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U.S. Vice President JD Vance, heading the American delegation in the Islamabad talks, announced that the United States has yet to receive a concrete commitment from Tehran on its nuclear program and that Washington has put forward its best and final offer to Iran.Iranian media reports that the historic negotiations in Pakistan’s capital will resume for a second day. Observers note that the Strait of Hormuz remains a critical sticking point, underscoring the broader strategic stakes for regional security and global energy flows.

Joz Norris' latest show, 'You Wait. Time Passes', is a thought-provoking exploration of artistic character and the choices that define a creative life. In this maverick confection of a show, Norris takes on the role of an unhinged, self-absorbed guru figure, imparting life lessons with a healthy dose of silliness.The show delves into Norris's career as a comedian, actor, and magician, as well as his bid to become Google's number one Joz. Through snippets of his career and interactions with his erratic AI girlfriend, Norris presents a picture of himself as a complex, multifaceted artist.At its core, the show poses big questions about the futility of the niche creative's life and whether weird artists are truly weird or just trying to express themselves in a different way. While some moments feel a bit strenuous or for-its-own-sake, the show's extreme dottiness is backed up by good jokes, twisty philosophy, and a highly energetic performance.Ultimately, 'You Wait. Time Passes' constitutes a curiously rousing defence of experimental art-making in a conformist, capitalist world. The show is a must-see for fans of comedy and experimental art, and it will be touring after its run at the Lowry in Salford.

The Artemis II astronauts received a thunderous welcome home on Saturday after completing a record-breaking flyby of the moon. The crew of four, consisting of commander Reid Wiseman, pilot Victor Glover, Christina Koch, and Canada's Jeremy Hansen, arrived at Ellington Field near NASA's Johnson Space Center and Mission Control in Houston. During their nearly 10-day mission, the astronauts voyaged deeper into space than the moon explorers of decades past, reaching a maximum distance of 252,756 miles (406,771km) from Earth. They also captured views of the lunar far side never witnessed before by human eyes. The mission revealed a new side of our planet with an Earthset photo, showing our blue marble setting behind the gray, pockmarked moon. Koch described the experience, saying, "Honestly, what struck me wasn’t necessarily just Earth, it was all the blackness around it. Earth was just this lifeboat hanging undisturbedly in the universe," Koch said. "Planet Earth, you are a crew." The homecoming was poignant, as they returned to NASA's Houston base on the 56th anniversary of the launch of Apollo 13. The Artemis II mission is a crucial step towards NASA's goal of landing astronauts on the moon by 2028. Wiseman issued a rallying cry to the rows of blue-flight-suited astronauts at Saturday's celebration, saying, "It is time to go and be ready – because it takes courage. It takes determination, and you all are freaking going and we are going to be standing there supporting you every single step of the way in every possible way possible."

Britain’s cabinet is set to introduce a sweeping bill that would let ministers dynamically align UK regulations with EU single‑market rules using so‑called Henry VIII powers. The proposal would enable the government to adopt evolving EU standards in sectors such as food, drink, automotive and emissions trading without the need for a separate parliamentary vote on each change.The legislation is tied to the forthcoming food and drink trade deal with the EU, which the government claims will generate £5.1 billion a year for the British economy. By granting ministers the ability to implement new EU rules through secondary legislation, the bill aims to cut red tape, lower costs for businesses, and accelerate the rollout of trade agreements.Under the proposed framework, Parliament would retain the ability to approve or reject secondary legislation but would not be able to amend it. Critics warn this could turn MPs into mere "rubber‑stamps" for EU‑aligned regulations, limiting democratic scrutiny and potentially provoking retaliatory measures from the EU if the UK blocks such instruments.Political analysts note that the move comes amid heightened geopolitical tension following the United States’ war with Iran, which has exposed the fragility of Britain’s special relationship with Washington. Ministers argue that deeper regulatory alignment with the EU will add billions to the UK economy, mitigate the cost of the conflict, and address the “sluggish productivity” that has plagued the post‑Brexit era.Economic forecasts from the Office for Budget Responsibility (OBR) underscore the stakes: Brexit is projected to cut long‑run productivity by 4 % and shrink both exports and imports by 15 % compared with a scenario where the UK remained in the EU. Proponents of the bill contend that aligning with EU standards without re‑joining the customs union or single market will help reverse these losses while respecting political red lines on sovereignty and freedom of movement.Opposition parties, including hard‑Brexit advocates and the Liberal Democrats, have signalled they will challenge the bill, particularly in the House of Lords. The government acknowledges that while the Commons is unlikely to reject the proposal, the Lords could pose a significant obstacle.Academic voices, such as Prof Anand Menon of the think‑tank UK in a Changing Europe, caution that the approach amounts to “integration with the EU by stealth,” stripping the UK of a vote on the rules it will be forced to follow. He describes the situation as “the ugly trade‑off of Brexit,” where political control is sacrificed for economic access.Supporters counter that the bill will streamline the implementation of existing and future agreements, with any regulatory disputes to be settled by an independent tribunal rather than an EU court. They argue this balances the need for swift economic action with the preservation of constitutional safeguards.Prime Minister Keir Starmer has framed the initiative as part of a broader “reset” of UK‑EU relations, emphasizing a strategic partnership that deepens trade and defence cooperation while avoiding a return to the customs union or single market membership. The government stresses that Parliament will still play its “full constitutional role” in scrutinising the legislation.

The play 'My Uncle Is Not Pablo Escobar' showcases creative ambition in its exploration of the experiences of Latinx women in modern London. The production features striking visuals, blending elements of a pop concert with techno beats and census data, highlighting the absence of Latinx representation in official categories.The narrative takes a fictional turn, loosely inspired by the 2012 HSBC scandal, centering on Ale, a young woman juggling her A-levels with shifts as a bank cleaner, and her investigative journalist sister Cata. Together, they recruit Lucia to go undercover and investigate the bank's exploitative practices.Despite inventive uses of props and moments of tension, the play feels like a mesh of ideas rather than a fluid narrative. The involvement of five writers and occasional voiceovers may contribute to this disjointedness. The play touches on themes of sibling tension, identity crisis, and immigration, but these elements seem somewhat disconnected.The production at Brixton House in London until May 3rd, serves as a reminder of the importance of Latinx stories on stage, particularly given the growing Latinx population in the UK. However, 'My Uncle Is Not Pablo Escobar' ultimately lacks a unifying focus, causing its message to get lost in the narrative.

Sting, the renowned musician, has returned to his roots in a new production of his musical The Last Ship, this time in Australia. The musical, which premiered in 2014, has been revitalized with new scenes, music, and updated characters. Sting takes on the leading role of foreman Jackie White, who navigates the threat of the shipyard's closure while grappling with his failing health. He is joined on stage by reggae icon Shaggy, who brings warmth to the role of the Wallsend Ferryman.The musical draws on Sting's personal experiences growing up in Wallsend, northern England, where the shipyard dominated the skyline. The story explores themes of mortality, labor, and identity, as well as the tension between tradition and progress. The shipyard becomes a symbol of a communal world built on shared pride and purpose. While the musical resonates with contemporary concerns around the erosion of secure work and the crucial power of collective action, it sometimes leans toward cloying sentimentality.The production features a striking and immersive set, designed by 59 Studio, with towering metal scaffolding and the imposing bow of a vessel. The digital projections blend seamlessly with the physical scenery, creating a unique and captivating visual experience. The cast, including Lauren Samuels and Joe Caffrey, delivers strong performances, with the choral moments being particularly powerful and moving.Despite some criticisms of a slow start and a rushed ending, The Last Ship remains a heartfelt and sincere production. Sting's performance is understated yet authentic, and Shaggy brings his signature charm to the role. The musical runs at the Queensland Performing Arts Centre's Glasshouse Theatre until May 3rd.

A temporary 32‑hour ceasefire between Russia and Ukraine started at 4:00 p.m. local time (13:00 GMT) on Saturday and will run until midnight on Sunday, according to the Kremlin. President Volodymyr Zelenskyy affirmed Kyiv’s commitment to honor the pause provided Moscow does the same. President Vladimir Putin ordered the ceasefire to align with Orthodox Easter celebrations, more than a week after Zelenskyy first proposed the truce. Both sides have publicly confirmed their intention to observe it. Zelenskyy posted on social media that Ukraine will “adhere to the ceasefire and respond strictly in kind. The absence of Russian strikes in the air, on land, and at sea will mean no response from our side.” The Ukrainian army added it stands ready to react immediately if the truce is breached. Hours before the truce began, Russian forces launched at least 160 drones against Ukrainian targets, killing four civilians in the east and south and wounding dozens. The southern Odesa region suffered two fatalities and damage to civilian infrastructure. In the Russian‑occupied parts of Donetsk and Kherson, Ukrainian drone attacks killed four people, according to officials installed by Moscow. Public confidence in the ceasefire remains low. Last year’s Easter pause saw numerous accusations of violations from both sides, and similar doubts persist this time. Despite the tension, the warring parties completed a reciprocal exchange of 175 prisoners of war each on Saturday. The United Arab Emirates facilitated the swap, as confirmed by the Russian Ministry of Defence. Prisoner exchanges have become one of the few tangible outcomes of the stalled U.S.-brokered peace talks, which continue to falter over territorial issues. Ukraine has reiterated its proposal to freeze the conflict along the current front lines, a suggestion Russia rejected, insisting Kyiv relinquish all territory it holds in the Donetsk region—an offer Kyiv deems unacceptable. Kremlin spokesman Dmitry Peskov noted that Russia did not discuss the Easter proposal with the United States in advance and did not signal an immediate revival of the three‑way peace negotiations. Fighting on the front has largely stalled. While Russia has achieved modest territorial gains at a high cost, Ukrainian forces have recently pushed back in the southeast, and Russian advances have slowed since late 2025, according to the Institute for the Study of War. Moscow now occupies just over 19 percent of Ukraine, most of which was seized in the early weeks of the conflict.

After a turbulent week that saw Liverpool suffer cup defeats to Manchester City and Paris Saint‑Germain, manager Arne Slot finally found a morale boost when 17‑year‑old winger Rio Ngumoha opened the scoring on his second Premier League start. Ngumoha’s strike, followed by a second‑half finish from Mohamed Salah, secured Liverpool’s first league win since February. Fulham, under Marco Silva, were passive and struggled to create clear chances, allowing Liverpool to dominate possession and reach the historic milestone of 1,500 league victories at Anfield. The win marked only the second triumph in six matches after a demanding Champions League away fixture, offering a needed lift before the upcoming quarter‑final second leg against PSG. Slot praised Ngumoha’s performance, saying, "He has a special quality that you don’t see very often in football any more – dominating the one‑on‑one." The manager added that the teenager’s power and finishing have been evident in training, making his impact on the pitch "pleasing". Outside the stadium, a banner reading ‘No to ticket price increases’ was displayed on the Kop, reflecting fan unrest after the club announced ticket hikes tied to inflation for the next three seasons. The protest underscored concerns that Liverpool could alienate its traditional fanbase in favour of a more tourist‑focused model. The opening half saw early chances from Jeremie Frimpong and Salah, but it was Ngumoha who changed the complexion of the game. After a loose ball from Florian Wirtz, Ngumoha received the ball on the left, dazzled Timothy Castagne with a series of step‑overs, and curled a precise shot around Joachim Andersen into the far corner. The goal was historic: at 17 years and 225 days, Ngumoha became Liverpool’s youngest league scorer at Anfield, breaking a 14‑year record previously held by Raheem Sterling. The achievement highlighted the club’s emerging talent pipeline at a time when senior players are under intense scrutiny. Slot hinted that Ngumoha could feature in the upcoming Champions League tie, noting, "I think he’s ready. The question is can he do it again two days later? But would he be able to perform at that level? Yes." The manager’s confidence reflects a strategic shift as he balances youth integration with the demands of elite European competition. Six minutes after the break, Ngumoha assisted Cody Gakpo, whose cross was turned home by Salah for Liverpool’s second goal, cementing a comfortable two‑goal cushion. Fulham attempted to revive their game with substitutions, introducing Emile Smith Rowe and Sasa Lukic, but Liverpool’s dominance persisted. A further setback for Liverpool came when Curtis Jones suffered a groin injury, forcing a halftime substitution and likely ruling him out of the PSG match. Silva admitted his side’s lack of aggression, stating, "The game was decided in five minutes and by our approach in the first half." The result not only restores confidence for Liverpool but also sets the stage for a high‑stakes encounter with the European champions.

Barney Ronay set out to test whether a disciplined betting strategy could turn a modest £10 stake into a sizeable profit. Over five days he managed to grow the amount to £120, a return that sounded impressive but left him emotionally flat. His experiment underscores a broader truth: sport betting is engineered to disturb and addict. The personal journey is set against a looming financial shock for English football. Nine Premier League clubs have warned they cannot replace the cash flow previously supplied by gambling sponsors, which will be barred from shirt‑front advertising next season under a voluntary industry agreement. One club executive summed up the anxiety: “Nearly everyone is losing money.” The shortfall is estimated at around £4 million for the affected clubs. These concerns arrive at a time when the gambling sector itself faces scrutiny. Recent data show that up to 1.4 million UK adults may have a gambling problem, a figure that has risen alongside the proliferation of mobile betting apps. The Guardian previously reported that the world‑champion club could incur losses of £335 million in a single season, illustrating the massive financial stakes involved. Ronay’s betting log reads like a sports‑fan’s diary. He began with a £10 wager on a Florida horse race, which paid out modestly. Subsequent bets on high‑profile matches – Manchester City versus Liverpool, Southampton beating Arsenal in the FA Cup – produced a rapid climb to £120. Yet each win felt hollow, prompting him to chase larger, riskier bets such as a four‑way accumulator on the Champions League semi‑finalists, a gamble that ultimately fell short. Beyond the numbers, the piece highlights how gambling permeates the football experience: logos dominate club kits, betting terminology infiltrates fan conversation, and promotional offers tempt even casual viewers. Ronay argues that this saturation turns a simple pastime into a “highly available, stimulating activity designed to hook” users, exploiting the brain’s natural reward pathways. In concluding, Ronay stresses two take‑aways. First, the industry’s promise of “extra money” for clubs is a façade – the money only comes out of fans’ pockets. Second, the impending £4 million sponsorship gap may actually serve as a catalyst for sensible self‑regulation, forcing clubs to reconsider reliance on gambling revenue.