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Recent years have proved challenging for Madonna. Her 2024 tour sparked controversy when a group of fans filed a lawsuit over her arriving onstage two hours late, underscoring the growing disconnect between expectations and reality.Her last three studio releases have received mixed critical reactions and have seen sales roughly halve with each successive album – from the lukewarm reception of 2012’s MDNA and 2015’s Rebel Heart to the even more niche appeal of 2019’s experimental Madame X, which blended trap, reggaeton, Portuguese fado and politically charged lyrics.In an era where her own singles struggle to chart, Madonna’s most notable recent commercial win came from a featured appearance on The Weeknd’s 2023 hit “Popular”, rather than from a solo release.Despite the “Queen of Pop” moniker still clinging to her name, some observers argue that branding her upcoming record as a sequel to the 2005 dance‑floor classic Confessions on a Dance Floor hints at desperation. Others contend it simply reflects a strategic return to her strongest creative territory.Evidence suggests the new album, tentatively titled Confessions II, is being crafted largely with longtime collaborator Stuart Price, the producer behind the original 2006 record, reinforcing the project’s club‑centric pedigree.The teaser track “I Feel So Free” embraces classic house aesthetics. Its DNA includes nods to Lil Louis’s 1989 anthem “French Kiss,” a bassline reminiscent of Donna Summer’s “I Feel Love,” and an acid‑line that surfaces around the four‑minute mark, creating a hypnotic, late‑night dancefloor atmosphere.Structurally, the song eschews a conventional chorus, opting instead for a gradual build typical of underground dance tracks, and it avoids the bombastic drops common in contemporary EDM.Madonna’s vocals are delivered as spoken‑word excerpts from a 2021 interview with fashion magazine V, repurposed to celebrate nightclubs as spaces for personal reinvention – a lyrical approach that would feel at home in a mid‑90s New York Sound Factory set.Overall, the track feels like a soft launch for the album: it is less pop‑oriented than the unnamed song she performed at Coachella, yet it is meticulously produced, authentically rooted in house music, and showcases Madonna as herself rather than a chameleon chasing fleeting trends. This bodes well for the full release of Confessions II, suggesting a confident, club‑driven direction for the pop legend’s next chapter.

Iranian authorities announced a swift reversal of the Strait of Hormuz’s reopening, reinstating tight military oversight after Washington declared it would maintain the blockade on Iranian ports.IRGC vessels engaged a tanker attempting to transit the waterway on Saturday, and a separate Indian‑flagged crude carrier was also reported to have come under fire, according to a UK maritime agency and Reuters.The Khatam al‑Anbiya joint military command stated that the strait has returned to its "previous status" and is now under "strict management and control by the armed forces". The restrictions will stay in place unless the United States guarantees full freedom of navigation for vessels traveling to and from Iran, a condition reiterated by Deputy Foreign Minister Saeed Khatibzadeh and the IRGC navy command.Speaking at a Turkish diplomatic forum in Antalya, Khatibzadeh warned that the U.S. cannot impose a "siege" on Iran while Tehran seeks to ensure safe passage through the strategic chokepoint.On the social platform X, the IRGC navy warned that any perceived breach of U.S. commitments would elicit a "appropriate response" and that the strait’s status would remain unchanged as long as Iranian shipping faces threats.Iran initially closed the strait on 4 March following U.S.–Israeli airstrikes, reopening it only after a 10‑day ceasefire between Israel and Lebanon was brokered. The latest U‑turn follows President Donald Trump’s declaration that the U.S. blockade will remain in force until a permanent peace agreement with Tehran is reached, and he hinted that the temporary Pakistan‑mediated ceasefire may not be extended.The UK’s Maritime Trade Operations Centre reported that a tanker was approached and fired upon by two IRGC gunboats about 20 nautical miles northeast of Oman. The vessel’s captain confirmed that no radio warning was given, but the crew emerged unharmed and authorities are investigating.Despite the brief reopening, maritime tracking showed that only eight oil and gas tankers managed to pass through the strait before Iran’s reversal.Approximately 20% of global oil and liquefied natural gas transits the Strait of Hormuz, making it a focal point of the broader U.S.–Israeli‑Iran conflict. Its closure has already contributed to rising energy prices worldwide.Regional diplomats remain cautiously optimistic: Egypt’s foreign minister Badr Abdelatty expressed hope for a deal "in the coming days," noting that the prolonged conflict harms not only the Middle East but the entire world.

10 pm – ITV1: The Murder Line introduces viewers to a gritty Canadian thriller where Minnie Driver plays a formidable crime‑family matriarch. Detective Henry Roland (Stephen Amell) uncovers a link between his childhood friend and a drug ring, thrusting him into Driver’s dangerous world amid a double‑murder plot. 7 pm – Channel 4: Secret Africa: Into the Wild follows explorer Lucy Shepherd on a six‑week trek across Tanzania. She joins nomadic tribesmen, helps build shelters and even harvests honey from a hive, offering an intimate look at the region’s landscapes and cultures. 7 pm – Channel 5: Queen Elizabeth II: The Unseen Photos reveals never‑before‑published images that show the monarch in candid, relaxed moments. Historians and biographers, including Andrew Morton, discuss how these pictures contrast with the public persona of the world’s most photographed woman. 7.50 pm – BBC Two: Inside Britain’s National Parks continues its series with an episode on Dartmoor’s uplands, featuring high‑definition footage of leaping salmon, carnivorous sundew plants, and traditional sheep‑dog training. 8 pm – Channel 4: World’s Most Secret Hotels returns with sweeping drone visuals of ultra‑luxury lodges, including a remote retreat on the world’s largest salt flats and Norwegian mountain cabins delivered by helicopter. 8.30 pm – BBC Two: Black British Music at the BBC: Volume 1 offers a two‑and‑a‑half‑hour archive showcase curated by Trevor Nelson, celebrating artists from Winifred Atwell to Olivia Dean and highlighting the legacy of Soul II Soul, Neneh Cherry, Sade and So Solid Crew. Sport coverage includes the opening day of the Snooker World Championship at the Crucible Theatre (10 am, BBC Two), Premier League fixtures (Brentford v Fulham at 11 am on TNT Sports 1, Chelsea v Man Utd at 7 pm, Tottenham v Brighton at 5 pm on Sky Sports), the Scottish Grand National from Ayr (12.45 pm, ITV1), Women’s Six Nations (Scotland v England at 1 pm, BBC Two), Premiership Rugby (Exeter v Northampton at 2.30 pm, TNT Sports 2) and the Women’s International Football World Cup qualifier (Iceland v England at 4.45 pm, ITV4).

Heart Wall opens to the sound of a bustling karaoke session, with audience members belting out Friday‑night pub anthems before the drama even begins. The musical backdrop becomes the thread that ties together a family still haunted by a tragedy from more than twenty years ago.The story follows Franky (Rowan Robinson), who returns to her north‑west hometown after building a life in London with a boyfriend and a new job. Her parents, Dez (Deka Walmsley) and Linda (Sophie Stanton), remain trapped in their own grief – Dez appears overwhelmed by guilt, while Linda searches for happiness elsewhere. The play centres on this unprocessed grief, but also hints at a mystery surrounding Franky’s sister and the strained marriage of her parents, threads that never fully resolve.Under director Katie Greenall, the production delivers moments of genuine emotional revelation, yet the pacing feels uneven. Scenes of intensity erupt abruptly, then dissolve just as quickly, leaving the narrative feeling rushed despite its dense storytelling. Supporting characters such as Charlene (Olivia Forrest) and the pub manager Valentine (Aaron Anthony) remain under‑developed, serving more as generic placeholders than fully realised figures.Visually, the play benefits from Hazel Low’s meticulous set design, which recreates a cosy, authentic pub that grounds the audience. The karaoke framing injects warmth and musical energy, offering a lively contrast to the heavy themes.Ultimately, Heart Wall attempts to tackle a big, aching emotional core within a tight, interval‑free two‑hour run, but it bites off more than it can chew. With additional runtime – perhaps more karaoke interludes – the drama could better honour the depth of its subject matter.For those interested, the play runs at the Bush Theatre, London until 16 May.

Iran's foreign minister, Abbas Araghchi, has announced that the Strait of Hormuz is now fully open to commercial vessels. This development has sparked hopes for an end to the conflict in the Middle East and led to a significant decrease in oil prices.US President Donald Trump celebrated the reopening, claiming that Iran had agreed never to close the strategic waterway again. However, this claim has not been verified, and Iran's parliamentary speaker warned that the strait could be shut again if the US blockade continues.The Islamic Revolutionary Guard Corps (IRGC) has reinforced its authority in Tehran during the war, and commercial vessels are only allowed to travel through the strait along a determined route and with the permission of the IRGC navy. The US blockade of Iranian ports and shipping remains in place, making it uncertain when normality will return.

Fifteen people who were deported from the United States have arrived in the Democratic Republic of Congo (DRC). The deportees landed in the capital, Kinshasa, overnight Thursday to Friday as part of an agreement between the US and the DRC.The group includes nationals from Peru and Ecuador, with seven women among them, according to a diplomatic source. An official at the DRC migration agency confirmed the arrivals but did not provide details.US lawyer Alma David, who represents one of the deportees, said the deportees are all from Latin America and the Congolese government plans to keep them in the country for a short period. All the deportees have legal protection from US judges shielding them against being returned to their home countries, David told The Associated Press.The DRC Ministry of Communications announced earlier this month that it would temporarily accept migrants deported from the US. It said that Washington would cover the costs involved, and that facilities had been prepared near Kinshasa to accommodate them.The International Organization for Migration (IOM) said that the DRC asked the UN agency for humanitarian assistance with the migrants. The IOM may also offer assisted voluntary return to those migrants who request it.The US policy has drawn criticism from rights groups over the legality of sending deportees to countries where they are not from and could face human rights violations. In some cases, the deportees have been later sent back to their home countries despite receiving legal protection from US courts to prevent that from happening.The Trump administration is thought to have spent at least $40m to deport about 300 migrants to third countries up to the end of January, according to a report compiled by Democrats on the US Senate Foreign Relations Committee. Countries have received lump sums ranging from $4.7m to $7.5m to receive deportees.

Turkish doctoral student Rumeysa Ozturk has decided to return to her native Turkey after a nearly yearlong legal battle with the Trump administration. Ozturk was targeted for deportation due to her pro-Palestinian advocacy, which the US government claimed was in support of Hamas.Ozturk, who received her PhD in child study and human development in February, made the announcement through the American Civil Liberties Union (ACLU) on Friday. She cited the 'state-imposed violence and hostility' she faced in the United States as the reason for her decision.The controversy began when Ozturk co-signed an opinion column in her student newspaper, The Tufts Daily, calling on her university's president to acknowledge the Israeli genocide of Palestinians and divest from companies with ties to Israel. The Department of Homeland Security (DHS) accused her of having 'engaged in activities in support of Hamas', although there is no evidence to back that assertion.Ozturk's case was one of the most high-profile instances of the Trump administration seeking to punish foreign students for their pro-Palestinian advocacy. Her arrest on March 25, 2025, was captured on surveillance video, showing six plain-clothed immigration officers surrounding her on the street outside her Massachusetts apartment.After her arrest, Ozturk was transported to New Hampshire, then to Vermont, and eventually to Louisiana, where she was held in ICE detention for 45 days. She described squalid conditions at the detention centre, including overcrowding, insufficient food, and a lack of medical care.Ozturk's legal team had submitted a habeas corpus petition, and on May 9, she was ultimately released. However, her legal proceedings continued, and this week, the ACLU announced that Ozturk's legal team had reached a settlement with the Trump administration to dismiss the deportation push.In a statement announcing her departure, Ozturk explained that countries should understand it is a 'privilege' to host international scholars. She also expressed support for other scholars fearing for their livelihoods and work, stating that she stands 'firmly in solidarity with academic communities in the US and elsewhere who live in fear for nothing more than their scholarship'.Ozturk will put her 13 years of study to use in her native Turkey, saying she is choosing to return home as planned to continue her career as a woman scholar without losing more time to the 'state-imposed violence and hostility' she experienced in the United States.

Lebanese President Joseph Aoun has declared that his country will no longer be treated as a pawn in international conflicts, following a recent ceasefire with Israel. In a televised address, Aoun emphasized that Lebanon is committed to protecting its rights, unity, and sovereignty. The ceasefire, which was announced after over 2,200 deaths and a million displaced due to Israeli attacks that began on March 2, marks a significant shift in the country's stance. Aoun stated that Lebanon is transitioning from a focus on ceasefire agreements to working on permanent agreements that ensure the rights of its people and the integrity of its land. The Lebanese president expressed gratitude to several international parties, including US President Donald Trump and the Kingdom of Saudi Arabia, for their role in ending the hostilities. He also assured that any future agreements would not compromise Lebanon's rights or territorial integrity. Aoun's statements come after direct talks between Lebanon and Israel in Washington, which drew criticism from the Lebanese public. The president outlined Lebanon's objectives, including the cessation of Israeli aggression, the withdrawal of Israeli forces, and the return of prisoners and displaced persons. Despite the ceasefire, Israel continues to occupy areas of southern Lebanon, with Prime Minister Benjamin Netanyahu asserting that troops would not withdraw during the ceasefire. Aoun's firm stance signals Lebanon's determination to assert its sovereignty and protect its interests in the face of ongoing challenges.

Juba, South Sudan – Growing up, Khloe Nyanda was taught to stay small and avoid taking up space. Defying that lesson, the 21‑year‑old law student at the University of Juba pursued modeling after being inspired by South Sudanese supermodel Adut Akech, whose refugee‑to‑runway story she describes as a "crown".Nyanda’s ambition mirrors that of a new generation of South Sudanese talent, with 95% of models from the country naming Akech as their spark. She began modeling in 2023, but her family remained skeptical, fearing the clash between academic responsibilities and a fashion career.Her personal journey has been marked by familial estrangement after she rejected an arranged marriage and a modelling coach’s advances, leading to loss of support from her stepbrother and other relatives.Beyond social pressures, Nyanda faces systemic obstacles. Since 2023 she has endured multiple visa rejections despite contracts with agencies in London, Paris, and Italy. An attempt to attend Milan Fashion Week was denied by the Italian embassy in Nairobi over bank‑statement issues, while two separate applications to the French embassy in Kampala were also turned down. The absence of South Sudanese embassies in France and Italy forces hopeful models to obtain travel documents from neighboring countries, inflating costs and delays.Another emerging model, 20‑year‑old Alek Mayen Garang, balances her senior‑year studies with runway aspirations. Born in Greater Jonglei and raised in Renk, she spent part of her childhood in Kampala before returning to South Sudan amid the 2016 conflict. Garang draws inspiration from Anok Yai, the American‑South Sudanese model named Model of the Year at the 2025 British Fashion Awards.Unlike Nyanda, Garang found an ally in her elder sister, who accompanied her to her first runway show and helped negotiate parental approval. Her early challenges were technical—learning to walk in heels, maintaining strict diet and skincare regimens—and the lingering fear of rejection at auditions.Both women are part of a broader South Sudanese surge in global fashion. Nine of the world’s top 50 models on models.com hail from South Sudan, underscoring the country’s deep talent pool. Former models have transitioned to design and entrepreneurship, founding South Sudan Fashion Week and creating bespoke wedding gowns.Industry veterans now coach new talent, urging them to prioritize education alongside modeling. Yet a new anxiety looms: the potential rise of AI‑generated Black models, which could further destabilize already precarious careers.Within South Sudan, the Ministry of Culture, Museums and National Heritage has been criticized for its limited engagement with the modeling sector. Advocates argue that official endorsement could shift parental attitudes and legitimize modeling as a respectable profession.Garang recently won the “creativity” award at the national Miss Junub beauty pageant, expanding her vision from personal success to mentoring emerging designers and models. Nyanda, meanwhile, envisions a future beyond the runway: she plans to invest her earnings in establishing a credible mother agency, as well as a school and hospital for orphans, aiming to reinvest in her homeland.“South Sudan is not a place I am running from; it is the place I am running for,” Nyanda declares, embodying a resolve to reshape societal expectations and create pathways for the next generation of South Sudanese talent.