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The Filmmaker's Foray into Documentary Lucrecia Martel, the celebrated director of films like La Ciénaga and The Headless Woman, has expanded her creative horizons with Landmarks, a documentary that scrutinizes a murder trial with far-reaching implications. The film navigates the intricate dynamics between Indigenous communities and the descendants of colonists, set against the backdrop of Argentina's Tucumán province. The Case at the Heart of the Story The documentary centers on the tragic killing of Javier Chocobar, a 68-year-old member of the Indigenous Chuchagasta people. Chocobar was fatally shot during a confrontation with men claiming rights to mine the land. Martel weaves the grainy, shaky footage of the incident into her narrative, juxtaposing it with breathtaking drone shots that capture the vast, poetic landscapes. Exploring Themes of Land and Legacy Martel's concerns extend beyond aesthetics; she places people at the core of her story. Through interviews and personal stories, the film sheds light on Chocobar's life, his family, and the struggles of the Chuchagasta community. A particularly chilling aspect of the documentary reveals how the state and local landowners have attempted to erase the Chuchagasta people, claiming they became extinct in the 19th century. A Quiet yet Powerful Testimony Martel allows the subjects of her film to present their case with quiet dignity, steering clear of strident rhetoric. The documentary is described as beautiful yet occasionally soporific, with a stately pace that allows for deep reflection on the issues presented. What's Next for Landmarks Landmarks is set to screen at Bertha DocHouse in London starting from May 29. This documentary promises to be a significant cultural and cinematic event, offering viewers a chance to engage with pressing social issues through Martel's unique lens.

The Lead 'Fairyland' offers a glorious wallow in nostalgia for those familiar with the Bay Area in the 1970s and 80s, with grainy archive footage of San Francisco Gay Freedom parades and sushi at a book launch. But at its core, the film tells the story of a new kind of family. Queer Parenting in 1970s San Francisco The film centers around Steve (Scoot McNairy), a gay father raising his young daughter Alysia (Nessa Dougherty, then Coda's Emilia Jones as a teen) in San Francisco. After his wife, Alysia's mother, is killed in a car accident, Steve is faced with the challenge of parenting alone. He turns down an offer from his ultra-straight mother-in-law (Geena Davis) to raise the little girl. Parenting Techniques and Resilience Steve's parenting techniques are sometimes selfish and neglectful, but he loves Alysia deeply. He encourages her independence, teaching her to navigate the city and take care of herself. The film draws comparisons to Marielle Heller's adaptation of The Diary of a Teenage Girl, but Alysia turns out to be more resilient and independent. The Impact of the AIDS Epidemic The film's second half covers the later 80s, as the AIDS epidemic takes a devastating toll on the community. The cast, including McNairy and Jones, deliver excellent performances. Writer-director Andrew Durham adapts Alysia Abbott's memoir with sensitivity and discretion. The Future of Queer Representation 'Fairyland' is a significant contribution to queer representation in film. With its release in UK cinemas on May 29, it promises to resonate with audiences and spark important conversations about family, love, and identity.

The Shift in Eid TraditionsTraditionally, Eid al-Fitr in Lebanon is a vibrant celebration featuring family gatherings, elaborate feasts, and visits to mosques. However, the current geopolitical climate has forced a drastic pivot. Instead of traditional prayers in open spaces, many worshippers are gathering in underground shelters or makeshift prayer rooms to avoid aerial threats. The customary visits to relatives have been replaced by a focus on immediate family units, often confined to a single room due to the destruction of homes.The Human Cost of CelebrationThe economic and physical toll of the war has stripped the holiday of its festive elements. The traditional "Eid breakfast" or "Eid lunch" has been reduced to rationed meals, with many unable to afford the usual abundance. Furthermore, the displacement of millions has meant that Eid is no longer a time of return to one's roots, but a moment of uncertainty regarding where one will sleep that night. The joy of the holiday is overshadowed by the collective trauma of the population.Resilience Amidst AdversityDespite the grim circumstances, the Lebanese people continue to observe the religious significance of Eid. The spirit of the holiday has shifted from hedonism to solidarity. Communities are finding ways to maintain a sense of normalcy, often through digital connections or small, private acts of charity. The war has not erased the holiday, but it has forced a maturation of the cultural experience, prioritizing spiritual connection over material celebration.

The Political Shift in Enfield's Housing PolicyEnfield council in north London has withdrawn from the government's new towns programme, in a significant blow to Labour's flagship housebuilding scheme. The move by the new minority Conservative-led administration could present one of the first tests of Rachel Reeves's planning reforms, designed to curb the use of judicial reviews against new infrastructure.The New Towns Project and Its SignificanceThe project to build 21,000 homes at Crews Hill and Chase Park on the northern fringes of London was selected in March for the new towns programme along with six other locations across England. The new towns scheme has been heralded by the housing and communities department as the most ambitious housebuilding project in England for half a century and is regarded as a significant step towards helping Labour achieve its goal of building 1.5m homes during this parliament.Local Opposition and Political ChangeThe withdrawal comes after significant local opposition to the Enfield plan to build homes, shops, schools and services such as doctors' surgeries on green belt land currently occupied by several garden centres and family-run businesses. Enfield council, which was previously run by Labour, had already devised a plan to build homes at Crews Hill and gave its backing to the new town proposal.However, Labour lost control of the council in the local elections earlier this month and on Wednesday evening Conservative councillor Alessandro Georgiou was elected leader of the authority's minority Tory administration. The Conservatives pledged during the election campaign to halt the new town development if they took control of the council.Economic and Environmental ConsiderationsOn Thursday, Georgiou sent a letter to the minister for housing and planning, Matthew Pennycook, informing him that the council no longer supported the proposals to develop land at Crews Hill and other parts of the borough's green belt. In his letter to the Ministry of Housing, Communities and Local Government (MHCLG), Georgiou said the council would work with the government to deliver new homes and jobs in the borough, but would focus on brownfield sites and town centre regeneration.Enfield council owns just under a third (30%) of the land in the borough, while other land earmarked for the development belongs to private landowners. The majority of private landowners did not want to sell, according to Nina Barnes, owner of the Culver garden centre site at Crews Hill, close to the centre of the proposed new town development.Future Implications for Housing PolicyThe withdrawal of Enfield from the new towns programme could have wider implications for the government's housing strategy. Other locations in the programme may face similar local opposition, particularly when development plans involve green belt land. The government may need to reconsider its approach to engaging with local authorities and communities on major housing projects.An MHCLG spokesperson said: "Our landmark national new towns programme will restore the dream of homeownership for people across the country. We recently consulted with local people on the proposals and will respond in due course." This suggests the government may continue to push the programme forward despite Enfield's withdrawal, potentially leading to further political conflicts between central and local government.

The Evolution Mandate: Arsenal's Post-Trophy StrategyDespite the immense pressure and excitement surrounding Arsenal's potential to secure a historic double against Paris Saint-Germain on Saturday, the club's ownership has signaled that success will not result in complacency. Josh Kroenke, speaking ahead of the final, emphasized that winning the Champions League would not alter the club's trajectory. He argued that in the high-stakes environment of modern football, standing still is equivalent to moving backward, and the club is committed to evolving to stay ahead of rivals.Financial Commitment: Beyond the £250m SummerThe Kroenke family has demonstrated a willingness to spend significantly to achieve their goals. Since Mikel Arteta's appointment, the club has invested almost £1bn in transfer fees. This summer alone saw a record-breaking outlay of more than £250m to secure the Premier League title after a 22-year drought. Kroenke noted that this spending was driven by the realization that teams around them are constantly improving, and Arsenal must match that intensity to remain competitive.Transfer History: Almost £1bn spent since Arteta's arrival.Summer 2026: Over £250m invested to win the Premier League.Ownership Transition: KSE took full control in 2018 after buying out Usmanov for £600m.The Arteta Factor: Securing the Managerial VisionA central pillar of Arsenal's future strategy is the retention of manager Mikel Arteta. With his contract expiring at the end of the next season, Kroenke explicitly stated that keeping Arteta is an “utmost priority.” He credited Arteta with “reinventing” the club’s culture since replacing Unai Emery, describing the manager as an “Arsenal man through and through.” The owners believe that the cultural shift initiated under Arteta is the foundation upon which their continued success will be built.Stadium Renaissance and Fan ExperienceInvestment is not limited to the playing squad. The owners have announced plans to renovate the Emirates Stadium, a project led by chief executive Richard Garlick. Kroenke expressed a desire to bring back the character of the ground while elevating the matchday experience for supporters. Drawing on the standards set by their sports empire in the United States, the Kroenkes aim to modernize the facilities to ensure the Emirates remains a world-class venue.Future Outlook: Sustaining Dominance in a Competitive LeagueThe message from the board is clear: the journey to the top is a marathon, not a sprint. Kroenke reflected on a pivotal moment in 2019—a 4-1 defeat to Chelsea in the Europa League final in Baku—which prompted a strategic pivot. As Arsenal prepares for life as a two-time major trophy winner, the prediction is that they will enter the next transfer window as one of the most dangerous teams in Europe, with the financial muscle and managerial stability to sustain their challenge for years to come.

Executive Summary of the Emmy TriumphAn Al Jazeera journalist received an International Emmy for outstanding reporting and delivered an emotional acceptance speech that captured the attention of viewers worldwide. The speech highlighted personal dedication, the challenges of modern journalism, and the broader relevance of the award.Details of the Award and the SpeechThe International Emmy ceremony, held on May 28, 2026, recognized the journalist’s investigative series that exposed critical issues in the Middle East. In the live broadcast, the reporter thanked colleagues, family, and the audience, describing the honor as a testament to perseverance in a turbulent media landscape.Qualitative Impact on Al Jazeera’s Brand EquityThe accolade adds to Al Jazeera’s growing portfolio of international recognitions, reinforcing its reputation for high‑quality, independent reporting. Industry analysts note that such awards enhance credibility with audiences and can attract new partnerships and funding opportunities.Broader Implications for Global JournalismThe emotional moment resonated beyond the network, signaling a renewed appreciation for courageous reporting in an era of misinformation. Media outlets worldwide cited the speech as an example of the personal sacrifices journalists make to deliver truth.Future Outlook for Award‑Winning JournalismExperts anticipate that the visibility from the Emmy win will encourage further investment in investigative projects at Al Jazeera and inspire other newsrooms to prioritize in‑depth reporting. The ceremony’s global reach suggests continued audience appetite for substantive journalism, potentially shaping editorial strategies across the industry.

The Escalation of Violence in Southern Lebanon At least 16 people have been killed and 58 wounded in Israeli attacks in southern Lebanon, according to Lebanese health authorities, as Israel intensifies its assault and issues mass displacement orders across the region. Details of the Attacks Lebanon’s state-run National News Agency reported on Thursday that six of the victims belonged to the same family. They were killed in an Israeli drone strike while trying to flee at dawn along the Adloun Highway, a key route linking Sidon and Tyre, it said. 6 victims belonged to the same family Killed in an Israeli drone strike Incident occurred along the Adloun Highway The Humanitarian Crisis The attack came as Israel expanded its bombardment across southern Lebanon, hitting residential areas, roads and civilian infrastructure. The Lebanese army said one of its soldiers was killed in an Israeli strike in the Nabatieh area, the latest in a string of attacks targeting military personnel. Displacement Orders Israel has also issued sweeping displacement orders covering large parts of the south, including Tyre and surrounding areas. Residents were told to evacuate immediately and move north of the Zahrani River, roughly 40km (25 miles) from the Lebanon-Israel border. The Impact on Civilians The International Committee of the Red Cross has warned that Israel’s large-scale forced displacements and continued strikes on urban centres are placing civilians at severe risk and deepening a humanitarian crisis. The Future Outlook The escalation came as United States-mediated talks between Israel and Lebanon are due to resume on Thursday, beginning with technical discussions before moving to broader negotiations in early June. However, Israel has significantly intensified its military operations in the past two days, casting doubt over the prospects for diplomacy.

The LeadA novel featuring a protagonist whose job is taken by AI has won the Climate fiction prize. Hum by Helen Phillips, the American writer's third novel, explores themes of technological displacement and the commodification of nature in a dystopian future.The Disneyfication of Nature in LiteratureHum is about a woman, May, who loses her job to a "hum" of the title – a humanoid robot. Struggling to find work, she becomes a guinea pig for an experimental injection that alters her face so it can't be recognised by surveillance. When she gets paid for it, she splashes out on family passes to the Botanical Garden, the last remaining green space in her city. There, things take a turn for the worse.The Climate Fiction Prize RecognitionThe prize, worth £10,000, was first awarded last year to Abi Daré for And So I Roar, the follow-up to her bestselling debut The Girl with the Louding Voice. This year's judging panel was chaired by Guardian theatre critic and former literary editor of the Independent, Arifa Akbar. Alongside Kit de Waal and Friederike Otto on the panel were author Jessie Greengrass and book influencer Simon Savidge.Judges' Perspectives on the NovelJudge and writer Kit de Waal described Phillips's book as being about the "Disneyfication of nature … turning nature into a rare place that we have to pay to see". Fellow judge and climate scientist Friederike Otto added that it "tackles the central reason that nothing is done about the climate crisis – privilege", while writer Daisy Hildyard described it as "mesmerising and scary".The Author's InspirationPhillips was inspired to write the book after walking home from work one day and having the thought that she needed to buy dishcloths, before opening her computer at home and finding that dishcloths were being advertised to her. "That eerie feeling stuck with me, and I started to think about what worst-case scenarios might arise from surveillance by an algorithm."Impact on Climate AwarenessHum "helps us connect with what really matters and stops us from sleepwalking into an inevitable dystopia", said Lucy Stone, CEO of Climate Spring, which funds the prize. "In the novel, the machines themselves start to question the insane volume of advertising and the consumer treadmill, and then show the family that there are multiple different futures lying ahead of them."Future RecognitionPhillips will appear at Hay festival to discuss the book on Saturday 30 May. Alongside Phillips on this year's shortlist were Madeleine Thien for The Book of Records, Robbie Arnott for Dusk, Keshava Guha for The Tiger's Share, Susanna Kwan for Awake in the Floating City and Maria Reva for Endling.

A Surrealist Masterpiece Emerges from the Depths of Psychiatric ConfinementA recently discovered painting by the surrealist artist Leonora Carrington, made during her confinement in a Spanish psychiatric hospital during the second world war, will go on public display for the first time in London this summer. Known as Villa Pilar, the work was painted in 1940 while Carrington was a patient at sanatorium Morales in Santander, after fleeing Nazi-occupied France following the arrest of her partner, the German artist Max Ernst.The Unveiling of a Hidden Masterpiece from a Turbulent PeriodCarrington suffered a psychological breakdown in Madrid and was admitted to the institution, where she underwent traumatic psychiatric treatments that she later described in her memoir Down Below. But encouraged by her psychiatrist, Dr Luis Morales, Carrington sketched each day, and created two paintings, Down Below and Villa Pilar, which depict the psychiatric hospital as a symbolic underworld. Carrington described her "down below" period as an experience akin to "being dead."A Life Marked by Rebellion and Artistic InnovationBorn into a wealthy Lancashire family in 1917, Carrington rebelled early against the expectations placed on upper-class women. She studied at the Chelsea School of Art before meeting Ernst at a dinner party in London in 1937, when she was 20 and he was 46. The two began a relationship that scandalised their respective social circles and moved together to Saint-Martin-d'Ardèche in the south of France, where they lived and worked until the German invasion.She found kindred artistic spirits in renowned surrealists like André Breton, Salvador Dalí, and Man Ray, who, like her, were fascinated by dreams, the subconscious and the occult. When she eventually settled in Mexico in the 1940s, she became one of the country's most celebrated artists and part of an influential community of women creatives working outside the male-dominated European surrealist movement – alongside figures including the Spanish painter Remedios Varo and the photographer Kati Horna.Carrington was later embraced as a feminist icon, and she always resisted attempts to reduce her to her gender, once remarking: "I didn't have time to be anyone's muse ... I was too busy rebelling against my family and learning to be an artist." She died in Mexico City in 2011, aged 94.The Rediscovery and Symbolic Meaning of Villa PilarCarrington gave Villa Pilar to Dr Morales when she left the sanatorium, and it remained in his family for decades. It was only rediscovered during research for the exhibition by the Faro Santander team, who persuaded the Morales family to loan it publicly for the first time.Vanessa Boni, curator of the exhibition, said Carrington created the work as "a parting gift" to thank Morales for helping her recovery, despite the "brutal" treatments she endured, including cardiazol injections. "As we know from her memoir, it was really traumatic," she said. "Dr Morales kept the painting his entire life, and when he passed away, it was handed down to his daughter."The work depicts the hospital as being populated by hybrid human-animal figures moving through vivid green gardens – imagery that would become central to Carrington's later practice. "It speaks to ideas of inner transformation, metamorphosis and otherness," Boni said. "Both paintings are set in a verdant green landscape, including a green sky, which was a symbolic colour for her."A Transatlantic Exhibition JourneyVilla Pilar will join the exhibition Leonora Carrington – the Symptomatic Surreal at the Freud museum, where Sigmund Freud spent the final year of his life after escaping Nazi-occupied Vienna. To mark the unveiling, the exhibition has been extended until 10 August before travelling to Faro Santander, a new arts centre in the northern Spanish city, in September.Daniel Vega Pérez de Arlucea, director of Faro Santander, said: "This is not simply a matter of showcasing the work of one of the most important surrealist artists, but of recognising and revisiting a chapter of her life deeply rooted in this city."After leaving Santander, Carrington travelled through Lisbon and New York before settling in Mexico, where she became one of the leading figures of surrealism. In 2024, one of her paintings was auctioned for £22.5m, a record for a UK-born female artist.While in New York, Carrington gave her Santander sketchbooks to the surrealist collector Julien Levy, whose collection was sold at auction and dispersed into private collections in 2004. This exhibition marks the first attempts since then to bring the contents together for a major public display.