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The Drama, directed by Norwegian filmmaker Kristoffer Borgli, is a jeu d'esprit of outrage, a psychological meltdown that is more astutely articulated than in many another more solemnly intended film.The film centers around Charlie, played by Robert Pattinson, a young British art historian based in the US, and Emma, played by Zendaya, a beautiful and charming young woman who is deaf in one ear. Their whirlwind romance leads to a wedding, but their relationship is put to the test when Emma reveals a dark secret from her past: at 14, she planned a high school shooting but was thwarted when another shooting occurred at a local mall, killing a friend.The film's tone is a delicate balance of satire and thriller, leaving viewers questioning whether it's a black-comedic absurdity or a serious commentary on the darker aspects of human nature. The film's ingenuity lies in its generic ambiguity, making it difficult to categorize as solely a romantic comedy or a thriller.The Drama has sparked controversy and debate, with some critics praising its bold and insouciantly offensive approach, while others have expressed discomfort with its handling of sensitive topics like gun violence and mental health.Despite some critics arguing that the film slightly falls down in its portrayal of the aftermath of Emma's non-crime, it offers a thought-provoking exploration of the human psyche and the complexities of relationships.The Drama is set to release in Australia on April 2, and in the UK and US on April 3.

Alim Beisembayev, the Kazakh-born winner of the 2021 Leeds International Piano Competition, presented a compelling piano recital that traversed the Romantic era, from Schubert to Liszt. His performance was marked by intimacy and conviction, bringing to life the passionate surge of Romanticism over three decades.Beisembayev's approach to Schubert's Moments Musicaux, D780 was characterized by calmness and understatement, effectively highlighting the vast contrast with the Liszt that followed. He skillfully utilized the fine acoustic of the Dora Stoutzker hall to create an intimate atmosphere, where Schubert's characteristic slipping between major and minor modes was quietly evocative.In his rendition of Chopin's Fantaisie, Op49, Beisembayev demonstrated a strong affinity with the composer, shaping long arching melodies and capturing their particular melancholy. His keyboard manner was both composed and contained, yet fired volleys of notes with fierce conviction. This approach seemed to embody Schumann's observation that Chopin's works were 'cannon buried in flowers.'The program's coherence was further underscored by the key of F minor, which also pointed to the interval of a diminished 5th, perceived as the Diabolus in Musica in Liszt's Sonata in B minor. Beisembayev's precise management of Liszt's transitions from apocalyptic turmoil to serene melody spinning, punctuated by moments of silence, showcased his technical assurance and deeper interpretative insights.The recital concluded with a Debussy encore that seamlessly transitioned into the 20th century, offering liquid balm beautifully delivered.

Skye Edwards reflects on the song's impact: 'To me, 'The Sea' always felt very evocative and now whenever we perform it, I tell the audience to close their eyes and imagine they’re at the beach.' The song has taken Morcheeba on a journey around the world, performing at festivals in beautiful places by the sea or lakes.

Jürgen Klopp has hailed Mohamed Salah as irreplaceable as Liverpool prepares for his departure at the end of the season. Klopp, who signed Salah for £34m from Roma in June 2017, described his time at Liverpool as 'a beautiful movie with a happy end.'The Egyptian international is third on Liverpool's all-time scorers' list with 255 goals and Klopp insists there is no like-for-like replacement for Salah in the game. 'This specific kind of player is irreplaceable,' said Klopp. 'I'm not sure there is even another one existing out there.'Klopp, now head of global football at Red Bull, admitted that Salah was not the easiest player to handle but expressed his pride in being part of his journey at Liverpool. 'I'm really happy and proud that I was part of the whole journey,' he said.Salah's departure comes 12 months before his contract is due to expire. Klopp's comments highlight the significant impact Salah has had on Liverpool's success during his time at the club.

The music of Bluey, the beloved Australian TV show, has captured the hearts of both children and adults worldwide. With over 4.8 billion minutes watched in Australia alone and 126 million streams of its theme song, the show's soundtrack has proven to be a crucial element in its success. Composer Joff Bush shares the secret to creating music that 'hits you in the feels.' According to Bush, it's all about seeding elements of music throughout an episode to create a powerful emotional payoff. For example, in the episode 'Sleepytime,' Bush used Gustav Holst's Jupiter from The Planets to convey the idea that a child's parents will always be there to love and support them. The new album, Up Here, features a chamber orchestra and marks a significant milestone in the show's music journey. Bush notes that the use of a chamber orchestra was initially met with skepticism but has ultimately resulted in something truly special. 'It's really ambitious, but having that many adults dedicate their craft to make this music as beautiful as it can be, for children? It was just wonderful.' The music of Bluey is not just emotionally devastating; it's also incredibly joyful. Children who spoke to the Guardian described the opening song as 'making them happy' and perfect for games like musical statues. For adults, the music often evokes strong emotions, with many confessing to watching the show after their kids have gone to bed. Bush's approach to scoring Bluey is rooted in his understanding of the show's themes and his own experiences as a father. 'Watching it now, I get it – why a certain episode hits you in the feels more.' His daughter even got to conduct the orchestra during a recording session, leaving her 'enamoured' by the experience.

Gianna, a 23-year-old Camden-based artist, has released her debut EP 'Behind the Wings', which blends polished boho-pop with elements of trip-hop and Balkan folk. Her music is reminiscent of early 2000s Nelly Furtado and All Saints. Gianna's songs are bright and effervescent, making a strong case for the revival of coffee-shop pop.Other notable new tracks include:Nia Archives – Danger: A UK junglist's return with a catchy playground chant acronym and swerving beats.deBasement – Aftermarket Bass (ft Nikki Nair): Fuzzed-out dancefloor bass and commanding icy vocals.Downtown Boys – No Me Jodas: Rhode Island punks return with an expanded sound, blending spit-and-sawdust squall with doom.Brennan Wedl and Waxahatchee – Six O’Clock News: A beautiful essay on outlaw love, combining Lucinda Williams and Sheryl Crow styles.Empress Of – Dream House: Sweet, shuffling R&B; offering to her family, whose home burned down in the Altadena fires.Lee “Scratch” Perry and Mouse on Mars – Rockcurry: Lee “Scratch” Perry's final sessions with a German electronic duo, producing synth-winking music.Khun Narin Electric Phin Band – Poet Wong Pt 1 (เปิดวง ตอน 1): Serene, intricate, psychedelic, and pulverising music from a marching band in northern Thailand.Subscribe to the Guardian's rolling Add to Playlist selections on Spotify or transfer it to Apple, Tidal, or other services.

Handel's mid-career novelty, Imeneo, is a comedy of duty and desire that defies conventions. Unlike Mozart's Così fan tutte, Imeneo eschews cynicism and cruelty, instead opting for a lighthearted, meta-theatrical approach.Director Guido Martin-Brandis and the Cambridge Handel Opera Company bring this operetta to life with a delightful staging that captures its knowing, self-referential charm. The set design, featuring a row of Ionic columns and an 18th-century fantasy of topiary and trellis, perfectly complements the opera's playful nature.The story follows Imeneo (played by Timothy Nelson), who rescues the city's marriageable young virgins from pirate-kidnappers. The conflict revolves around Rosmene (played by Ellie Neate), who must choose between gratitude and fidelity. Handel's music, conducted by Julian Perkins from the harpsichord, is a precise cocktail of artifice and sincerity, beautifully balanced by the cast.The cast delivers outstanding performances, with Neate's Rosmene growing in power throughout the final scene, and Lisa Dafydd's Clomiri captivating audiences with her sweet singing. Bethany Horak-Hallett's mezzo and Nelson's baritone are evenly matched, while Trevor Eliot Bowes brings comic relief as the patriarch Argenio.This production of Imeneo is a must-see, with its witty and careful handling of Handel's music and libretto. Don't miss it, running until March 28.

The documentary 'Transforming the Beautiful Game: The Clyde Best Story' tells the uplifting story of Clyde Best, a trailblazing black footballer who played for West Ham in the early 1970s. Best's journey from Bermuda to London at 17, and his experiences with racism in the sport, are highlighted in the film.The documentary features a stellar lineup of talking heads, including Geoff Hurst, Harry Redknapp, Viv Anderson, John Barnes, Les Ferdinand, Shaka Hislop, and Garth Crooks, who discuss Best's significance and impact on the game. The film also explores Best's pioneering role as one of English elite football's first black players and his influence on succeeding generations of black footballers.Best's story is one of resilience in the face of racism, including virulent abuse from fans and players. However, he also experienced acceptance and support from teammates, such as at West Ham, where he played alongside Clive Charles and Ade Coker. The film notes that in 1972, West Ham became the first top-flight team to field three black players in the same match.After leaving West Ham in 1976, Best played for Tampa in the North American Soccer League (NASL), where he encountered a different cultural environment, free from the racism he faced in England. The documentary also touches on the NASL's attempt to establish itself as a mainstream sport in the US, although it ultimately failed.The film concludes with Best emerging with considerable dignity, reflecting on his legacy and the importance of blazing a trail for future generations. As Best himself says, 'My father taught me: 'Clyde, when you go out there and play, you're not playing for yourself, you're playing for the people coming after you.''

Inter Miami achieved a stunning comeback victory over New York City FC (NYCFC) on Sunday, winning 3-2 in a Major League Soccer (MLS) match. Lionel Messi scored his 901st career goal, contributing to the team's first MLS win since March 7.The match began with Gonzalo Lujan scoring his first career MLS goal for Inter Miami in the fourth minute. However, NYCFC quickly equalized with a spectacular free kick by Nicolas Fernandez Mercau in the 17th minute.NYCFC took the lead in the 59th minute through Agustin Ojeda, assisted by Maxi Moralez. But Messi intervened, scoring a crucial goal in the 62nd minute after his shot deflected off NYCFC's Hannes Wolf and past keeper Matt Freese, tying the game at 2-2.The decisive moment came in the 74th minute when Micael dos Santos Silva headed home a beautiful cross from Noah Allen, securing the win for Inter Miami. Despite NYCFC's efforts to equalize, Inter Miami's goalkeeper Dayne St Clair made a crucial save in stoppage time to preserve the victory.This win brings Inter Miami to 10 points (3-1-1), while NYCFC also sits at 10 points (3-1-1) but now with their first defeat of the season.