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Manchester United has named their starting lineup for the crucial Women's Super League derby against city rivals Manchester City, with Tullis-Joyce in goal and an attacking lineup featuring Hinata and Schüller. The substitutes include Middleton-Patel, Rendell, George, Anderson, Rolfo, and Drury. Manchester City, currently sitting at the top of the league table, has also announced their team, with Yamashita between the sticks and a formidable attacking lineup featuring Hemp, Miedema, and Shaw. Their bench includes Keating, Combs, Fowler, Kerolin, Ouahabi, and several other options. The match, scheduled for 1:30pm GMT, represents a significant opportunity for both teams in the title race. Manchester City head coach Andree Jeglertz emphasized the unique intensity of derby matches: These games live their own lives. Because a derby in this city is always going to get 100% energised players from both teams at the beginning. It almost doesn't matter what tempo you start as your opponent will be ready. These games aren't determined by 15, 20 minutes. Definitely the longer the game goes, it can be a challenge but it's how the game turns out and what happens. City secured a convincing 3-0 victory in the previous derby in November, with goals from Rebecca Knaak, Khadija Shaw, and Lauren Hemp. Meanwhile, Manchester United is looking to bounce back from a 3-2 first-leg defeat against Bayern Munich in the Champions League. United's head coach, Marc Skinner, acknowledged the challenge posed by the league leaders: City are top of the league for a reason but we will take that challenge on. Once you accept that challenge, you can rise to a new level. This derby comes during a busy period for WSL teams, with multiple high-profile clashes across the league that could significantly impact the title race.

The ongoing United States-Israeli conflict with Iran has triggered severe disruptions to global LNG supplies in the Gulf, creating the most significant energy market disruptions in recent years. The critical Strait of Hormuz, through which 27 percent of the world's maritime oil trade and 20 percent of LNG shipments pass, has been brought to a near standstill.In response to the conflict, oil-producing nations such as Saudi Arabia have rerouted oil through alternative pipelines, while Qatar has completely halted LNG production at its Ras Laffan and Mesaieed facilities following attacks on its energy infrastructure. This disruption comes as natural gas makes up about a quarter of global energy consumption, raising widespread concerns about the impact on nations heavily reliant on gas imports.Natural gas is formed over millions of years from decomposed organic matter subjected to intense heat and pressure beneath the Earth's surface. LNG represents natural gas that has been cooled to -162 degrees Celsius through cryogenic processing, shrinking it to a 600th of its gaseous volume. In its liquid state, LNG is colorless, odorless, and non-flammable, making it safe and efficient to transport across vast distances.Before liquefaction, the gas undergoes purification through water-based solvents and molecular sieve beds to remove impurities including carbon dioxide, hydrogen sulfide, water, and mercury. Heavier hydrocarbons are then separated from methane and ethane through fractionation. The resulting fuel is typically composed of 85 to 95 percent methane, with small amounts of ethane, propane, butane, and nitrogen.LNG is stored in large insulated tanks without requiring high-pressure infrastructure, then pumped onto double-hulled carriers for shipment to terminals worldwide. At destination facilities, LNG is heated using seawater or warm water baths until it vaporizes—a process known as regasification—before being distributed through pipelines for consumption.Once returned to a gaseous state, LNG serves multiple purposes globally. Residential applications include cooking, heating, and electricity generation, while supporting hot water systems in homes and heating for commercial buildings. In power generation, LNG offers a comparatively low-carbon alternative to coal and oil. Industrial applications span fertilizers, plastics, paints, and medicines, with LNG also used to fuel heavy-duty vehicles and ships.The disruption has particularly affected agricultural production, as Gulf nations export close to half the world's traded urea—a key fertilizer component. Natural gas serves as both the primary feedstock and fuel for fertilizer manufacturing, with the halt in production forcing producers across the region to suspend or reduce operations.While primarily valued as an energy source, LNG processing yields significant by-products with industrial and medical applications. The most notable is helium, extracted during cryogenic processing. With global helium production estimated at 180 million cubic meters annually, the disruption to Qatar's LNG facilities has removed approximately 5.2 million cubic meters from the market each month—accounting for about a third of global monthly production.Helium is critical for cooling superconducting magnets in MRI and CT scanners, with the average MRI machine requiring about 1,700 liters of liquid helium. The element is also vital to the data center industry, where it conducts heat away from silicon components, preventing damage to semiconductors. Additionally, the natural gas value chain generates petrochemical derivatives that serve as feedstock for manufactured goods, including medical-grade plastics.According to the International Gas Union's 2025 World LNG Report, 411.24 million tonnes of LNG were traded in 2024. The United States emerged as the largest exporter with 88.4 million tonnes, followed by Australia (81 million tonnes), Qatar (77.2 million tonnes), Russia (33.5 million tonnes), and Malaysia (27.7 million tonnes). Together, these top five suppliers account for more than three-quarters of global LNG supply.China was the largest importer with 78.6 million tonnes in 2024, followed by Japan (67.7 million tonnes), South Korea (47.1 million tonnes), India (26.1 million tonnes), and Taiwan (21.8 million tonnes). These top five importers constituted nearly 59 percent of all global LNG imports that year.South Asian nations face particularly severe risks from the current conflict. Pakistan, where natural gas accounts for 28 percent of electricity generation for its 250 million people, and Bangladesh, where gas supplies half of all electricity for its 176 million population, are heavily dependent on Gulf imports. Qatar and the United Arab Emirates supply approximately 99 percent of Pakistan's LNG imports and 72 percent of Bangladesh's.In response to the energy crisis, Pakistan has implemented emergency measures including a four-day workweek for government employees and extended school holidays. Bangladesh has reduced gas supplies and is seeking nearly $2 billion in international loans to fund energy inputs and maintain price stability. India, which relies on Gulf nations for about half of its LNG and generates 5 percent of its electricity from gas, has shifted toward coal usage as LNG disruptions continue.

In a significant development that underscores the evolving nature of modern conflict, Iran has begun placing messages directly on its missiles, marking a new frontier in the global war of narratives. This strategy represents a sophisticated blend of military capability and psychological operations, designed to communicate political statements while showcasing technological prowess. The practice of inscribing messages on missiles appears to be part of Iran's broader strategy to project strength and assert its position in regional power dynamics. By combining military demonstrations with ideological messaging, Tehran is attempting to shape international perceptions while deterring potential adversaries. This development comes amid intensifying information warfare between Iran and Western powers, with both sides employing increasingly sophisticated methods to influence global public opinion. The use of missiles as communication platforms represents an escalation in this conflict, transforming conventional weapons into instruments of strategic communication and psychological influence. Analysts suggest that Iran's missile messaging serves multiple purposes: demonstrating technological advancement, asserting regional dominance, and communicating directly with domestic and international audiences. The messages often contain political slogans, religious references, or threats against perceived enemies, creating a powerful visual impact when shared through state media. The trend reflects a broader shift in modern warfare where the information domain has become as crucial as the physical battlefield. Nations are increasingly recognizing that shaping narratives can be as strategically important as military capabilities themselves, particularly in conflicts where direct confrontation carries significant risks. As this practice continues to evolve, it raises important questions about the future of deterrence strategy and the boundaries of psychological operations in international relations. The convergence of military hardware and information technology suggests that we may see further innovations in how states communicate their intentions and capabilities in an increasingly complex global security environment.

The music of Bluey, the beloved Australian TV show, has captured the hearts of both children and adults worldwide. With over 4.8 billion minutes watched in Australia alone and 126 million streams of its theme song, the show's soundtrack has proven to be a crucial element in its success. Composer Joff Bush shares the secret to creating music that 'hits you in the feels.' According to Bush, it's all about seeding elements of music throughout an episode to create a powerful emotional payoff. For example, in the episode 'Sleepytime,' Bush used Gustav Holst's Jupiter from The Planets to convey the idea that a child's parents will always be there to love and support them. The new album, Up Here, features a chamber orchestra and marks a significant milestone in the show's music journey. Bush notes that the use of a chamber orchestra was initially met with skepticism but has ultimately resulted in something truly special. 'It's really ambitious, but having that many adults dedicate their craft to make this music as beautiful as it can be, for children? It was just wonderful.' The music of Bluey is not just emotionally devastating; it's also incredibly joyful. Children who spoke to the Guardian described the opening song as 'making them happy' and perfect for games like musical statues. For adults, the music often evokes strong emotions, with many confessing to watching the show after their kids have gone to bed. Bush's approach to scoring Bluey is rooted in his understanding of the show's themes and his own experiences as a father. 'Watching it now, I get it – why a certain episode hits you in the feels more.' His daughter even got to conduct the orchestra during a recording session, leaving her 'enamoured' by the experience.

David Chase, the creative mind behind HBO's groundbreaking series The Sopranos, recently shared insights into how the show transformed both his life and television history. The 80-year-old creator revealed that his seminal work was born from personal pain, particularly stemming from his complex relationship with his mother.While in London promoting HBO Max's UK launch, Chase reflected on how The Sopranos elevated HBO from a little-known network focused on sports and standup comedy to a powerhouse of prestige television. Despite the show's monumental success, Chase remains characteristically modest, attributing much of the achievement to luck rather than his own genius."I'd been taking network notes and eating network shit for however many years, and I was done with it," Chase explained of his decision to create The Sopranos after years working on network television shows like The Rockford Files and Northern Exposure. The creative freedom offered by HBO proved transformative, with the network providing minimal notes throughout the series' run.Chase revealed that the show's central premise—a mob boss seeking therapy—was directly inspired by his own difficult family dynamics. "In 1967 at the height of the Vietnam war, my mother said to me, 'I'd rather see you dead than avoid the draft,'" he shared. "I had to create a whole TV series to get over it."The interview also touched on Chase's complex relationship with James Gandolfini, who portrayed Tony Soprano. While acknowledging their creative tensions, Chase defended Gandolfini's commitment to the role, emphasizing that the actor never refused to perform scenes despite his struggles with the character's darkness.When asked about his legacy nearly two decades after The Sopranos concluded, Chase offered a simple yet profound reflection after a long pause: "God is in the details."Looking ahead, Chase discussed his upcoming limited series about MKUltra, the CIA's experimental program that sought to weaponize LSD. The project will explore scientists Sidney Gottlieb and Jolly West, who became consumed by their research into psychedelic substances. "They all went crazy and it became like the big party drug of the 1970s," Chase noted of the scientists' descent.The creator also expressed disappointment about a previously announced project, "A Ribbon of Dreams," about early cinema, which was ultimately shelved after HBO insisted on filming in western Canada. "I thought, 'What are you talking about? I don't even want to go into this,'" Chase recalled of the network's decision.

The reintroduction of beavers in Dorset has shown promising results, with the animals building a 35-metre dam and creating a deep, wildlife-rich pool. By coppicing trees, they have allowed more light in and improved habitats for plants, insects, amphibians, birds, and bats.Trail cameras have captured footage of an otter fishing in the pond, as well as a barn owl hunting there. Volunteers have spotted birds including redpolls and water rails. The cameras also captured footage of two of the beavers mating, indicating they have settled in their new home and that there could be kits this summer.Despite some hitches, including the death of a male beaver and the relocation of a female, the western pair of beavers has been busy doing their engineering work. The National Trust, which is in charge of the project, said it was thrilled with the progress, highlighting the astonishing effect on the ecosystem in a relatively short time.Gen Crisford, the National Trust's wetlands project officer, said setbacks were inevitable but expressed hope for a 'happy ever after moment' with the western pair. The project allows for the release of 10 to 25 adult beavers, with the next release expected to take place this autumn.

The Rugby Football Union (RFU) has stopped short of fully backing Steve Borthwick as England's head coach for the upcoming Nations Championship fixtures. However, RFU CEO Bill Sweeney emphasized that their primary focus is on supporting the existing coaching team.Sweeney's comments suggest that Borthwick is likely to lead England in their summer Test matches against South Africa, Fiji, and Argentina, pending the outcome of a formal review into their disappointing Six Nations campaign. The review aims to identify areas for improvement and provide additional support to the coaching team.A key point of interest is the absence of discussions with Andy Farrell, the Ireland head coach, whose contract expires after the 2027 World Cup. Farrell has a strong track record, having led Ireland to two Six Nations titles and a successful Lions tour. Sweeney confirmed that there are 'no approaches' to Farrell and that their focus remains on supporting Borthwick.The RFU's review process is expected to conclude by the end of April. Potential changes or additions to Borthwick's backroom team are being considered, including the possibility of creating a new general manager role similar to that of Rassie Erasmus with South Africa.England's upcoming fixtures pose significant challenges, particularly against South Africa in Johannesburg. The team will also face logistical hurdles with matches against Fiji and Argentina, including a long travel schedule.

The Royal Opera's new production of Britten's 'The Turn of the Screw' begins with an eerie effect: the tenor's voice emerges from absolute blackout, setting the tone for an evasive ghost story that will keep audiences on edge. Director Natalie Abrahami and designer Michael Levine have crafted a staging that masterfully builds tension, using water as a recurring motif to underscore the themes of innocence and corruption.The set design features a traditional country house with doors, beds, and the Governess's haunted desk, while Duncan McLean's videos project images onto an invisible screen, adding to the sense of unease. The ghosts and their silent doppelgangers move through the space, creating skilful misdirections and emphasizing the Governess's desperation.The cast delivers richly woven performances, with Isabelle Peters shining as the intense Governess, Claire Barnett-Jones warm as Mrs Grose, and Elgan Llŷr Thomas persuasive as the volatile Peter Quint. The children, played by Phoenix Matthews and Emilia Blossom Ostroumoff, bring extraordinary detail and presence to their roles.Conductor Bassem Akiki draws a compelling performance from the 13 players in the pit, and the tension only loosens its grip when the cast and production team take their bows. This production of 'The Turn of the Screw' runs at the Linbury theatre, London, until 6 April.

Tamerlano, a 1724 opera by Handel, has been reimagined in a modern production at the London Handel Festival. The story revolves around the despotic emperor Tamerlano, who has brought the stubborn Bajazet to his court in chains. Tamerlano's infatuation with Bajazet's daughter Asteria leads him to offer his betrothed, Irene, to the Greek prince Andronico. However, both Bajazet and Andronico threaten to end it all, while Asteria plots to assassinate Tamerlano.In an attempt to make the opera more accessible, director Orpha Phelan has aligned each character with a recognizable famous figure. Tamerlano is reimagined as Donald Trump, Andronico as Alexander the Great, and Irene as Elizabeth Bennet or a Bridgerton escapee. The production is billed as 'Social Experiment 2', manipulated by Andronico's friend Leone, played as Sigmund Freud.Despite the modern twist, the opera's musical standards are high, led by Laurence Cummings and the excellent Academy of Ancient Music. The cast, including Benjamin Hulett as Bajazet, Nardus Williams as Asteria, and Kitty Whately as Irene, copes admirably with Phelan's concept. However, James Laing's portrayal of Tamerlano is somewhat overwhelmed by excessive fidgety business, including eating Big Macs and doing the Trump dance.The production runs at Shoreditch Town Hall, London, until 28 March. Despite some reservations, the opera's vital element of danger is somewhat lost in the buffoonery. Nevertheless, it remains a fine cast and a resourceful set by Madeleine Boyd.