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Israeli Forces Escalate Attacks in Southern Lebanon Israeli forces launched a new wave of air attacks in Lebanon on Saturday after earlier raids killed 10 people, targeting an area near the Syrian border and several villages in southern Lebanon. Lebanon's National News Agency reported five Israeli air attacks shortly before midnight in the mountainous Nabi Sreij area on the outskirts of Brital, which had been spared from attacks since April 17. On Saturday, the agency reported large explosions in the towns of Yohmor al-Shaqif in Nabatieh and Taybeh in the Marjayoun district, both in southern Lebanon. Hospital Infrastructure Targeted in Previous Strikes On Thursday, an Israeli attack near the Tebnine Hospital in southern Lebanon damaged all three floors of the building, including the emergency room, intensive care unit, surgical ward, and ambulances parked outside, according to the Ministry of Public Health. Israel's military had issued two forced displacement warnings since Friday night via its Arabic-language spokesman Avichay Adraee, for the southern Lebanese village of Burj Rahal and the areas of Tyre and Zqouq al-Mufdi. Civilian Displacement and Psychological Impact Al Jazeera's Obaida Hitto, reporting from Tyre, southern Lebanon, at the edge of the 500-metre (550-yard) perimeter that Israel has designated as the danger zone, said: "There are ambulances here. There are also rescue teams and people who have fled their homes this evening following this forced [displacement] order." Many left in fear and panic, he said, seeing these orders as threats while being unsure of when they could return home. "People are here with their families and their children," Hitto said. "This is the kind of psychological terror that Israel is forcing people to live in, here in southern Lebanon." Rising Casualties Despite Ceasefire Declaration More than 3,100 people have been killed in Lebanon since Israeli forces escalated attacks on the country on March 2, and attacks have continued despite a ceasefire announced by United States President Donald Trump on April 16. The dead include 123 medics, more than 210 children and nearly 300 women, according to statistics shared by Lebanon's Health Ministry on Friday.

The Brilliance of 'Two Weeks in August' Hell is other people, but a fortnight's summer holiday in a Greek island villa with three pals you have known since university, the young second wife of one of them, your depressive husband and the mulish French nanny the second wife has hired to look after her foul child, is surely the innermost circle of it. The Flawless Performance of Jessica Raine Zoe, played by Jessica Raine, is a comprehensive school teacher managing life with more grace under pressure than most of us do. A natural carer and conciliator, she signed her family up for the trip partly because of friends' expectations, but also because a fortnight away in the sun sounded like a pleasure. The Intricate Web of Relationships Making up the rest of the island gang are glamorous Nat (Leila Farzad) whose nose is put out of joint when the casual boyfriend of her gay best friend, Jacob (Hugh Skinner) turns up at the villa, not-quite-at-the-moment-working actor Solomon (Nicholas Pinnock) and the younger wife, Jess (Antonia Thomas) – she has bagged the best bedroom and avoids as much outlay of money or effort as she can, usually by exploiting Zoe. A Standout Performance The show delivers a touch of wry social commentary (in Jacob and his gen Z boyfriend's differing reactions to the infidelity, in the HR complaint raised against Nat at work) without breaking the mood. It even manages to fold in a mythological element that does exactly what it should – makes the story feel only more authentic, eternal, universal – instead of seeming like a jarring supernatural bolt-on. A Holiday from Mediocre Dramas Two Weeks in August is in itself like a holiday – a holiday from dramas made up of meretricious moments and unearned payoffs, or which let the beautiful scenery instead of beautifully written scenes do the work. I feel restored after eight hours basking in its brilliance.

The Match OverviewMexico secured a convincing 2-0 victory over Ghana in a World Cup warm-up match held at Cuauhtemoc Stadium in Puebla. The match provided a glimpse of the excitement building less than three weeks before Mexico opens the tournament as a cohost. Despite Puebla not being among Mexico's World Cup host cities, fans created an electric atmosphere throughout the night.Key Match MomentsThe Mexican team set the tone early with Brian Gutierrez curling home from the edge of the box just two minutes into the match. Teenage Liga MX sensation Gil Mora, making his first appearance since November after returning from injury, struck the post in the first half. Alexis Vega had a header ruled out for offside before the break. Substitute Guillermo Martinez sealed the victory in the 54th minute, finishing off a counterattack to double Mexico's lead.FIFA Sanctions and Fan ResponseThe match was notable for the visible empty sections in the stadium, closed under FIFA sanctions linked to discriminatory chants at previous national team matches. Despite these restrictions, Mexican fans in green shirts created an electric atmosphere, with repeated Mexican waves rolling around the stadium throughout the match.Team Preparation and Coach's PerspectiveCoach Javier Aguirre used the friendly to continue evaluating players ahead of naming Mexico's final World Cup squad on June 1. Europe-based players Luis Chavez, Edson Alvarez and Jorge Sanchez made second-half appearances after recently joining training camp. Aguirre praised the effort shown by players battling for places in the final squad, acknowledging the complexity of selecting the team.World Cup OutlookThe victory provides a confidence boost for Mexico as they prepare to host the World Cup. The performance showcased the team's attacking potential and defensive solidity. With Aguirre continuing to fine-tune his squad, Mexico appears to be building momentum heading into the tournament where they will face the pressure of cohosting responsibilities.

The Isolation Order and Its Immediate ContextThe United States has required the DRC national football team to complete a 21‑day isolation period in a controlled bubble in Belgium before they can enter the country for the 2026 World Cup. Andrew Giuliani, executive director of the White House Task Force for the World Cup, told ESPN that the deadline for the team’s arrival in Houston is June 11, with their first Group K match scheduled for June 17 against Portugal.US Health Safeguard Requires 21‑Day Bubble in BelgiumUS officials, including the Department of Homeland Security, communicated the requirement to FIFA, the Congolese federation, and the Kinshasa government. The squad will stay in a “bubble” in Belgium, where they are currently training, to prevent any exposure to the ongoing Ebola crisis.Ebola Outbreak Numbers Highlight Urgency82 confirmed cases and 7 confirmed deaths reported by the World Health Organization.Approximately 750 suspected cases and 177 suspected deaths under investigation.The outbreak is driven by the Bundibugyo strain of Ebola, for which no approved vaccine or treatment exists.Implications for World Cup Logistics and US Public Health PolicyThe isolation mandate underscores the delicate balance between hosting a global sporting event and safeguarding public health. By exempting the team from a broader travel ban—while still enforcing a strict quarantine—the US aims to preserve tournament integrity without compromising border security.What Lies Ahead for the DRC Squad and Tournament SchedulingIf the team adheres to the bubble protocol, they will join the tournament in Houston as planned. Any breach could jeopardize their participation, potentially forcing a reshuffle of Group K fixtures. The situation also sets a precedent for future events where health emergencies intersect with international travel.

Mohamed Salah’s Final Anfield Appearance: A Defining MomentMohamed Salah will step onto the pitch for the last time in a Liverpool shirt this Sunday against Brentford at Anfield. The 33‑year‑old Egyptian forward announced in March that he will leave the club at the end of the 2025‑26 season, prompting manager Arne Slot to promise a "big send‑off" for a player who has become a cultural touchstone as well as a prolific scorer.Season‑Ending Farewell: Salah’s Last Match and Career HighlightsFinal game: Liverpool vs Brentford, Sunday, AnfieldTenure: 9 seasons (2017‑2026)Departure announced: March 2026Manager’s comment: "deserves a big send‑off" (Slot, May 2026)The farewell match caps a decade of consistency, during which Salah helped Liverpool secure two Premier League titles and consistently challenged for European honors.Statistical Legacy: Goals, Titles, and Awards Across Nine Years250+ goals for Liverpool2 Premier League championships4 Premier League Golden Boots3 PFA Players of the Year awardsMultiple domestic cup victoriesThese figures place Salah among the club’s all‑time greats and underline his role in Liverpool’s resurgence under Jürgen Klopp and now under Slot.Beyond the Pitch: Cultural and Social Influence on Muslim and North African RepresentationJournalists Ahmed Shooble and Maher Mezahi highlight Salah’s impact far beyond statistics. Shooble notes that Salah’s open practice of Islam—most visibly his sujoud celebration—offers a powerful counter‑narrative to rising Islamophobia in the UK and Europe. Mezahi points to Salah’s humble upbringing in Nagrig, Egypt, and his disciplined journey to the top as a blueprint for aspiring North African talent, citing the recent move of Egyptian striker Ibrahim Adel to Danish side Nordsjaelland as evidence of this ripple effect.Future Outlook: Salah’s Role in Egypt’s 2026 World Cup and Post‑Liverpool PathWhile Salah’s club career in England concludes, he will continue to captain the Egypt national team at the 2026 FIFA World Cup, sharing the field with emerging talents inspired by his story. Analysts expect his legacy to influence both player development pipelines in North Africa and the broader conversation about religious identity in elite sport, ensuring his impact endures long after the final whistle at Anfield.

Lead: Historic Triumph on South Korean SoilIn a landmark match at Suwon’s stadium, Naegohyang Women’s FC lifted the Asian Women’s Champions League trophy, defeating Tokyo Verdy Beleza 1‑0. The win marks the first time a North Korean sports team has visited the South in eight years and returned with a continental title.Naegohyang Women’s FC Secures Historic 1‑0 Victory Over Tokyo Verdy BelezaThe decisive goal came from captain Kim Kyong Yong just before half‑time, after a swift counter‑attack orchestrated by Jong Kum. Coach Ri Yu Il celebrated on the bench, and the players embraced at the final whistle, underscoring the emotional significance of the triumph.Attendance Figures and Rankings Highlight Growing Interest7,087 general‑admission tickets for the semifinal sold out within hours.Final‑match tickets remained partially unsold, leaving visible gaps in the stands.North Korea is currently ranked 11th in the FIFA women’s world ranking, far above its men’s team (ranked 118th).Tokyo Verdy Beleza entered the final as former Asian champions (2019).Sporting Diplomacy Boosts Inter‑Korean Relations Amid Ongoing TensionsSouth Korean NGO director Cheong Wook‑sik described the visit as “emotionally overwhelming,” noting the potential for football to ease decades‑long hostility. About 3,000 spectators from civic groups, backed by Seoul’s Ministry of Unification, attended, while North Korean supporters were absent due to travel restrictions.Future Prospects: Naegohyang’s Path to the 2027 FIFA Women’s Champions CupThe victory guarantees Naegohyang a place in next year’s FIFA Women’s Champions Cup, where they will face elite clubs from around the globe. Continued success could cement North Korea’s reputation in women’s football and further open channels for cultural exchange between the two Koreas.

The Dreamed Adventure debuted at the Cannes Film Festival, delivering a beautiful but deliberately opaque look at Bulgaria’s mountainous past and present. Director Valeska Grisebach blends archaeological intrigue with lingering war memories, leaving viewers to piece together meaning from atmospheric detail.Grisebach’s Opaque Bulgarian Drama Premieres at CannesThe film follows Veska (played by Yana Radeva), an archaeologist who uncovers more than ancient artifacts when an old acquaintance, Saïd, reappears with a shady diesel‑fuel deal. Set in the remote town of Matochina, the narrative weaves together local folklore, post‑communist decay, and a looming criminal enterprise.Artistic Choices and Narrative AmbiguityGrisebach continues her signature approach of casting non‑professionals for intimate, table‑side conversations that feel organic rather than plot‑driven. While the story adheres loosely to Chekhov’s gun principle, the climax avoids typical arthouse violence, opting instead for an unresolved, dream‑like conclusion that challenges conventional storytelling.Director: Valeska GrisebachLead Actress: Yana RadevaSetting: Matochina, southeast BulgariaFestival Premiere: Cannes Film Festival, May 2026Key Themes: Memory, exploitation, post‑communist transitionPotential Impact on the European Art‑House LandscapeThe film’s visual richness and refusal to provide tidy answers may resonate with festivals and niche audiences seeking contemplative cinema. However, its narrative opacity could limit broader commercial appeal, positioning it more as a critical darling than a box‑office contender.Future Prospects for Distribution and Audience ReceptionGiven its Cannes exposure, The Dreamed Adventure is likely to secure limited releases across European art‑house circuits and streaming platforms that specialize in auteur cinema. Audience reaction will hinge on tolerance for ambiguity; viewers drawn to atmospheric storytelling may champion it, while others may find the lack of clear resolution frustrating.

The LeadGame of Thrones actress Hannah Murray shares her experience of being sectioned in a psychiatric hospital in her new memoir "The Make-Believe: A Memoir of Magic and Madness." The actress describes her mental health journey and the experience of being involuntarily admitted under the Mental Health Act.The Hospital ExperienceThe door to the room opens. A man enters the room. He is a Black man, bald and overweight. He is dressed in uniform. Blue uniform, a blue lanyard that reads "NHS". But I know Steve, the leader of the organisation that introduced me to magic, is a magician. I know he can appear in disguise.I approach the man and try to kiss him.He does not let me kiss him. Then no. It is not Steve.The man has brought me a plate of toast. He has brought me a cup of tea. I add sugar to the tea, which I would never have done in my former life, but a spoonful of sugar helps the medicine go down!I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive … I will never need to eat again. I survive on liquids and air and lightI do not eat the toast. I drink the tea. I am alone in the room again and I urinate into the cup and drink that too.I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive. It is the most potent of potions I can drink. I am a self-contained, utterly self-sufficient being. I will never need to eat again. I survive on liquids and air and light.I decide to explore outside the room. Outside my sanctuary. He has not come. So maybe I need to go searching for him …The Phone CallTime jumps. I am in a corridor lit by overhead strip lights. The electric light is pale yellow in tone. I am sat on one of three chairs in a row against the wall. The chairs are purple, curved plastic. I am still waiting for him to appear.There are two doors in front of me. One is the door to the blue room with the blue sofa and chair. Behind the other door is an office of some kind, and there is a woman in there, shuffling papers and talking on the phone.The woman comes out of the office. She is holding out my phone. My only possession now – the one artefact from my previous life. There is someone she wants me to speak to.Him.When I hold the phone to my ear, I hear a voice I recognise.But the voice belongs to my mother."Hannah?" she says. "Where are you? What's going on?"There is distress in her voice. Her voice is trembling with pain and anxiety.I do not want to hear it.This is a test. A horrible test, certainly, but one that I can pass. They are trying to tempt me back into the human. They are trying to lure me back into the past.I hang up the phone.But, after a moment, it starts to ring. The word Mum lights up the screen."Talk to her," says the woman.I answer the call.My mother sounds different now. Calmer. She asks again what's going on but gently, even cheerfully. I tell her everything's OK. That I'm fine. I tell her not to worry. I'm in a good place.This is the last time I will ever hear her voice, I think. This is the way I say goodbye.The DiagnosisThey tell me I am being sectioned.The words jar with my beliefs."Section 2 … the Mental Health Act … 28 days … right to appeal … "I cock my head.This does not fit at all. It does not fit in the world of Steve, of Ritual Master, of Shambhala and the invention of magic.I am not concerned. I am concerned only with the energy I can feel spiralling up through my body and the voices I can hear in my head.I pace the hospital corridors, delivering a tearful monologue, delivering the greatest performance of my life. A phrase comes to me. The Girl With All the Gifts. The title of a post-apocalyptic horror film released in 2016, starring Gemma Arterton.I am a magician. I am an actress. I am a writer. I have superhuman strength. I can fly. Anything that can be imagined, I can perform it. Every skill and every ability is mine.The film came out as a warning, and a prophecy.And because of me, the apocalypse has been averted.I am the saviour of the planet. I am the girl with all the gifts.The Journey to RecoveryIt was very hard, the journey to get here. It took 27 years. The path was twisting and full of setbacks, there were challenges and so much pain. There were times I wanted to give up. It was very hard. Everyone will have to make their own journey, and their journeys will be their own, unique as snowflakes or fingerprints. That is the beauty of it, the joy of it. Everyone has to figure it out for themselves.But I have laid the groundwork. I have walked the path. It starts with the energy healing, and it goes on and on through the seven dimensions, through increasingly magical planes. It goes on and on until you meet your soulmate, like I met mine.I was in a TV show called Game of Thrones, hidden in plain sight in the midst of a cultural phenomenon. I, the key to the world's salvation, wore the face of a character called Gilly, but really I played every role. Then I worked on a film called Detroit in Boston. David Benioff and Dan Weiss and Kathryn Bigelow were the four horsemen of the apocalypse. Numbers are irrelevant. Three counts as four. David and Dan and Kathryn cast me in the roles that brought about my destiny. The end and beginning of the world.I am the Ur-actress. I am every actress. Every performance ever given has been animated by my energy, my talent, by the gestures and facial expressions I am performing here and now.The Memoir and BeyondThis is an edited extract from The Make-Believe: A Memoir of Magic and Madness by Hannah Murray, published by Cornerstone (£18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.Hannah Murray will be in conversation with Jessie Cave at Kings Place in London on 5 June.

Bernardo Silva: A One‑Man Utility Engine for Manchester CityThe Guardian’s tribute paints Silva as more than a footballer – a “time‑travelling, shapeshifting superhero” whose relentless work‑rate and technical brilliance defined a decade of success at Manchester City. His imminent exit marks the end of an era where a single player could seamlessly occupy every role on the pitch.The Unprecedented Versatility That Redefined the Modern MidfielderSilva routinely shifted from right‑back to playmaker, winger to libero within a single match, often completing a full positional rotation in a single move. This chameleon‑like adaptability allowed Pep Guardiola to experiment with fluid formations, turning defensive recoveries into instant attacks.Numbers Behind the Legend: Appearances, Goals, Assists and Stamina Records459 appearances for City76 goals and 77 assistsRecorded a Premier League distance of 13.7 km in a single match (City 2‑1 Liverpool, Jan 2019) – a league recordTwo decisive goals in the 2023 Champions League semi‑final against Real MadridHow Silva’s Style Shaped City’s Tactical DominanceHis ability to find space, execute split‑second passes and sustain high‑intensity runs enabled City to:Secure the first 100‑point Premier League seasonAchieve a domestic clean sweep of trophiesWin a treble (league, FA Cup, Champions League) and later a fourth consecutive league titleSilva’s “double engine” stamina meant he rarely needed substitution, giving Guardiola a reliable option to maintain pressure throughout 90 minutes.What Lies Ahead for Silva and the Premier League LandscapeWith Silva likely moving to a sunnier climate, his departure opens a strategic void that rivals will scramble to fill. Teams may seek to develop similarly versatile midfielders or adjust tactics to compensate for the loss of a player who could “play every position in a single move.” For Silva, the next chapter could involve a league where his unique skill set reshapes expectations for midfield endurance and adaptability.