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The Congressional Hearing United States Secretary of Defense Pete Hegseth has faced his first public questioning from Congress on the US-Israel war with Iran. Over hours of tense testimony alongside Chairman of the Joint Chiefs of Staff Dan Caine, Hegseth batted away questions about the long-term goals and timeline of war, which began with the US-Israel launching attacks on Iran on February 28. $25-billion Price Tag For the first time, the Pentagon publicly put the price tag of the war so far at $25bn, with Hegseth delivering an at-times caustic defence of US President Donald Trump’s policy. Hegseth also defended the White House’s historic request of a $1.5 trillion defence budget. Questions Over Iran's Nuclear Programme It was on the subject of Iran’s nuclear programme that Hegseth faced some of the harshest questioning, with lawmakers grilled the Pentagon chief on the war’s aims. Representative Adam Smith, a Democrat, seized on Hegseth’s apparently contradicting statements that Iran’s nuclear programme was “obliterated” following the 12-day war with Iran in 2025 and that it presented an imminent threat in the run-up to the most recent war. Don't Call it a 'Quagmire' In one of the most heated exchanges of the day, Hegseth bristled when Representative John Garamendi, a Democrat, called the war a “quagmire” and a “political and economic disaster at every level”. The Pentagon chief accused the lawmaker of “handing propaganda ⁠to our enemies”. No Quarter for Enemies? Moulton also asked Hegseth about his past statement that US forces would allow “no quarter, no mercy for our enemies”. The phrase has historically referred to killing enemy combatants, even if they have surrendered, a war crime under international and humanitarian law. Caine Appears to Give Higher US Death Toll The chairman of the Joint Chiefs of Staff also presented a stout defence of the war during his opening remarks, saying Iran remains “a weaker and less capable than they have been in decades”. During the statement, Caine referenced 14 members of the US military who had died during the war. To date, the Pentagon has only identified 14 casualties. Republicans Show Support While Democrats on the committee pursued a series of pointed questions, Republicans were generally supportive of Hegseth and the war. That is significant, as Friday will mark 60 days since Trump officially notified Congress of the US-Israeli strikes on Iran. Under the 1973 War Powers Act, Trump is theoretically required to begin withdrawing troops after 60 days or receive congressional authorisation to keep fighting.

The Emotional Landscape of Driftwood The air hangs heavy in Alma, a drinking club in 1950s Port of Spain, Trinidad. Heat and rum bring their own kind of languor – but in Martina Laird's play, change is coming, both within a fractured family and in the wider world. Characters and Conflict Alma is managed by a mother and daughter. Ellen Thomas gives the indomitable Pearl a basilisk glare but not maternal instincts (“the only thing I done wrong is to make children dat not worth nothing”). Ruby (an exuberant, citrussy Cat White) runs a honeypot scam on tourists, but doesn’t intend to “stay here in downtown hell”. The Plot Thickens When Pearl's long-abandoned son Diamond arrives, tensions seethe. The RSC's content warnings flag up incest – so it's no surprise when Ruby and Diamond catch each other's glance. She stands in golden lamplight, and he draws close, moth to flame. Martins Imhangbe's towering Diamond moves in an unhurried, proprietary roll, teetering and then rising on his toes. Capturing a Nation on the Brink Laird captures a country on the febrile brink of change. Nationalist Eric Williams (later the independent island's first prime minister) is standing for election, urging voters to reject the claims of British rule and American economic encroachment. Calypsos with a satirical snap play between scene changes. A Critical Verdict Laird's first staged play, runner-up for the Verity Bargate award, still feels in need of another draft. Plot and emotion are dialled up to 11 but don't shake you as they might. A different production might ignite the dialogue's crackle; Justin Audibert's heavy-handed direction sloshes in music to underscore emotive speeches and ambles towards the flickering redemption that might break the cycle of personal and political history. Atmosphere and Performance Driftwood is steeped in atmosphere, enhanced by Simon Spencer's lighting: amber gliding over ink-blue walls, or dunking late night confessions in an eerie moss green. The best of Laird's writing is equally vivid: the tang of sour memory, the detail of dreams betrayed. At the Other Place, Stratford-upon-Avon, until 30 May. Then at Kiln theatre, London, 3 June-4 July

The Rise of AI-Generated Video AI-generated video has rapidly evolved from a novelty to a creative tool, with Runway at the forefront of this shift. The New York-based company has raised approximately $860 million at a valuation of $5.3 billion, competing with well-funded labs like Google and OpenAI. Pushing the Boundaries of AI Technology Runway's technology extends beyond video generation; it's now focusing on developing general world models. These models have potential applications in various fields, including gaming, robotics, and possibly general intelligence. A Conversation with Runway's CEO On a recent episode of TechCrunch's Equity podcast, host Rebecca Bellan interviewed Runway co-founder and CEO Cristóbal Valenzuela. They discussed the future of video generation and Runway's expanding ambitions beyond Hollywood. The Future of AI Development Valenzuela's vision for Runway includes exploring the possibilities of general world models. This development could have significant implications for the tech industry, potentially leading to more sophisticated AI applications. Staying Up-to-Date with Equity Listeners can tune in to the full episode on various platforms, including YouTube, Apple Podcasts, Overcast, and Spotify. They can also follow Equity on X and Threads at @EquityPod.

Chelsea forward Mykhailo Mudryk has lodged an appeal with the Court of Arbitration for Sport (CAS) against a reported four‑year ban imposed by the Football Association for a positive meldonium test.Mudryk Files Appeal to CAS Over Four‑Year Doping SuspensionThe appeal was submitted in February 2026 and confirmed by a CAS statement on Wednesday. CAS said it has received the appeal, that the parties are exchanging written submissions, and that a hearing has yet to be scheduled. The FA has declined to comment, and Chelsea has said it will let the process run its course.Key Figures, Transfer Details, and TimelineFour‑year ban – would keep Mudryk out of competitive football until December 2028 if upheld.Provisional suspension began after a failed drugs test in November 2024 while on international duty with Ukraine.Transfer fee – £89 million when he joined Chelsea from Shakhtar Donetsk in January 2023.Performance stats – 10 goals in 73 appearances across all competitions for the Blues.Appeal timeline – appeal filed February 2026; CAS statement released April 29 2026; hearing date pending.Impact on Chelsea, Ukrainian Football and Anti‑Doping PolicyThe case puts Chelsea in a difficult position, as the club cannot field Mudryk while the appeal is pending and must manage squad depth without one of its high‑value assets. For the Ukrainian national team, the suspension removes a key attacking option ahead of upcoming qualifiers. The FA’s anti‑doping policy, under regulation 77, mandates a four‑year ban for non‑specified substances like meldonium unless intent can be disproved, highlighting the strict liability framework in English football.Possible Outcomes and Timeline for Mudryk’s ReturnIf CAS reduces the sanction, Mudryk could be eligible to play as early as 2027, potentially re‑joining Chelsea for the next season. A full up‑hold would keep him sidelined until the end of 2028. The next steps include written submissions, a hearing date, and a final award, which could be delivered within a few months after the hearing, shaping the player’s career trajectory and Chelsea’s transfer strategy.

The Broadway Bound Revival After months of speculation, the award-winning Evita revival will officially transfer to Broadway in spring 2027. Rachel Zegler's Triumphant Return The West End run starred Rachel Zegler in the lead role, winning the actor an Olivier award, and she will follow the revival to New York. The triumphant new take on Tim Rice and Andrew Lloyd Webber's musical tale of activist and actor Eva Perón is directed by Jamie Lloyd, who previously won a Tony for reviving Sunset Boulevard. Previous Broadway Run and Changes Evita was last performed on Broadway in 2012 with Elena Roger and Ricky Martin starring. Zegler said she was thrilled to bring the show to New York City, her hometown. The London Production and Its Impact The London production made headlines for its unique and divisive staging, which saw Zegler sing Don't Cry For Me Argentina on a balcony to passersby. However, this concept will not be replicated in New York due to safety concerns. What's Next for Evita on Broadway Lloyd will be working on a revised version for Broadway, exploring a new idea made especially for the city. The show will join other previously announced Broadway shows in 2027, including The Full Monty, Cat on a Hot Tin Roof, and David Hare's Montauk starring Laura Linney.

The Parliamentary Standards ReferralNigel Farage has been referred to parliament's standards watchdog after the Guardian revealed he received an undeclared £5m gift from a Thailand-based crypto-billionaire. The Conservative party made the referral, citing rules that require MPs to declare any "personal benefit" received in the 12 months before taking office.The Undisclosed Crypto GiftThe gift came from Christopher Harborne, a crypto-billionaire based in Thailand. Farage had initially stated he did not intend to stand as a prospective MP but reversed his position in June 2024, just weeks after receiving the personal gift. Reform UK has maintained that the gift and Farage's decision to stand as an MP were "entirely unrelated," describing it as a "personal unconditional gift."Political Fallout and ReactionsThe referral has sparked significant political reactions across party lines. Kevin Hollinrake, the Tory party chair, stated that Farage was "obliged" to declare the gift, questioning what Farage might be hiding. Labour party chair Anna Turley suggested this was "just the latest alarming example of Farage and his MPs believing there is one rule for them and another for everyone else." Liberal Democrats' deputy leader Daisy Cooper went further, suggesting Farage "has been bought out" and calling for an investigation into potential market abuse.Parliamentary Rules and Transparency ConcernsThe incident raises serious questions about transparency in political funding. Parliamentary rules state that personal gifts are exempt from reporting only if they "could not reasonably be thought by others to be related to membership of the House or to the Member's parliamentary or political activities." The rules further specify that "both the possible motive of the giver and the use to which the gift is to be put should be considered. If there is any doubt, the benefit should be registered." Farage's case appears to fall into this gray area, given his subsequent decision to run for office.Future Implications for Political AccountabilityThis referral comes at a critical time for political accountability in the UK. With Farage's Reform UK gaining political traction, the outcome of this investigation could set important precedents for how undeclared large gifts are handled in the future. Labour MP Phil Brickell, chair of the all-parliamentary group on anti-corruption, emphasized that "this goes to the heart of trust, transparency, and integrity in public life," noting that "the standards system only works if it's enforced." The parliamentary standards commissioner now faces the task of determining whether Farage's actions violated the rules, with potential implications for his political career and the broader perception of political integrity in the UK.

Match Recap: Sinner Defeats Jodar in Straight SetsJannik Sinner overcame the home‑favoured 19‑year‑old Rafael Jodar with a 6-2, 7-6 (0) victory on Wednesday, sealing his place in the Madrid Open semi‑finals. Despite a seemingly comfortable first set, Sinner faced multiple break points and a marathon service game at 2‑2 before pulling ahead in 44 minutes.Jodar, who surged from a world No.687 a year ago to a maiden ATP title in Marrakesh, pressed hard in the second set, creating five break points and forcing a tiebreak. Sinner dominated the breaker, winning the last 11 points to clinch the match.Numbers Behind the VictoryScoreline: 6-2, 7-6 (0)Winning streak: 21 consecutive matches for SinnerBreak points faced: 2 (both saved)Break points created by Jodar: 5 (none converted)Semifinal record: Sinner now has reached the semi‑finals of all nine ATP Masters 1000 tournamentsWhy This Win Shifts the Clay Season LandscapeThe result underscores Sinner’s dominance on clay as he prepares for the French Open, while highlighting the rapid rise of teenage talent Jodar, who has already captured a title in Marrakesh and reached the Barcelona semi‑finals. Jodar’s performance, backed by fervent home support, signals a new wave of young players challenging the established elite on the red dirt.Additionally, the match illustrates the depth of the ATP field this season, where a former college player can now contest a Masters 1000 semi‑final, expanding the competitive pool and increasing viewership interest.Looking Ahead: Semi‑Final Prospects and Jodar’s Ranking SurgeSinner will meet either Jiri Lehecka or Arthur Fils in Friday’s semi‑final, a clash that could set up a high‑stakes showdown for a spot in the final. Meanwhile, Jodar is poised to break into the top‑35 when the new rankings are released on Monday, cementing his status as a rising star on the tour.If Sinner continues his streak, he positions himself as the clear favourite for the upcoming French Open, while Jodar’s breakthrough suggests he could become a regular threat in the latter stages of future Masters events.

Norway’s most celebrated footballer, Erling Haaland, has ignited a public outcry after agreeing to appear in Budweiser’s “Let It Pour” World Cup campaign, a move that clashes with the country’s strict ban on alcohol advertising.Haaland’s Budweiser Partnership Sparks Norwegian BacklashThe collaboration, announced ahead of the 2026 World Cup, pairs the striker with former Liverpool manager Jürgen Klopp to promote the beer brand across 40 markets—excluding Norway. Critics argue that a national hero is being used to market a product linked to health risks, especially to young fans.Legal Landscape and Public‑Health Concerns in NorwayAlcohol advertising is prohibited in Norway under the Alcohol Act.Campaign will not be aired domestically, but the association is visible online.Advocacy groups such as IOGT and Actis cite research linking alcohol marketing to increased youth consumption.Reactions from Advocacy Groups and the Norwegian FAInger Lise Hansen of Actis called the deal “tragic,” while IOGT’s Hanne Cecilie Widnes urged the Norwegian FA to intervene. The federation’s Runar Pahr Andresen defended Haaland’s right to personal endorsements, noting that the campaign respects Norwegian law by not targeting the local market.Potential Fallout for Player Endorsements Ahead of the World CupIf the controversy escalates, sponsors may reconsider athlete partnerships, and the NFF could face pressure to tighten endorsement guidelines. The episode highlights the tension between global marketing opportunities and domestic regulatory environments as the World Cup draws near.

The LeadTwo decades after the original film captivated audiences, The Devil Wears Prada 2 emerges as a timely sequel that captures the dramatic transformation of the fashion and publishing industries in the digital era. The film brings back familiar faces while introducing new challenges that reflect contemporary tensions between luxury and accessibility, tradition and innovation.The Fashion EvolutionThe sequel masterfully portrays how the fashion world has shifted since the mid-2000s. Runway magazine, once the epitome of high-fashion excess, now faces budget constraints, ethical dilemmas about sweatshop labor, and the pressure to adapt to digital metrics and click-driven content. The film highlights the tension between maintaining artistic integrity and chasing online engagement, with characters forced to navigate body positivity initiatives and inclusive language policies that were nonexistent in the original film.The Character ReturnsThe film reunites key characters from the original, with Meryl Streep's Miranda Priestly showing no signs of aging, maintaining her formidable presence in the industry. Anne Hathaway returns as Andy Sachs, now a more seasoned journalist who finds herself back at Runway after being laid off from a traditional publication. Emily Blunt reprises her role as Emily, now the powerful head of Dior who represents the new guard of luxury fashion. The sequel introduces new dynamics, including Andy's lackluster romance with an Australian real estate magnate and Miranda's relationship with a string quartet violinist played by Kenneth Branagh.The Modern Media LandscapeThe sequel effectively satirizes contemporary media challenges, portraying how traditional fashion publications struggle to remain relevant in an era dominated by social media influencers and Gen Z consumers with different values. The film depicts the industry's scramble for digital relevance, with characters forced to confront uncomfortable truths about their complicity in fast fashion and the environmental impact of luxury goods. Miranda's character, in particular, undergoes significant development as she's forced to fly coach and adapt to workplace norms that would have been unthinkable in the original film.The Legacy ContinuesDespite the changed industry landscape, The Devil Wears Prada 2 maintains the spirit of the original while offering fresh commentary on contemporary issues. The film revisits iconic moments from the first movie—Andy's cafeteria conversations with Nigel, fashion emergencies, and high-stakes corporate maneuvers—while updating them for the current media environment. The sequel manages to balance nostalgia with relevance, offering both longtime fans and new viewers an entertaining exploration of how power, fashion, and media have evolved in the twenty years since the original film's release.