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A Subtle, Anti-Musical Triumph in the Scottish Highlands Guardian's latest review praises Once for its stripped-down, 'anti-musical' approach that favors intimacy over spectacle, delivering a slick romance that sidesteps traditional showstoppers. John Tiffany's Minimalist Revival at Pitlochry Festival Theatre Directed by John Tiffany and designed by Bob Crowley, the production returns to its original creative team, featuring actor-musicians who 'muck in without fanfare'. The set of scuffed mirrors and wooden paneling creates a bar-room ambience, while choreography by Steven Hoggett leans on physical-theatre angularity. Box-Office Snapshot and Scheduling Venue: Pitlochry Festival Theatre Run: until 27 June 2026 Original Broadway debut: 2012 West End transfer: 2013 Why 'Once' Challenges Conventional Musical Expectations Music by Glen Hansard and Markéta Irglová is arranged by Martin Lowe, emphasizing rhythmic complexity over bombast. The narrative centers on a Dublin busker (Dylan Wood) and a Czech visitor (Lydia White), offering a low-stakes, emotionally true ending. Absence of typical 'high-kicking' numbers positions the show as an 'autumnal' opening for a summer season. Outlook: Minimalist Musicals Gaining Ground in Regional Theatres With its economical production values and focus on authentic storytelling, Once may inspire other regional venues to program similar 'anti-musicals', expanding the genre beyond Broadway-style extravagance.

Early Reading Memories Virginia Evans shares her earliest reading memory, reading either 'The Velveteen Rabbit' by Margery Williams or poems from 'Where the Sidewalk Ends' by Shel Silverstein with her sister. Favorite Books Growing Up Evans loved mysteries and fantasy worlds, reading many Nancy Drew books, 'The Boxcar Children' by Gertrude Chandler Warner, and 'The Wind in the Willows'. She enjoyed books about things that can't exist, calling it escapism. The Book That Changed Her as a Teenager At 15, Evans read John Steinbeck's 'The Grapes of Wrath', which gave her a new understanding of what fiction can do and how words can portray complex living. The Writer Who Changed Her Mind Evans praises Joan Didion, saying every time she reads Didion's work, she is changed in some way, seeing the world, people, and politics differently. The Book That Made Her Want to Be a Writer In college, Evans read Jhumpa Lahiri's 'Interpreter of Maladies', which inspired her to write, making her think: 'I have to do this, I can do this, I will do this'. The Author She Came Back To Evans tried Jane Austen's 'Pride and Prejudice' too young, but when she came back to it in her late 20s, she enjoyed it tremendously. Books She Rereads Daphne du Maurier's 'Rebecca' Steinbeck's 'East of Eden' The Book She Could Never Read Again Evans devoured the Millennium series by Stieg Larsson but was too disturbed to read it again. The Book She Discovered Later in Life Evans didn't read 'Little Women' by Louisa May Alcott until her adult life, relating to the mother character and identifying with Jo's struggles as an author. Current and Comfort Reads Currently reading: 'While I Was Gone' by Sue Miller Comfort reads: 'The Uncommon Reader' by Alan Bennett, 'Beautiful Ruins' by Jess Walter, 'I Capture the Castle' by Dodie Smith

The Lead Kane Parsons' feature directing debut, Backrooms, is a horror film that has been making waves in the industry with its unique blend of psychological terror and conceptual storytelling. Based on Parsons' web series and scripted by Will Soodik, the film stars Chiwetel Ejiofor and Renate Reinsve. The Event Details The film revolves around Clark (Chiwetel Ejiofor), a failed architect and alcoholic who manages a vast discount furniture store called Cap'n Clark's Ottoman Empire. Clark's life takes a dark turn when he discovers a supernaturally porous section of wall in the store's basement, leading him to a vast network of 'backrooms' - strange, installation-style areas that show snapshots of different versions of reality. The Data Analysis The film features a blend of genuine constructions and digital fabrication in its production design by Danny Vermette. The cinematography by Jeremy Cox creates an oppressive, crepuscular kind of dead yellowish light, adding to the film's eerie atmosphere. The Impact Analysis Backrooms draws inspiration from various sources, including J-horror, the V/H/S found footage franchise, Dan Erickson's Severance, and Nathan Fielder's The Rehearsal. The film's unique approach to horror has been praised for its originality and ability to progressively raise the stakes towards a thrilling conclusion. The Prediction With its release scheduled for May 28 in Australia and May 29 in the UK and US, Backrooms is expected to make a significant impact on the horror film genre. Fans of psychological terror and conceptual storytelling are eagerly anticipating the film's release, which promises to deliver a fascinating exploration of memories, past traumas, and alternate realities.

The Lead: A Drama Reflecting Modern HateRussell T Davies's new Channel 4 drama 'Tip Toe' presents a chilling portrayal of how political rhetoric, toxic online bullying, and misinformation can escalate neighborhood conflicts into dangerous confrontations. Set on Manchester's Canal Street—the same location as Davies's groundbreaking 'Queer As Folk'—the series follows an escalating feud between gay bar manager Leo (Alan Cumming) and his reserved, judgmental neighbor Clive (David Morrissey). Unlike the hopeful future depicted in 'Queer As Folk,' 'Tip Toe' captures the current reality where increased visibility has paradoxically led to increased hostility toward LGBTQ+ individuals.The Drama's Core Message: Questioning Post-Visibility SocietyDavies explains that he has never written so furiously in his life, with the central question running through all five episodes being: if inclusion and representation are now a given, what if other people don't like what they see? The drama explores how LGBTQ+ people can find themselves in the firing line, with the election of Trump now giving permission for anyone who is angry to express their views without consequences. As Davies states, "This isn't exclusively a gay problem, but nonetheless we're an easy focus for it. Whatever this anger is, we're a target."The Digital Hate Landscape: Online Bullying and Real-World ConsequencesThe drama's title itself reflects the fear of being able to express oneself in public. "I used to walk into a room and go: 'Ta-da!'" says Melba (Paul Rhys), a close friend of Leo's, in episode one. "Now I tip toe. Just in case." Davies reveals the extent of online abuse he personally faces: "The amount of times online I'm called a groomer and a paedophile [for his support of trans rights] is shocking and maybe actionable, except I think if I took action, I'd make it even worse." This digital harassment fuels real-world tensions, as demonstrated in the escalating conflict between Leo and Clive.The Characters' Complexity: Beyond Simple VillainyUnlike typical portrayals of hate, 'Tip Toe' offers nuanced character development. "We're very, very fair to Clive in this," says Davies. "He's not just the monster next door." The series explores Clive's perspective in episode three, revealing his unhappiness in marriage, financial struggles, and isolation from colleagues. "Instead of having friends and reaching out, he finds validation online," explains David Morrissey, who plays Clive. "They go: it's those people. They're taking your job. It's reinforcing something that he had all the time. So he just becomes angrier and angrier and angrier." This complexity prevents the drama from reducing its characters to simple archetypes.The Cultural Context: From 'Queer As Folk' to 'Tip Toe'The location of 'Tip Toe' on Manchester's Canal Street won't be lost on viewers of Davies's 1999 classic 'Queer As Folk,' which regularly featured scenes shot in the same area and followed the lives of three gay men in a way that not only made being gay seem cool but also reflected a new era of tolerance. Viewers took from it that the future could only be bright. Now, as Davies observes, "We've got this slide back into something as bad as I can remember, if not worse, because now people know what they're doing. In the old days when we used to preach about visibility, if someone punched you in the face, or excluded you... you had the excuse of saying they were ignorant. They were in the dark and we must be visible. And now they've seen us, and now I think that anger and that violence is on the rise."The Future of Representation: Why Dramas Still MatterAlan Cumming defends the need for dramas that remind people of ongoing challenges. "No, because I think that's what dramas are for," he says. "Why do we do the Greeks? Why do we read Shakespeare? They have things to say, and we need to keep hearing the same stories and allegories, because they're important for us as a culture, to hear and to understand and to reinterpret." The series was inspired by Davies's personal experiences of feeling unsafe in his own home after a fan recognized his address from a BBC documentary. "I was fascinated by how startling that was, how porous your house feels," he says. "If it's reaching me, what the fuck is it like on levels where you have less defence and less ability to move and less money, frankly?" This personal concern elevates 'Tip Toe' beyond mere entertainment into a vital cultural commentary on the state of modern society.

The Discovery of Harpo's Voice For the first time, Harpo Marx, the pantomime star of the Marx Brothers, has been heard speaking. A special recording, unearthed from 1964, reveals Harpo's soft-spoken voice and wit, offering a new side to his character. Harpo's History as a Mute Clown Born Adolph Marx in 1888, Harpo was known for his childlike and mischievous persona, often communicating through his harp and taxi horn. He started performing with his brothers in 1908 and became a mute clown in 1915 due to nerves about speaking on stage. The 1964 Recording The recording, made during a fundraiser for the Riverside Symphony Orchestra in southern California, features Harpo narrating Prokofiev's Peter and the Wolf and delivering a 'Red's Speech.' Historian Robert Bader, author of Four of the Three Musketeers: The Marx Brothers on Stage, says Harpo had a lovely voice and should have spoken more often. The Significance of the Recording Harpo's son, Bill Marx, describes the recording as 'a joy to listen to … a slice of comedic and film and stage history that should endure.' The discovery of these tapes is special because it was Harpo's final public performance, and he died six months later. The Legacy of Harpo Marx The recording, available on Ramseur Records, offers longtime Marx Brothers fans a new side of Harpo, showcasing his wit and soft-spoken voice. As Bader says, 'The people who were longtime Marx Brothers fans are going to see a side of him that they just weren’t aware of.'

The Family's Mission to Save the Glutinous Snail Ian Hughes and his son, Ben, are driving through the hills of north Wales with an array of homemade animal artefacts. They finally reach Llyn Tegid – Bala Lake, where, knee-deep in the water, Ian brandishes two glutinous snails. The snails have been driven to extinction in England by poor water quality. Pollutants from agriculture and industry have ruined their habitats in ponds, ditches, lakes, and streams. The lake in Gwynedd hosts the last remaining wild population of glutinous snails in Britain. The Conservation Efforts Hughes has dedicated more than a decade to conserving the tiny mollusc and other rare species. This year, the Department for Environment, Food and Rural Affairs (Defra) has listed the snail as one of the threatened species that will benefit from a £60m government funding boost. With the funding, the British and Irish Association of Zoos and Aquariums will receive support to build ark populations of the glutinous snail, while the Freshwater Habitats Trust hopes to use new resources to find locations suited to wild reintroductions. The Impact of Conservation Hughes's passion for invertebrates extends to convincing other people to care about them. He writes children's books, which Ben illustrates, about the species he has studied, and the pair sell T-shirts showcasing their wildlife drawings. Ben says, 'Well, why do we matter? We're part of a huge living system. If you take a cog out of a machine, it doesn't work any more.' The Future of the Glutinous Snail Now, Hughes hopes the Defra funding will help the conservation efforts he has long championed. The goal is to keep the snails moving and preserve their population. By continually moving snails from one container to another, Hughes and his family aim to prevent the water from becoming polluted and ensure the survival of the species.

The onset of the Iran war in February 2026 has derailed expectations of a 2026 UK interest‑rate cut, pushing mortgage rates higher and leaving many prospective home‑buyers scrambling.Iran War Triggers Higher UK Mortgage RatesBank of England analysts now anticipate at least one rate rise this year, reversing earlier forecasts of cuts in 2026. The conflict has reignited inflation concerns, keeping mortgage costs elevated for longer.Rising Rates Push Monthly Payments Up 20%Panos (36, executive sous‑chef) saw his five‑year fixed rate climb from 4.18% to 5.22%, lifting his monthly payment from £2,600 to £3,100 – a 20% increase.Jonathan (49, academic) had a rate of 3.6% withdrawn and secured a new 5.2% fixed deal, adding roughly £150 per month and extending his repayment horizon to 2049 (age 72).Average mortgage‑rate expectations for first‑time buyers have risen by over 1 percentage point since February, according to the Guardian survey.First‑Time Buyers Forced into Renting and Delayed HomeownershipPersonal testimonies illustrate the broader trend:Edward (47, Staffordshire) sold his home, only to face a Section 21 eviction and a drying rental market, while mortgage‑rate spikes made his target purchase unaffordable.Grace (27, NHS employee) saw her approved loan cut from £188,000 to £134,000, then to a reduced offer of £170,000 at 5.2%, forcing her to postpone buying.Across the sample, borrowers report a shift from buying to extended renting, with many extending tenancy periods beyond original plans.Outlook: Prolonged Rate Environment and Policy UncertaintyAnalysts expect the Bank of England to maintain a tighter monetary stance for the remainder of 2026, given persistent inflationary pressure linked to global conflict. Without a clear resolution to the Iran war, mortgage rates are likely to stay above pre‑war levels, keeping first‑time buyers on the sidelines and pressuring the UK housing market to adapt to a higher‑cost financing regime.

The Lead Anita Rani's new podcast celebrates 'awesome women on the planet right now'. Her first guest is Meera Syal, and future guests include Gisèle Pelicot and Adjoa Andoh. Anita Rani's Sisters of Defiance Anita Rani's podcast, 'Sisters of Defiance', features discussions with 'awesome women' on various topics, including empty-nest life, Goodness Gracious Me, and divorce. The podcast is widely available, with episodes released weekly from Tuesday, 26 May. Slow Burn: Becoming Justice Gorsuch Slate's anthology series, 'Slow Burn', dissects the life of US Supreme Court Justice Neil Gorsuch in its 11th season. The podcast is widely available, with episodes released weekly. Drilled: Carbon Cowboys The climate crisis-themed podcast 'Drilled' explores the carbon capture trade through the story of Republican megadonor and Iowa entrepreneur Bruce Rastetter. The podcast is widely available, with episodes released weekly. Passages: On Morrison This podcast series follows Harvard professor Namwali Serpell as she discusses Toni Morrison's work with various guests, including critic Vinson Cunningham and former US poet laureate Tracy K Smith. The podcast is widely available, with episodes released weekly. To Catch a King Journalist Sue Mitchell and ex-soldier Rob Lawrie team up to investigate a man believed to be responsible for thousands of illegal cross-channel journeys. The podcast is widely available, with episodes released weekly.

The Comedian Who Refuses to Stay SilentNish Kumar has built a career on being unafraid to speak his mind, even when it means confronting fellow comedians like Jimmy Carr about their decisions to perform in controversial venues. The British stand-up, known for his articulate and politically charged humor, recently discussed his confrontations with comics who participated in the Riyadh comedy festival, calling it part of the "cultural-washing of a repressive regime." Kumar's upcoming tour, "Angry Humour from a Really Nice Guy," reflects his concern that comedy has been "co-opted by charlatans in service of autocrats." Despite his willingness to court controversy, Kumar admits there are moments when he questions his approach, joking that "you should not be allowed to give interviews" when discussing fellow comedians.The Confrontation Over Comedy EthicsKumar's most notable public clash came when he confronted Jimmy Carr about his decision to appear on Jordan Peterson's podcast, which Kumar described as "a radicalisation event that's happening on an unprecedented scale." His criticism extends to other comics who performed in Saudi Arabia, including Bill Burr, Dave Chappelle, and Jack Whitehall. Kumar alleges that some comics "signed a contract agreeing to not have a go at MBS [Mohammed bin Salman, the crown prince of Saudi Arabia]" and expressed particular frustration with those who have complained about cancel culture while participating in such events. "I don't want to hear about free speech from any of these cunts again," he stated emphatically. These confrontations highlight Kumar's commitment to what he sees as ethical boundaries in comedy, even when it means alienating his peers.A Career Forged in Debate and DeterminationNow 40, Kumar has been performing stand-up for two decades, though his love for comedy began much earlier. At age five, he was studying The VHS of The Simpsons, analyzing its intricate references and in-jokes. His influences included Chris Rock and the sketch show Goodness Gracious Me, which helped him see comedy as a viable path for someone of his background. "Until then, the only people I'd seen do comedy were either white or African American. You see a bunch of Indians doing it, you think: Oh, this is viable for me." Kumar's early career involved temping while struggling to make inroads in comedy, buoyed only by "the persistent encouragement of my friends." His big break came in 2015 when his fourth fringe show was nominated for an Edinburgh comedy award, followed by regular TV appearances and eventually becoming a household name after joining The Mash Report in 2017.The Impact of a Progressive Voice in ComedyKumar's outspoken progressive politics made him both celebrated and controversial. His appearances on Question Time prompted social media abuse, and figures like Piers Morgan and Andrew Neil criticized him for an "anti-British" episode of Horrible Histories. Despite these controversies, Kumar believes his involvement in culture wars ultimately did more harm than good. "It's a fucking relief. It didn't do anybody any good; me being in the conversation didn't benefit any of the causes that I was passionate about. I worry sometimes that it actually actively hindered them." Despite this, his influence has grown internationally, with The New York Times suggesting he might be "the angry progressive standup the US badly needs." His cross-generational appeal has also expanded, with audiences ranging from 14-year-olds to septuagenarians, reflecting his ability to connect with diverse audiences through his blend of political commentary and personal vulnerability.Anger and Authenticity in a New Era of ComedyAs he approaches his 40s, Kumar continues to refine his approach to comedy that balances anger with authenticity. He has been open about his mental health struggles, including diagnoses of PTSD and ADHD, which inform his work. His upcoming tour "Angry Humour from a Really Nice Guy" suggests a continued commitment to comedy that challenges both audiences and the industry itself. Despite his success in the US, where he performed his new show and appeared on Have I Got News for You, Kumar's material remains rooted in UK concerns, with American audiences showing enough interest in British politics to appreciate his takes on figures like Angela Rayner. As he continues to navigate the complexities of comedy that both entertains and provokes, Kumar remains committed to what he sees as the essential role of comedy in holding power accountable, even when it means making enemies in the process.