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The Lead: A Provocative Debut Rozie Kelly's frank and feisty debut novel, Kingfisher, has been shortlisted for this year's Women's Prize for Fiction and begins with a case of lust at first sight. The unnamed narrator, a 35-year-old writer, becomes infatuated with a famous poet 17 years his senior, setting the stage for a complex exploration of desire, power dynamics, and unconventional relationships. The Novel's Premise: An Unconventional Attraction The novel introduces us to a "beautiful" 35-year-old writer in a complicated but loving relationship with the equally beautiful but somewhat boring Michael. The object of his sudden attraction is a renowned poet running a popular course at the same university. Despite barely knowing her, he experiences an intense desire "to be inside her," expressing surprise at his own reaction: "A woman! What was the world coming to?" The narrator's infatuation is initially fueled by the poet's success, wealth, and fame, though he also admits to wanting to subjugate her, "to push her down, to render her imperious intelligence stupid with the weight of my body." Thematic Exploration: Love, Lust, and Power Kelly shrewdly explores the different forms love and lust can take, complicated by shifting power dynamics. The relationship begins when the poet and narrator meet to discuss his (nonexistent) poetry collection, leading to an unexpected night together. As their relationship develops, particularly after the poet receives a terminal cancer diagnosis, they settle into the rhythms of a loving relationship. The narrative also explores the narrator's complicated relationship with his racist and homophobic mother, Hetty, confined to a care home, and his deteriorating relationship with Michael, who eventually leaves him for a younger partner. Narrative Structure: Stylistic Uncertainties Despite a confident start and intriguing premise, Kingfisher suffers from narrative inconsistencies. Interesting characters are established then forgotten, and narrative threads are never fully developed. The novel struggles with tonal shifts, moving from "bracing language and violent desires" to "bedside solicitude and quiet domesticity." A late-stage shift into gothic fantasy further destabilizes the narrative, with the ending dangerously approaching "it was all a dream" territory. Throughout, the narrator questions the nature of their relationship: "Who's using who here, do we think?" The answer, as presented in the novel, is that both characters are using each other, as "writers on the make; everyone is potential copy." Critical Assessment: Verve Without Fire Kingfisher possesses considerable verve and energy, demonstrating Kelly's willingness to take risks and embrace absurdity. The novel "crackles and sparks," but ultimately "never quite catches fire." While the book successfully challenges conventional narratives about love and desire, particularly through its exploration of non-traditional relationships and power dynamics, it fails to maintain its initial momentum. The narrative uncertainty and inconsistent tone prevent what could have been a groundbreaking exploration of contemporary relationships from achieving its full potential.

Iran has reasserted its control over the Strait of Hormuz, warning that foreign commercial and military vessels will be targeted if they do not comply with regulations governing passage through the strategic waterway.Iran's Assertion of Maritime SovereigntyThe announcement came after the United States signalled that President Donald Trump was close to a decision on a potential deal with Iran, though Tehran denied an agreement had been reached. The operational headquarters of Iran’s armed forces, Khatam al-Anbiya Central Headquarters, stated that the management of the Strait is exercised with full authority by the Islamic Republic.“All ships, commercial vessels, and tankers are only required to travel through the designated routes and obtain permission from the Islamic Revolutionary Guard Corps [IRGC] Navy,” the statement added. It warned that any violation would seriously jeopardise the security of their traffic.The High-Stakes Diplomatic StandoffThe situation is defined by a clash of demands. While the US seeks a deal ensuring Iran never develops nuclear weapons, Iran is demanding the immediate release of $12bn in frozen assets before proceeding to the next phase of negotiations.US Position: President Trump stated Tehran would remove mines from the strait and end its closure with “no tolls,” while the US would lift its blockade.Iranian Position: Adviser Mohsen Rezaei accused the US of “betraying diplomacy” and making excessive demands.Regional Military EscalationMilitary posturing remains high as both sides prepare for a potential breakdown in talks. Pentagon Chief Pete Hegseth stated that Washington was “more than capable” of restarting the war if a satisfactory deal is not reached.On the ground, tensions escalated with the shooting down of a drone described as belonging to the “US-Zionist enemy” by Iranian air defences. Meanwhile, US Central Command (CENTCOM) continues to warn Iranian ships against crossing the blockade line.Navigating the Path to a DealWith President Trump’s “final determination” pending, the coming days are critical for global stability. The stalemate over the $12bn assets and the reopening of the strait suggests that a diplomatic resolution is not imminent, leaving global markets on edge regarding the flow of oil through this critical chokepoint.

The Actor's Stand for EqualityLord of the Rings star and prominent activist Ian McKellen has joined a march against the criminalisation of LGBTQ+ people in Commonwealth countries, calling it an "appalling situation." The renowned actor lent his voice and visibility to protesters in central London, highlighting the ongoing legal persecution of LGBTQ+ individuals across nations that were once part of the British Empire.The Commonwealth Walk of ShameThe demonstration, officially billed as the "Commonwealth Walk of Shame," was organized by the Peter Tatchell Foundation and the Out and Proud African LGBTI Network. After being addressed by Sir Ian and Nigerian activist Babatunde Akanwale Osunseyi, marchers set off to protest outside the high commissions of eight Commonwealth countries that criminalize LGBTQ+ people. They began at the Nigerian High Commission before proceeding to those of Uganda, Papua New Guinea, Trinidad and Tobago, Ghana, Jamaica, Bangladesh and Sri Lanka.Global Scale of Anti-LGBTQ+ LegislationThe protest specifically highlighted laws in 29 Commonwealth countries where same-sex relationships remain illegal. In six of those nations, LGBTQ+ people face life imprisonment, while Uganda and Nigeria still carry the death penalty for same-sex relationships. Despite the march not being a "huge" gathering, Sir Ian hoped that "word will get back" to people in those countries that they are supported by international voices.Colonial Legacy of DiscriminationBefore addressing the crowd, Sir Ian explained the historical context of these laws: "When Britain had an empire, it introduced into countries far away from here the laws that we had in this country, including the laws against gay people." He noted that while these laws have been repealed in Britain, they "remain stuck in the remnants of the British empire now known as the Commonwealth." The actor emphasized that much of the anti-LGBTQ+ hatred seen across Africa and Asia was "exported there" by "cruel" colonial laws.Call for Commonwealth ActionSir Ian urged Commonwealth countries to "live up to the standards and declaration of the Commonwealth and repeal" these outdated laws. He pointed out that the Commonwealth never discusses this problem on its agenda, and hoped that events like this demonstration would "nudge politicians into talking about something which is of such concern." The crowd held up signs calling for King Charles to "apologise for previous monarchs" and highlighting "75 years" of homophobic persecution within the Commonwealth.The actor stressed that this demonstration was "not about hatred" but about "a love of justice, a love of equality." As a prominent figure with global recognition, Sir Ian's participation brought significant attention to the ongoing human rights issues facing LGBTQ+ individuals in many Commonwealth nations.

The Lead Saracens secured a win over Harlequins, catapulting them into the top four with one round to play, marking a satisfying end to Mark McCall's home matches. Match Highlights and Details Not exactly a blaze of glory to send off Mark McCall on his last home match, but to win a good old-fashioned London scrap in such a way will no doubt be its own source of satisfaction. All the more so in that it means Saracens attain the top four for the first time since October with one round to play. All the more so given the bonus point that looked for 75 minutes as if it were a distant luxury. Two tries in a crazy last few minutes meant one of those accrued too, to make the sweltering afternoon perfect, if not quite glorious. Theo Dan steered an attacking lineout over the line with the clock in the red to set off the faithful of a sold-out crowd with the final delirium of knowing they have two points’ grace over Exeter, who play at Leicester tomorrow. The Impact of the Win Whatever the result there, the final playoff spot will boil down to next Saturday’s match at Sandy Park, where the Chiefs will host Saracens. Winner goes through, simple as that. Saracens, we are used to saying, will love nothing more. But this is not quite the outfit that has seen McCall through those 17 glorious years. True, they never looked as if they were going to lose; true, the manner in which they did what they had to, right when it mattered, also had a familiar ring. Key Moments and Performances Owen Farrell was brought on for the last quarter and played his role in closing out the game. He missed a longish penalty with the margin five points and a little more than 10 minutes to play. But he played his part in the try that secured the win with three minutes to play, hitting a fine line off Nathan Michelow, before Olly Hartley’s carry and offload sent Nick Tompkins to the line. Saracens enjoyed a surfeit of possession and worked a few nice moves, but none of it quite hurting. Cadan Murley did well to stop Max Malins scoring after a smart break by the increasingly influential Fergus Burke. The Road Ahead Still a few minutes to claim that fourth, but in between Quins, against all odds, snatched their second try, Cameron Anderson crossing on the right after pressure down the left. All Quins had to do to deny Sarries the extra point was secure the restart, but they were harried into touch, from where the hosts set up that lineout and drive. It was Saracens’ set piece that ruled throughout, but especially in the first half, during which the hosts opened a workmanlike 12-0 lead. They had a penalty try within 10 minutes, the Sarries scrum ploughing through Quins, even more decisively that it would generally each time that set piece convened.

The Surge in Anti-Foreign Business ViolenceSouth Africa is currently facing a wave of violent attacks targeting foreign-owned shops and businesses, with reports of looting, arson, and intimidation spreading across several provinces. The violence, which appears to be fueled by xenophobic sentiments, has raised serious concerns about the safety of immigrant entrepreneurs and the stability of local markets.Escalating Attacks on Immigrant-Owned EnterprisesThe recent spate of violence has seen numerous foreign-owned retail establishments being targeted, with many shopkeepers reporting threats and physical attacks. Witnesses describe coordinated attacks where groups of individuals descend on shopping areas, systematically targeting businesses owned by immigrants from other African nations. South African authorities have deployed additional police forces to affected areas, but the violence continues to flare up in different regions.Economic Toll of the UnrestThe attacks are taking a significant economic toll, with estimates suggesting millions of dollars in damages to foreign-owned businesses. Shop owners report complete losses of inventory and property, with many fearing they may never be able to reopen. Local economies in affected areas are also suffering, as these businesses often serve as vital retail hubs for surrounding communities, providing essential goods and services.Regional Implications and Social TensionsThe violence against foreign-owned businesses is exacerbating already strained social relations in South Africa. The attacks reflect deep-seated economic frustrations and xenophobic attitudes that have been building for years. This situation threatens South Africa's reputation as a relatively stable economy in the region and could impact diplomatic relations with neighboring countries whose citizens are being targeted.Path Forward for Business Safety and Community RelationsExperts predict that without immediate intervention, the violence could escalate further, potentially leading to broader social unrest. Government officials are calling for dialogue between local communities and foreign business owners, while also addressing the root economic grievances that fuel such attacks. Long-term solutions may include better economic opportunities for local populations and strengthened protection for all businesses regardless of ownership nationality.

The Sexist Remark That Sparked ControversyParaguayan player Adolfo Daniel Vallejo will be fined after he suggested women lack the courage to umpire rowdy crowds following his marathon five-hour defeat by French teenager Moise Kouame at the French Open. The French Tennis Federation (FFT) swiftly condemned the comments as "unacceptable" and announced the fine.The Match and the Controversial CommentsVallejo blamed Brazilian referee Ana Carvalho for failing to control the home crowd during his second-round loss to France's Moise Kouame, who triumphed 6-3 7-5 3-6 2-6 7-6 (10-8) at a packed Court Suzanne Lenglen."I think this sort of matches should be umpired by a man," Vallejo told Clay magazine. "It's very difficult for a woman to do it because the crowd is very annoying. You need to have a lot of courage to go against the crowd."Vallejo added that Kouame "took up a lot of time on many occasions, lying on the floor or stalling" and claimed the crowd shouting for a full minute without any play was abnormal.The Tournament's ResponseThe FFT issued a strong statement condemning Vallejo's remarks: "The competence of an umpire is not determined by their gender, but by their professionalism and ability to officiate at the highest level. The outcome of a sporting event, whether positive or negative, can never justify or excuse such remarks."The tournament organizers announced they would impose "a significant sanction on Adolfo Vallejo in the form of a fine." The Roland Garros tournament also stated it "strongly condemns all sexist remarks, regardless of who makes them, and offers its support to the match umpire and, more broadly, to all the tournament's umpiring officials."Player's Attempted Damage ControlFollowing the backlash, Vallejo attempted damage control on social media, claiming his comments were taken out of context."I never spoke about women in general, I was referring specifically to the referee, who failed to manage the crowd at any point during the match," he posted on X. "That said, I didn't say I lost because of her either. I congratulated the opponent and it's only natural for the crowd to support the home player."Broader Implications for TennisThe incident highlights ongoing challenges in addressing sexism in sports, particularly in tennis where female officials have historically faced discrimination. The FFT's swift response sends a message that such remarks will not be tolerated at one of the sport's most prestigious tournaments.The 17-year-old Kouame, who was supported by passionate home supporters during the match that lasted nearly five hours, became the youngest French Open match winner since 1991 with this victory.

The Lead: This Week's Entertainment HighlightsThis week's entertainment landscape offers a diverse array of critically acclaimed shows and films, from hilarious comedies to chilling horror. Channel 4's "Make That Movie" stands out as one of the funniest shows of the year, while Netflix's "The Four Seasons" returns with a brilliant second season. Horror fans can explore the disturbing world of "Backrooms," while Marvel offers a stylish take with "Spider-Noir."TV Comedy Gold: Make That MovieChannel 4Summed up in a sentence Last One Laughing finalist delivers one of the funniest shows of the year, with this mockumentary about a director who makes awful films.What our reviewer said "So ostentatiously silly that it deserves to be paraded around the streets." Stuart HeritageRead the full reviewFurther reading "People are like: you're a crackpot": how Sam Campbell became comedy's oddball superstarNetflix Triumph: The Four Seasons ReturnsNetflixSummed up in a sentence Tina Fey triumphs again with the return of this comedy about a group of middle-aged friends who reunite during holidays throughout the year.What our reviewer said "Even more perspicacious, poignant and hilarious than the first." Chitra RamaswamyRead the full reviewMarvel's Stylish Take: Spider-NoirPrime VideoSummed up in a sentence In Marvel's witty homage to the hard-boiled films and fictions of the 40s – which can be watched in colour or black-and-white – Nicolas Cage plays Ben Reilly, who gave up being superhero "the Spider" five years ago.What our reviewer said "Everything is shot with style and confidence." Lucy ManganRead the full reviewFurther reading The life of PIs: the strange case of 2026's resurgence of hard-boiled detectivesHidden Gem: PoniesNow/Sky AtlanticSummed up in a sentence Emilia Clarke and Haley Lu Richardson have heaps of fun as two widows who become cold war spies in this espionage comedy-drama.What our reviewer said "It's a mashup of genres and tropes, but it is its own thing too – and an unexpected treat at that." Lucy ManganRead the full reviewHorror Innovation: BackroomsIn cinemas nowSummed up in a sentence A debut from 20-year-old director Kane Parsons that examines memory, reality and fear in an icily disturbing horror, in which Chiwetel Ejiofor accesses an infinite series of hidden rooms that all feel creepily askew.What our reviewer said "Backrooms progressively raises its game towards the big finish with jump scares, squirm scares and tiny shiver scares. There is real fascination in exploring this vast, invisible city state of fear." Peter BradshawRead the full reviewFurther reading Are you sitting uncomfortably? How Backrooms upended the horror movieMusic and Bromance: Power BalladIn cinemas nowSummed up in a sentence Nick Jonas and Paul Rudd star in a comedy of bromance and betrayal from Irish writer-director John Carney that brilliantly brings together Rudd's washed-up wedding singer and Jonas's insecure ex-boyband superstar.What our reviewer said "Power Ballad is about making it and dreaming big, about every busker never giving up on hopes of one day being mega. But as so often with Carney, it's about something else, usually left unacknowledged in movies about music or any sort of show business: the terrible binary of success and failure." Peter BradshawRead the full reviewUnexpected Pairing: TunerIn cinemas nowSummed up in a sentence Playing a piano tuner with super-sensitive hearing, Leo Woodall's relationship with Dustin Hoffman is a tender highlight in this safe-cracking thriller.What our reviewer said "What a pair they are; they are a real pleasure to watch in an easy, unforced drama that mixes romcom moments with a relaxed crime thriller. It's like the Safdie brothers in chill-out mode." Cath Clarke

The Dream Transfer RealizedAnthony Gordon's long-held dream of playing for Barcelona has become a reality, with the England winger even showing off a surprise skill by answering questions in Spanish during his unveiling by the La Liga club. Barcelona have officially signed Gordon from Newcastle United on a five-year contract, marking a significant move for both the player and the Spanish champions.Transfer Details and Personal CommitmentFinancial details of the transfer were not officially disclosed, but British media reported that Barcelona offered an initial 80 million euros ($93.14m) plus add-ons for the 25-year-old winger. Gordon's personal commitment to the move was evident when he fielded parts of the media conference in fluent Spanish, surprising journalists."As soon as I knew that Barca was interested, there was never any question. This is the stuff I dreamed of as a child," Gordon said. "I wanted to speak Spanish because when I was kid I believed I would play for Barca, believe it or not. I have a physio in Newcastle, and we spoke every day, and I told him 'One day I'll play for Barca, so I want to learn Spanish.'"Performance Statistics and ValueGordon comes to Barcelona with impressive credentials, having netted 17 goals for Newcastle in all competitions this season, including 10 in 12 Champions League games. His performance against Barcelona last season clearly impressed the Spanish club, with Barcelona noting in their statement that "Gordon impressed in his three appearances against Barca last season in the Champions League.""He comes to the club after being top scorer with Newcastle United last season and the player who took on most dribbles," Barcelona highlighted in their announcement. Signed from Everton in January 2023 for 45 million pounds ($60.37m), Gordon made 152 appearances for Newcastle, finishing with 39 goals and 28 assists and helping guide them to League Cup success last year to end a 70-year trophy drought.Impact on Both ClubsThe transfer represents a significant shift for both clubs. Newcastle, who struggled in the Premier League this season, finishing 12th and failing to qualify for European competition, will lose their top scorer and most creative player. Earlier this month, Newcastle boss Eddie Howe had admitted Gordon may have played his final game for the club when the winger was linked with Bayern Munich, saying there were "discussions that potentially might be happening."For Barcelona, the signing reinforces their strategy of signing young, talented English players following the successful loan move of Marcus Rashford from Manchester United. Rashford provided 14 goals and 14 assists in all competitions for Barcelona, who have not yet made his move permanent. The Athletic reported that Barca hold a 30 million-euro ($35m) option to sign Rashford but it runs out on June 15.Future Outlook at BarcelonaGordon joins Barcelona at an exciting time, with the club having just retained their La Liga title. He expressed excitement about playing with teammates like Lamine Yamal: "To play with Lamine and the rest of the players is very exciting for me. The more players with quality you have around you, the better you're going to be. These players are at the very top level for a reason, they're the best players in the world."Barcelona sports director Deco is reportedly looking for additional reinforcements in the summer market, with Spanish media reports suggesting interest in Argentina striker Julian Alvarez from Atletico Madrid. Gordon's arrival adds to a growing list of England internationals plying their trade abroad, including Bayern Munich's Harry Kane, Real Madrid midfielder Jude Bellingham and Al-Ahli forward Ivan Toney.

The Birth of a Classic The Mekons and Gang of Four emerged from the same fine art course at Leeds University. After being inspired by the Clash and the Sex Pistols, the Mekons formed and recorded their first single, 'Never Been in a Riot', on a two-track tape recorder in a living room. The Making of 'Where Were You?' For their song 'Where Were You?', Bob Last from the Fast Product label helped them record at Spaceward in Cambridge. The song came together quickly with Kevin Lycett strumming two chords, Tom playing a choppy counter-melody, and Jon on drums. Mark White wrote the lyrics, and Andy Corrigan sang them. The Impact of 'Where Were You?' 'Where Were You?' became a huge success, selling over 27,000 copies and receiving significant airplay from John Peel. The song gained even more popularity when David Bowie compared the Mekons to T. Rex on a Radio 1 programme. The Legacy of 'Where Were You?' The song has remained a classic, with the Mekons still playing it live almost 50 years later. The song's lyrics, influenced by Buzzcocks' Pete Shelley, deal with themes of loneliness and feminism. The Mekons' decision to include women in the band and their anti-macho approach to music set them apart from other rock bands at the time. The Song's Enduring Influence 'Where Were You?' continues to have an impact, with the song being used in an advert for Honda's Acura cars and generating a substantial amount of money for the band. The Mekons' story serves as a testament to the power of creativity and perseverance in the music industry.