Breaking AI & Tech News Analyzed

The LeadGame of Thrones actress Hannah Murray shares her experience of being sectioned in a psychiatric hospital in her new memoir "The Make-Believe: A Memoir of Magic and Madness." The actress describes her mental health journey and the experience of being involuntarily admitted under the Mental Health Act.The Hospital ExperienceThe door to the room opens. A man enters the room. He is a Black man, bald and overweight. He is dressed in uniform. Blue uniform, a blue lanyard that reads "NHS". But I know Steve, the leader of the organisation that introduced me to magic, is a magician. I know he can appear in disguise.I approach the man and try to kiss him.He does not let me kiss him. Then no. It is not Steve.The man has brought me a plate of toast. He has brought me a cup of tea. I add sugar to the tea, which I would never have done in my former life, but a spoonful of sugar helps the medicine go down!I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive … I will never need to eat again. I survive on liquids and air and lightI do not eat the toast. I drink the tea. I am alone in the room again and I urinate into the cup and drink that too.I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive. It is the most potent of potions I can drink. I am a self-contained, utterly self-sufficient being. I will never need to eat again. I survive on liquids and air and light.I decide to explore outside the room. Outside my sanctuary. He has not come. So maybe I need to go searching for him …The Phone CallTime jumps. I am in a corridor lit by overhead strip lights. The electric light is pale yellow in tone. I am sat on one of three chairs in a row against the wall. The chairs are purple, curved plastic. I am still waiting for him to appear.There are two doors in front of me. One is the door to the blue room with the blue sofa and chair. Behind the other door is an office of some kind, and there is a woman in there, shuffling papers and talking on the phone.The woman comes out of the office. She is holding out my phone. My only possession now – the one artefact from my previous life. There is someone she wants me to speak to.Him.When I hold the phone to my ear, I hear a voice I recognise.But the voice belongs to my mother."Hannah?" she says. "Where are you? What's going on?"There is distress in her voice. Her voice is trembling with pain and anxiety.I do not want to hear it.This is a test. A horrible test, certainly, but one that I can pass. They are trying to tempt me back into the human. They are trying to lure me back into the past.I hang up the phone.But, after a moment, it starts to ring. The word Mum lights up the screen."Talk to her," says the woman.I answer the call.My mother sounds different now. Calmer. She asks again what's going on but gently, even cheerfully. I tell her everything's OK. That I'm fine. I tell her not to worry. I'm in a good place.This is the last time I will ever hear her voice, I think. This is the way I say goodbye.The DiagnosisThey tell me I am being sectioned.The words jar with my beliefs."Section 2 … the Mental Health Act … 28 days … right to appeal … "I cock my head.This does not fit at all. It does not fit in the world of Steve, of Ritual Master, of Shambhala and the invention of magic.I am not concerned. I am concerned only with the energy I can feel spiralling up through my body and the voices I can hear in my head.I pace the hospital corridors, delivering a tearful monologue, delivering the greatest performance of my life. A phrase comes to me. The Girl With All the Gifts. The title of a post-apocalyptic horror film released in 2016, starring Gemma Arterton.I am a magician. I am an actress. I am a writer. I have superhuman strength. I can fly. Anything that can be imagined, I can perform it. Every skill and every ability is mine.The film came out as a warning, and a prophecy.And because of me, the apocalypse has been averted.I am the saviour of the planet. I am the girl with all the gifts.The Journey to RecoveryIt was very hard, the journey to get here. It took 27 years. The path was twisting and full of setbacks, there were challenges and so much pain. There were times I wanted to give up. It was very hard. Everyone will have to make their own journey, and their journeys will be their own, unique as snowflakes or fingerprints. That is the beauty of it, the joy of it. Everyone has to figure it out for themselves.But I have laid the groundwork. I have walked the path. It starts with the energy healing, and it goes on and on through the seven dimensions, through increasingly magical planes. It goes on and on until you meet your soulmate, like I met mine.I was in a TV show called Game of Thrones, hidden in plain sight in the midst of a cultural phenomenon. I, the key to the world's salvation, wore the face of a character called Gilly, but really I played every role. Then I worked on a film called Detroit in Boston. David Benioff and Dan Weiss and Kathryn Bigelow were the four horsemen of the apocalypse. Numbers are irrelevant. Three counts as four. David and Dan and Kathryn cast me in the roles that brought about my destiny. The end and beginning of the world.I am the Ur-actress. I am every actress. Every performance ever given has been animated by my energy, my talent, by the gestures and facial expressions I am performing here and now.The Memoir and BeyondThis is an edited extract from The Make-Believe: A Memoir of Magic and Madness by Hannah Murray, published by Cornerstone (£18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.Hannah Murray will be in conversation with Jessie Cave at Kings Place in London on 5 June.

The Familiar FinalYou could be forgiven for having a sense of deja vu before a fourth Champions League final between the Spanish champions, Barcelona, and French champions, Lyonnes, on Saturday evening.The three-time champions and eight-time champions played each other in the final of Europe's premier competition three times in six years between 2019 and 2024, with Lyonnes earning a 4-1 win over the Catalan giants in 2019 and a 3-1 win in 2022 before Barcelona delivered a 2-0 defeat of the French side in 2024.However, predicting the outcome could not be harder and Barcelona's talismanic No 11, Alexia Putellas, said there is little that can be discerned from those previous meetings. "We can't compare seasons and we can't compare finals," said the two-time Ballon d'Or winner. "Our squad has evolved a lot, so previous finals don't have an influence on the final we are playing tomorrow."The Tactical Chess MatchA lot has changed. Most notably, Lyonnes are now managed by Jonatan Giráldez, who was a coach at Barcelona as they claimed their maiden UWCL title and at the helm for their second and third. Few managers are better equipped to return Lyonnes to the top of European football after a three-year hiatus than the man who understands the way Barça work and exactly how they ended the domination of the French side.As a result, the tactical approach of those on the sidelines is perhaps the most interesting piece of the puzzle in Oslo's Ullevaal Stadion.Giráldez said of Barça's development since he left: "They have some different players but their identity remains the same; this will to dominate and apply pressure. Not thinking about the result as much as about the show and the performance, that's their identity. I feel privileged to face Barcelona as I'm grateful for the experience I had there and I wish them the best – except when we have to win!"Master and ApprenticeOne of Giráldez's two assistants, Pere Romeu, replaced him when he departed for Washington Spirit in June 2024. "We are the two teams that have done the most in this competition to reach the final in recent years," said Romeu. "Tomorrow is going to be a very demanding match. Tomorrow is going to be a match with a lot of quality from both teams. Tomorrow is going to be a match that, as in all finals, is going to be decided by small details. We are going to try to take care of and control it to the maximum."The 32-year-old Barcelona manager won a domestic treble in his first season in charge, but fell short in the Champions League final last season as Arsenal delivered a shock defeat."I see a team that is more mature than last season," said Romeu. "I see a team with greater capacity to change things during the game than last season and I think we have reached a good point."Putellas described Romeu as a "complete coach", before the showdown on Saturday. "We've been working together for several seasons now and he has always tried to help me evolve as a player, which I'm very grateful for," she said. "He's the most complete coach. This season I've tried to do the best I possibly can without forgetting my own qualities in order to help the team."Romeu is relishing the master-apprentice battle in such a significant game. "I, as a coach, am super-excited to be able to face this match against a former coach of the club in Jonatan," he said. "I'm sure we'll both do everything we can to keep our teams' identities and keep doing the best we can to win."Dominate DomesticallyBarcelona secured another domestic treble on Saturday with a 3-1 Copa de la Reina final win over Atlético Madrid in their final game before travelling to Norway. Meanwhile, Lyonnes are one game away from their own domestic treble, having dispatched Nantes with an emphatic 8-0 win in the semi-final of the Premiere Ligue play-offs, with the final between the holders and Paris FC, taking place next Friday.The Lyonnes midfielder Lily Yohannes told Uefa that the club "just have so much hunger in us," after their three-year European dry spell. "We have so much fight. No matter what happens, we stick together, we rise above the challenges, and we just have such a winning mentality in the group."The 35-year-old centre-back Wendie Renard, who has been involved in each of the club's record eight Champions League wins, similarly spoke about a togetherness and desire in the team after a disappointing European run last season."If I had to sum up our journey this season: dedication," she told Uefa. "A Champions League campaign never comes easy, from one game to another. We've also had doubts and fears at times, but the squad has remained strong, and we've kept focusing on work and humility and performed well together."The Midfield BattleThe midfield battle will be key, with the impact of Melchie Dumornay, who was the difference maker in their semi-final fightback against Arsenal, critical for Lyonnes and Barcelona unsure of the readiness of the three-time Ballon d'Or winner Aitana Bonmatí, who is "feeling better every day", according to Romeu, but has not played 90 minutes for the team since November and only played 18 minutes of the Copa de la Reina final.Contrasting StylesThe Champions League final will ultimately be a contest between two different ways of playing, Barcelona's slick tiki-taka football and the more aggressive way Lyonnes play. Both cannot dominate possession in this game, one will have to cede it and find a different way to win. That is what makes it an enthralling fixture.

Family Outcry Over Maguire’s ExclusionOn the day the 26‑man England squad for Euro 2024 was announced, five close relatives of Harry Maguire took to social media to denounce manager Thomas Tuchel for omitting the 33‑year‑old centre‑back.Details of the Omission and Family ReactionsMaguires’s mother Zoe was the first to speak, writing, “You couldn’t have done any more. Hold your head high … Disgraceful.” She added a separate post calling the decision “absolute disgusted.”Joe (brother) – “the worst decision I’ve ever seen”.Laurence (brother) – described the call as a “shambles”.Fern (wife) – Instagram caption: “Beyond devastated for you… there was nothing else you could have possibly done to prove your worth.”Daisy (younger sister) – “Crazy decision. Keep your head up.”Maguires himself posted that he was “confident I could have played a major part this summer for my country” and expressed that he was “shocked and gutted by the decision”.Numbers Behind the Decision: Caps, Squad Size, and Injury History67 caps earned under former manager Gareth Southgate.Participated in Euro 2020 (final) and World Cup 2018 (semi‑finals), plus the 2022 World Cup in Qatar.Ruled out of Euro 2024 consideration earlier due to a lingering injury.England’s final squad limited to 26 players for the North American tournament.Potential Ripple Effects on England’s Campaign and Public SentimentThe public criticism from Maguires’s family could amplify media scrutiny of Tuchel’s selection policy, especially given the manager’s recent appointment and limited time to imprint his philosophy. Fans may question the balance between experience and form, while the defender’s absence removes a seasoned leader from a backline that has struggled with consistency.Moreover, the episode coincides with Maguires’s ongoing legal battle in Greece, potentially distracting the player and the club from on‑field matters.What Lies Ahead for Maguire and England’s Selection PolicyShould England progress deep into the tournament, the omission may be revisited for future competitions, especially if defensive frailties emerge. For Maguire, a strong club season with Manchester United could reignite calls for a recall, but his legal appeals may also affect his international prospects.For Tuchel, navigating this early controversy will be crucial to maintaining authority within the squad and securing public support ahead of the Euro 2024 kickoff.

The MCMC’s Directive to TikTok Over Royal DefamationThe Malaysian Communications and Multimedia Commission (MCMC) instructed TikTok on Thursday, 22 May 2026 to implement “immediate remedial measures” against an account claiming to be linked to King Sultan Ibrahim. The regulator demanded stronger moderation, removal of “grossly offensive, false, menacing and insulting” posts—including AI‑generated videos and manipulated images—and a formal explanation for TikTok’s prior “unsatisfactory” responses.Regulatory Context: Malaysia’s Sedition Law and Royal ProtectionMalaysia, a constitutional monarchy, enforces a sedition law dating back to 1948 that criminalises speech deemed to incite hatred or contempt toward the royal family. The MCMC’s order follows a pattern of stricter enforcement, such as the brief block of the AI assistant Grok in January and pending legislation to ban social‑media use by anyone under 16 years old.Implications for Social Media Governance in Southeast AsiaSets a precedent for regulators demanding rapid content removal when royalty is involved.Signals heightened scrutiny of AI‑generated media, which can amplify defamatory material.Aligns Malaysia with regional peers—Australia, Indonesia, France—pursuing age‑based social‑media restrictions.Potential Ripple Effects on TikTok’s Regional OperationsNon‑compliance could trigger further access restrictions or fines, pressuring TikTok’s parent company ByteDance to overhaul moderation tools across Southeast Asia. The platform may need to invest in localized AI detection and faster response protocols to satisfy multiple national regulators.What’s Next for Digital Content Regulation in MalaysiaThe MCMC has pledged “firm and proportionate action” to ensure a “safe, secure and respectful online environment.” Expect continued monitoring of royal‑related content, possible expansion of the sedition law’s digital scope, and stricter enforcement of upcoming under‑16 social‑media bans.

The Lead: Demands for Transparency on £5m Gift The defence secretary, John Healey, has urged Nigel Farage to provide transparency about the £5m gift he received from a billionaire businessman, in particular over whether any of the sum could have been linked to Russia-connected profits. In a letter to the Reform UK leader, Healey also asked him to address the possibility that the war against Iran might boost the revenues of AML Global, an aviation fuel company owned by Christopher Harborne, who gave Farage the £5m in 2024. Farage initially supported the US-Israeli attacks on Iran. The Financial Inquiry: Scrutinizing the Gift's Origins The letter, seen by the Guardian, asked Farage to confirm that none of the sum was "derived from transactions with Russian state-linked energy companies", and to give assurances that AML Global had complied fully with all sanctions on Russian energy since the full-scale invasion of Ukraine in 2022. In a statement to the Guardian, AML Global said it had complied fully with all UK and international sanctions, and screened any business partners to ensure the same. The Political Fallout: Investigation and Disclosure The Guardian revealed last month that shortly before the 2024 general election, Farage was given £5m by Harborne, a British-Thai dual citizen based in Thailand. Farage did not disclose the money at the time, and it only emerged when the Guardian reported it. He has argued that because it was an unconditional gift, and received before he announced he would run for parliament, there was no need to declare it once he did become an MP. However, after a complaint from the Conservatives, Farage faces a formal investigation by the parliamentary standards watchdog, Daniel Greenberg, into whether he should have done. The Geopolitical Concerns: Russia and Iran Connections In the letter, Healey noted that AML Global supplies jet fuel through a network of "main and regional oil companies" covering more than 1,200 locations worldwide, including central Asia, the Gulf and eastern Europe. Healey asked Farage to confirm that none of the profits which helped finance the £5m gift came from transactions with Russian state-linked energy companies, that AML Global had fully complied with all Russia sanctions, and that "no fuel sourced from Russian-controlled refineries has passed through its supply chain". The Public Interest: Demands for Open Books Citing previous comments by Farage about Russia – for example, that Nato "provoked" Russia's invasion of Ukraine by expanding eastwards – Healey said this wider situation "places Reform UK under a Russian cloud that only transparency can lift". On Iran, the letter asked Farage to say whether he was aware of a potential benefit to Harborne's company from rising aviation fuel prices when he made supportive comments about the attack on Iran, which led to Iran blockading the strait of Hormuz. Healey added: "The public is entitled to ask whether your financial interests were impacting on your political positioning and your initial support for throwing the UK armed forces headlong into a war in the Middle East without a plan."

The Star Wars Big Screen ConundrumWhen Disney acquired Lucasfilm for $4 billion in 2012, it seemed like a guaranteed success. The initial trilogy of films under Disney's leadership—The Force Awakens, Rogue One, and The Last Jedi—all earned over $1 billion worldwide. However, despite this commercial success, the franchise has faced increasing criticism and fan dissatisfaction. The latest film, The Mandalorian and Grogu, currently holds a 61% rating on Rotten Tomatoes, barely scraping into the "fresh" category. This raises questions about whether Star Wars has become an impossible franchise to successfully translate to the big screen in the modern era.The Disney+ Success FormulaDisney+ has proven to be a successful platform for Star Wars content, with shows like The Mandalorian, Andor, The Book of Boba Fett, Obi-Wan Kenobi, and Ahsoka finding dedicated audiences. These series have allowed Disney to explore corners of the Star Wars universe that films couldn't address, filling plot holes and expanding the mythology. The Mandalorian, in particular, introduced Grogu (Baby Yoda), a character specifically designed for maximum appeal. However, this streaming success has created a challenge: when the same characters and format are brought to the big screen, they may feel more like extended episodes rather than cinematic events.Financial Performance vs. Critical ReceptionDespite the critical challenges, Star Wars films have remained financially successful. The Force Awakens earned over $2 billion worldwide, Rogue One surpassed $1 billion, and even The Rise of Skywalker, which was widely disliked by fans, still earned Disney more than $1 billion. This financial success has allowed Disney to continue producing Star Wars content, but the declining critical reception suggests a growing disconnect between audience expectations and what the franchise delivers. The Mandalorian and Grogu, while profitable, appears to be following this pattern of commercial success mixed with middling critical reviews.The Franchise Identity CrisisThe article suggests that Star Wars is suffering from an identity crisis on the big screen. Disney has tried multiple approaches: soft-rebooting the original trilogy with The Force Awakens, challenging the mythology with The Last Jedi, and attempting to please all fans with The Rise of Skywalker. Each approach has faced backlash from different segments of the fanbase. The Mandalorian and Grogu takes a safer route, focusing on beloved characters without major revelations about the Force or character lineages. This approach may satisfy existing fans but fails to deliver the grand cinematic experience that audiences expect from a Star Wars film on the big screen.The Mythic Structure ProblemA key insight from the article is that the original Star Wars trilogy worked because it had a clear beginning, middle, and end. The story felt complete with the Empire's fall and Luke's redemption. However, subsequent continuations have undone these victories, reopening narrative wounds and diminishing the impact of the original story. The article suggests that this endless continuation without true resolution has made the Star Wars myth less meaningful over time. Characters are never allowed to complete their emotional arcs, victories are temporary, and the galaxy exists in a state of perpetual conflict without resolution.The Future of Star Wars CinemaLooking ahead, the article implies that Star Wars may need to reconsider its approach to big-screen storytelling. The success of Disney+ shows demonstrates that there's an appetite for Star Wars content, but perhaps the franchise needs to differentiate between cinematic and television experiences more clearly. Alternatively, the franchise might benefit from taking bigger creative risks or allowing stories to reach definitive conclusions rather than maintaining an endless status quo. As The Mandalorian and Grogu shows, simply delivering what fans already know and love in shinier packaging may no longer be sufficient to satisfy both critics and audiences on the big screen.

The End of an EraPep Guardiola will leave Manchester City at the end of the season after a decade in charge, the club has confirmed, bringing an end to one of the most successful eras in English football and one of the most influential managerial reigns of all time.The departure of the 55-year-old Catalan coach will close the book on a remarkable chapter that has seen City transform into a footballing juggernaut. Guardiola had arrived in Manchester with a resume already stuffed with silverware from Barcelona and Bayern Munich, taking over from Manuel Pellegrini in July 2016.The Trophy-Laden ReignGuardiola, who took charge of City in 2016, has won six Premier League titles – including four in a row – three FA Cups, five League Cups and the Champions League, but his side have not won the league in two years.Although City sealed the domestic cup double this season, Guardiola saw his dreams of a seventh Premier League crown dashed when they drew 1-1 at Bournemouth on Tuesday to hand Arsenal the title, with City set to finish second. His final game in charge is Sunday's home fixture against Aston Villa.The Tactical RevolutionAfter inheriting a successful club financed by the Abu Dhabi United Group, Guardiola will walk away having built a footballing empire after overseeing a paradigm shift in Premier League tactics. As Guardiola faced the challenge of adapting to England's famously fast-paced and physical league, possession became an art form and a defensive tool at City as his teams craved complete control.The result was not just utter dominance – evidenced by record-breaking campaigns like the 100-point 2017-18 season with 106 goals scored – but also relentless consistency year after year, including a record four league titles in a row. Guardiola's squads set new standards, forcing other teams to evolve, while City's financial muscle, combined with shrewd signings such as the much-sought-after striker Erling Haaland helped deliver the treble in 2022-23.The Changing LandscapeHowever, the spectre of the 115 charges of alleged breaches of the Premier League's financial rules looms large over his tenure at the club. His rivalry with former Liverpool manager Jurgen Klopp raised the bar in the Premier League so high that even 97 points proved insufficient for the Anfield side to claim the title in 2018-19.More recently, Guardiola has faced a challenge from his protege and former coaching assistant Mikel Arteta, who took charge at Arsenal and finished second behind City twice before ultimately winning the trophy this season.The Guardiola LegacyGuardiola looked back fondly at his time in Manchester, remembering how the city came together after the Manchester Arena attack while also describing how the club helped him through a tough period when he lost his mother to COVID."The fans, the staff, the people of Manchester, you gave me strength when I needed it most," he added. "Players don't forget – every single instant, moment, me, my staff, this club, everything. What we have done, we have done it for all of you. And you have been just exceptional. You don't know it yet, but you are leaving a legacy.""Don't ask me the reasons I'm leaving. There is no reason, but deep inside, I know it's my time," Guardiola said in a statement on Friday. "Nothing is eternal, if it was, I would be here. Eternal will be the feeling, the people, the memories, the love I have for my Manchester City."

The Performance We know that Aeneas is going to sail away. We know it before he arrives, before he declares his love to Dido, and certainly before the Sorceress and her witchy acolytes get all eye-of-newt about it. But when your opera house is the great hall under the Cutty Sark, and the clipper’s 200ft copper hull is rearing up over your head, it’s impossible to forget the tragedy that Purcell’s compact drama has in store. The Staging So you have to wonder why Andrew Staples, director of the Monteverdi Choir’s semi-staging, felt the need to work quite so hard? The space is the staging. You can try to ignore it (no mean feat when the museum’s collection of antique figureheads flanks the stage in a surreal guard of honour: Florence Nightingale rubbing painted wooden shoulders with Disraeli, Sir Lancelot and a selection of buxom lovelies), but you can’t work against it; you simply won’t win. The Musical Performance Close your eyes, though, and this was a rich account. Conductor Jonathan Sells rode every darting, eddying current in the score, the English Baroque Soloists a colourful, abandoned force in celebration, infinitely restrained elsewhere. Best of all were unaccompanied choral moments – “With drooping wings”, or the two interpolated Funeral Sentences – where movement and time stilled together, voices absolutely unified in their inflection, carving the music’s emotions with devastating clarity. The Vocal Performances The space’s natural resonance allied to some big voices made for an exciting central drama. German-Egyptian mezzo Karima el Demerdasch (definitely one to watch) was a voluptuous-voiced Dido, her suicidal queen still coming into focus. Johanna Wallroth’s radiant, exuberantly ornamented Belinda and Bethany Horak-Hallett’s sumptuous Sorceress supplied the rival musical poles, tugging us from good to ill and back again. And what a treat to have a properly baritonal Aeneas in Hubert Zapiór – a worthy lover and sparring partner for Demerdasch, a hero almost worth dying for. The Future of the Performance Next month the show travels to Norway for the Bergen festival. Cut loose from its nautical anchor, I suspect it’ll pick up several dramatic knots.

The Squad Revelation Thomas Tuchel is set to announce England's 2026 World Cup squad. The big announcement comes at 9:45 am UK time. The Probable Squad David Hytner and Jacob Steinberg have done their analysis and made their predictions on the final 26. Here's their probable squad: Goalkeepers: Jordan Pickford Everton, Dean Henderson Crystal Palace, James Trafford Manchester City Defenders: Reece James Chelsea, Tino Livramento Newcastle, John Stones Manchester City, Marc Guéhi Manchester City, Ezri Konsa Aston Villa, Dan Burn Newcastle, Jarell Quansah Bayer Leverkusen, Nico O'Reilly Manchester City Midfielders: Jordan Henderson Brentford, Elliot Anderson Nottingham Forest, Declan Rice Arsenal, Kobbie Mainoo Manchester United, James Garner Everton, Jude Bellingham Real Madrid, Morgan Rogers Aston Villa Forwards: Bukayo Saka Arsenal, Noni Madueke Arsenal, Eberechi Eze Arsenal, Marcus Rashford Barcelona, Anthony Gordon Newcastle, Harry Kane Bayern Munich, Ollie Watkins Aston Villa, Ivan Toney Al-Ahli The Omissions Trent Alexander-Arnold has been omitted from the squad. Djed Spence has been included but reportedly broke his jaw after a collision with Liam Delap of Chelsea on Tuesday. Maguire was the first to go public about being left out, with the defender taking to social media to express disappointment over failing to make the cut. The most eye-catching omissions came in the attacking areas, with Foden and Palmer left out due to underwhelming seasons. The Surprising Inclusions Tuchel has been bold with his selections, notably turning to Toney for the first time in 12 months. The former Brentford striker, who now plays for Al-Ahli in Saudi Arabia, was part of England's squad at Euro 2024 but has not made an international appearance since coming on as a substitute in the friendly defeat by Senegal last June.