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Uber confirmed on April 7, 2026 that it is broadening its AWS cloud contract to run additional ride‑sharing features on Amazon’s in‑house silicon. The company will increase usage of the ARM‑based Graviton server CPUs and begin a pilot of the Trainium3 AI chip, Amazon’s answer to Nvidia’s accelerators. Uber Expands AWS Contract to Include Graviton CPUs and Trainium3 AI Chip Expanded workload migration from Uber’s legacy data centers to AWS. Increased deployment of low‑power Graviton instances for core ride‑matching services. Launch of a controlled trial of the next‑gen Trainium3 AI accelerator for demand‑forecasting and routing algorithms. Financial Stakes and Chip Market Shifts Amazon’s AI chip business was described by CEO Andy Jassy as a "multibillion‑dollar" operation. Oracle’s earlier exit from Ampere yielded a $2.7 billion pre‑tax gain, underscoring the high‑value nature of ARM‑based silicon. Uber’s renewed spend with AWS is expected to offset portions of its prior multi‑year contracts with Google Cloud and Oracle Cloud Infrastructure. Strategic Blow to Google, Oracle and Nvidia The deal is less about a direct threat to Nvidia and more about Amazon flexing its silicon advantage against cloud rivals. By pulling a former Oracle‑backed ARM player (Ampere) into its ecosystem, AWS positions itself as the preferred partner for AI‑intensive workloads, challenging both Google and Oracle which have historically leaned on Nvidia GPUs. Future Outlook: Cloud Competition and AI Chip Landscape Expect more enterprise customers to evaluate ARM‑based CPUs and Amazon‑designed AI chips for cost‑efficiency. Google and Oracle may accelerate their own silicon roadmaps or deepen Nvidia ties to retain market share. Uber’s trial of Trainium3 could set a benchmark for AI‑driven ride‑hailing optimization, potentially prompting broader industry adoption.

The Greatest Showman, the hit 2017 film starring Hugh Jackman as PT Barnum, has been transformed into a high-flying, hammer-juggling, banger-filled spectacular on stage. The musical, premiering in Bristol's Hippodrome, brings to life the story of the American showman and entrepreneur, with a sold-out eight-week run.The film's iconic soundtrack, which includes the Oscar-nominated 'This Is Me,' has been retained, with new songs by the original composers, Benj Pasek and Justin Paul. The production features Oliver Tompsett as Barnum and Samantha Barks as his wife, Charity.The stage adaptation aims to celebrate the world of circus and theatre, while acknowledging the controversial history of PT Barnum, who was criticized for exploiting people and animals. The musical's producers have chosen not to cast a performer with dwarfism in the role of Charles Stratton, but instead focus on showcasing vulnerable characters and promoting inclusivity.The production features sophisticated digital technology, with a 'sky pit' above the stage and a half-circus ring design. The team behind the musical hopes to create a sense of community among audience members, but stops short of encouraging sing-alongs to the hit songs.

Vicky López, now 19 years, 8 months and 12 days old, has already etched her name in Barcelona’s history books, featuring in over 120 matches and netting 32 goals for the club.She joined Barcelona in July 2022 at just 16, making her first‑team debut under manager Jonatan Giráldez and instantly setting a series of age‑related records – the youngest player ever to appear at Camp Nou, in the Champions League and in an el clásico. The following campaign she became the club’s youngest scorer in that iconic derby.This season López has featured in 36 games, contributing 10 goals, a tally that already matches her previous year’s output. Barcelona need a maximum of three points from their remaining five Liga F fixtures to clinch a fourth league title – which would also be López’s 11th trophy with the club – while simultaneously preparing for a Champions League semi‑final against Bayern Munich.Despite being a senior figure, López admits younger teammates such as Clara Serrajordi and Aïcha Cámara often turn to her for guidance, though she defers more complex advice to veterans Alexia Putellas and Patri Guijarro.Putellas, the two‑time Ballon d’Or winner, praised López last summer, saying, “I see myself reflected in her – her passion, drive to win and endless ambition.”López’s rise is underscored by personal tragedy; her mother succumbed to a brain tumour in 2018 when López was 11. She honors her mother after every goal, pointing skyward, a ritual that mirrors Putellas’ own tribute to her late father.After a season with Madrid CFF, where she became Liga F’s youngest ever player, Barcelona secured López on a five‑year deal. She continues to dedicate each goal to her mother’s memory.In her debut campaign at Barcelona she logged 13 appearances and scored two goals. “I never imagined playing so many matches in my first year,” she recalled, thanking Giráldez for the trust he placed in her.Initially shy, López admitted, “I wasn’t fully myself in the first training sessions, but it was a dream to train with the world’s best.”She believes the blend of youthful exuberance and veteran experience is Barcelona’s greatest asset: “I bring joy, youth and playfulness,” she said, emphasizing the importance of a balanced squad.Often likened to male prodigy Lamine Yamal, López and Yamal both sport the number 19 and light up the wing with their creativity.On the international stage, López earned her first senior cap at 17 in the Nations League and featured in Spain’s 2025 European Championship final against England. The only time she missed a national‑team camp was in May 2024, when she sat her “selectividad” exams.Looking ahead, López acknowledges she will soon carry the mantle as Barcelona transitions away from legends like Putellas and Aitana Bonmatí. “I’m still working to become the player I aspire to be, but above all I enjoy playing football and spreading happiness to fans,” she affirmed.

A former Meta employee based in London is being investigated by the Metropolitan Police’s cybercrime unit for allegedly downloading roughly 30,000 private Facebook images while employed by the company.According to court documents obtained by the Press Association, the suspect is said to have created a script designed to circumvent Meta’s internal detection systems, allowing him to access and extract the images without triggering security alerts.Meta confirmed that the breach was discovered more than a year ago. The company immediately terminated the employee, notified the affected users, and referred the matter to UK law enforcement. It also announced that its security infrastructure has been enhanced to prevent similar incidents.The individual remains on police bail, with magistrates requiring him to report to officers in May and to disclose any plans for foreign travel.Legal experts note that while the rogue employee could face charges under data‑protection and computer‑misuse laws, Meta’s liability hinges on whether it had “appropriate technical and organisational measures” in place. As senior data‑protection specialist Jon Baines of Mishcon de Reya explains, “If the employer has sufficient safeguards, the law does not punish the organisation for the actions of a rogue employee.” However, a finding that Meta’s safeguards were inadequate could expose the company to substantial fines or damages.The Information Commissioner’s Office (ICO) acknowledged the incident, emphasizing that “social media users should be able to trust that their personal information is handled responsibly.”Meta’s challenges come amid broader scrutiny of major platforms. Last month, a Los Angeles court held both Meta and Google liable for a woman’s childhood social‑media addiction, a ruling that could reshape platform accountability.

Arsenal travel to Lisbon after recent setbacks in domestic cup finals, yet they remain unbeaten in the Champions League group stage and the last‑16, where they defeated Bayer Leverkusen 3‑1 on aggregate. The Gunners entered the tie with eleven players back from international duty, but a knee injury to Gabriel Magalhães adds to a list that already includes Eze, Hincapié, Saka, Timber and Merino. The potential return of Declan Rice, Leandro Trossard and Martin Ødegaard could restore creative spark. Sporting CP, still reeling from a 5‑1 loss to Arsenal last season, rely on Colombian striker Luis Suárez, who has netted 34 goals across all competitions, including five in Europe. Their home record at Estádio José Alvalade is formidable – five wins in five Champions League matches. Prediction: Arsenal to progress after a draw in the first leg. Real Madrid host Bayern Munich in a clash that pits a historically dominant Spanish side against a German outfit that has lost only twice in 43 matches this season and boasts a 13‑game unbeaten streak. Bayern, fresh from a 10‑2 demolition of Atalanta, have secured the Bundesliga and are eyeing a DFB‑Pokal semi‑final, but they have failed to beat Real in their last nine meetings. Madrid, despite a recent 2‑1 league loss to Mallorca, carry confidence from a 5‑1 aggregate victory over Manchester City. Goalkeeper Thibaut Courtois remains sidelined, leaving Andriy Lunin between the posts, while Kylian Mbappé leads the competition with 13 goals. Prediction: Bayern to progress after a draw in the first leg. Barcelona take on Atlético Madrid after a dramatic 2‑1 league defeat in which Robert Lewandowski scored late. Atlético, known for high‑scoring Champions League displays (55 goals in 12 games), will miss several starters, including Hancko and Ruggeri, while Jan Oblak is expected to keep goal. Barcelona enter the tie on a nine‑match unbeaten run, sit seven points clear at the top of La Liga, and have recently thrashed Newcastle 7‑2 in Europe. Injuries to Raphinha and Frenkie de Jong linger, but Ronald Araújo is likely to start. Prediction: Barcelona to win the first leg and the tie. Paris Saint‑Germain face Liverpool at a difficult moment for the English side, fresh from a 4‑0 FA Cup loss to Manchester City. Liverpool can count on the fitness of Mohamed Salah, Jeremie Frimpong and Federico Chiesa, and the possible return of £125 million signing Alexander Isak. PSG, meanwhile, continue their strong record against English clubs, having eliminated Liverpool, Aston Villa and Arsenal last season and recently dispatching Chelsea 8‑2 on aggregate. Key players such as Vitinha, João Neves and Nuno Mendes are expected to start after recent bench appearances. Prediction: PSG to win the first leg and the tie.

Mexico is facing a severe 'toxic crisis' due to the importation of hazardous waste from the US, according to a UN expert. Marcos Orellana, the UN special rapporteur on toxics and human rights, conducted an 11-day investigative mission in Mexico and found lax environmental standards and a lack of oversight, leading to the accumulation of pollution over the years. Orellana warned that over 1,000 contaminated locations are officially recorded in Mexico's National Inventory of Contaminated Sites, many of which have become 'sacrifice zones' where diseases such as cancer and medical events like miscarriages are normalized. He cited factories spewing hazardous waste into the Atoyac River in Puebla, huge industrial pig farms contaminating drinking water on the Yucatan peninsula, and a decade-old mining chemical spill affecting health in communities around the Sonora River. The expert emphasized that US overconsumption and economic activity are using Mexico as a 'garbage sink'. He proposed that Mexico could adopt restrictions on the import of hazardous waste as a measure to address part of the crisis. Some countries have chosen to ban such imports to avoid becoming destinations for international waste. Residents in Monterrey, which suffers from some of the worst air pollution in North America, welcomed the rapporteur's calls for more attention to the health of Mexico's people. Local activists and childcare center directors highlighted the dire health effects on communities, including respiratory illnesses and other health issues. Mexico's government has acknowledged that regulatory standards are out of date and has announced plans to strengthen them. Officials are rolling out a new air monitoring system to detect emissions from specific facilities, starting in an industrial corridor of Monterrey.

A sharp political row has ignited between the central government in Madrid and the Basque regional authorities over a request to display Picasso’s Guernica at the Guggenheim Museum in Bilbao from 1 October to 30 June, coinciding with the 90th anniversary of the town’s devastating aerial attack.The masterpiece has been housed in Madrid’s Reina Sofía museum since 1992, and previous appeals to relocate it to the Basque Country have been consistently rejected.The latest demand has seen Isabel Díaz Ayuso, the outspoken conservative president of the Community of Madrid, and Aitor Esteban, leader of the Basque nationalist party, exchange barbed remarks, each accusing the other of a “provincial” outlook.Ayuso argued that moving the painting “doesn’t make sense” and quipped that, if origin mattered, “all of Picasso’s works should be sent to Málaga,” the artist’s birthplace. She also warned that the Reina Sofía fears the relocation could damage the delicate canvas.Esteban shot back, suggesting that Ayuso’s notion of national identity was reduced to “drinking beer on a terrace bar,” a jab at her stance on keeping Madrid’s bars open during the pandemic.Basque president Imanol Pradales challenged the Spanish government’s resolve, asking whether it could muster the courage to move Guernica after having “dragged Franco out of his tomb.” He framed the decision as a test of political will.The Basque administration proposes to exhibit the work at the Guggenheim for eight months, framing the display as a tribute to the victims of the 1937 bombing of the town of Guernica.The black‑and‑white canvas captures the horror of the attack carried out by the German Condor Legion and the Italian air force on 26 April 1937, an early example of strategic aerial bombardment of civilians during the Spanish Civil War.Casualty estimates for the raid vary widely—from as few as 126 to as many as 1,654 dead—yet the painting has become an enduring global symbol of the atrocities of war.After its debut at the 1937 Paris International Exposition, Guernica toured Europe and the United States. Picasso, who opposed its return to Spain under Franco’s dictatorship, later allowed it to reside at New York’s Museum of Modern Art (MoMA) for several decades.Art historian Francisco Chaparro cautioned that, while the Spanish government cannot entirely rule out a move, the risk of damage must outweigh any political motivations. He likened the situation to the Mona Lisa’s permanent stay at the Louvre and Velázquez’s *Las Meninas* at the Prado, noting that Guernica has been “rolled and unrolled on numerous occasions.”Artist José Manuel Ballester reminded observers that Picasso himself had envisioned the painting hanging in the Prado, a position he never assumed during the civil war.In 2000, the Reina Sofía rejected a request from MoMA to loan Guernica, declaring that the “great icon of our museum must remain, without exception, separate from the policy on lending works to other museums.”Note: The article was amended on 7 April 2026 to include the German Condor Legion alongside the Italian air force in describing the 1937 bombing.

The notion that space exploration is pointless is gaining traction, and for good reason. As the world grapples with pressing crises, the urgency to address them on our own planet grows. The idea of venturing into space, once driven by the possibility of encountering little green people, now seems less compelling.The "Where is everybody?" paradox, first posed by physicist Enrico Fermi in 1950, remains a profound question. If intelligent life exists elsewhere, why has it not made contact? The author's conclusion is that there is no intelligent life out there, and that our planet is unique in its beauty.The latest moon mission has sparked renewed debate, with many people taking offense to the idea that space exploration is unnecessary. Some argue that it stifles innovation and modernity, while others point to the technological advancements that have come from space exploration. However, the author counters that many of these advancements have been used for military purposes, and that the focus on space exploration detracts from more pressing issues on Earth.The author, Zoe Williams, a columnist for The Guardian, emphasizes that her criticism is not directed at the astronauts themselves, but rather at the financial outlay and energy expenditure dedicated to space travel. She questions whether the United States, in particular, has bigger priorities to address, such as domestic issues.

Harry Styles has announced the full programme for this year’s Meltdown Festival at the Southbank Centre, positioning the pop star as curator of a multi‑genre celebration that runs from 11 June to 21 June. In addition to headlining a solo show on 16 June at the Royal Festival Hall, Styles will perform amid his ongoing Wembley Stadium tour, while the festival showcases a broad spectrum of talent ranging from jazz to electronic dance music. The jazz segment features two sets by acclaimed US saxophonist Kamasi Washington: one dedicated to his album Fearless Movement and another titled “Jazz Legends Reimagined,” where he will reinterpret classic jazz compositions. Ethiopian‑born pioneer Mulatu Astatke returns after a farewell‑tour appearance, and the UK scene is represented by drummer Yussef Dayes and reed virtuoso Shabaka, who will join a collective of collaborators. Indie and rock offerings include LA band Warpaint (performing their sole gig of the year), British singer‑songwriter Nilüfer Yanya, and a mix of emerging and veteran acts such as Bar Italia, Stephen Fretwell and Getdown Services. Former Maccabees frontman Orlando Weeks will deliver a hybrid set of music and storytelling, while Devonté Hynes (known as Blood Orange) will present a classical‑inspired performance with musicians Adam Tendler, Cæcilie Trier and Tariq Al‑Sabir. On the pop front, rising stars Erika de Casier and Fousheé will provide some of the season’s most forward‑thinking tracks. The electronic roster spans ambient pioneer Beverly Glenn‑Copeland, an improvised collaboration featuring Jon Hopkins, Maddie Ashman and Leo Abrahams, high‑tempo EDM from Australia’s Ninajirachi, and a DJ set by James Murphy of LCD Soundsystem. A parallel programme of free, family‑friendly events will showcase “a mix of appearances from Styles’ favourite artists beyond music,” according to the Southbank Centre. Speaking about the festival, Styles said: “Music is my life; every artist involved in this year’s Meltdown festival means so much to me, both as a fan, and a musician. It’s a true honour to host legends who have paved the way for the generations that follow them, as well as new acts that have inspired me to push my creative boundaries.” Tickets become available on 9 April for Southbank members and 10 April for the general public, with the event promising a unique blend of established icons and cutting‑edge talent.