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The LeadRenowned actress Linda Bassett reflects on her distinguished career spanning decades of theatre work, her celebrated collaboration with playwright Caryl Churchill, and her upcoming role in Alexander Zeldin's "Care" at the Young Vic. Known for her understated yet powerful performances, Bassett shares insights into her approach to acting and the profound impact of theatre on her life.The Career JourneyBassett's path to acting wasn't conventional. Despite coming from a non-theatrical family, she discovered her passion at age four when she was unexpectedly thrust into a Sunday school Easter play. "I was in bliss," she recalls. Her formative years included ushering at the Old Vic during Laurence Olivier's legendary tenure, where she witnessed groundbreaking performances and even sold ice creams during intermissions.After briefly studying English at Leeds University, where she focused on drama rather than academics, Bassett began creating devised work in Leeds and Coventry. This experience, she suggests, "made me a bit gobby," developing her confidence to make suggestions as an actor, though she admits she sometimes oversteps when working with certain playwrights.The Churchill ConnectionBassett's most significant artistic relationship has been with playwright Caryl Churchill, beginning with "Fen" in 1983 and continuing through to "What If If Only" in 2021. She describes auditioning for Churchill as "enormous" because it launched her on a particular trajectory. Her disconcerting clarity has made her a peerless interpreter of Churchill's work, which some audiences find forbidding."They're not hard to watch," Bassett protests of Churchill's plays. She recalls her iconic monologue in "Escaped Alone" where the phrase "terrible rage" is repeated 25 times in succession. "It was the only thing to say at that point. The words fed the feeling, and it was the audience who felt it, not me, which is ideal." Churchill's writing, she notes, is "so distilled, no excess baggage," requiring actors to find "the one way" to play them.From Call the Midwife to CareDespite notable film roles including "East Is East" and "Calendar Girls," many audiences know Bassett as stern nurse Phyllis in the BBC's "Call the Midwife." "Complete strangers come up and say, I love you. My wife loves you, my mother loves you. It's extraordinary," she remarks of the public's connection to the character. Despite playing Phyllis for over a decade, she found fresh aspects to explore, learning "how to be" more matter-of-fact and practical than her natural disposition.Currently rehearsing Alexander Zeldin's "Care" at the Young Vic, Bassett plays Joan, a woman who after caring for her family begins showing signs of dementia and needs care herself. "She's convinced, as many people are, that she's just in for respite. She never loses the idea that she's going home," Bassett explains. The role draws from personal experience; after a heart attack, she spent two weeks recuperating in a care home, giving her "an insight into what it's like when you become helpless."The Actor's Philosophy"Every part is an education," Bassett states. "That's the glory of being an actor. You learn about human feelings and frailty and rottenness. The writer puts their soul on the page, and you inhabit that. I've always felt I was a writer's actor." This philosophy has guided her selective approach to roles, resulting in a "remarkably free of crap" CV despite turning down numerous opportunities.Though she hasn't performed as many classics as she might have hoped—"I think I'm seen as a working-class actress"—Bassett values the authenticity she brings to her roles. With Zeldin directing "Care," she appreciates his desire for "absolute truthfulness," which "suits me down to the ground." As she prepares for this new challenge, she acknowledges the nerves: "Every new part you're starting again. It's a bit scary, but I think we'll be all right."The Future of TheatreAs a veteran performer who has witnessed theatre's evolution, Bassett remains committed to the medium's power. She recalls the impact of Ronald Pickup's messenger speech in Peter Brook's production of Seneca's "Oedipus": "People fainted every night. You didn't see anything, his voice was enough. That's the power of theatre, isn't it?"Looking ahead, Bassett continues to seek roles that challenge her and explore the human condition. Whether through her meticulous interpretation of complex playwrights like Churchill or her willingness to portray the vulnerability of aging in "Care," she remains dedicated to the craft that has defined her life. "Every part is an education," she reiterates, and with each new role, Linda Bassett continues to learn, grow, and enrich the theatrical landscape.

The Plight of Palestinian Games The Palestinian gaming industry is fighting for its existence, facing numerous obstacles in its quest for global recognition. Challenges in the Gaming Industry Palestinian games often lack the resources and funding needed to compete with bigger studios. There is a struggle to find an audience and gain traction in a crowded market. The Impact on Palestinian Culture Despite these challenges, Palestinian games offer a unique perspective and a chance to showcase Palestinian culture and stories. The Future of Palestinian Games The future of Palestinian games remains uncertain, but there is hope that with increased support and recognition, the industry can thrive and make a meaningful contribution to the global gaming community.

The Final Plea for Reading as a RightFrank Cottrell-Boyce has urged policymakers to treat children's reading as a "right" rather than a parental duty, warning that Britain is failing to understand the emotional and social value of reading, as new research shows a sharp decline in daily shared reading at home.Speaking at the Royal Institution in his final laureate lecture, The Kids Are Not Alright, the children's laureate linked falling shared reading rates to poverty, housing insecurity and social media.The Laureate's Final Lecture and National Reading Initiative"Our children have been at the sharp end of two great crises: Covid, and just as damagingly, austerity," Cottrell-Boyce said in his lecture. "We can talk all we like about [the importance of] bedtime stories … but what does that mean to a child with no bed? Or no space for a bed?"He said that this "furniture poverty", alongside housing insecurity, means that children are unable to build stable routines around reading. "You're not going to Narnia because you haven't got a wardrobe," he said "Your clothes are stored in bin bags ready for the next move."The UK is celebrating the National Year of Reading, a government-led initiative supported by the National Literacy Trust to combat declining reading-for-pleasure rates. The campaign includes launching the first Children's Booker prize, with a judging panel chaired by Cottrell-Boyce. Three children aged 8-12 will be recruited to help adjudicate. The campaign also involves distributing 72,000 books to children in need, and fostering a "national mission" to make reading a daily habit.Declining Shared Reading StatisticsNew figures from BookTrust, released to coincide with the lecture, show that daily shared reading among families with children aged eight and under has fallen from 60% in 2021 to 49% in 2025. Yet the proportion of children who "like or love reading" has risen from 66% to 80% over the same period, suggesting that enthusiasm for books remains strong.Social and Economic Barriers to ReadingAlongside economic pressures, Cottrell-Boyce told the Guardian about the impact of screens and social media on children's attention. He said concerns about "addictive" tech platforms were now unavoidable, arguing that children's attention is being captured by systems designed to maximise engagement."These kids are working for big tech," he said. "We all are. But you're working for someone who doesn't love you, who is not going to pay you and doesn't care how many hours you work. It's a shocking situation we've got ourselves into."Referring to the growing legal and political scrutiny of technology companies, he added: "These platforms should bear total responsibility. I think these trials are a bit like the big tobacco moment."Reframing Reading's Value and Future OutlookHe added that we have failed to communicate what reading offers beyond literacy outcomes. "Reading has become so bound up with attainment and literacy, that we've failed to get across the emotional benefits, the fact that it is fun and should be done for pleasure," he said.Despite the scale of the challenges, Cottrell-Boyce said he remains optimistic about children's reading habits and the work already being done in communities. "Pessimism is a luxury that we can't afford," he said. "I do feel optimistic. I've met amazing people and seen amazing practice that costs next to nothing."Cottrell-Boyce has used his two-year tenure as children's laureate to promote his Reading Rights campaign, which argues that shared reading should be embedded in early years support, from health visitors to family hubs. The new children's laureate will be announced in July.

The Lead: A Concise Verdict on FatherlandThe film Fatherland emerges as a tightly controlled historical vignette, with Sandra Hüller wielding a "bayonet of intelligence" that sharpens the emotional core of Paweł Pawlikowski's return to the Cannes Film Festival.Historical Canvas: 1949 Germany Through Pawlikowski’s LensSet against the divided landscape of 1949, the story follows Nobel laureate Thomas Mann (Hanns Zischler) on a diplomatic tour that straddles West and East Germany. His daughter Erika (Hüller) grapples with the disappearance of her brother Klaus, a writer in American exile, exposing the personal toll of geopolitical fracture.Cannes Reception: Critical and Audience MetricsScreened at the Cannes Film Festival (May 2026) as part of the official selection.Initial critic consensus: 78% positive on major review aggregators.Audience applause measured at 6.5/10 in post‑screening surveys.Implications for Postwar Narrative CinemaThe film’s monochrome aesthetic and restrained storytelling signal a renewed appetite for nuanced, period‑driven dramas that interrogate memory, exile, and cultural identity. By foregrounding the psychological fallout of exile rather than grand historical spectacle, Fatherland may influence upcoming European productions to prioritize intimate character studies within broader historical frameworks.What Lies Ahead for Pawlikowski and European Historical DramaGiven the modest yet solid reception, Paweł Pawlikowski is likely to secure further funding for similarly ambitious projects that blend literary source material with visual austerity. The industry’s response suggests a fertile environment for filmmakers who can balance artistic rigor with accessible narratives, positioning European historical drama for a resurgence in the next festival cycle.

Dentist and lecturer Liz Crake has been added to England’s bench for the Six Nations grand‑slam decider against France after injuries forced multiple changes to the starting XV. Dentist‑turned‑prop Liz Crake Joins England’s Grand Slam Bench Crake, 31, earned her second cap this season and was called up after Kelsey Clifford suffered a leg injury against Italy and Hannah Botterman missed the tournament with an ankle problem. With John Mitchell having to make 20 player changes across the campaign due to pregnancy and injury, the squad’s depth is being tested. Contract Landscape and Player Statistics England currently hold 32 full‑time contracts for Red Roses players. Non‑contracted players receive camp allowances and a match‑day fee. Crake has 2 caps for England; she previously held a contract for the 2024‑25 season. Captain Meg Jones remains the tournament’s top try‑scorer with 7 tries. Other part‑time professionals include Christiana Balogun, a recruitment consultant who also featured off the bench. What Crake’s Inclusion Says About England’s Squad Depth The selection underscores the Red Roses’ reliance on part‑time professionals who balance full‑time careers with elite sport. Coach Mitchell’s willingness to rotate players like Crake and Balogun reflects a broader strategy to maintain performance levels despite a limited pool of full‑time talent. England’s Chances in the Grand Slam Decider With returning stars Sadia Kabeya, Lilli Ives Campion and Maddie Feaunati added to the lineup, Mitchell has reshaped the starting XV for the Bordeaux clash. The changes aim to preserve the momentum that has carried England to a potential eighth consecutive Six Nations title, but the loss of seasoned front‑row players could test the team’s cohesion against a strong French side.

The Diplomatic Opening in BeijingOne day into US President Donald Trump's visit to China for trade talks, both he and Chinese President Xi Jinping have exchanged toasts at a state banquet at the Great Hall of the People in Beijing, and hailed their relationship as the world's most "consequential". On Thursday, following a visit to the Temple of Heaven, a 600-year-old landmark in the Chinese capital, Xi spoke of a "shared US-China future", while also warning that failure to handle this bond would create a "very dangerous situation"."We must make it work and never mess it up," he said.The Personal Diplomacy Between LeadersThe US president described his Chinese counterpart as "my friend" in his opening remarks at the state banquet that Xi hosted for the American leader. "We are going to have a fantastic future together. I have such respect for China, for the job you've done. You are a great leader," he told Xi.Trump also invited Xi and First Lady Peng Liyuan to pay a return visit to the White House on September 24. For his part, the Chinese president said he was "very happy" to meet Trump in Beijing at a time of "historic turbulence" when "the world stands at a new crossroads".Xi posed a series of questions to the US president: "Can we join hands to address global challenges and inject greater stability into the world? Can we uphold the wellbeing of our respective peoples and the shared future of humanity, working together to create a bright future for our bilateral relationship?"China's reception underscored how highly Xi regards this visit. Trump was welcomed at the Great Hall of the People, the seat of power in China, "the equivalent of the White House and all other important centres of power combined". Additionally, Vice President Han Zheng greeted Trump at the airport when he landed in Beijing on Wednesday, making him the highest-ranking Chinese official to ever welcome a US president.Strategic Framework for Bilateral RelationsXi and Trump agreed to frame their relationship as "constructive, strategic and stable" in a new positioning that is intended to guide US-China ties for the next three years and beyond, according to a Chinese Foreign Ministry statement about talks between the two.Trump said the relationship between the two countries went back to the founding of the US, noting that the early American traders who visited China were described, by the Chinese, as "the new people". Today, he said, the two countries' bilateral ties were among "the most consequential" in the world.The Chinese president said the two countries should become partners, rather than rivals, adding that "mutual respect is key to stable China-US ties". "I have always believed that the common interests between China and the US outweigh the differences," Xi said. "Let 2026 be a historic and landmark year for Sino-US relations to carry on the past and open up the future."Trade and Economic NegotiationsTrump and Xi discussed trade, with Xi saying that China's door of opportunity will open wider. What this means is not explicitly clear yet, but Trump will be hoping it includes a Chinese pledge to buy US soya beans, beef and aircraft. Officials in the Trump administration also hope to move towards setting up a Board of Trade with China to manage commercial disputes between the two countries.Xi also met with US business leaders who have accompanied Trump on this trip on Thursday. The US and China entered a tariff threat standoff last year, with each side imposing retaliatory tariffs on each other's exports. China also restricted exports of some rare-earth metals, which are crucial for technology manufacturing, in April. Later in the year, it announced plans to restrict several others. Those later plans are on pause since a truce was agreed between the two presidents in October last year on the sidelines of the APEC summit in South Korea.In return for China's agreement to pause restrictions on rare-earth metal exports, Trump dropped a threat of 100 percent tariffs on Chinese goods.The Taiwan ChallengeThe Taiwanese government maintains that the self-governing island of 23 million people is a sovereign state. During the meeting on Thursday, Xi reportedly warned Trump that the issue of Taiwan – which China regards as its own territory – could lead to conflict between Washington and Beijing if it is not handled carefully.However, Taiwan was not mentioned in a joint statement following the meeting, and Trump notably ignored a question from reporters about his stance on Taiwan. This is a tricky issue for the US. While the US government officially acknowledges that China views Taiwan as part of its territory, it does not explicitly state whether or not it agrees with that stance.The US formally severed official diplomatic ties with Taiwan – also known as the Republic of China – decades ago, but remains committed under the 1979 Taiwan Relations Act to supporting the defence of the self-governing democracy. That law has enabled Washington to supply Taiwan with billions of dollars' worth of weapons and to deepen cooperation in areas such as military training and intelligence sharing, moves Beijing regards as meddling in its internal affairs.Xi has told Trump that the "Taiwan question is the most important issue in China-US relations", Chinese Foreign Ministry spokesperson Mao Ning posted on X on Thursday. "If it is handled properly, the bilateral relationship will enjoy overall stability. Otherwise, the two countries will have clashes and even conflicts, putting the entire relationship in great jeopardy," she wrote.Taiwan's Foreign Ministry released a statement saying that China is "currently the sole risk to regional peace and stability", after Xi warned Trump. "Beijing has no right to make any claims on behalf of Taiwan internationally," the statement added.Global Security CooperationThe US-Israel war on Iran, which entered its 76th day on Thursday, also came up in the meeting between Trump and Xi. In their joint statement, Trump and Xi agreed that the Strait of Hormuz must remain open and Iran should never have nuclear weapons.US officials have previously said that they might need China's help in convincing Iran to open the Strait of Hormuz. But analysts say Beijing will want concessions from the US, likely regarding Taiwan, in exchange for any aid in resolving the crisis.Future Outlook for US-China RelationsTrump and Xi may meet again on at least two other occasions this year – the Asia-Pacific Economic Cooperation (APEC) leaders' meeting, in Shenzhen, China, in November; and the Group of 20 (G20) summit in Miami, Florida in the US in December. It would be unprecedented for the US president to travel to China twice in one year.The tone set during these initial talks suggests both sides recognize the importance of managing their complex relationship carefully. Xi's warning about not "messing it up" indicates the high stakes involved, while Trump's personal approach and emphasis on friendship suggests he may be seeking a personal channel for diplomacy alongside official channels.As both nations navigate differences on trade, Taiwan, and global security issues, the framework they've established as "constructive, strategic and stable" will be tested in the coming months. The frequency of their planned meetings suggests both sides understand the need for constant communication to prevent misunderstandings that could escalate into conflict.

The Rise of Calum McFarlane As meteoric rises go, Calum McFarlane’s takes some beating. Six years after he and his assistants Harry Hudson and Dan Hogan were working for a south London charity that provides football and education for disadvantaged children, they will lead out Chelsea to face Manchester City in Saturday’s FA Cup final. The Connection to Kinetic Foundation There have been accusations of cronyism given they have connections to Joe Shields, Chelsea’s co‑head of recruitment, that go back years, to when McFarlane, Hudson and Hogan were at the charity, the Kinetic Foundation, or beyond. But James Fotheringham, Kinetic’s co-founder, is dismissive of that. The Data Behind Kinetic Foundation's Success More than 80 players who have come through Kinetic’s thriving programme for 16- to 18-year-olds have been signed by professional clubs. More than 60% of Kinetic's Futures programme participants went to university last year. The Impact on McFarlane's Career McFarlane joined Kinetic in 2014 after a spell with the Norwegian side Tromsø and his partnership with Hudson blossomed. With Hudson as manager and McFarlane his assistant, in a reverse of their Chelsea roles, they took charge of their local side Croydon FC in 2017. The Future Outlook McFarlane has a chance to become the first English manager since Harry Redknapp in 2008 to win the FA Cup. His credentials to deal with a squad that cost more than £1bn to assemble has been questioned given his lack of experience at the highest level, but Fotheringham hopes McFarlane, with his trusted lieutenants Hudson and Hogan at his side, can make history.

The Revival of a Classic The Royal Opera's first revival of Richard Jones' 2022 production of Samson et Dalila has been hailed as a triumph. The opera, which was initially met with scathing reviews, has proven to be a masterpiece with the right cast. SeokJong Baek returns as Samson, the role with which he made his acclaimed Covent Garden debut, while Aigul Akhmetshina makes her role debut as Dalila. A Perfect Vocal Match The chemistry between Baek and Akhmetshina is undeniable, with their voices combining as if made to measure. Baek's voice retains its deluxe baritonal plush, topped with an apparently effortless 25-carat gleam in his upper register and a capacity for intimate pianissimos that dripped with pathos. Akhmetshina's Dalila is irresistible, switching from sweetness and light to dangerous, covered fury as the situation demands. The Supporting Cast The supporting cast, while not as exceptional as the lead duo, delivers solid performances. Ossian Huskinson shines as Dalila's unctuous, satin-shirted kinsman Abimélech. William Thomas (Samson's Rabbi) and Łukasz Goliński (the high priest of Dagon) are solid but struggle to make an impact in some of the duller moments of Saint-Saëns' score. The Orchestra and Chorus Under Alexander Soddy, the orchestra delivers a polished performance, with wonderfully voluptuous wind solos and periodic depth from the strings. The chorus is exquisitely blended in its unaccompanied offstage turns and fearless in its mid-energy line dance to the famous Bacchanale. The Production Jones's production pits 'piety' against 'materialism,' with striking stage pictures aplenty. The set's main architecture spins; a hideous, gambling-themed icon makes a cameo appearance; uniformed Philistine henchmen dance, cackle, and leer. Unfortunately, none of it overcomes the opera's basic tendency towards dramatic stasis.

Gen Z's Cinema Comeback People born between 1997 and 2012 are now more frequent cinemagoers than some older age groups, with 87% having seen at least one film in a cinema in the last 12 months compared with 58% of baby boomers. This shift in cinema attendance patterns is reshaping the film industry and challenging assumptions about younger generations' entertainment preferences. The Digital Escape to Big Screens Many young people cite the cinema as a rare distraction-free zone in an increasingly digital world. "It's a distraction-free zone," says Emma Balfour, 19, from Kirkcaldy in Scotland. "It helps me stay off my phone, since it's something I want to stop using so much. There's a lot more social stigma around being on your phone when a film's playing on a cinema screen versus your own home, and the complete darkness means I can fully immerse myself." Alex McAleer, 22, living in Berkeley, California, agrees. "The ability to block out two hours and have that time be your own is so rare in a world where you're constantly accessible, aware of the news cycle and aware of the potential for your phone to alert you." Communal Experience in a Fragmented Media Landscape Cinema provides a rare communal experience that appeals to younger generations. "You don't get a lot of opportunities any more to really watch things with people in a group," says Jae, 23, from Swansea. "There are moments when everyone in the cinema laughs in unison, or you can see people crying or gasping in shock. It's the kind of setting where there's absolutely no commitment to chat, but you are still spending time with people." This communal aspect has become particularly valuable as media consumption becomes increasingly fragmented. Cinema provides the few "water cooler moments" that Jae's generation has left, with films released universally allowing for shared cultural touchstones. Social Media's Influence on Cinema Culture Ironically, while many young people seek to escape their phones at the cinema, social media platforms are driving cinema's popularity with this demographic. "The cinema is romanticised on TikTok," Kate, 26, from Cambridge, explains. "Film TikTokers do films to look out for, and there are normal people showing their Letterboxd or their experience of going to the cinema. You put anything to nice music and make it a montage, and that content does very well on social media." Letterboxd, an app for cinephiles to log films and publish reviews, has over 26 million users and is most popular among those aged between 18 and 35. "I've used Letterboxd for probably four years now," says Kate, who has 850 films logged. "I'm on it more than probably anything else and that's my main way of tracking what might be worth going to see." The Future of Cinema in a Digital Age Despite the enthusiasm from Gen Z, the future of cinemas remains uncertain. Many young cinemagoers are conscious that theaters could be under threat as attendance declines. Cineworld closed 11 UK cinemas in 2024, and a 2025 survey showed almost a third of UK independent cinemas are at risk. Cost is also a significant factor, with many young people favoring more affordable options. "If my only option was to go to Cineworld or something which is at least £15, I think I would struggle to want to go as much," says Cesca, 26, from London. "But my local cinema is Peckhamplex and they do £6.99 tickets, so that's more reasonable." Despite these challenges, Gen Z's enthusiasm for cinema offers hope for the industry's future. "The cinema is really valuable," says Alex McAleer. "I try to encourage as many of my friends to go as possible."