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Daniel Peretz, the Southampton goalkeeper on loan from Bayern Munich, has expressed his pride in representing Israel during a tumultuous period marked by war and geopolitical conflict. With his family in Tel Aviv, Peretz shares the challenges of balancing his international duties with the safety concerns of his loved ones.Peretz's excitement about facing Arsenal in the FA Cup quarter-finals is palpable, but he also acknowledges the gravity of the situation in Israel. His family adheres to air raid sirens by heading to bunkers and safe rooms, a routine that has become all too familiar. Despite the distance, Peretz stays connected with his family, ensuring they are safe and focused on their instructions.When asked about playing for Israel being bittersweet, Peretz notes that the only bitter aspect is not qualifying for the World Cup and not playing at home. Israel's home games have been held in Hungary for the past three years, but Peretz hopes for a future where they can play at home with their fans.Peretz is known for his positive outlook and has a close relationship with his idol, Manuel Neuer. He recalls his first encounter with Neuer, feeling nervous but inspired. Peretz also shares his experiences with Harry Kane's penalty techniques, noting that saving one in 10 against Kane is a good statistic.As Southampton prepares to face Arsenal, Peretz emphasizes that while they have respect for their opponents, they are not afraid. He believes that if anyone doubts their abilities, they shouldn't participate. With a 14-game unbeaten run in all competitions, Peretz and his team are confident in their abilities.Peretz's future at Southampton is also a topic of discussion, with a £7m buy option in place. He is open to staying but acknowledges that promotion to the Premier League could impact his decision. For now, he is focused on finishing the season strongly.

By the time head coach Jesse Marsch concluded the March international window, the clock was ticking toward April, leaving Canada with more questions than answers ahead of the 2026 World Cup. The Toronto friendly against Tunisia turned into an “odd” afternoon, with a sudden lightning delay pushing the match’s finish to 11 p.m. and forcing fans to follow the action on mobile devices while rain hammered the city. While many had imagined a Canada‑Italy opener after the December draw, the draw against Bosnia and Herzegovina proved a relief. Swapping a potential clash with the world’s 12th‑ranked side for a match against the 65th‑ranked Bosnia is now viewed as a fortunate turn, yet the Bosnian squad displayed a relentless mid‑press that tested Canada’s defensive organization. Bosnia’s pressing generated 30 shots and a torrent of crosses, with veteran striker Edin Džeko looming as a threat and young forwards Esmir Bajraktarević and Kerim Alajbegović showcasing high energy. Marsch noted, “These kids grew up in a war‑torn country; they have resilience that showed in the last week.” Defensive depth emerged as a glaring issue. Centre‑back Moïse Bombito returned to training but remains sidelined with a Nice injury, while regulars Alfie Jones, Derek Cornelius and Luc de Fougerolles were unavailable. MLS pair Joel Waterman and Kamal Miller displayed “ill‑timed jitters,” raising concerns about the back line’s stability. Offensively, Canada’s output was blunt. Across two matches only two Jonathan David penalties found the net; forwards Cyle Larin and Tani Oluwaseyi failed to create a decisive spark. Larin’s last goal for Canada came in October 2024, and Oluwaseyi has scored just two times in 22 caps. Moreover, the team has failed to score from open play in six of their last seven internationals, recording three 0‑0 draws on home soil. Amid the gloom, 22‑year‑old winger Marcelo Flores offered a glimpse of optimism. The former Tigres talent, recently cleared to represent Canada after switching from Mexico, dazzled with dribbles and quick pivots, prompting calls to elevate Juventus striker Promise David and position Flores in a more creative role. The final, lingering question concerns the starting goalkeeper for the June 12 opener. Marsch has oscillated between Maxime Crépeau and Dayne St Clair for two years, and injuries have prevented a decisive choice. Both keepers remain fit, leaving the coach “as close as it’s always been” to a decision. Predicted squad Goalkeepers: Dayne St Clair, Maxime Crépeau, Owen Goodman. Defenders: Moïse Bombito, Derek Cornelius, Luc de Fougerolles, Joel Waterman, Alistair Johnston, Niko Sigur, Richie Laryea, Alphonso Davies. Midfielders: Steph Eustaquio, Ismaël Kone, Mathieu Choinière, Nathan Saliba, Jonathan Osorio, Tajon Buchanan, Ali Ahmed, Liam Millar, Marcelo Flores, Jacob Shaffelburg. Forwards: Jonathan David, Cyle Larin, Tani Oluwaseyi, Daniel Jebbison, Promise David.

Blanche McIntyre reimagines Noël Coward’s classic Private Lives at Manchester’s Royal Exchange Theatre with a daring in‑the‑round set that spins the audience into the couple’s turbulent romance.The production opens in a sleek, monochrome French resort designed by Dick Bird. As ex‑spouses Amanda (played with acid poise by Jill Halfpenny) and Elyot (delivered with dry detachment by Steve John Shepherd) collide on their respective honeymoons, the stage begins to rotate, creating a queasy, carnival‑like atmosphere that mirrors their escalating desire and spite.Both characters quickly abandon their new partners—Victor, a self‑satisfied ordinary portrayed by Daniel Millar, and the hysterically grating Sibyl, embodied by Shazia Nicholls—and flee to Paris. In Amanda’s cluttered flat, surrounded by half‑eaten meals and booze, the rekindled romance begins to sour, exposing the uglier layers of their destructive bond.The chemistry between Halfpenny and Shepherd shines as they deliver Coward’s razor‑sharp bon mots with effortless flair. Yet, in the second act, the performance feels slightly restrained; moments of lust and violence are hinted at rather than fully unleashed, leaving the climactic confrontation somewhat blunted despite the frantic spinning set.Supporting roles add texture: Millar’s Victor exudes contented self‑importance, while Nicholls hints at a hidden cunning beneath Sibyl’s hysterics. Sara Lessore’s turn as the Parisian maid Louise underscores the privileged caprices of the main characters.Overall, the production presents Amanda and Elyot’s relationship as a capricious game between sophisticated players rather than a dangerously irresistible passion, a nuance amplified by the theatrical whirl that never quite loses control.The show runs at the Royal Exchange until 2 May, offering theatre‑goers a uniquely dizzy experience of Coward’s wit and venom.

Ecuador's President Daniel Noboa has announced a significant decrease in homicides, with a 28% drop in March compared to the same period last year. This development comes as the country intensifies its fight against organized crime, with support from the United States.The government's anti-crime efforts have resulted in 4,300 arrests nationwide and the execution of 2,200 search warrants. Interior Minister John Reimberg attributed these successes to Noboa's leadership and the work of the Security Bloc, a task force composed of national police and military members.Reimberg expressed his commitment to continuing the effort, stating that the Security Bloc's deployment has yielded clear and measurable results. Defence Minister Gian Carlo Loffredo echoed this sentiment, emphasizing that the crackdown is just the beginning.However, concerns have been raised about potential human rights abuses amid the aggressive campaign against cartels. The US has provided intelligence and logistics to support Ecuador's military operation, which has been carried out on the ground by Ecuadorian forces.Noboa has compared Ecuador's struggles with criminal violence to a war, justifying a military-style response. The country's homicide rate has surged since the start of the COVID-19 pandemic, and Noboa has largely embraced the 'mano dura' or 'iron fist' security policies of other regional leaders.Despite the reported successes, allegations have emerged of civilian safety being threatened. Colombia's President Gustavo Petro alleged that bombs had landed near civilian farms along the Ecuador-Colombia border, and unidentified bodies have been recovered.The allegations have prompted domestic scrutiny of Noboa's campaign, with some questioning whether the attacks are really accomplishing his objectives. Lawmaker Jahiren Noriega Donoso stated that the war launched by Noboa is not a war against crime, but against the poorest among us.

The Guardian’s March reading roundup gathers a diverse set of recommendations from both its writers and its readership, offering a snapshot of the titles that captured their attention over the past month.John Lanchester highlights two recent British novels that resonated with him after completing his own manuscript: Drayton and Mackenzie by Alexander Starritt, a story of friendship intertwined with business, and The New Life by Tom Crewe, which explores gay life in the 1890s. His European picks include Eurotrash by Christian Kracht, a darkly comic road‑trip tale, Perfection by Vincenzo Latronico, a critique of the digital‑nomad lifestyle, and Olga Tokarczuk’s genre‑defying Drive Your Plow Over the Bones of the Dead. Lanchester also notes his own recent release, Look What You Made Me Do, available from Faber for £20 via the Guardian bookshop.James, a regular Guardian reader, is immersed in Tom’s Crossing by Mark Danielewski. He describes the 1,200‑page modern western as a masterclass in character depth and meticulous detail, urging readers not to be deterred by its length.Patmeena Sabit turns to shorter forms when time is scarce, recommending Hue and Cry by James Alan McPherson for its understated humanity, Fifty‑Two Stories (a new Chekhov collection translated by Richard Pevear and Larissa Volokhonsky) for its blend of classics and previously untranslated pieces, and Ada Limón’s poetry collection Bright Dead Things for its poignant beauty. Sabit also promotes her own work, Good People, published by Virago at £16.99.David praises Zbig: The Life of Zbigniew Brzezinski, America’s Cold War Prophet by Edward Luce, calling it a dense yet illuminating autobiography that traces U.S. and global power dynamics from the 1960s to the early Trump era, and recommending a piecemeal reading approach.Arash finds profound resonance in Mother Mary Comes to Me by Arundhati Roy. He describes the memoir as an emotionally powerful tribute to Roy’s mother, noting its refusal to fall into gendered clichés while championing compassion and resistance against chauvinism.

The 2026 International Booker Prize shortlist has been unveiled, marking the award's 10th anniversary. Daniel Kehlmann, Marie NDiaye, and Yáng Shuāng-zǐ are among the six authors competing for the top honor.The annual prize celebrates the best works of fiction translated into English, with the winning author-translator pair receiving £50,000, split equally.The shortlisted authors and their works are:Daniel Kehlmann - 'The Director', translated by Ross BenjaminMarie NDiaye - 'The Witch', translated by Jordan StumpYáng Shuāng-zǐ - 'Taiwan Travelogue', translated by Lin KingRene Karabash - 'She Who Remains', translated by Izidora AngelShida Bazyar - 'The Nights Are Quiet in Tehran', translated by Ruth MartinAna Paula Maia - 'On Earth As It Is Beneath', translated by Padma ViswanathanThe judging panel, chaired by author Natasha Brown, praised the shortlisted books for capturing moments from across the past century, saying they 'reverberate with history' and offer 'hope, insight and burning humanity.'The winner will be announced on May 19, with each shortlisted title receiving £5,000.

France concluded their World Cup preparations with a convincing 3-1 friendly win over Colombia, highlighting their attacking firepower and squad depth. The match, played at the Washington Commanders' home stadium in Landover, Maryland, served as a crucial test for coach Didier Deschamps ahead of naming his World Cup squad in May.Desire Doue opened the scoring for France with a low drive that was deflected in by Colombia's Daniel Munoz after 30 minutes. Doue struck again on 56 minutes, assisted by Marcus Thuram, who had also scored earlier just before halftime. Thuram's goal came from a cross by Maghnes Akliouche.Colombia's Jaminton Campaz pulled a goal back, but France's dominance was evident as they controlled the game. Kylian Mbappe, a late substitute, was rested for much of the game due to a recent knee injury. Mbappe remains one goal shy of equalling France's all-time scoring record of 57 goals, currently held by Olivier Giroud.France's performance in this and the previous match against Brazil has shown a balance of style and efficiency, boosting their confidence ahead of the World Cup. Deschamps' team appears to be heading into the tournament with growing certainty.

The Royal Liverpool Philharmonic, led by conductor Daniela Candillari, presented a unique concert experience that juxtaposed the serene with the apocalyptic. The program began with Elgar's Serenade for Strings, a piece that epitomizes Victorian salon music. The performance was gentle and dainty, with a lovely translucent quality to the Allegretto.The highlight of the evening was undoubtedly Mark Simpson's oratorio, 'The Immortal', inspired by Victorian occultism. This 2015 work invites the audience to a seance, featuring texts from mediums of the time and the words of Frederic Myers, founder of the Society for Psychical Research. The piece was characterized by its impossibly dense, deliberately impenetrable textures and apocalyptic soundscapes, complete with amplified howls and shrieks from the vocalists of Exaudi and solo baritone Rory Musgrave.In contrast, the performance of Sibelius's Second Symphony was smooth and polished, but lacked real tension and buildup. The symphony's ominous timpani rumble and scherzo were played with speed, but without the intensity one might expect. Overall, the concert promised life and death but ultimately left the audience hovering in between.

The growing influence of political deepfakes is a pressing concern, as AI-generated content becomes increasingly sophisticated and accessible. Online content creators are not only building fake images and videos of prominent public figures but also fabricating people and using them in military contexts, which can make them money and serve as effective propaganda.According to experts, some of these online avatars are sexualized images of women wearing camouflage garb that have generated a significant audience and helped create an idealized image of political figures like Donald Trump, even if the viewer knows the content is not real. Daniel Schiff, an assistant professor of technology policy at Purdue University, notes that "we are blending the lines between political cartoons and reality," and that "a lot of people feel like these images or videos or the stories they convey, feel true."The amount of political deepfakes has increased dramatically in recent years, with over 1,000 English language social media posts featuring fake images or videos of prominent political figures and politically important social issues and events cataloged by the Governance and Responsible AI Lab (Grail) since the start of 2025. In contrast, the organization recorded 1,344 such incidents in the previous eight years combined.The uptick is largely due to improvements in generative AI technology, which has made it "trivially easy to generate a scene that looks pretty realistic and to place real individuals into scenes," according to Sam Gregory, executive director of Witness. The fake avatars, which mimic real ordinary people rather than known figures, are a different matter again.Researchers worry that things will only get worse, with the technology used to build AI-generated content like Jessica Foster potentially being used to produce "AI swarms" capable of "coordinating autonomously, infiltrating communities, and fabricating consensus efficiently." However, humans can still stop malicious actors from using AI to destabilize society by implementing technical standards for content provenance and authenticity and ensuring that technology companies label AI-generated content.