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Within its opening weekend on Netflix, Peaky Blinders: The Immortal Man attracted over 25 million streams, outpacing all other titles that week despite already enjoying a UK cinema run and a high‑profile red‑carpet premiere at Birmingham’s Symphony Hall.Banijay Entertainment, a co‑producer of the film, capitalised on the buzz by launching an official Peaky Blinders merchandise store, underscoring how streaming services are now flipping the classic content pipeline—moving from streaming to the big screen rather than the reverse.Beyond promotional stunts, these theatrical forays are becoming a strategic revenue stream and franchise‑building tool. Shows such as Stranger Things, KPop Demon Hunters and The Mandalorian are being repackaged for cinemas, offering fans a premium, event‑style experience that streaming alone cannot replicate."Cinema still creates anticipation, hype and a sense of scarcity that streaming platforms struggle to match," explains Ben Woods, analyst at MIDiA Research. Historically, Netflix limited theatrical releases to qualify films like The Irishman for awards, but the current focus is on monetising proven intellectual property across both mediums.The success of Peaky Blinders—a series with a built‑in audience—demonstrates the model’s viability. Lead actor Cillian Murphy, who also produced the film, described the release as "one for the fans," signalling the intent to reward loyal viewers.Netflix’s own experiment with KPop Demon Hunters proved lucrative: limited theatrical screenings across two weekends generated more than $24 million (£18 million) at the box office and helped the animated musical secure two Academy Awards for Best Animated Feature and Best Original Song.Co‑CEO Ted Sarandos highlighted that the film’s triumph stemmed from its initial Netflix debut, which fed the theatrical audience via the platform’s recommendation engine. While a sequel is slated to follow the same streaming‑first rollout, the Peaky Blinders movie’s cinema‑first launch shows that release strategies remain flexible.Industry observers note that gaps in the traditional release calendar give streaming services opportunities to fill weekends with original content, a tactic Netflix is actively exploiting.Major studios are also blurring the line between streaming and cinema. Disney, for example, transformed its hit Disney+ series The Mandalorian into a feature film, reflecting a broader push to bring Star Wars stories back to theatres.Adapting episodic narratives for the big screen presents creative challenges. As Ben Woods asks, should a film cater primarily to dedicated fans familiar with the series, or aim for a stand‑alone appeal that attracts a wider audience?Fan reaction to The Immortal Man has been mixed on the Peaky Blinders subreddit, with some critics questioning the decision to condense a season‑long arc into a single film. Nonetheless, the movie enjoys a strong critical consensus, holding roughly a 90 % fresh rating on Rotten Tomatoes.Looking ahead, Netflix announced on 20 March that two new post‑war seasons of Peaky Blinders are in development, raising the question of how soon the next installment might receive a cinematic spin‑off.

Actor Corey Feldman, known for his role in Stand By Me, has spoken out about being omitted from the Oscars tribute to Rob Reiner earlier this month. Reiner, along with his wife Michele, was remembered during the Academy Awards' in memoriam section. Feldman expressed his feelings of being snubbed, likening it to 'a family reunion I wasn’t invited to.' He mentioned that his co-stars from Stand By Me, Jerry O'Connell and Wil Wheaton, were present at the tribute. “I think Jerry and Wil did what had to be done,” Feldman said. “It was a fleeting moment, so I don’t feel like I missed much at all. Although they did a wonderful job, I would’ve liked to have heard from Wil and Jerry and a few other people up there.” Feldman also noted that plans for events to mark the 40th anniversary of Stand By Me have been scaled down following Reiner's death. “We all would’ve loved to be able to say goodbye in our own ways. Unfortunately, that didn’t happen,” he said. “The best way we can say goodbye is honouring him and his work … and hopefully going out there to celebrate him one last time on a big screen where it deserves to be seen.” The Reiners were found dead at their home on December 14. Their son, Nick Reiner, has been charged with two counts of first-degree murder.

Russia has officially designated Pavel Talankin, the main protagonist of the Oscar-winning documentary 'Mr Nobody Against Putin', as a 'foreign agent'. This move comes after Talankin, a teacher and videographer, spent two years documenting pro-war propaganda at a school in the Chelyabinsk region of west-central Russia.Talankin, in collaboration with US director David Borenstein, won the Best Documentary award at the Academy Awards earlier this month. The documentary features footage Talankin smuggled out of Russia in 2024, showcasing how students were exposed to pro-war messaging.A Russian court recently banned the documentary from several streaming platforms, citing that it promoted 'negative attitudes' about the Russian government and the war in Ukraine. Since Russia's full-scale military invasion of Ukraine in February 2022, Russian authorities have sought to suppress opposition to the war and rally support among citizens.As a 'foreign agent', Talankin is subject to stringent bureaucratic requirements and income restrictions in Russia. He is also obligated to label his social media posts and publications with the 'foreign agent' designation.In his Oscar acceptance speech on March 15, 2026, Talankin urged an end to global conflicts, stating, 'Stop all of these wars now'. The documentary has sparked controversy, with some Russians opposing Putin and the war criticizing Talankin for filming colleagues and children without consent.

Liverpool FC's Egyptian star Mohamed Salah has announced that he will be leaving the Premier League club at the end of the season. The 33-year-old forward confirmed the news in a video message on social media, marking the 'first part' of his farewell.Salah will depart on a free transfer despite having 12 months remaining on his contract. The reasons behind his departure are not explicitly stated, but earlier in the season, he mentioned having a nonexistent relationship with Liverpool manager Arne Slot.The fan favorite accused the club of making him a scapegoat for their poor start to the Premier League season. Speculation about his next destination has been ongoing, with links to several clubs around the world.Salah's agent, Ramy Abbas Issa, stated that no decision has been made about his future. The Saudi Pro League, particularly Al-Ittihad and Al-Hilal, have been mentioned as potential destinations. A move to the MLS in the United States is also a possibility.Liverpool has respected Salah's wish to announce his departure early, celebrating his achievements and memorable moments with the club. Salah is one of the most decorated players in Premier League history, with 255 goals in 435 appearances and numerous awards, including three PFA Player of the Year titles and four Premier League Golden Boot awards.

Brendan Gleeson has been named best actor at the Critics' Circle theatre awards for his West End debut in Conor McPherson's pub drama The Weir. He beat fellow nominees including Bryan Cranston and Paapa Essiedu, both recognised for All My Sons, and James Hameed and Arti Shah, the duo who together portray Paddington in the new musical about Michael Bond's bear.The Weir, directed by McPherson, was entirely omitted from the nominations for this year's Olivier awards and is being turned into a film with Gleeson and the rest of the West End cast.All My Sons, a critically adored production of Arthur Miller's 1946 classic at Wyndham's theatre, won in two categories at the Critics' Circle awards: best revival of a play or musical and best director for Ivo van Hove. A new production of Stephen Sondheim and James Lapine's Into the Woods, directed by Jordan Fein at the Bridge theatre, also won two prizes – best designer (Tom Scutt) and the inaugural award for best ensemble or cast.The winners, voted for by professional theatre critics, were revealed at a ceremony at the National Theatre in London on Thursday. Paddington: The Musical, with music and lyrics by Tom Fletcher and book by Jessica Swale, won best new musical. James Graham's Punch, based on the real story of a fatal blow, received the Michael Billington award for best new play (named in 2019 in honour of the Guardian's theatre critic after he stepped down from reviewing). Ava Pickett won most promising playwright for her Tudor drama 1536, which was staged at the Almeida theatre in London in 2025, transfers to the West End in May and is being turned into a BBC drama series.Rosamund Pike saw off competition from Kate Fleetwood (Into the Woods), Marianne Jean-Baptiste (All My Sons) and Rachel Zegler (Evita) to win best actress for her acclaimed performance as a judge in Suzie Miller's Inter Alia. Ruby Ashbourne Serkis was named most promising newcomer for her performance in a revival of Tom Stoppard's Indian Ink which opened at Hampstead theatre days after the revered playwright's death. The award for best Shakespearean performance went to Hayley Atwell for her Beatrice (alongside Tom Hiddleston, nominated for the same prize, as Benedick) in Much Ado About Nothing at Theatre Royal Drury Lane.

Mark Simmons, a rising star in the comedy world, has made a name for himself with his quick wit and clever one-liners. In a recent interview, Simmons opened up about his journey as a comedian, his inspirations, and his latest tour, Jest to Impress.Simmons' love affair with comedy began when he was starting out. He devoured DVDs and videos of standups, drawn to those who dared to be different. Stewart Lee, Rhod Gilbert, Lee Mack, and Noel Fielding were among his early inspirations. Simmons' own style is characterized by his ability to craft clever one-liners and gags, earning him the title of Dave's Joke of the Fringe winner in 2024.When it comes to writing new material, Simmons has a keen eye for wordplay. He recalls a conversation with a friend that sparked a joke, showcasing his ability to find humor in everyday life. Simmons' process involves collecting notes and ideas, which he then crafts into jokes.Simmons has had his fair share of memorable gigs, including a standout performance at Glastonbury festival and a recent show at Nottingham Playhouse, where he performed to a sold-out crowd of 700 people. His show, Jest to Impress, is a celebration of silliness and wordplay, offering audiences a chance to forget their worries and have a laugh.Simmons also hosts a podcast where he discusses jokes that haven't quite landed. He shares an example of a joke that works on paper but not in front of an audience, highlighting the challenges of comedy. While awards like Dave's Joke of the Fringe are fun, Simmons acknowledges that they can be reductive, but he's proud to be the undefeated champion.Jest to Impress is currently on tour in the UK and Ireland until November 28. Fans of Simmons can catch him live, enjoying his unique brand of comedy that promises to leave audiences laughing and entertained.

The UK's ambition in quantum computing is being backed by sustained investment in people and fundamental science, with a focus on building a strong foundation for the sector. UK Research and Innovation (UKRI) has been instrumental in supporting hundreds of academics and building the infrastructure needed for the industry to thrive.In the last 10 years, UKRI's councils have made significant investments in physics research, including support for 100 PhDs in quantum technology launched in 2024, quantum computing industrial doctorate awards, and funding 14 early-career fellows in the last 18 months.The investment is paying off, with the quantum sector showing promising growth and potential to create 100,000 jobs in the next 20 years. The government has signalled its recognition of the opportunities in quantum computing with a further £1bn procurement programme, making the UK one of the most exciting and well-supported places in the world for quantum computing researchers, companies, and students.Prof Charlotte Deane, UK Research and Innovation, highlights that the UK's advantageous position in quantum has emerged through sustained long-term public investment into fundamental physics research projects, and the best people, infrastructure, and partnerships.

The 2026 Bafta TV award nominations have been announced, with Adolescence, Jack Thorne's groundbreaking drama about a teen accused of murder, leading the pack with 11 nominations. The Netflix psychological crime drama, described by the Guardian as “the closest thing to TV perfection in decades,” has garnered significant attention, including the first Bafta TV performance nominations for supporting actor and actress awards for four of its stars: Ashley Walters, Christine Tremarco, Erin Doherty, and Owen Cooper.Created by Thorne and Stephen Graham, and directed by Philip Barantini, the drama was also nominated for Bafta’s Memorable Moment award for the scene where Jamie snaps at the psychologist. Jane Millichip, CEO of Bafta, praised the diversity and originality of British storytelling, highlighting 124 nominated programmes.First-time nominees include Ellis Howard (What It Feels Like for a Girl) and James Nelson-Joyce (This City is Ours) for best leading actor, as well as best leading actress nominee Narges Rashidi (Prisoner 951). Nine-year-old Rafael Mathé also received his first Bafta nod for best supporting actor in The Death of Bunny Munro, alongside Owen Cooper for Adolescence.A Thousand Blows, a historical drama series created by Steven Knight, received seven nominations, including drama series, leading actress, and costume design. Andor, a politically charged thriller, and Trespasses, an adaptation of Louise Kennedy’s novel, both received six nominations. The Celebrity Traitors received five nominations for presenter Claudia Winkleman and performances.The BBC received the most nominations for a broadcaster, with 73, followed by Netflix and Sky with 28 nominations and Channel 4 with 25. The 2026 TV Baftas will take place on Sunday, May 10, 2026, hosted by Greg Davies.

South Yorkshire is on the cusp of a significant transformation, driven by a surge in creative industries and investments. The region, once known for its steel industry, is now home to the UK's biggest podcast festival, Crossed Wires, and Persephonica, a leading independent podcast producer. The success of Adolescence, a Netflix hit produced by Warp Films, has been a catalyst for this change. The show's multiple awards at the Emmys and Golden Globes have brought international recognition to the region. Oliver Coppard, the Labour mayor of South Yorkshire, attributes the region's renewed confidence to a shift in mindset. He believes that the area's leaders have finally begun to offer an ambitious vision for its future. The region's economic growth is also driven by investments in defence and manufacturing. BAE Systems and Sheffield Forgemasters are among the companies contributing to this growth. However, experts caution that the region's future cannot rely solely on these industries. Jim O'Neill, a leading economist, emphasizes the need for a diversified economy and a strong public transport system. Despite challenges, the mood in South Yorkshire is optimistic. The region's young people are choosing to stay and work in the area, driven by the availability of high-skilled jobs and new opportunities.