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The Lead: Perry's Raw Return to Center Stage Linda Perry, the iconic singer-songwriter behind 4 Non Blondes and hitmaker for stars like Christina Aguilera and Pink, is stepping back into the spotlight after years working behind the scenes. Her new documentary "Linda Perry: Let It Die Here" and accompanying album capture her journey through breast cancer, the death of her abusive mother, and her complex emotional landscape as she reclaims her artistic identity. The Event Details: Cancer, Loss, and Creative Resilience The documentary, directed by Don Hardy who had been filming Perry at work, captures her just over a week after a double mastectomy, walking gingerly into her studio while carrying surgical drains she calls "blood grenades." As Perry recovered from surgery, her elderly mother—who had physically and mentally abused her as a child—became ill and died three months later. Perry took her mother into her home for her final months, setting up a bed next to hers, reflecting that "the best gift my mom gave me was a peaceful death." The Creative Process: From Personal Pain to Artistic Expression Perry's new solo album, her first in 27 years, is a visceral, propulsive work about her mother's death and the complex feelings it unearthed. Songs include "I Am Daughter," "Now That She's Gone," "Liberation," and "What Lies With You," in which she calls her mother "the villain and the muse." The documentary shows Perry's songwriting prowess in action as she jams with Dolly Parton and Kate Hudson, while also capturing her hosting an event at South By Southwest for EqualizeHer, an organization she co-founded to promote gender equality in the music industry. The Industry Impact: A Voice for Gender Equality Perry has long been an advocate for gender equity in music. Early in her career, she was famously denied a producer credit on "What's Up," the track that sent 4 Non Blondes stratospheric. She let it go at the time but vowed it would never happen again. Through EqualizeHer and her own experiences, Perry continues to challenge the industry's gender disparities. The documentary also captures her re-formed 4 Non Blondes performing at the BottleRock festival, where she insisted on performing new material rather than just their old hits, stating "I want to play something new." The Personal Journey: Confronting Trauma and Finding Strength The documentary offers intimate glimpses into Perry's personal struggles, including a scene where she's captured dancing goofily in her closet to Supertramp's "Take the Long Way Home," which triggers deep emotional release. Another powerful moment shows her ripping open her shirt during a photoshoot in the desert to reveal her surgical scars, describing it as "ad-lib, a kind of a 'fuck-it' moment" that felt powerful afterward. Perry admits she's a workaholic who finds safety in creating: "Like most people who are in trauma, I am afraid to be left alone. Creating, working and music is where I feel safe." The Future Outlook: New Music and Continued Advocacy Perry's re-formed 4 Non Blondes are working on a new album due out early next year, based on material she wrote specifically for festival performances. She continues to collaborate with other artists, including Paris Jackson and Mike Campbell of Tom Petty's Heartbreakers. While the documentary was difficult for Perry to watch—"It was like watching a horror movie"—she recognizes its therapeutic value: "I think maybe the film helped me process and see something I didn't know I was doing." As she walks into the distance at the end of the documentary, Perry reflects: "Everything I've just experienced is going to change my life drastically. Life and death happened just now, so let's see what happens from here."

The Bleakest Office Party: A New Critique of Financial PowerBullyache's new piece, A Good Man Is Hard to Find, opens with a scene that feels like the aftermath of the bleakest office party imaginable. The stage is dominated by a giant boardroom table, featuring a naked man on the floor, another with trousers around his ankles, and someone urinating into a whisky glass. This visceral imagery sets the tone for a production that uses dance theatre to deconstruct the toxic masculinity and arrogance of the financial elite.The show is not merely a performance; it is a commentary on the 2008 global economic crisis. The set design, featuring a wall of broken glass, symbolizes the shattered economy and the people who drove the truck through it. The narrative follows these 'wasted cretins' as they face a surreal, less glossy version of the TV show Industry, turning their fate into a menacing game of power and domination.From Bohemian Club Rituals to Gameshow DominationWhile the opening is chaotic, the piece takes a sharp narrative turn halfway through, transforming into a gameshow that explicitly identifies the characters as the bankers responsible for the financial meltdown. The creative duo, Courtney Deyn and Jacob Samuel, draw inspiration from the secretive Bohemian Club, a gathering of rich and powerful men known for rituals like the 'cremation of care,' which the show interprets as an absolution of guilt.Setting: Sadler's Wells East, London (until 9 May)Music: Original scores by Bullyache, featuring Shostakovich's chamber symphony in C minorThemes: Power, domination, and the 'cremation of care'The Atmosphere of Guilt and LonelinessThe atmosphere-making in the production is described as masterful, if depressing. The soundscapes are cranium-shaking, blending classical leaps with Latin American swivel and punchy folk dance. The inclusion of quasi-religious imagery and a cleaner singing Ave Maria amidst the body fluids adds a layer of dark irony and spiritual desolation.However, the review notes that the piece is reaching for something bigger. While the critique of the 'banking bro' archetype is clear, the show lacks specific personal stories. The political message is somewhat generic ('big bankers bad') and would benefit from more concrete details about the characters' lives and the long-term ramifications of their actions.Future of Political Dance TheatreBullyache has demonstrated brilliant ambition with this production, successfully creating a world that is unpredictable and intense. However, the lack of specific narrative depth suggests that for this genre of political dance theatre to truly resonate, creators must move beyond archetypes and provide the 'sting' necessary to make the audience feel the consequences of the financial crisis on a human level.

The Unseen Robin Hood: Director John Irvin on His Anti-Thatcher Film Thirty-five years ago, two films about the legend of Robin Hood – stealer from the rich, giver to the poor – met and duelled in cinemas; we all know who won, Kevin Costner’s big-budget blockbuster, Robin Hood: Prince of Thieves. But what about the other one? It was titled simply Robin Hood, directed by John Irvin and starring Patrick Bergin in the title role alongside a pre-Pulp Fiction Uma Thurman as Maid Marian. The Aim Was to Give Kevin Costner's Version a Good Kicking “It was very much a stand-alone film with the aim of giving Kevin Costner’s version a good kicking if we could,” says Irvin, now 85. “The studio wanted to go immediately because they wanted to pre-empt Costner.” The Data Analysis: A Modest Budget and Box Office Return The film had a modest budget and was released internationally, but in the US it premiered as a three-hour TV film in May 1991. Costner’s film took just short of $400m in worldwide receipts and became the year’s summer blockbuster. The Impact Analysis: Anti-Thatcherism and Social Commentary Irvin admitted: “The production was tricky. It was cold and wet. It was winter, so Robin Hood couldn’t be in ‘Merry England’. All the trees were bare, so nobody could hide and ambush people. “Quite serendipitously, we found in Cheshire, near the castle, a whole warren of salt mines. I thought it was perfect because it was underground. It was my attempt to give a more honest version of Robin Hood during the middle ages. Around the time of the film there were poll tax [protests] in England. There is a sort of underlying current of anti-Thatcherism in the movie, which was picked up by one or two critics. We tried, without being too on-the-nose, to make it relevant to Thatcher’s England. It was subversive, but in a very, I hope, subtle and nuanced way.” The Prediction: A Legacy Reevaluated “I think it holds up well. The story of Robin Hood seems to be woven into our national psyche. When there’s a sense of oppression, it’s good to have a saviour like Robin Hood, who’s going to give two fingers to the establishment.”

The Lead The Netflix adaptation of Shelby Van Pelt's novel Remarkably Bright Creatures stars Sally Field as Tova, a cleaner at an aquarium who forms a bond with an octopus voiced by Alfred Molina. The film is a gentle, heart-first drama about broken people trying to heal. Sally Field Shines in a Gentle Drama Every now and then, a strange forgotten chapter of life during Covid will interrupt my thoughts. Remember when we used to fake happy hour merriment on the Houseparty app? Or when Anne Hathaway and Chiwetel Ejiofor made an unwatchably awful film about stealing diamonds from Harrods during lockdown? The unavoidability of My Octopus Teacher led to everything from a creepy spike in people googling “did octopus teacher sex with octopus” (time-saver: he didn’t) to an unforgivably undeserved Oscar win for best documentary (Collective, you were robbed) and then, while not a direct on-record inspiration, it at least paved the way for the success of Shelby Van Pelt’s best-selling novel Remarkably Bright Creatures in 2022. The Film's Emotional Resonance It’s a film that can also sit in the streamer’s row of originals aimed at an older audience, alongside gentle afternoon watches like Nonnas, Our Souls at Night, Juanita and Otherhood. Like those films it welcomes in an actor we haven’t seen as much lately as we once did – Sally Field in this instance – and grants her more screen time than she has been given in over a decade – her last lead role was 2015’s Hello, My Name Is Doris. I’m not sure how much of the film would really work without her anchoring it – she adds volume to what’s otherwise a pretty low-level hum – but with Field smoothly moving between comedy and drama in a film that can’t always move quite so gracefully, it all just about stays afloat. The Impact of Molina's Voiceover Field is Tova, a cleaner at an aquarium in a picturesque coastal town who struggles to connect with those around her, still tending to the wound she endured after the death of her son years earlier. She now prefers being alone, something she has in common with Marcellus, an elderly octopus voiced by Dr Octopus himself, Alfred Molina. He hates humans, an understandable response to being trapped in a tank by them, but he appreciates the relative calm of Tova who talks to him in detail about her life. The Future of Gentle Dramas Assistance in that department also comes from Molina’s octopus, who isn’t always made to feel like a natural element of the story (there’s a stretch when it seems like Newman has forgotten about him entirely), but when he’s brought back to the forefront in the final act, there’s a neatly contrived yet sweetly effective and emotionally earned ending, If Newman doesn’t quite get the tears she’s clearly craving, she manages to leave us charmed enough for it not to matter all that much. Remarkable might be a stretch, but decent will do.

The Flaws of MIA MIA, the new drama created by Bill Dubuque, the mastermind behind Ozark, had all the ingredients for a gripping series. Set in Miami, Florida, the show explores the extremes of the American experience, where ostentatious wealth and illegal activities coexist, propped up by the hard work and dreams of immigrants. A Missed Opportunity for Depth The series starts with a promising premise, focusing on Etta, a young woman who seeks revenge after her family is slaughtered by a drug cartel. However, the thoughtful treatment of the immigrant experience is quickly overshadowed by a silly revenge thriller. The show's attempt to balance the serious subtext with an action-packed plot falls flat. The Problem with Convenient Plot Devices The show relies heavily on convenient plot devices, such as Etta's photographic memory, which helps her in her quest for revenge. Additionally, her connections to a badass aunt and a motel owner with unusual skills feel contrived and undermine the show's credibility. A Lackluster Villain The Rojas cartel, the main antagonists of the show, are underwhelming. Their sibling rivalry and attempts to expand their business into people-trafficking feel like boilerplate villainy. The character of Cary Elwes' gumshoe is equally ineffectual, adding to the show's dullness. A Glimmer of Hope The 'found family' that Etta gathers is the highlight of the show. However, even this aspect gets lost as Etta starts eliminating her targets. A big twist at the end sets up a potential second season, but it may not be enough to redeem the show's overall lackluster performance.

The Master Photographer's Lens Steven Meisel, a name synonymous with high-fashion photography, has unveiled a stunning collection of portraits in London, featuring some of the most iconic figures of our time. Faces of Fashion and Art The exhibition showcases Meisel's incredible skill in capturing the unique essence of his subjects, including supermodel Twiggy and designer Bella Freud. His photographs are not just images; they are narratives that speak volumes about the people and the era they represent. A Photographic Legacy Meisel's work is a testament to his enduring influence on photography and fashion. His ability to convey the personality and story of each subject through his lens has made him a legend in his field. This exhibition is a must-see for anyone who appreciates the art of photography and the culture it represents. The Intersection of Art and Fashion This collection in London is a celebration of the intersection between art, fashion, and photography. It invites viewers to explore the spaces where these worlds collide and to appreciate the beauty and significance of Meisel's work. A Lasting Impact As visitors leave the exhibition, they carry with them not just memories of the images they saw, but also a deeper understanding of the power of photography to capture the human experience. Steven Meisel's portraits are more than just pictures; they are a window into the souls of the people who have shaped our culture.

The Genesis of a Wartime SanctuaryIn February 1945, the landscape of Walthamstow Marshes in east London was forever altered when a German V2 rocket struck the area. The explosion tore a crater into the marshland, a wound that would eventually heal into a thriving ecosystem. Today, this "Bomb Crater Pond" serves as a year-round refuge for wildlife, supporting a diverse range of plants, insects, and amphibians despite its modest size.Ranger Luke Boyle describes the site as an "engine room" for the marshes. Unlike managed wetlands with sluice gates, this pond relies on natural hydrology, holding clean water year-round. Its margins are disturbed by cattle, creating a patchwork of habitats that allow rare species to thrive. Notably, the pond is home to the creeping marshwort, one of Britain's rarest aquatic plants, recorded at only two sites in the UK.Biodiversity Metrics of Small PondsThe Bomb Crater Pond is a prime example of the "power of small ponds," a concept that challenges traditional ecological assessments. Historically dismissed as insignificant, small water bodies actually support a wider range of freshwater plants and animals—including more rare and protected species—than larger rivers or lakes.High Species Density: Small ponds often host more biodiversity per hectare than expansive water bodies.Pollution Resilience: Because they are small, they avoid the diffuse pollution and runoff accumulation that plagues big rivers and lakes.Management Strategy: Rangers maintain at least 80% open water, manually removing encroaching vegetation to preserve the balance.Urban Ecology and the Resilience of NatureThis site highlights a critical shift in how we view urban nature. In a highly managed urban landscape visited by over a million people annually, Bomb Crater Pond demonstrates that nature does not need a pristine environment to flourish; it only needs a foothold. The presence of species like snipe, lapwing, newts, and herons proves that even wartime scars can become vital sanctuaries.The Future of Small Water Bodies in ConservationAs climate change and urbanization continue to reshape landscapes, the Bomb Crater Pond offers a blueprint for future conservation efforts. It suggests that creating or preserving small, semi-natural water bodies could be a highly effective strategy for bolstering biodiversity in both urban and conflict-affected regions, turning scars into sanctuaries.

The Rise of the Anti-Datacenter Movement Since the 2024 presidential inauguration, the Trump administration has been rolling out the red carpet for Silicon Valley's AI ambitions, doling out billions in federal subsidies and contracts to the cash-rich sector. However, an unlikely coalition has emerged to resist the AI takeover by targeting the industry's core infrastructure: datacenters. Local Opposition to Datacenters In 2025, about 48 datacenter projects worth an estimated $156bn were blocked or stalled by local opposition. The movement is growing, with communities across the US coming together to protest the construction of datacenters. From rural North Carolina to suburban Virginia, and from the foothills of New Mexico to the farmlands of Oregon, ordinary people are organizing to say no to a status quo that allows tech lobbyists to push through datacenter deals at a breathtaking clip. The Data Behind the Resistance 48 datacenter projects worth $156bn were blocked or stalled in 2025 10 counties in Indiana have enacted moratoriums or temporary bans on new AI datacenters The Seminole Nation in Oklahoma recently passed a moratorium for their territory Project after project has been cancelled in New Jersey due to local fury The Impact of the Anti-Datacenter Movement The fight against datacenters is not just about limiting local development; it represents a critical new front in the fight against tech-enabled authoritarianism. Datacenters provide a physical place and focal point where people can show up and directly confront out-of-control and otherwise impossible-to-reach tech billionaires. The movement is also bringing people together across partisan divides, with a shared concern for the environmental and social impacts of datacenters. The Future of AI Regulation The anti-datacenter movement is essential to amassing the political leverage required to implement popular and sensible safety measures. A national moratorium bill has been introduced by Bernie Sanders and Alexandria Ocasio-Cortez, which would force AI regulation. Maine has become the first state to pass a statewide moratorium on hyperscale datacenters. As the movement continues to grow, it's clear that AI is shaping up to be a key fault line in this year's midterms and the 2028 presidential race.

The Spread of Vibrio Baily Magers and Sunil Kumar, researchers from the University of Florida, have been studying the bacteria Vibrio on Pensacola Beach in Florida. Vibrio is a lineage of ancient marine species that has been present in the environment for hundreds of millions of years. There are over 70 known species of Vibrio, some of which can cause severe infections and death. The Impact of Climate Change The climate crisis is making the world's oceans more hospitable to Vibrio. Rising water temperatures and changing salinity levels are allowing the bacteria to thrive in new areas. Research has shown that temperature and salinity are the largest predictors of Vibrio presence. As water temperatures rise, the concentration of Vibrio in seawater also increases, boosting the risk of infection for beachgoers and shellfish consumers. The Data Analysis The Centers for Disease Control and Prevention (CDC) estimates that around 80,000 cases of vibriosis occur in the US every year, resulting in about 100 deaths. The majority of cases are caused by Vibrio parahaemolyticus, which typically results in gastroenteritis. However, the most deadly form of the infection is caused by Vibrio vulnificus, which can lead to death within 24 hours. In the last five years, the CDC has registered 429 cases of V. vulnificus, plus 136 foodborne cases. The Impact Analysis The spread of Vibrio has significant implications for public health. The bacteria can infect people through open wounds or by consuming contaminated shellfish. Those most at risk are people with liver disease, immunocompromised individuals, elderly people, and diabetics. The CDC warns that as coastal water temperatures increase, V. vulnificus infections are expected to become more common. The Prediction Researchers predict that the northern boundary of Vibrio infections will continue to move north at a rate of 30 miles per year. This could lead to major population centers, such as New York, being affected. Annual case numbers may double as temperatures rise, making it essential for public health officials to be prepared for the increasing threat of Vibrio infections.