes Mobile with ChatGPT Integration OpenAI's coding tool, Codex, is now available on mobile devices through its integration with the ChatGPT app. This update, currently in preview, allows users to access their Codex live environments on any device, enabling remote management of development workflows. The Power of Remote Access The new feature goes beyond simple remote control, allowing users to work across multiple threads, review outputs, approve commands, change models, or start new projects directly from their phone. As OpenAI stated, "From your phone, you can work across all of your threads, review outputs, approve commands, change models, or start something new." Recent Updates and Expansions Last month: Codex gained the ability to run in the background on desktop environments, enabling autonomous task management. Earlier this month: OpenAI introduced a Chrome extension for Codex, allowing it to work in live browser sessions. The Competitive Landscape The move is part of a larger competition between OpenAI and Anthropic, whose Claude Code tool has gained popularity among businesses and tech professionals. Anthropic's Remote Control feature, released in February, allows users to remotely monitor Claude Code's work. The Future of AI Coding Tools The rapid development and feature releases from both OpenAI and Anthropic indicate a growing demand for agentic coding tools. As the competition intensifies, users can expect further innovations and improvements in these AI-powered coding solutions.

The annual Jerusalem Day parade turned violent as Israeli ultranationalists chanted hostile slogans such as “Death to Arabs” and “May your villages burn”, prompting widespread shop closures and confrontations with Palestinian residents and volunteers protecting them. Racist Chants Echo Through Jerusalem’s Old City Thousands of participants—many teenagers and young adults—marched through the Old City, celebrating the 1967 “reunification” of Jerusalem. The route passed densely populated Palestinian neighborhoods where many shopkeepers shut their doors, while some volunteers from Standing Together kept a few stores open under protection. Scale of Participation and Business Closures Tens of thousands of Israelis took part in the march. Most Palestinian shopkeepers removed metal shutters and vacated narrow alleyways by late morning. A small number of shops remained open, guarded by volunteers led by co‑director Rula Daoud. Journalists reported being shoved and blocked from filming by march participants. Escalating Sectarian Tensions Amid Ongoing Conflict The chant‑filled march occurred against the backdrop of Israel’s broader war with Iran and a fragile “ceasefire” in Gaza, marked by frequent violations. International bodies, including the United Nations, continue to deem Israel’s annexation of East Jerusalem illegal under international law, a point underscored by the overtly racist rhetoric on the streets. Potential Fallout and Calls for International Scrutiny Human‑rights observers and local activists warn that the increasing violence each year could draw renewed international criticism and pressure on Israeli authorities to enforce stricter policing of hate speech. If unchecked, the pattern may embolden further attacks on Palestinian businesses and journalists, deepening mistrust between communities and complicating any diplomatic efforts toward a lasting ceasefire.

The Final Plea for Reading as a RightFrank Cottrell-Boyce has urged policymakers to treat children's reading as a "right" rather than a parental duty, warning that Britain is failing to understand the emotional and social value of reading, as new research shows a sharp decline in daily shared reading at home.Speaking at the Royal Institution in his final laureate lecture, The Kids Are Not Alright, the children's laureate linked falling shared reading rates to poverty, housing insecurity and social media.The Laureate's Final Lecture and National Reading Initiative"Our children have been at the sharp end of two great crises: Covid, and just as damagingly, austerity," Cottrell-Boyce said in his lecture. "We can talk all we like about [the importance of] bedtime stories … but what does that mean to a child with no bed? Or no space for a bed?"He said that this "furniture poverty", alongside housing insecurity, means that children are unable to build stable routines around reading. "You're not going to Narnia because you haven't got a wardrobe," he said "Your clothes are stored in bin bags ready for the next move."The UK is celebrating the National Year of Reading, a government-led initiative supported by the National Literacy Trust to combat declining reading-for-pleasure rates. The campaign includes launching the first Children's Booker prize, with a judging panel chaired by Cottrell-Boyce. Three children aged 8-12 will be recruited to help adjudicate. The campaign also involves distributing 72,000 books to children in need, and fostering a "national mission" to make reading a daily habit.Declining Shared Reading StatisticsNew figures from BookTrust, released to coincide with the lecture, show that daily shared reading among families with children aged eight and under has fallen from 60% in 2021 to 49% in 2025. Yet the proportion of children who "like or love reading" has risen from 66% to 80% over the same period, suggesting that enthusiasm for books remains strong.Social and Economic Barriers to ReadingAlongside economic pressures, Cottrell-Boyce told the Guardian about the impact of screens and social media on children's attention. He said concerns about "addictive" tech platforms were now unavoidable, arguing that children's attention is being captured by systems designed to maximise engagement."These kids are working for big tech," he said. "We all are. But you're working for someone who doesn't love you, who is not going to pay you and doesn't care how many hours you work. It's a shocking situation we've got ourselves into."Referring to the growing legal and political scrutiny of technology companies, he added: "These platforms should bear total responsibility. I think these trials are a bit like the big tobacco moment."Reframing Reading's Value and Future OutlookHe added that we have failed to communicate what reading offers beyond literacy outcomes. "Reading has become so bound up with attainment and literacy, that we've failed to get across the emotional benefits, the fact that it is fun and should be done for pleasure," he said.Despite the scale of the challenges, Cottrell-Boyce said he remains optimistic about children's reading habits and the work already being done in communities. "Pessimism is a luxury that we can't afford," he said. "I do feel optimistic. I've met amazing people and seen amazing practice that costs next to nothing."Cottrell-Boyce has used his two-year tenure as children's laureate to promote his Reading Rights campaign, which argues that shared reading should be embedded in early years support, from health visitors to family hubs. The new children's laureate will be announced in July.

Gen Z's Cinema Comeback People born between 1997 and 2012 are now more frequent cinemagoers than some older age groups, with 87% having seen at least one film in a cinema in the last 12 months compared with 58% of baby boomers. This shift in cinema attendance patterns is reshaping the film industry and challenging assumptions about younger generations' entertainment preferences. The Digital Escape to Big Screens Many young people cite the cinema as a rare distraction-free zone in an increasingly digital world. "It's a distraction-free zone," says Emma Balfour, 19, from Kirkcaldy in Scotland. "It helps me stay off my phone, since it's something I want to stop using so much. There's a lot more social stigma around being on your phone when a film's playing on a cinema screen versus your own home, and the complete darkness means I can fully immerse myself." Alex McAleer, 22, living in Berkeley, California, agrees. "The ability to block out two hours and have that time be your own is so rare in a world where you're constantly accessible, aware of the news cycle and aware of the potential for your phone to alert you." Communal Experience in a Fragmented Media Landscape Cinema provides a rare communal experience that appeals to younger generations. "You don't get a lot of opportunities any more to really watch things with people in a group," says Jae, 23, from Swansea. "There are moments when everyone in the cinema laughs in unison, or you can see people crying or gasping in shock. It's the kind of setting where there's absolutely no commitment to chat, but you are still spending time with people." This communal aspect has become particularly valuable as media consumption becomes increasingly fragmented. Cinema provides the few "water cooler moments" that Jae's generation has left, with films released universally allowing for shared cultural touchstones. Social Media's Influence on Cinema Culture Ironically, while many young people seek to escape their phones at the cinema, social media platforms are driving cinema's popularity with this demographic. "The cinema is romanticised on TikTok," Kate, 26, from Cambridge, explains. "Film TikTokers do films to look out for, and there are normal people showing their Letterboxd or their experience of going to the cinema. You put anything to nice music and make it a montage, and that content does very well on social media." Letterboxd, an app for cinephiles to log films and publish reviews, has over 26 million users and is most popular among those aged between 18 and 35. "I've used Letterboxd for probably four years now," says Kate, who has 850 films logged. "I'm on it more than probably anything else and that's my main way of tracking what might be worth going to see." The Future of Cinema in a Digital Age Despite the enthusiasm from Gen Z, the future of cinemas remains uncertain. Many young cinemagoers are conscious that theaters could be under threat as attendance declines. Cineworld closed 11 UK cinemas in 2024, and a 2025 survey showed almost a third of UK independent cinemas are at risk. Cost is also a significant factor, with many young people favoring more affordable options. "If my only option was to go to Cineworld or something which is at least £15, I think I would struggle to want to go as much," says Cesca, 26, from London. "But my local cinema is Peckhamplex and they do £6.99 tickets, so that's more reasonable." Despite these challenges, Gen Z's enthusiasm for cinema offers hope for the industry's future. "The cinema is really valuable," says Alex McAleer. "I try to encourage as many of my friends to go as possible."

The Earthwork Experience Delcy Morelos' earthworks are a sensory journey, inviting visitors to immerse themselves in the natural world. Her use of soil, sourced from various locations, creates a unique and often nostalgic experience. Morelos' work challenges our perception of soil as merely dirt, instead positioning it as a vital component of our existence. The Womb Space: A Sensory Phenomenon The Womb Space, Morelos' previous installation in Mexico City, was a cavernous earthwork that drew over 60,000 visitors. The structure's terraced walls of reddish soil and cascading plant matter created a sense of being inside a mountain. Visitors were struck by the silence, peace, and primal connection to the earth. Origo: A New Installation in London Morelos' latest earthwork, Origo, is a 24-metre-wide outdoor pavilion in London's Barbican. The installation features cave-like passages and a central patio for meditation and relaxation. Morelos' use of organic materials and egg-like form creates a dialogue with the Barbican's angular, concrete architecture. The Power of Soil Morelos' work is rooted in the Andean cosmovision, which perceives mountains, seas, and other natural elements as sentient beings. Her elevation of soil challenges the dominant Western worldview, which positions humans at the pinnacle of existence. By promoting a horizontal relationship with the earth, Morelos encourages a sense of care and listening. A Mission to Reconnect Morelos' earthworks are a mission to reconnect people with the natural world. Her installations dismantle the belief that soil is mere dirt, instead revealing its vital role in sustaining life. As Morelos says, 'I work with earth so you realise you're made of earth too. There's no separation. If you hurt her, you hurt me, you hurt yourself.'

The Return of Toy Story: Fans Get to Ask QuestionsToy Story 5 is one of the most anticipated movies of the year, with the franchise having grossed $3.3 billion to date. Last year's teaser trailer for the film garnered 142 million views in just 24 hours, demonstrating the immense popularity of the beloved animated series.New Characters and Plot Details RevealedThe new film, scheduled for worldwide release on June 19, features Jessie the Cowgirl (voiced by Joan Cusack) leading the gang in eight-year-old Bonnie's room, with Buzz Lightyear (Tim Allen) as her second-in-command. Woody (Tom Hanks) departed at the end of Toy Story 4 to help abandoned toys find their owners, but returns in this installment when a new tablet called Lilypad (Greta Lee) threatens the toys' relevance and Bonnie's well-being.The Massive Franchise ImpactThe Toy Story series has generated $3.3 billion at the global box office, making it one of Pixar's most successful franchises. The overwhelming response to the teaser trailer—142 million views in 24 hours—highlights the cultural significance of these characters and the anticipation surrounding each new installment.Technology's Role in Modern Toy StoryToy Story 5 introduces several technological antagonists, including a tablet named Lilypad, a toilet trainer called Smarty Pants (voiced by Conan O'Brien), a GPS hippo voiced by Craig Robinson, and a digital camera named Snappy. These characters represent the film's exploration of how technology impacts children's play and imagination, continuing the franchise's tradition of commenting on changing times through the perspective of toys.The Future of the Franchise and Fan EngagementWith all key voice actors returning for Toy Story 5—including composer Randy Newman and beloved characters like Hamm, Rex, Slinky Dog, and the Potato Heads—the film is positioned to continue the franchise's legacy of emotional storytelling. The Q&A; opportunity with Tom Hanks and the cast represents Disney's strategy of engaging directly with fans, potentially setting a new standard for interactive promotional campaigns in the entertainment industry.

The Stage is Set for a New Sherlock Holmes Outdoor drama is a pleasure complicated by the plot twists of the season. A day of almost hourly showers left the evening air so ominously moist for Sherlock Holmes that the detective could reasonably have announced: “The rain’s afoot.” A deluge held off but gave way to such coldness that the smoke and dry ice in the production competed with the actors’ breath clouds. Blending Classic and Contemporary Elements Billed as “a new mystery”, the script by Joel Horwood is a sort of bridge between Conan Doyle’s A Study in Scarlet (1887) and The Sign of the Four (1890). The conceit is that we are seeing the “real” events that Dr Watson, frantically transcribing most of the play’s dialogue into a notebook, later published as the second Sherlock Holmes book. A New Perspective on Watson's Narrative But while he faithfully recorded some of the case – including jewels from an Indian Mughal treasure box sent annually to Miss Mary Morstan in London – we see that he falsified elements including the true persona of Holmes. Watson also left out – or Horwood has included – a subplot about stolen government military secrets that did not reach the Sherlock canon until the 1908 short story The Adventure of the Bruce-Partington Plans. Bringing the Characters to Life Joshua James’s perky, petulant Sherlock has some of the canonical props, including pipe and drug apparatus, but passionately embraces theories about the detective’s sexuality and neurodiversity with which earlier performers have only flirted. As Horwood foregrounds Holmes’s deductive outbursts – “That mud on your shoe is only found at the courthouse!” – there are torrents of ratiocination that James delivers with admirable clarity. Jyuddah Jaymes engagingly seizes the opportunities given by a Watson whose agency and braininess have been expanded from his Conan Doyle role of out-thought secretary. A Successful Revival Great characters out of copyright often suffer clumsy slander but, for all the eccentricities such as Sherlock Holmes and the Alien Abduction, the deductive genius has largely been lucky. Like Humphrey Ker and David Reed’s Sherlock Holmes and the 12 Days of Christmas last year at Birmingham Rep, Horwood’s version succeeds in simultaneously teasing and taking seriously the original. At Regent’s Park Open Air theatre, London, until 6 June

The Candid Champion's Career TransformationThere are few experiences on the professional tennis circuit more uncomfortable than being Alexander Bublik's opponent. The task of deciphering one of the more talented and unpredictable players is challenging enough, but there is also a risk of being on the receiving end of a few stinging insults. Over the years, Bublik has become notorious among Russian-speaking fans for his scathing rants about his rivals, while reserving plenty of scorn for himself and the sport as a whole.From Underachiever to Top Ten: Bublik's Remarkable RiseThis past year has marked a significant transformation for the Russian-born Kazakhstani player. Just twelve months ago, Bublik had fallen out of the top 80 and his dire form forced him to drop back down to the ATP Challenger circuit—a desperate low for someone already considered an underachiever. However, his enviable talent has propelled a rapid turnaround: Bublik ended the clay-court season by defeating Alex de Minaur and Jack Draper (ranked No 9 and No 5), en route to his first grand slam quarter-final at the French Open. He then toppled the world No 1 Jannik Sinner on his way to winning the ATP 500 title in Halle.The Financial Reality of Professional TennisWhile most millionaire players are hesitant to speak about their earnings, money is another subject that Bublik often speaks freely on. "I think you realise that quickly once you start making your first money playing tennis that it's a big business," he says. "It's nice to win trophies, it's nice to be playing in a beautiful arena, it's all nice but at the end of the day you got to pay yourself and I think that was the very first motivation that I had when I became a professional tennis player." This pragmatic approach to tennis as a business has been central to his career strategy, even during his less committed years.The Changing Landscape of Tennis AuthenticityBublik's outspoken nature has sparked debate about authenticity in professional sports. "I think emotions are emotions," Bublik explains. "I guess it's just we live in a world where everyone tries to fake and I think there's nothing wrong in just releasing your emotions in a way because it's a stressful sport." His perspective extends to social media as well: "I guess the entire social media is fake, so I guess all the people who are there pretending to be someone they're not. I guess it's fake." This stance positions Bublik as a counterpoint to the carefully curated public personas common in modern sports.Maintaining Momentum: The Challenges AheadReaching the top 10 is impressive, but as Bublik's recent defeat at the Italian Open demonstrates, it is far tougher to maintain that status week in, week out. The top players have targets on their backs and it is far easier to swing freely with nothing to lose. Bublik will have a significant amount of points to defend over the coming months, starting with his return to Roland Garros one year on from the most beautiful moment of his career. His handling of these new experiences will say plenty about whether his transformation is complete or merely a remarkable career resurgence.