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Elvira Notari—Italy’s first and most prolific female filmmaker—crafted a vivid portrait of early‑20th‑century Naples through melodramas such as È piccerella (1922). The film opens with bustling pilgrimage scenes at the Candelora festival, juxtaposing flamboyant revelry with stark images of poverty, a visual strategy that challenged the sanitized narratives favored by the fascist regime.According to film scholar Giuliana Bruno, Notari’s work was driven by a desire to document reality, exposing class tensions and gendered oppression that Mussolini’s censors deemed unacceptable. A 1928 censorship law explicitly banned Neapolitan films featuring “stallholders, beggars, urchins, dirty alleyways,” effectively silencing Notari’s authentic street‑level storytelling.Despite directing around 60 feature films—many hand‑coloured—alongside her husband Nicola at Dora Film, only three titles (A Santanotte, È piccerella, Fantasia ‘e surdato) and fragments survive today, a loss directly attributable to fascist suppression and the prohibitive cost of sound‑film conversion.The newly released documentary Elvira Notari: Beyond Silence, produced by Antonella Di Nocera and directed by Valerio Ciriaci, reconstructs Notari’s fragmented career by collaborating with contemporary “artisans”—photographers, visual artists, novelists, and musicians who reinterpret her silent‑film aesthetics. Ciriaci notes that the absence of personal archives made the film’s investigative approach essential, turning Notari’s silence into a creative catalyst.Critics emphasize Notari’s lasting influence on Italian‑American auteurs such as Francis Ford Coppola and Martin Scorsese. Elements of her chaotic street festivals anticipate the wedding scenes in *The Godfather* and *Goodfellas*, while her raw urban tableaux echo the gritty New York sequences of *Taxi Driver*.Beyond cinematic technique, scholars like Cristina Jandelli argue that Notari’s intertitles reveal a pronounced class consciousness and a critique of women’s marginalisation in early 20th‑century Italy. Her use of Neapolitan dialect and unvarnished depictions of squalor directly opposed the regime’s propaganda‑driven vision of a unified, pristine Italy.After Dora Film collapsed in 1930, Notari retired to Cava de’ Tirreni and died in 1946, largely forgotten until recent scholarly revival. The documentary positions her as a “symbol of the right to memories,” underscoring the ongoing relevance of silenced female voices in cultural history.*Elvira Notari: Beyond Silence* will premiere at New York’s Film Forum on 6 April 2026 and tour the United Kingdom throughout April and May, offering audiences a chance to reconnect with a pioneering filmmaker whose work was once erased by fascism.

The transition from live piano accompaniment in silent cinemas to recorded soundtracks marked a turning point for movie‑goers; the Vitaphone disc system of 1926 and the optical Movietone process that followed gave films a reliable, repeatable musical identity.Sunrise: A Song of Two Humans (1927) was the first feature to have its music and sound effects printed directly onto the film strip, allowing audiences to hear orchestrated pieces by Chopin and Gounod in perfect sync with the picture.King Kong (1933) showcased Max Steiner’s pioneering use of the orchestra to drive narrative, mood and scene transitions, laying the groundwork for the symphonic Hollywood score that dominated the mid‑20th century.Citizen Kane (1941) gave Bernard Herrmann a platform to break from the lush, “Hollywood” sound, delivering a stark, atmospheric score that emphasized psychological tension and set a new standard for dramatic underscoring.Blackboard Jungle (1955) introduced Bill Haley’s Rock Around the Clock as the film’s musical spine, proving that popular rock could boost a movie’s commercial appeal and ushering in the era of song‑driven soundtracks.Forbidden Planet (1956) featured the first entirely electronic score, created by Louis and Bebe Barron using magnetic‑tape techniques; the pioneering use of the theremin and other electronic textures opened a fresh sonic frontier for sci‑fi cinema.Breakfast at Tiffany’s (1961) highlighted Henry Mancini’s “symphonic pop” style, marrying a timeless hit – Moon River – with a jazzy, contemporary score that demonstrated how pop sensibilities could coexist with traditional orchestration.2001: A Space Odyssey (1968) is remembered more for its curated classical pieces than Alex North’s original score, yet the film’s bold juxtaposition of Ligeti, Strauss and Khachaturian proved that pre‑existing music could become an integral narrative force.American Graffiti (1973) assembled over 40 period songs, weaving them into the story’s fabric and proving that a soundtrack could function as a cultural time‑capsule, influencing countless later productions.Star Wars: A New Hope (1977) revived the full‑orchestra tradition when John Williams delivered a heroic, leitmotif‑rich score that re‑ignited audience love for symphonic film music and set a template for blockbuster scoring.Crimson Tide (1995) marked Hans Zimmer’s breakthrough, blending aggressive electronic pulses with a powerful orchestral choir to create the modern, hybrid sound that now defines many high‑budget action films.These ten milestones illustrate how film music has continually evolved— from live accompaniment to electronic experimentation—while retaining a core purpose: to deepen storytelling and shape audience emotion. The legacy of these scores is celebrated each April at the London Soundtrack Festival, underscoring their lasting influence on both cinema and popular culture.

Romanian director Radu Jude is known for his wildly improvised and low-budget filmmaking style, often incorporating elements of TV ads, AI-generated content, and amateur dramatics into his movies. His latest film, 'Dracula', continues this trend, presenting a satirical take on Romania's dark past and the country's most reliable export: the legend of Dracula. The film is a meta-cinematic experiment, featuring a smug and supercilious film-maker, Adonis Tanta, who introduces the audience to his cheapo film about Dracula, created on his iPad using unbearable AI. The story is interspersed with set-piece mini-films-within-a-film on Dracula-adjacent themes, including a communist-era tale of a truck driver who falls in love with a local woman. Jude's film is a scathing critique of Romania's persistent strains of fascism, antisemitism, clerical arrogance, exploitative service economy, and stakeholder capitalism. Specifically, it relates to a proposal for a Dracula theme park in the late 1990s, in which thousands of Romanian citizens invested money that they would never see again. While the film may test the audience's patience at times, it features moments of startling insanity and is a testament to Jude's innovative filmmaking style. As the reviewer notes, 'one day, I predict, Jude will make a biopic of political vampirism about the most pressing Romanian subject of all: Nicolae and Elena Ceaușescu.' 'Dracula' is set to premiere at the ICA in London on April 10.

Iran’s sports minister, Ahmad Donyamali, warned on Sunday that his country’s participation in the 2026 World Cup remains doubtful unless FIFA agrees to shift Iran’s group‑stage fixtures from the United States to Mexico. The Iranian Football Federation (IFF) formally asked the global governing body to relocate the matches, but, according to Donyamali, it has yet to receive a definitive response. “If our request is accepted, Iran’s participation will be certain,” Donyamali told Turkey’s Anadolu news agency, underscoring the link between venue security and the team’s willingness to travel. The request comes amid heightened tensions after Israel and the United States launched attacks on Iran on February 28, sparking a broader regional conflict. Tehran retaliated with missile and drone strikes targeting Israeli sites, U.S. bases in the Middle East, and Gulf infrastructure. Iran, the first Asian nation to qualify for the tournament, is slated to play all three group matches on the U.S. West Coast – Los Angeles on June 16, Belgium in Los Angeles on June 22, and Seattle on June 26. Former President Donald Trump recently said Iran was “welcome” in the United States but added that he doubted the venue was “appropriate for their own life and safety.” In response, the Iranian team posted on social media that “no one can exclude Iran’s national team from the World Cup.” Iranian football chief Mehdi Taj echoed the sentiment, stating, “When Trump explicitly says he cannot guarantee our security, we will not travel to America.” Taj confirmed ongoing negotiations with FIFA to move the games to Mexico. FIFA, however, rejected the relocation request, reaffirming that the schedule announced last year will stand. President Gianni Infantino told IFF Vice President Mehdi Mohammad Nabi that “the matches will be played where they are supposed to be, according to the draw.” Despite the diplomatic deadlock, Donyamali affirmed that Iran’s players continue training and will be ready for the tournament, provided that adequate security guarantees are secured from the host nations. “Under these circumstances, the possibility of Iran playing in the United States is very low; if the necessary security assurances are given, our government will make the final decision,” Donyamali said, adding that former President Trump’s remarks were “morally and ethically unbalanced.” The World Cup kicks off on June 11 in Mexico, with the opening matches in the United States and Canada following on June 12. The final is set for July 19 in East Rutherford, New Jersey.

Barcelona's Lamine Yamal was visibly unhappy in the closing moments of their closely fought La Liga match against Atletico Madrid, but manager Hansi Flick has attributed his anger to his inability to score a goal.The 18-year-old Spanish forward hit the post with a dinked effort and provided an assist, but ultimately failed to score, leading to his frustration. Flick emphasized that Yamal's reaction was not linked to any off-field incidents, stating, 'He gave it his all but was unlucky when it came to scoring or providing the final pass.'Yamal has been at the centre of an Islamophobia controversy in Spanish football after slamming anti-Muslim chants during a friendly match against Egypt. Flick's comments come as Barcelona prepares for their upcoming UEFA Champions League quarterfinal against Atletico Madrid.

President Donald Trump confirmed early Sunday that a U.S. airman missing after his F-15E fighter jet was downed in Iran had been recovered, describing the operation as one of the most daring in American history. The rescue, which reportedly involved a heavy exchange of fire, concluded after the pilot, a colonel‑rank weapons systems officer, was extracted from the mountainous terrain of southwestern Iran. For roughly two days, both Washington and Tehran scrambled to locate the missing serviceman. Iranian officials even appealed to local residents, offering a $60,000 reward and urging the public to hand over the airman, a move that analysts said could have yielded a propaganda victory for Tehran. According to statements from the White House, the mission required the deployment of dozens of aircraft armed with lethal payloads. While the rescue was ultimately successful, the pilot sustained injuries; however, officials assured that his condition would improve. Experts highlighted the broader strategic implications. Amin Saikal, a professor at the Australian National University, noted that the operation demonstrated the U.S. military’s commitment to never abandon personnel behind enemy lines, while also freeing President Trump to pursue his stated 48‑hour deadline for Iran to negotiate access to the Strait of Hormuz. The conflict, now in its 37th day, has already caused 2,076 deaths and injured 26,500 people across Iran since the initial strikes on February 28, which targeted senior Iranian leadership. The war has expanded into a regional confrontation, with Iranian forces striking Gulf states that host U.S. military and commercial assets. Details of the downing indicate that Iran’s “new advanced air‑defence system” succeeded in shooting down the F‑15E, marking the first loss of a U.S. aircraft in the war and the first such incident since the 2003 Iraq invasion. An accompanying A‑10 Warthog was also hit, though its pilot ejected and was rescued. Initial rescue attempts saw a Black Hawk helicopter damaged but remaining airborne. Iran’s Islamic Revolutionary Guard Corps (IRGC) cordoned off parts of the Kohgiluyeh and Boyer‑Ahmad province, where the crash occurred, and reported that local nomadic groups, armed with rifles for livestock protection, joined the search. State media released footage of Iranian forces firing at U.S. helicopters, and the IRGC claimed to have destroyed two C‑130 transports and two Black Hawks during the operation. Trump’s announcement emphasized continuous monitoring of the pilot’s location by senior defense officials and a rapid response once the rescue window opened. He also referenced the ongoing disinformation campaign aimed at misleading Iranian search efforts. While Tehran has not officially confirmed the firefight, reports from Al Jazeera suggest that nine individuals were killed in related strikes, though the connection to the rescue remains unclear. Iranian authorities also claimed that another U.S. C‑130 aircraft was downed, a claim the United States has not addressed. Overall, the successful extraction underscores the heightened stakes of the U.S.–Iran confrontation and may influence forthcoming diplomatic overtures concerning the Strait of Hormuz and broader regional stability.

Barcelona has secured a hard-fought 2-1 victory over Atletico Madrid in a recent La Liga match. The game, which was closely contested, saw Barcelona emerge victorious thanks to a late goal from Lewandowski. For those who missed the action, a full match report is available, providing detailed insights into the game's key moments.The match was part of the La Liga series, with both teams vying for a crucial win. Barcelona's victory is a significant boost to their standings in the league. Fans and enthusiasts can catch up on all the action and analysis through Al Jazeera Sport's comprehensive sports coverage.

Manchester City dominated Liverpool 4-0 in the FA Cup quarterfinals at the Etihad Stadium on Saturday, with Erling Haaland scoring a hat-trick to lead his team into the semifinals for an eighth successive season.Haaland's impressive performance came after a slow start from City, with Liverpool's Hugo Ekitike and Mohamed Salah missing key opportunities. Haaland's first goal came from a penalty in the 39th minute, converted after a clumsy trip by Virgil van Dijk on Nico O'Reilly.The Norwegian striker doubled City's lead on the stroke of halftime with a superb header from a Rayan Cherki cross, making a perfectly timed run in front of Ibrahima Konate to beat Giorgi Mamardashvili.Liverpool's woes continued as Antoine Semenyo scored the third goal five minutes after the interval, capitalizing on a pass from Cherki to sprint past Van Dijk and clip a deft finish over Mamardashvili.Haaland completed his treble in the 57th minute, drilling home via the underside of the bar after O'Reilly teed him up 11 meters from goal.The win piles pressure on Liverpool manager Arne Slot, whose team has just two wins in their last seven matches in all competitions and is fifth in the Premier League. Slot's side faces Paris Saint-Germain in the Champions League quarterfinal first leg on Wednesday.Haaland praised his teammates for recovering from a difficult opening period, saying, “Honestly, in the first half, we struggled a bit, but after 30 minutes, we kept going, and in the end, it was an amazing game at home.”

An estimated 15 people were injured when a vehicle struck attendees of the Lao New Year parade in New Iberia, Iberia Parish, Louisiana.The Iberia Parish Sheriff’s Office, via spokesperson Rebecca Melancon, indicated that the preliminary investigation suggests the incident was not intentional.According to Acadian Ambulance, 11 victims were transported to hospitals by ground ambulance and two were airlifted for urgent care. The response mobilized ten ambulances and two medical helicopters to the scene.The crash occurred in New Iberia, a city of over 28,000 residents, located roughly 34 km (21 mi) south of Lafayette and 214 km (130 mi) west of New Orleans.The Lao New Year Festival parade, an annual Easter‑weekend event featuring live music, food vendors, and a beauty pageant, saw its musical program cancelled while vendors were allowed to remain open until 9 p.m. local time.Festival organizers expressed deep sorrow, stating, "We are praying for the victims and their families," and indicated that, if security resources are restored, religious services would resume on Sunday.The Lao New Year celebration, rooted in Buddhist tradition and marking the transition from the dry season to the monsoon, reflects the presence of a vibrant Lao community in Louisiana, particularly in New Iberia’s Lanexang Village, which houses hundreds of Lao residents.Many members of this community trace their origins to the aftermath of the Vietnam War and the 1975 Pathet Lao takeover, which prompted large‑scale migration to the United States.