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The Road to FIFA World Cup 2026 Egypt's head coach, Hossam Hassan, has announced the preliminary squad for the FIFA World Cup 2026, which will take place in the United States, Canada, and Mexico from June 11 to July 19. Liverpool's Mohamed Salah will lead the team as captain, supported by Manchester City's Omar Marmoush. Squad Selection Highlights The squad includes some notable inclusions and exclusions. Uncapped teenager Hamza Abdelkarim, who plays for Barcelona's under-19 team, has been included in the squad. On the other hand, Nantes forward Mostafa Mohamed has been left out. The Data Behind the Squad Mohamed Salah (Liverpool) - Captain Omar Marmoush (Manchester City) - Forward Hamza Abdelkarim (Barcelona U19) - Forward The Impact of Squad Selection The selection of Hamza Abdelkarim and exclusion of Mostafa Mohamed reflect the team's strategy to blend experience with youth. Mostafa Mohamed's omission is notable, given his recent form struggles with Nantes. The Road Ahead Egypt will play friendly matches against Russia and Brazil before heading to the World Cup. Their campaign begins against Belgium in Seattle on June 15, followed by matches against New Zealand, and Iran. Egypt's Squad for FIFA World Cup 2026 Goalkeepers: Mohamed El Shenawy (Al Ahly), Mostafa Shobeir (Al Ahly), El Mahdi Soliman (Zamalek), Mohamed Alaa (El Gouna) Defenders: Mohamed Hany (Al Ahly), Tarek Alaa (Zed), Hamdy Fathy (Al Wakrah), Rami Rabia (Al Ain), Yasser Ibrahim (Al Ahly), Hossam Abdelmaguid (Zamalek), Mohamed Abdelmonemn (Nice), Ahmed Fatouh (Zamalek), Karim Hafez (Pyramids) Midfielders: Marwan Ateya (Al Ahly), Mohanad Lasheen (Pyramids), Nabil Emad (Al Najma), Mahmoud Saber (Zed), Ahmed Zizo (Al Ahly), Emam Ashour (Al Ahly), Mostafa Ziko (Pyramids), Mahmoud Trezeguet (Al Ahly), Ibrahim Adel (Nordsjaelland), Haissem Hassan (Real Ovideo) Forwards: Omar Marmoush (Manchester City), Mohamed Salah (Liverpool), Aqtay Abdallah (Enppi), Hamza Abdelkarim (Barcelona U19)

Lead: Schools as a Pipeline to JoblessnessPeter Hyman, former adviser to Tony Blair and Keir Starmer, told the Guardian that the UK education system is acting as a “pipeline” to worklessness for a large cohort of young people. In launching the report Inside the Mind of a Young NEET, he called for urgent, radical reforms – including a ban on social media for under‑16s – to stop a “national scandal” of youth who are not in education, employment or training.Hyman’s Call for Radical Education ReformThe ex‑headteacher argued that the current system traps young people in a “rejection economy” where schools, employers and social‑media platforms all fail them. He urged ministers to overhaul curricula, increase vocational pathways, and create real‑world youth hubs that give teenagers alternatives to endless screen time.NEET Statistics Highlight a Growing Crisis12.8% of 16‑24‑year‑olds are classified as NEET in 2026, up sharply from post‑pandemic lows.Almost 1 million young people are currently NEET – the highest level in more than a decade.The NEET rate peaked at 16.8% in 2012 after the 2008 financial crash.The UK now has the third‑highest rate of NEETs among Europe’s richest countries.Broader Socio‑Economic ImpactAnalysts warn that the surge in youth joblessness compounds existing mental‑health challenges, creating a self‑reinforcing vortex of poverty, loneliness and economic shock. The report links the rise to a combination of factors – Covid‑19 disruptions, social‑media addiction, and a labour market that increasingly rewards experience that NEETs cannot obtain.Looking Ahead: Potential Policy ShiftsWith Alan Milburn set to publish a related government‑commissioned report next week, pressure is mounting for the UK to act. Possible outcomes include a statutory ban on social‑media use for children under 16, expanded vocational training programmes, and the establishment of community “youth hubs” that provide work experience and social connection. If implemented, these measures could curb the NEET surge and restore a clearer pathway from school to sustainable employment.

Capsey's Strategic Promotion and Dominant Innings Alice Capsey was the standout performer, scoring an unbeaten 74 from 51 balls. This was her highest score for England and her first T20I half-century since July 2024. Promoted to open the batting in place of the absent Danni Wyatt-Hodge, Capsey made full use of the opportunity, hitting three sixes and seven fours. Partnership: She formed an unbeaten 64-run stand with Freya Kemp in just 35 balls. Performance: While New Zealand's Sophie Devine hit four sixes in 21 balls, Capsey's innings was more restrained yet ultimately more effective, guiding England to a 3-wicket win with 16 balls to spare. Chasing 137: England's Clinical Finish Chasing a modest target of 137, England demonstrated clinical finishing. The victory margin of 3 wickets and 16 balls remaining suggests the squad is finding its rhythm ahead of the tournament. World Cup Context: With the tournament only three weeks away, this was England's first T20i since July 2025, offering a vital opportunity to shake off any rustiness. Key Absences: Captain Nat Sciver-Brunt is sidelined with a calf tear but is expected to be fit for the World Cup. World Cup Readiness and Tactical Shifts The match offered a glimpse into the likely starting XI for the World Cup. The spin trio of Sophie Ecclestone, Charlie Dean, and Linsey Smith looks set, with Lauren Bell as the frontline seamer. Bowling Return: Freya Kemp returned to the attack after a stress fracture, opening the bowling alongside Bell. Strategic Dilemma: Ecclestone, the world No 2 bowler, finished as the most expensive of the six options. This performance fuels speculation that head coach Charlotte Edwards may need to make the difficult decision to omit Ecclestone to accommodate the 18-year-old Tilly Corteen-Coleman. The Bowling Conundrum: Ecclestone's Future The most intriguing aspect of the match was the bowling economy. While England's batting looked settled, the cost of their premier spinner raises questions about the team's balance. If the management is serious about integrating Corteen-Coleman, the inclusion of Ecclestone may become untenable, marking a significant shift in England's bowling strategy for the global stage.

A Fresh, Chaotic Comedy Shakes Up British TVBBC’s Proper Ladies, a ten‑minute short set in a faith school, has ignited a social‑media frenzy for its “messy, chaotic, and funny” take on teenage life, drawing comparisons to Derry Girls and Some Girls.Inside “Proper Ladies”: A 10‑Minute Short About Muslim SchoolgirlsCreated by writer Sabrina Ali and based on her award‑winning stage play Dugsi Dayz, the short follows four detention‑room girls—prefect Salma (played by Samira Tahlil), entrepreneur Munira (Ebada Hassan), fashion‑focused Yasmin, and emo‑leaning Hani (Kosar Ali)—as they navigate rivalries, rebellion and absurd antics.Key scenes include a monologue about a fire‑alarm cover‑up and a subplot involving laxatives slipped into a teacher’s drink.The headteacher, portrayed by Mark Silcox, is humorously revealed to wear a toupee.Executive producer Michaela Coel supported the adaptation, offering Ali a place in her River Library writing sanctuary.Social Media Buzz and Viewer EngagementThe short’s first fan edit amassed 100,000 likes, signalling strong audience resonance. However, the cast also endured a wave of racist and Islamophobic abuse online, prompting some members to step back from social platforms.Redefining Muslim and Black Representation on ScreenAli aims to shift how Black and Muslim characters are positioned, using comedy to allow audiences to “recognise something human” without feeling instructed. She highlights the importance of open casting calls that attracted first‑time actors, expanding access to the industry.What’s Next for “Proper Ladies” and Similar StoriesThe pilot is currently in development for a full series, potentially charting a four‑year journey from stage to screen. Its success could encourage more authentic, diverse comedies in British television and inspire further investment in under‑represented voices.

Escalating Outbreak in Eastern DRC Claims Another Young LifeIn the mining town of Mongbwalu, Sadiki Patrick, a 40‑year‑old father, lost his 15‑year‑old daughter Judith to the latest Ebola flare‑up. The tragedy underscores the human cost of a disease that has resurfaced 17 times in the past 50 years.Seventeenth Ebola Outbreak Highlights Systemic GapsAuthorities identified Mongbwalu as the epicentre of the new strain. Health workers report daily deaths, delayed hospital access, and insufficient qualified staff. International experts from the Africa CDC have deployed to Bunia to bolster response efforts.Numbers Reveal a Growing Crisis>500 suspected Ebola cases recorded by the Congolese Ministry of Health.>130 confirmed deaths linked to the current outbreak.Average of one outbreak every three years over the last five decades.Previous 2018‑2020 Zaire strain outbreak killed more than 2,300 people.Underlying Drivers: Healthcare, Conflict, and EnvironmentDoctors such as Francine Mbona Pendeza point to unsafe food practices, lack of clean water, and remote, under‑resourced clinics as key accelerants. Rodriguez Kisando adds that out‑of‑pocket costs block access to care, while geopolitical analyst Gloire Koko links the epidemic cycle to armed conflict that hampers humanitarian operations. Environmental factors—deforestation and wildlife contact—create a “natural habitat” for pathogens, according to virologist Alphonsine Muhoza.Path Forward: Strengthening Surveillance and Community ResilienceSave the Children’s DRC director Greg Ramm warns that without a proactive health communication strategy, the outbreak could spiral. Experts call for:Expanded primary‑care facilities in remote areas.Free or subsidised treatment to eliminate cost barriers.Community education on safe food handling and water hygiene.Enhanced surveillance systems, leveraging data collection and risk communication teams already on the ground.While virologist Jean Jacques Muyembe acknowledges past surveillance failures, he remains confident that “we will get it under control” with coordinated effort.

The Retirement Savings Crisis in the UK Fifteen million people are currently not saving enough for their retirement, according to the Pensions Commission. This number could rise to as many as 19 million without action. The independent group of experts warned that as many as 45% of working-age adults were not saving into a pension at all, despite nearly half of them being in work. The Scale of the Problem The Pensions Commission's findings highlight a significant issue with retirement savings in the UK. With millions of people not saving enough, there is a risk that they will not have sufficient funds for a comfortable retirement. The commission's warning emphasizes the need for urgent action to address this problem. Understanding the Challenges The lack of retirement savings can be attributed to various factors, including low incomes, high living costs, and limited financial literacy. Many individuals may not have the means to save for retirement or may prioritize short-term financial needs over long-term savings. A Call to Action The Guardian is inviting readers to share their experiences of struggling to save for retirement. By understanding the challenges faced by individuals, it is hoped that solutions can be developed to help people save more effectively for their retirement.

The Film's Wartime ContextLife during wartime is the central theme of Andrei Zvyagintsev's latest film, 'Minotaur.' Set in provincial Russia, the movie presents a portrait of a nation paralyzed with disillusionment and fear, slowly coming to terms with, or retreating into collective denial about, the terrible mistake in Ukraine. The film draws inspiration from Claude Chabrol's 'La Femme Infidèle' (1969), Gogol's 'Dead Souls,' and the Greek myth of the Minotaur requiring 14 sacrifices.At its core, 'Minotaur' is a noir thriller of infidelity and vengeful murder, given new meaning by the context of deadly cynicism and political bad faith. It depicts a world in which powerful people, consumed by self-hate, have made covering up misdeeds their way of life.The Narrative of DisillusionmentThe story follows Gleb, a mini-oligarch businessman played by Dmitriy Mazurov, who lives in a town far from Moscow with his elegant but unhappy wife Galina (Iris Lebedeva) and their teen son. The setting is marked by the presence of the letter Z on car windshields and military trains, symbolizing support for the war effort.Gleb's marriage has been damaged by his past infidelities, and now he suspects his wife of cheating. However, more pressing matters emerge when local business leaders are summoned by the mayor (whose office displays a photo of Putin) and instructed to provide disposable male employees for the war effort.The Director's VisionZvyagintsev, who survived a severe bout of COVID-19 that caused 90% lung damage according to a related Guardian article, delivers a film with cold daylit compositions and scenes in grim streets and housing estates. Everything in the film looks like a crime scene, reflecting the moral decay at its center.The performances from Mazurov and Lebedeva are outstanding, particularly in the film's central extended silent sequence. Zvyagintsev masterfully portrays the chilling moral compromises made by characters who have normalized violence and deception as survival mechanisms in a corrupt system.Cultural and Political Commentary'Minotaur' functions as both personal drama and societal critique. When Gleb must provide 14 employees for the war, he calculates that he can advertise for 14 truck drivers with inflated salaries, knowing they'll be drafted before he ever has to pay them. This scheme represents the soul-blackening evil of a system that treats human lives as disposable commodities.The film also explores toxic masculinity through a scene where Gleb teaches his bullied son to threaten violence rather than seek help from authorities. This moment reveals the poisonous education in violence that perpetuates cycles of aggression and dehumanization.Festival Reception and SignificanceScreened at the prestigious Cannes film festival, 'Minotaur' continues Zvyagintsev's tradition of creating politically charged cinema that holds up a mirror to contemporary Russian society. The film's exploration of moral compromise in wartime positions it as a significant cultural document of Russia's current social and political climate.As Russia's war in Ukraine continues, 'Minotaur' serves as both artistic expression and implicit commentary on the psychological and moral costs of a nation at war with itself and its neighbors. The film's noir elements are amplified by the real-world context of deception, cover-ups, and the sacrifice of ordinary people for political agendas.

On May 18, 2026, a gun attack at the Islamic Center of San Diego left three community members dead, including security guard Amin Abdullah, longtime staffer Mansour Kaziha, and neighbor Nader Awad who rushed to help. The incident, investigated as a hate crime, has sparked an outpouring of grief and a renewed debate on protecting places of worship.Victims’ Backgrounds and RolesMansour Kaziha (78) – a Syrian‑born employee who helped build the mosque in the 1980s, ran its gift shop, and prepared meals for Ramadan. He was described by the board chairman as “a cornerstone, a pillar of this masjid.”Nader Awad (57) – a resident across the street who attended daily prayers and, when he heard gunfire, ran into the mosque to assist, even diverting other congregants.Amin Abdullah (51) – the mosque’s security guard, a father of eight, who greeted visitors with “as‑salamu alaikum.” Police chief Scott Wahl called his actions “heroic” and credited him with preventing a larger tragedy.Key Facts and Numbers from the AttackThree victims were killed; two teenage attackers also died from self‑inflicted gunshot wounds.The attack occurred during daylight hours on a Monday, shortly after police were alerted to one attacker’s possible suicidal intent.Social media accounts show Amin Abdullah had roughly 1,800 followers, underscoring his community visibility.Community and Law‑Enforcement ResponseThe mosque’s imam, Taha Hassane, referred to the victims as “martyrs and heroes.” Families held vigils, and local officials classified the incident as a hate crime, prompting calls for stronger security protocols at religious institutions nationwide.Future Outlook for Mosque Security in the U.S.Law‑makers and faith‑based groups are now urging increased funding for security training, surveillance upgrades, and rapid‑response coordination with police. The tragedy underscores the need for proactive measures to protect vulnerable communities and may shape future legislation on hate‑crime prevention.

Fight Like a Girl is a raw, under‑dog boxing drama set in the Democratic Republic of the Congo, spotlighting the harrowing reality of sexual violence while celebrating the resilience of its female protagonists.The Film’s Core Narrative and Authentic SettingThe story follows Safi (played by Ama Qamata), a teenage survivor of mineral‑mine exploitation who discovers a path to empowerment through boxing under the mentorship of former child‑soldier coach Balezi “Kibimango” Bagunda (portrayed by Hakeem Kae‑Kazim). The film’s gritty street‑level visuals were captured on location in Goma, lending a documentary‑like immediacy.Directed by Matthew LeutwylerFeatures real‑life boxer Clarck Ntambwe as inspiration for the star fighter AishaPost‑credits note reveals the real Kibimango was killed in 2025 while evacuating children from an orphanageRelease Timing and Distribution FactsUK theatrical release begins 22 May 2026Screened in UK cinemas as reported by The GuardianBroader Cultural Impact of a DRC‑Centric Female Boxing DramaBy foregrounding the DRC’s conflict‑driven gender violence and pairing it with a sports‑drama framework, the film expands global awareness of the region’s humanitarian crisis and challenges the traditionally male‑dominated boxing‑movie genre.What Lies Ahead for “Fight Like a Girl” and Similar StoriesGiven its authentic storytelling and timely release, the film is poised to attract festival circuits, spark discussions on gender‑based violence, and inspire further productions that blend social realism with genre conventions.