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The Regulatory Response to Deadly Online ContentA nihilistic internet suicide forum implicated in over 160 UK deaths has been fined £950,000 by the online regulator in its latest attempt to shut it down. Ofcom said the US-based website remains accessible in the UK despite over a year of warnings. Online safety campaigners have accused the regulator of taking an "interminable" amount of time to act.The Samaritans, mental health campaigners and the Molly Rose Foundation, have repeatedly raised concerns about the site – which promoted a particular poison – which has remained accessible despite it being cited in multiple coroners' reports regarding the deaths of UK citizens.Molly Rose was set up in the memory of Molly Russell, a 14-year-old who took her own life after descending into a vortex of negative online content, including about suicide. Its chief executive, Andy Burrows, welcomed the fine and a separate move that could block UK internet access to the site, but said it was "appalling that it has been left to bereaved families and campaign groups to press Ofcom into action".Legal Action Under the Online Safety ActOfcom has been trying to get the site to obey British laws criminalising intentionally encouraging or assisting suicide since last spring. It had some success with the site being blocked last July and then a mirror site being taken down in November. But it is now taking action because the site can be "used by people in the UK, including without a VPN, and presents a material risk of significant harm".The fine is being levied under the Online Safety Act which also allows Ofcom to seek a court for an order requiring internet service providers to block UK access to the site. It is preparing an application to have its connections effectively cut "if our concerns are not fully addressed and there continues to be an ongoing breach".It accused the provider of "serious and deliberate contraventions" and said the fine reflected the "the risk of fatal harm to people in the UK posed by the content present on the service".Human Cost and Family AdvocacyOn Wednesday, the forum was unavailable but its operator posted a page that said it was advocating for "the right to access lawful information without government overreach" and quoted Mark Twain: "Censorship is telling a man he can't have a steak just because a baby can't chew it."The Molly Rose Foundation and Together with Families and Survivors to Prevent Online Suicide Harms said coroners had warned the UK government 65 times about risks of further deaths from the forum "and a substance it promotes, glorifies and instructs for use as a suicide method". Adele Zeynap Walton, the sister of Aimee Walton who took her life after accessing suicide forums, said the wait for action had been agonising."While we've waited further lives have been lost and we've had to fight every step," she said, speaking on behalf of Families and Survivors to Prevent Online Suicide Harms. "We feel let down by the process and Ofcom's slow response to this threat to life."Regulatory Challenges and Future ActionsBurrows said: "Molly Rose Foundation submitted detailed evidence which showed scores of vulnerable young people remained at risk while Ofcom's investigation dragged on … There are real questions about why it has taken so long for the regulator to act against a forum linked to at least 164 UK deaths."Ofcom said it has "engaged extensively" with the forum provider and that last summer the forum geoblocked mirror sites in the UK and later removed information on a landing page promoting ways to circumvent the block."We share the urgency about the extreme harms that sites such as this can cause, and understand the anger felt towards them by those who have been so personally affected," a spokesperson said. "It is vital that we ensure our enforcement action is thorough, and this can take time, as is the case for any enforcement agency."Preventive Measures and Support Resources"Lucas was 16. Vlad 17. Aimee 21. Grace, Hannah and Tom 22. Immy 25. Adam 28 and Claire 41," the campaign groups said in a report last year. "They were drawn into a dark world that was allowed to exist online and continues to exist through the use of a VPN. We believe our loved ones suffered coercion, grooming, instruction on how to end their lives. Most accessed a poison that was allowed to cross borders or was readily available domestically."Suzanne Cater, director of enforcement at Ofcom, said the forum had "caused unimaginable pain and suffering … and no punishment can undo that harm"."The provider of this forum knows it's used to share illegal content encouraging and assisting suicide on their site," she said. "While they've responded to our enforcement action by making some changes to the accessibility of their service in the UK, this is not good enough and the changes they've made were not consistently applied or effective to reduce the risk of harm. Given the ongoing risk of harm, we are using all powers available to us to protect the public."

The LeadJennie Garth, known for her role as Kelly Taylor in 'Beverly Hills, 90210,' opens up about the psychological impact of early fame and how she found new purpose in her 50s. The 54-year-old actress, who felt 'stuck' and unfulfilled as her daughters grew up, has launched a podcast and book titled 'I Choose Me,' sharing her journey of self-discovery and the lessons learned from her decades in Hollywood.Finding Purpose at 50Approaching her 50s, Garth experienced a classic midlife crisis, questioning her path and purpose after noticing potential acting jobs becoming 'few and far between.' The deaths of her 90210 co-stars Luke Perry in 2019 and Shannen Doherty in 2024 intensified her sense of urgency, prompting her to share what she's learned with other women experiencing similar standstills. Her new venture, 'I Choose Me,' named after an iconic line from her character on the show, combines memoir and self-help as Garth reflects on her journey from teenage star to mature woman finding her voice.The Price of Early FameGarth candidly admits that her early fame 'screwed with her mind,' describing how she spent 20 years 'trying to keep her head above water.' Starting on the hit show at just 18, she felt developmentally 'held back from the realities of the world,' watching peers experience normal milestones while she was 'slammed into' fame. The experience left her questioning how her unusual path affected her relationships and personal growth, as she struggled to form normal connections while constantly being judged and typecast in the industry.Hollywood's Changing LandscapeThe actress reflects on the sexism she faced in the 90s, noting how young female actors were 'exposed to far more than they should' in terms of sexualization and discrimination. She recalls unspoken expectations about appearance and the pressure to conform to certain standards, including her own decision to get breast enhancement at 24. Garth also discusses how the industry typecast her and her co-stars, keeping them in a 'sort of Aaron Spelling-nighttime-soapy category' that limited their growth opportunities, despite the quality of their work.A New ChapterNow in her 50s, Garth feels she's finally 'caught up' developmentally and is embracing her age with greater wisdom and resilience. Through therapy and self-help, she's found a new voice and purpose, sharing her experiences to help other women navigate similar challenges. Her journey from teenage star to empowered woman reflects both the lasting impact of early fame and the potential for reinvention later in life, as she continues to work while also focusing on personal growth and helping others find their own path to self-acceptance.

The Risks of Sharing Secrets with AI Chatbots The ongoing legal battle between Elon Musk and OpenAI has taken a dramatic turn with the revelation that OpenAI's president, Greg Brockman, kept a diary during the company's founding years. This diary has become central to the case, with one heavily cited extract reading: "Financially what will take me to $1B?" Another scrutinized passage states: "It'd be wrong to steal the non-profit from [Musk]. to convert to a b-corp without him. that'd be pretty morally bankrupt. and he's really not an idiot." The Implications of Chatbot Conversations in Court As millions of people use tools like ChatGPT as a digital confession box or therapist, experts warn that these conversations can be admissible in court. In fact, a lawyer told Axios that "within the next decade," the diary equivalent will be standard discovery in every major executive litigation in the country. This means that you shouldn't trust a chatbot with your secrets, as conversations with AI are not always private and may be retained indefinitely and shared with other humans. The Privacy Concerns of Chatbot Conversations Most chatbot conversations are not private, and users should be wary about sharing sensitive information. A recent case involving a former NFL player who allegedly asked ChatGPT for help after killing his girlfriend demonstrates the potential risks. As David Friedberg, a co-host of the All-In podcast, said: "You're just sitting here at home, like, let me write about the crime I'm committing … and by the way, let me never delete it." The Future of AI and Confidentiality As AI technology continues to evolve, it's essential to consider the implications of sharing sensitive information with chatbots. While chatbots like ChatGPT may seem like a safe space to share your thoughts, they are not a substitute for human therapists or lawyers. In fact, they can be a liability in court. As the use of AI chatbots becomes more widespread, it's crucial to prioritize confidentiality and consider the potential risks of sharing secrets with AI.

The Lead: Carla Simón's Unique Approach to Family DramaFamily reunions in European arthouse cinema are almost always unhappy events, on a scale of strife that ranges from simmering resentment to spectacular score-settling. Carla Simón, however, has a rare gift: she makes you leave the cinema with renewed faith that having relatives and keeping in touch with them may actually be a wonderful thing.No film-maker working in Europe now is as capable of turning birthday gatherings, garden parties or poolside barbecues into thrillingly sprawling canvases of human virtue and vice as this 39-year-old rising star. From a riotous water fight in the Berlinale Golden Bear-winning farming drama Alcarràs to a foul-mouthed dinner table singalong in her new film Romería, Simón directs kinship meetings with the attention to detail that other film-makers may invest in action sequences or dance routines.The Event Details: Romería and the Journey to Self-DiscoveryAmong the tricks Simón employs, she explains, is to ensure her actors only read the script once before the camera starts rolling, so they have to improvise to fill the gaps. She takes her casts to parties, for walks and on shopping trips, and if there are disagreements on the way, so much the better. The ultimate secret sauce, though, is to ignore WC Fields's notorious advice and always work with children and animals."I never get bored of working with kids," she says. "When you are only working with adult actors, shooting becomes more like executing an idea that you have in your mind, and I think that is not interesting. With children, you always have this feeling that that things are going to happen in front of the camera by chance. It keeps things alive."Her new film Romería, meaning "pilgrimage" in Spanish, dives deeper into the story of the biological parents she barely got to know. Eighteen-year-old Marina travels to her relatives in Vigo, in north-western Galicia, purportedly to find the death certificate of her biological father, which she needs to study film-making in Barcelona. The initial reaction is warm, but family is a room with dark corners and locked closets.The Personal Journey: Aids, Loss and Family SecretsSimón's fascination with freewheeling scenes of family life was undoubtedly honed through her own biography. Born in Barcelona in 1986, her father died when she was three and her mother when she was six. Both of them succumbed to Aids. She was 12 when her adoptive mother told her that her parents had been infected with the autoimmune disease through their use of drugs.All of her first three films have been strongly autobiographical: Summer 1993 tells the story of a six-year-old girl who moves to an unspecified location countryside to live with her aunt after the death of her mother, while 2022's Alcarràs is specifically set in the Catalan peach-growing community of her adoptive family.In the film, a cache of letters written by her late mother opens up a portal to the time when her parents met and discovered love – for each other, the Atlantic Ocean and drugs. The letters, Simón explains, are real. "She wrote to her friends and family while she lived in Vigo. Her Catalan is full of mistakes, because teaching Catalan was banned under the Franco regime. But they are the most important thing that I have from my mother, because suddenly I can hear her talking."The Impact Analysis: Spanish Cinema and the Legacy of AidsSpanish cinema has a track record in making films where child actors take centre stage: Ana Torrent's spell-binding turn as a young girl obsessed with the Frankenstein tale in Víctor Erice's 1973 film The Spirit of the Beehive is considered an all-time great performance by a minor, and Simón describes it as "a very, very important film for me".During the transition period after Franco's rule, Madrid gave birth to la movida, a countercultural movement that celebrated lifestyles that had been banned under military rule. "All these kids who were raised under Franco and religious oppression, suddenly freedom arrived and they embraced it", Simón says. "They didn't think much about the future or the consequences of what they were experimenting with. And then the drugs came in."When we talk about this generation in Spain, people sometimes use words like shame and blame, but I feel that's really unfair: people like my parents just had bad luck.The Future Direction: Beyond Family in Simón's Next ProjectHalfway through Romería there is a stylistic shift, from the Eurorealism she favoured in her previous works toward something more magical-realist: there is a mysterious cat you might expect to encounter in a Miyazaki film, and an unforgettable dance number set to Vigo punk rocker's Siniestro Total's song Bailaré Sobre Tu Tumba ("I'll Dance on Your Grave")."These three films I've made are kind of a cycle, because they all talk about my family, adoptive and biological. But since I became a mother a few years ago, I feel that my place in the family changed. When you have kids you feel it's a new period in your life, so I feel like maybe doing something that has nothing to do with my family."Her next film, she confides, is going to be a flamenco musical.

The Unlikely Hero of Normal Bob Odenkirk continues his new career as the everyguy action hero in this cynically bleak gonzo actionfest, co-written by Odenkirk himself with John Wick creator Derek Kolstad. The director is Ben Wheatley, who shows the same kind of gunplay that was exhibited in his single-location mayhem spectacular Free Fire from 2017. A Town of Deception The setting is a place of Fargo-esque wholesomeness: a little town in Minnesota called Normal where Ulysses, played by Odenkirk, shows up as the interim sheriff, a decent guy just filling in after the previous sheriff was found dead in the snow in strange circumstances. Ulysses is depressed and battling a drinking problem after an unexplained violent end to his last job, which caused him to separate from his wife. The Dark Secret Unfolds Yet something is very wrong: when a bank robbery happens in this one-horse town, events are set in train which reveal to Ulysses that everything about Normal, like the blandly prosperous law practice in Sydney Pollack’s film The Firm, rests on a single, awful secret that he is about to uncover. It’s entertaining and bizarre chaos, anchored by Odenkirk’s hangdog air of gloomy resignation to the violent mess which he has to clean up. The Film's Release Normal is in UK and Irish cinemas from 15 May.

The 1MDB Fallout: Jho Low's Bid for Presidential PardonThe fugitive Malaysian financier Jho Low, a central figure in the multibillion-dollar scandal at the state fund 1Malaysia Development Berhad (1MDB), is reportedly seeking a pardon from the US president, Donald Trump. This move comes as Low faces multiple charges including corruption and money laundering in both the US and Malaysia for his alleged role in the misappropriation of at least $4.5bn (£3.3bn) from the sovereign wealth fund.Legal Maneuvers and the White House StanceRequest Filed: Low recently filed a request for a pardon that, if granted, would remove US criminal charges against him, according to the Wall Street Journal citing people familiar with the matter.Current Status: A White House official stated that Low’s request is not currently on its radar.DOJ Record: The US Justice Department website lists a pending request for a “pardon after completion of sentence” under Taek Jho Low that was filed this year.Quantifying the Financial Damage and RecoveriesThe 1MDB scandal is considered one of the world’s biggest financial frauds, with billions plundered from the now defunct fund beginning in 2015. Despite the massive scale of the theft, some assets have been recovered through legal settlements.Recovery Amount: In 2019, the US struck a deal to recoup about $1bn from Low.Assets Seized: The fugitive agreed to give up a private jet and high-end real estate in Beverly Hills, New York, and London.Geopolitical Tensions and Asset Recovery StrategiesThe request for a pardon has sparked a diplomatic tug-of-war between the US and Malaysia. While the US has a pending pardon request, Malaysian authorities are pushing for Low's location to facilitate further investigations.Malaysian Opposition: Johari Abdul Ghani, the chair of a Malaysian taskforce seeking to recover funds, stated, “As far as I’m concerned, I’m against the pardon” and called for the US to assist in locating him.Asset Return Strategy: Malaysia temporarily lifted an Interpol red notice against Low to facilitate the return of significant assets to the country.Political Negotiations: Malaysian Prime Minister Anwar Ibrahim has indicated that the government is negotiating with other nations to speed up Low’s return, though he declined to name the specific countries involved.Future Outlook: The Odds of a Presidential ClemencyGiven the severity of the charges and the ongoing diplomatic friction, the likelihood of a pardon is currently low. With Malaysian officials publicly opposing the move and the White House indicating the request is not a priority, Low’s bid for freedom remains a complex legal and political challenge.

Vistry warned that its first‑half adjusted pre‑tax profit will be "significantly lower" than the prior year, citing the fallout from the US‑Israeli war on Iran. The warning sent the stock down 10.5%, its lowest level in nearly 15 years, and prompted a company‑wide operational review led by new CEO Adam Daniels. Vistry’s Profit Warning Amid Middle East Conflict The housebuilder, owner of Bovis Homes, Countryside and Linden Homes, updated investors hours before its AGM, stating that heightened macro‑economic uncertainty has altered the outlook since the March update. While sales volumes remain above last year, buyer caution has risen sharply due to the conflict. Financial Fallout: Share Drop and Profit Forecasts Key financial signals include: Share price fell 10.5% in early trading, reaching a 15‑year trough. First‑half profit expected to be "significantly lower" than 2025. Adjusted pre‑tax profit for 2026 projected to sit in the "middle of the range" of analyst forecasts. Company halted its share‑buy‑back programme to prioritise debt reduction. Ripple Effects on the UK Housing Market and Supply Chain The conflict has introduced upward pressure on building‑material costs and labour wages, pressures Vistry expects to persist into the second half of the year. To mitigate, Vistry is negotiating with suppliers and offering larger buyer incentives, actions that further compress margins. Industry analysts, such as Anthony Codling of RBC Capital Markets, note that while execution risks remain high, the update reflects a broader slowdown in UK housing activity. Outlook: Operational Review and Path to Recovery CEO Adam Daniels has launched a company‑wide operational review, with findings slated for September. The firm anticipates a partial recovery in the second half of the year, aiming for profits flat with 2025 levels and a return to a more stable growth trajectory thereafter.

The Artist's Journey Through Love and LossFalling in and then out of love is a universal experience that often brings sadness, grief and heartbreak, and with time, hope and healing. Photographer Diana Markosian used her camera lens to document these complex feelings in her new project, Replaced.She brings the viewer on her journey of having, losing and reclaiming love, in a project that blurs documentary and fiction. "[The moments] no longer existed in the way they had, and I wanted to reclaim them," she says. "I wanted to feel that I could exist in my own story again."Recreating Intimate Moments Through ArtTo document their relationship, Markosian and her team worked with an actor to play her ex-partner. Each intimate image from the series, taken over three months, is a replica of an exact moment once shared with her ex and now shared between her and the actor. Her connection to him deliberately led to his being cast as her partner in the series so that the experience would feel as real as possible.With the actor, she visited Miami, Paris, Naples, Capri and Nice, all places she had once traveled to with her ex-partner. "These locations carry an existing weight of romantic myth," she says. "They are already shaped by cultural narratives of love, desire and idealized experience."The Emotional Toll of ReenactmentShe stayed at the same hotels and did the activities they had once done together, describing the experience as painful but cathartic. "It hurts so much, watching myself be replaced, watching those memories erased, and I didn't want to live in this any more," she says. "I'm so grateful that the project happened quickly."One of the most tender moments she recreates with the model appears in an image of them seated in a bathtub, holding one another with a red light glowing around them. Their vulnerability allows the viewer to reflect on a delicate moment between two people whose past love no longer exists, fostering empathy and prompting the audience to reflect on their own past relationships.Art as a Tool for Processing EmotionsCreating these intimate photographs enabled her to contemplate her journey. "I wanted to acknowledge how these same spaces can be reoccupied," she says, before adding: "If anything, [the project] just showed me how much I loved this person."For the past 16 years, Markosian has not let go of her camera, often using it to reach back and understand her past. "Art has given me a way of processing. I was studying writing, and suddenly found myself holding a camera and not wanting to let go of it; it became just a friend in my life," she says.A Career Built on Memory and ReconnectionShe first picked up a camera at 20, during graduate school at Columbia University. After graduating with a master's degree in journalism, she wanted to see the world, so she moved back to Moscow, Russia, where she was born. There she taught herself how to use the camera.Today, her lens serves as a tool for reconnecting with her past life and reclaiming it as her own. In her previous, highly regarded photo monograph Inventing My Father, she demonstrates her unique ability to reveal the unseen past through her images. Working on the book for 10 years, she depicts her journey of finding her father after 15 years of no contact, following her move to California in 1996 from Armenia, where he lives."Father, my previous work of the past decade, it's all rooted in memory, and I think what's beautiful about memory, there's a blend of fiction, interpretation, and it's very subjective," she says. "So I think I love existing in that territory because none of it is really real."

Manchester City Women have moved into a purpose‑built, £10 million complex at the City Football Academy, featuring everything from personalised chopsticks to an underwater treadmill, and the upgrade is already paying dividends with a WSL title and an FA Cup final appearance.State‑of‑the‑art facility gives Manchester City Women a performance edgeThe 17,000 sq ft headquarters includes a barista‑style coffee machine, three chefs crafting bespoke recovery shakes, and a canteen where Japanese players receive individually engraved chopsticks. Players can test hamstring strength in a dedicated gym, use non‑invasive shock‑wave therapy, and unwind on an underwater treadmill while watching Sky Sports News.£10 million investment and 17,000 sq ft of purpose‑built spaceCost: £10 millionSize: 17,000 sq ftOpening date: 10 March 2026 (after the international break)Key amenities: gender‑specific gym equipment, specialist recovery drinks, personalised lockers, three‑chef canteenRaising the bar for women’s football infrastructure across the leagueClub captain Alex Greenwood hailed the hub as the best she’s seen, even compared to England’s St George’s Park. The facility follows Brighton’s £8.5 million centre and signals a shift toward dedicated women’s venues, potentially prompting other WSL clubs to invest similarly.What the next season could hold for City and the wider WSLWith a deep, youthful squad already in place, City’s managing director Charlotte O’Neill expects strategic summer signings rather than a wholesale overhaul. The new hub may also enable City to field an academy side in the Women’s National League from 2027, further strengthening the club’s talent pipeline and influencing league‑wide development.