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The End of an Era for Football CollectiblesWith this summer's World Cup already mired in controversy over politicization, potential travel bans, and rows over ticket prices, fans were dealt another piece of sad news this week: the tournament's much-loved Panini sticker album will be discontinued after 2030. This announcement marks the potential end of a cultural phenomenon that has spanned decades and connected generations of football fans worldwide through the simple joy of collecting and trading stickers.The Business Behind the PassionFor decades, Panini has held the exclusive rights to produce World Cup sticker albums, creating a multi-million dollar business that has become as much a part of the tournament as the matches themselves. The albums typically contain hundreds of stickers featuring players, teams, stadiums, and mascots, with collectors often needing to purchase numerous packs and trade with friends to complete their sets. The announcement of discontinuation comes amid changing commercial landscapes and evolving fan engagement strategies in the digital age.Cultural Touchstones Across GenerationsFor many, Panini albums represent more than just collectibles—they are cultural artifacts that capture the essence of World Cup history. The albums serve as time capsules, preserving memories of legendary players, iconic moments, and the evolution of the tournament itself. From the 1970 Mexico album featuring England's victory to the 1994 edition with Roberto Baggio's divine ponytail, these albums have documented football's greatest stars and most memorable moments for generations of fans.Personal Stories from the CollectionGuardian writers recall their Panini memories from years gone by, each story offering a unique perspective on how these albums shaped their relationship with football:Lorenzo Tondo remembers the 1994 World Cup, where Roberto Baggio's sticker was considered the most coveted. He carried it like a trophy, fearing that sticking it in the album would bring bad luck to Italy—a superstition that seemed validated when Baggio missed the penalty in the final.Gwyn Topham still keeps his Mexico 86 album, featuring a mind-blowing find from primary school: the Football 83 Arthur Albiston sticker with Kevin Moran's face. His album captures a time when overseas players were still a relative novelty in football.John Crace traces his obsession back to the 1970 World Cup, when he first nagged his mother to buy him a Mexico 70 sticker book. Little did she realize that was only the beginning of a lifelong collecting journey that would eventually see him complete the set decades later through eBay.The Evolution of Football FandomThe Panini album phenomenon reflects how football fandom has evolved over the decades. What began as simple paper collectibles has transformed into a complex ecosystem of trading, completing sets, and the pursuit of rare stickers. The albums have not only documented football history but have also created shared experiences among fans, fostering connections across cultures and generations through the universal language of football.The Digital Future of CollectingAs Panini prepares to phase out physical sticker albums after 2030, questions arise about what will replace this beloved tradition. Digital collections, NFTs, and augmented reality experiences may offer new ways for fans to engage with the World Cup, but they may struggle to replicate the tangible joy of swapping stickers with friends on the playground or the satisfaction of completing a physical album. The discontinuation of Panini albums marks not just the end of a product line, but potentially the end of an era in how football fans connect with the tournament they love.

The Lead: Personal Artworks Reveal Hidden Keith HaringThe story of how Keith Haring came to paint a crib began on a quiet, ordinary afternoon in 1986. His best friend's wife was pregnant, and the couple didn't have the money to buy a new crib for their home in New York City's Greenpoint neighborhood. "I called my parents to ask if my old crib was still in the attic," says artist Kermit Oswald, Haring's friend since childhood. "I got it and I painted it yellow, then Keith came over, we had a few beers and he painted the rest of it."The Exhibition: Haring's House at Sotheby'sOswald's collection of Haring's work is now on display in Haring's House: Works From the Collection of Kermit Oswald, a public exhibition at Sotheby's New York this month, with the works going to auction in two sales on 14 and 15 May. The most surprising item is the crib. It's taxi-cab yellow with paintings of dachshunds (the Oswald family dog) and two figures representing Oswald and his wife, Lisa.The Auction Valuation: Market Value of Personal ConnectionsIt's one of 20 Haring works going to auction. The marquee lot is a 1985 self-portrait, one of only six the artist ever painted on canvas. The auction estimates are $3m-$5m, with the crib alone estimated at $250,000 to $350,000. With many items never seen publicly, it shows a personal side to one of the most iconic gay artists in history.The Friendship: Childhood Bond to New York Art SceneOswald knew Haring since they were five years old. They met by passing notes at church in their home town of Kutztown, Pennsylvania. As boys, they shared a passion for "creating things" and started drawing together. "We rode bicycles and played baseball, though on different teams, and were always in each other's homes," he says. They delivered their paper routes together; the loser of the morning race had to buy ice-cream.The Artistic Process: Influences and TechniquesHaring's early untitled works on paper from the late 1970s and early 1980s often used cut-up newspapers and Xeroxed clippings, a practice influenced by William Burroughs' cut-up technique. The two met in 1983 and collaborated on Apocalypse, a series of silkscreen prints with text by Burroughs, in 1988, the year Haring tested positive for HIV.The Legacy: Beyond Public PersonaWhen asked what Haring would be like now, Oswald says: "It was a more analog world then. If you wanted to comment on the news, you had to put ink on paper. In today's lexicon, Keith would be a blogger and definitely a news junkie." They both moved to New York in 1978 to study at the School of Visual Arts. Oswald built the workshop in Haring's studio, every frame Haring used and installed Haring's exhibitions.The Future: Auction and Art Market ImpactBy 1985, Haring was famous and painted his self-portrait from a Polaroid, his face on the body of a sphinx. He invited Oswald to the studio and told him to take any work he wanted. Oswald chose that one. The pair called Haring's mounting fame "the tiger." "You work and work and work thinking you can finally climb on the tiger and ride it," Oswald says. "But once it actually happens, you just have to hold on for dear life, and the best you can do is hope to steer it a bit."

Standout Art Pieces at the 2026 Venice Biennale The 2026 Venice Biennale features several standout art pieces that are worth noting. Here are some of the most notable ones: Florentina Holzinger's Post-Apocalyptic Pavilion Florentina Holzinger's pavilion is a post-apocalyptic installation that features her suspended upside down from the clappers of a large bell. The pavilion also includes a woman riding a speedboat in circles, two others suspended at the top of a pole, and another sitting entirely submerged in a tank. The installation is transgressive and thought-provoking, and it quickly became the talk of the town. Sanya Kantarovsky's Eerie Seances Sanya Kantarovsky's paintings are like stills from very intense films. His show features book-lined rooms with incredible Murano glass chandeliers, and it culminates with an incredibly detailed sculpture of the head of a boy, also in Murano glass. The atmosphere is like a weird seance between the centuries. Gabrielle Goliath's Hypnotic Mourners Gabrielle Goliath's performance, Elegy, is a ritual of mourning for women killed in acts of sexualized or racialized violence. The performance features operatically trained female performers holding a single high note, and it is both hypnotic and moving. Carrie Schneider's Photographic Curls Carrie Schneider's photographic curls are a 1.5km-long installation that repeats over and over a still from Chris Marker's 1962 film La Jetée. The installation is thought-provoking and visually stunning. Lydia Ourahmane's Coin-Slot Art Lydia Ourahmane's sculptural show features components drawn entirely from the city of Venice. The show includes a beautiful new wooden pier, a bead curtain of Murano glass, and a contraption once used in a church to illuminate a Bellini. The installation is touching and thoughtful. Lawrence Abu Hamdan's Audio Detective Work Lawrence Abu Hamdan's installation, 450XL: the Story of a Fugitive Sound, investigates human rights abuses using sound as evidence. The installation features 15 screens resembling protest placards and is both thought-provoking and visually stunning. Zhanna Kadyrova's Origami Deer Zhanna Kadyrova's origami deer are a series of paper sculptures that are both beautiful and moving. The installation features a huge concrete deer dangling irresolutely from a crane on a flatbed truck, and it is accompanied by touching footage of the origami deer's journey.

The Mysterious Discovery of the Cadborosaurus In 1937, a strange creature was pulled from the stomach of a sperm whale off Canada's west coast. The creature, known as the Cadborosaurus, had a dog-like head, a camel-like nose, and a horse-like tail. It was covered in a thin white film and measured around 3 meters in length. The Event Details The creature was laid out on a platform of wooden boxes and photographed for a local newspaper. The images show a long, serpentine body with a small head and a tail. Some witnesses believed it to be a sea monster, while others thought it might be an unknown species. The Data Analysis Many scientists believe that the Cadborosaurus was likely a decomposing basking shark. When basking sharks decay, their massive gill-basket collapses, leaving a long neck-like structure and a small head. The breaking down of muscle fibers and cartilage can give fins a furry, feather-like appearance. The Impact Analysis The mystery of the Cadborosaurus highlights the tragic decline of basking sharks in the region. The species was once thriving off Vancouver Island but was slaughtered to virtual local extinction. Today, basking sharks are rarely seen, and their misidentification can lead to confusion and speculation about sea monsters. The Prediction As efforts to protect the waters of the Pacific and vulnerable species continue, there is renewed interest in the Cadborosaurus and the basking shark. A rare sighting of a basking shark in 2024 has sparked new discussions about the species and the importance of conservation efforts.

The Paradox of a Banned BestsellerWhile DH Lawrence intended *Lady Chatterley's Lover* to be a serious exploration of the 'sacred nature of sex,' the novel's legacy has become inextricably linked to farce and cultural upheaval. Guy Cuthbertson’s new book, 'Lady C,' argues that the text created laughter not just through its explicit content, but through the absurdity of the reaction it provoked—from customs seizures to endless parodies. The novel’s journey from a literary taboo to a ubiquitous cultural touchstone offers a unique lens into the shifting moral landscape of the 20th century.The 1960 Trial and the VerdictThe legal battle over the book, Regina v Penguin Books in 1960, stands as a watershed moment in publishing history. The prosecution's attempt to ban the novel relied on a provocative question from Mervyn Griffith-Jones: 'Is it a book that you would even wish your wife or your servants to read?' The defense, bolstered by an impressive roster of witnesses including EM Forster and Rebecca West, successfully challenged the obscenity laws.The Jury's Role: Members of the jury spent a week reading the book at the Old Bailey before reaching a verdict that defied the judge's inclination.The Verdict: The acquittal was a landmark victory for literary freedom.From Courtroom to Commerce: The Cultural FootprintThe data surrounding the novel's release and aftermath reveals a staggering commercial and cultural penetration. The paperback edition did not just sell; it exploded.Sales Figures: The book sold approximately 2 million copies in its first run.Cultural Ubiquity: The title permeated every aspect of British life, from steam railway carriages to 'Lady Chatterley's Loofah' and 'Lady Chatterley's Pullover.'Celebrity Endorsement: The novel became a badge of cultural cool, endorsed by figures like David Bowie (who wore red trousers as recommended by the character Mellors) and Philip Larkin.Shifting the Moral Compass: From Sex to SensitivityThe impact of *Lady Chatterley's Lover* extends beyond the legal realm; it fundamentally altered the criteria for social acceptability. Cuthbertson notes that the offense has shifted over time. Where once the four-letter words and sexual candor caused outrage, modern readers are more likely to be offended by the novel's homophobic and antisemitic undertones. This shift highlights how the definition of 'obscenity' is fluid, moving from physical acts to social attitudes.Lady C as a Mirror of Social EvolutionLooking forward, Guy Cuthbertson’s work serves as a vital historical document. By framing the novel through the lens of social history rather than heavy moralizing, the book ensures that the legacy of the 1960s trial is preserved not as a relic of censorship, but as a testament to the resilience of free expression. The enduring presence of the book in modern media—from 'Mad Men' to film adaptations—suggests that its role as a cultural provocateur is far from over.

Breaking Down the Complex Language of AI Artificial intelligence is changing the world, and simultaneously inventing a whole new language to describe how it’s doing it. Spend five minutes reading about AI and you’ll run into LLMs, RAG, RLHF, and a dozen other terms that can make even very smart people in the tech world feel insecure. This glossary is our attempt to fix that. We update it regularly as the field evolves, so consider it a living document, much like the AI systems it describes. Artificial General Intelligence (AGI) Artificial general intelligence, or AGI, is a nebulous term. But it generally refers to AI that’s more capable than the average human at many, if not most, tasks. OpenAI CEO Sam Altman once described AGI as the “equivalent of a median human that you could hire as a co-worker.” Meanwhile, OpenAI’s charter defines AGI as “highly autonomous systems that outperform humans at most economically valuable work.” Google DeepMind’s understanding differs slightly from these two definitions; the lab views AGI as “AI that’s at least as capable as humans at most cognitive tasks.” Confused? Not to worry — so are experts at the forefront of AI research. AI Agent An AI agent refers to a tool that uses AI technologies to perform a series of tasks on your behalf — beyond what a more basic AI chatbot could do — such as filing expenses, booking tickets or a table at a restaurant, or even writing and maintaining code. However, as we’ve explained before, there are lots of moving pieces in this emergent space, so “AI agent” might mean different things to different people. Infrastructure is also still being built out to deliver on its envisaged capabilities. But the basic concept implies an autonomous system that may draw on multiple AI systems to carry out multistep tasks. API Endpoints Think of API endpoints as “buttons” on the back of a piece of software that other programs can press to make it do things. Developers use these interfaces to build integrations — for example, allowing one application to pull data from another, or enabling an AI agent to control third-party services directly without a human manually operating each interface. Most smart home devices and connected platforms have these hidden buttons available, even if ordinary users never see or interact with them. As AI agents grow more capable, they are increasingly able to find and use these endpoints on their own, opening up powerful — and sometimes unexpected — possibilities for automation. Chain-of-Thought Reasoning Given a simple question, a human brain can answer without even thinking too much about it — things like “which animal is taller, a giraffe or a cat?” But in many cases, you often need a pen and paper to come up with the right answer because there are intermediary steps. For instance, if a farmer has chickens and cows, and together they have 40 heads and 120 legs, you might need to write down a simple equation to come up with the answer (20 chickens and 20 cows). Coding Agent This is a more specific concept that an “AI agent,” which means a program that can take actions on its own, step by step, to complete a goal. A coding agent is a specialized version applied to software development. Rather than simply suggesting code for a human to review and paste in, a coding agent can write, test, and debug code autonomously, handling the kind of iterative, trial-and-error work that typically consumes a developer’s day. Compute Although somewhat of a multivalent term, compute generally refers to the vital computational power that allows AI models to operate. This type of processing fuels the AI industry, giving it the ability to train and deploy its powerful models. The term is often a shorthand for the kinds of hardware that provides the computational power — things like GPUs, CPUs, TPUs, and other forms of infrastructure that form the bedrock of the modern AI industry. Deep Learning A subset of self-improving machine learning in which AI algorithms are designed with a multi-layered, artificial neural network (ANN) structure. This allows them to make more complex correlations compared to simpler machine learning-based systems, such as linear models or decision trees.

Ethos, a London‑based AI startup, closed a $22.75 million Series A round on May 6, 2026, led by a16z with participation from General Catalyst, XTX Markets, Evantic Capital, and Common Magic. The capital will accelerate its voice‑powered expert onboarding system, which promises richer skill signals than traditional job‑title based platforms. Voice‑Powered Onboarding Redefines Expert Matching Ethos replaces static forms with conversational interviews, allowing experts to describe their knowledge in their own words. The platform then parses these recordings to extract granular competencies, enabling companies to pose natural‑language queries such as “find experts who worked at a funded startup backed by A‑grade investors solving finance automation.” Funding Numbers and Investor Line‑up Highlight Market Confidence Series A amount: $22.75 million Lead investor: a16z (Andreessen Horowitz) Other participants: General Catalyst, XTX Markets, Evantic Capital, Common Magic Founders: James Lo (ex‑McKinsey, SoftBank) and Daniel Mankowitz (former DeepMind AI researcher) Implications for the Expert‑Network Landscape and AI‑Driven Talent Mapping By capturing sub‑specializations through voice, Ethos challenges legacy platforms that rely on shallow job‑title signals. The startup also enriches its graph with public data—blogs, academic papers, and social links—creating a hybrid human‑AI talent map. Early adopters include top hedge funds, private‑equity firms, foundational AI labs, and enterprise consultancies, which pay a 30%+ per‑project fee. Future Outlook: Scaling, Revenue Targets, and Competitive Position Ethos aims for “eight‑figure annualized revenue” while keeping its team lean (currently eight members). With roughly 35,000 new experts joining each week, the company plans to deepen its voice‑agent interview pipeline and expand into sectors such as law, health, and finance. Competitors like Listen Labs and Outset offer conversational AI interview tools, but Ethos bets its curated expert network will deliver higher‑value matches for complex, domain‑specific queries.

The Profit Paradox in Big Oil Exxon Mobil and Chevron, America's two largest oil companies, reported unexpected drops in quarterly profits despite oil prices reaching levels not seen since 2022. The paradoxical situation highlights how geopolitical disruptions in the Middle East are creating complex financial outcomes for energy producers even as market prices soar. Quarterly Financial Results Exxon's quarterly earnings fell to $4.2 billion from approximately $7.7 billion in the same quarter last year, representing a decline of about 46%. Chevron's profits dropped to $2.2 billion from about $3.5 billion, a decrease of approximately 37%. Despite these significant drops, both companies managed to exceed Wall Street analysts' expectations. The Timing Effect Impact The profit declines were primarily attributed to "timing effects" and volume impacts in the Middle East. When excluding these timing effects, Exxon reported $8.8 billion in profit for the quarter. Chevron, meanwhile, faced unfavorable timing effects totaling about $3 billion, which significantly impacted its reported results. Geopolitical Market Disruptions The war in Iran has created significant market volatility, with oil prices reaching unprecedented levels. As Darren Woods, Exxon's chairman and CEO, explained: "As you close the quarter in the volatile market, you book the hedges, the paper, but the physical barrels are in inventory until they get delivered. So you get this deferred profit..." This situation has created a temporary disconnect between market prices and actual earnings realization. Industry Divergence While Exxon and Chevron reported lower profits, other oil companies have experienced different outcomes. BP announced that its profits more than doubled in the last quarter, crediting "exceptional oil trading" for its highest quarterly profit since 2023. Meanwhile, ConocoPhillips cut its forecast annual output due to disruptions in Qatar's liquified natural gas operations caused by the war, with Iranian attacks on QatarEnergy LNG's export plant expected to take years to repair. Consumer Impact and Market Outlook Despite the complex financial results for major producers, consumers are feeling the impact at the pump. Gas prices have climbed to an average of $4.39, up from $3.187 a year ago. Americans are also facing concerns about elevated inflation and slow job growth amid the turmoil in the Middle East. As the situation evolves, energy companies may eventually reap the full benefits of soaring oil prices, but current geopolitical disruptions continue to create significant market volatility.

In a war‑torn Ukrainian city, a concrete deer shaped like folded paper has become a beacon of hope, now en route to the 2026 Venice Biennale. The piece, created by Zhanna Kadyrova, has travelled from the frontlines of Pokrovsk through Paris, Warsaw, Prague, Vienna and Brussels, gathering stories of survival and a new mythology along the way. A Concrete Deer Becomes a Symbol of Hope The sculpture was first installed in 2018 on a plinth that once held a Soviet Su‑7 bomber in Pokrovsk, Donetsk region. Intended as a simple, touchable landmark for locals, it later turned into a poignant reminder of peace when the city fell under Russian fire. From Eastern Ukraine to UNESCO: The Deer’s Epic Overland Journey In August 2024, as combat approached, curator Leonid Marushchak coordinated the risky evacuation of the deer, using angle grinders, a hammer drill and a crane to free it from its concrete base. The sculpture was then loaded onto a flat‑bed truck and began a circuitous tour of European capitals, stopping at UNESCO’s Paris headquarters before heading to Venice. Timeline and Logistics: Numbers Behind the Relocation 30 August 2024 – Deer lifted from its plinth in Pokrovsk. September 2024 – March 2025 – Transported through Warsaw, Prague, Vienna and Brussels. April 2025 – Displayed in UNESCO gardens, alongside Alexander Calder’s Spirale. May 2025 – Arrived in Venice, docked in the lagoon for the Biennale. Distance covered: roughly 2,500 km across five countries. Why the Deer Resonates: Cultural and Political Impact The deer now embodies a “new mythology” for displaced Ukrainians. Visitors—refugees, locals and tourists—touch the sculpture and make wishes, turning a public art piece into a living memorial of a city that may soon be reduced to rubble. Its presence at UNESCO underscores the intersection of cultural heritage protection and wartime loss, while the Biennale’s decision to host both Ukraine and a reinstated Russian pavilion adds a fraught political layer. What Lies Ahead: The Deer’s Role at the 2026 Venice Biennale Featured in the Ukrainian pavilion titled Security Guarantees, the deer will serve as a visual metaphor for the displacement of millions of Ukrainians. Curators hope the work will shift the conversation from a binary “anti‑Russian” narrative to a broader reflection on survival, cultural continuity, and the power of art to travel beyond borders. As the Biennale progresses, the deer’s journey may inspire similar cultural rescue projects across conflict zones.