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Luis García, the former Atlético Madrid, Barcelona, and Liverpool player, thought he had left the intense emotions of football behind when he retired in 2016. However, while watching his current club, Johor Darul Ta'zim, celebrate a historic win in Malaysia, he found himself overcome with emotion. "I was always very competitive and once I had left football, I thought I wasn’t going to have those feelings I had before," García says. "I still enjoy football, still play seven-a-side with my friends – every Saturday at 10am, Los Jareños Club de Futbol – but I thought I had lost that and it wasn’t coming back. In fact, I was trying to avoid it; I didn’t want it. So when it happened, it surprised me. I didn’t expect football to give me that again. But there I was, crying."García is now the chief executive of Johor Darul Ta'zim, a Malaysian club that has made history by reaching the quarter-finals of the Asian Champions League. He credits the club's success to its strong structure, including coaches, analysis, assistants, fitness staff, and a digital team.The club's owner, Tunku Ismail Idris, the crown prince of Malaysia, has been instrumental in its growth, taking the team to 12 league titles. García says that Idris is "very active, inquisitive" and has a good understanding of the game.García's role as CEO involves implementing the club's vision, finding ways to improve, and liaising with the operations manager. He also travels with the sporting director to scout players and has been involved in school visits and hospital engagements.The team's success has been built on a strong squad, including Australians, New Zealanders, Americans, Koreans, Portuguese, Spaniards, Argentinians, Brazilians, a Colombian, and the former Wolves midfielder Hong Wan. Arif Aiman, a Malaysian player, has been described by García as "the pearl of Malaysia" due to his quick skills, goal-scoring ability, and potential to play in Europe.

George Steinbrenner, the legendary owner of the New York Yankees, left an indelible mark on baseball during his tumultuous reign. Known as 'The Boss,' Steinbrenner purchased the Yankees in 1973 for $8.8 million and went on to build a dynasty that won seven World Series championships under his watch.Steinbrenner's tenure was marked by both remarkable success and controversy. He was suspended from baseball twice - once for illegal campaign contributions to Richard Nixon and again for paying a gambler to discredit Yankees star Dave Winfield. Despite these setbacks, Steinbrenner continued to shape the Yankees into a formidable team, with stars like Reggie Jackson and Derek Jeter leading the charge.The book, which draws from Vaccaro's extensive experience covering the Yankees, offers a nuanced portrayal of Steinbrenner's complex personality and his relationships with key figures like Billy Martin, who served as Yankees manager during five separate stints. Vaccaro also explores the contributions of other influential Yankees executives, including Gabe Paul and Gene 'Stick' Michael, who played crucial roles during Steinbrenner's periods of exile from baseball.Under Steinbrenner's leadership, the Yankees entered into lucrative partnerships, including the creation of the YES Network, and secured a new stadium, which has helped maintain the team's value at an estimated $7 billion to $10 billion. Despite the team's recent struggles, including a championship drought since 2009, Steinbrenner's legacy continues to shape the Yankees' identity and influence.Vaccaro notes that Yankees fans remain passionate and spoiled by the team's past successes, with some expressing concerns about the current leadership under Hal Steinbrenner, George's son, and the team's management, including Brian Cashman and Aaron Boone. However, Vaccaro suggests that the modern baseball landscape is inherently unpredictable, making it challenging for any team to sustain long-term dominance.

The Rock and Roll Hall of Fame has revealed its list of 2026 inductees, showcasing a diverse range of artists who have made significant contributions to the music industry. Phil Collins, known for hits like 'In the Air Tonight' and 'One More Night', will be inducted, despite already being part of the hall as a member of Genesis. Collins has earned eight Grammys, including album of the year in 1985 for 'No Jacket Required'.Oasis, the iconic Britpop band, will also be inducted, marking a significant recognition of their impact on the music scene. Sade, the soul-jazz vocalist, is another notable inductee, known for songs like 'Smooth Operator' and 'The Sweetest Taboo'. This will be her second nomination, following her first in 2024.The Wu-Tang Clan will be recognized as rap innovators, having released their game-changing debut album 'Enter the Wu-Tang (36 Chambers)' in 1993. Other inductees include Iron Maiden, who helped power the new wave of British heavy metal, and Luther Vandross, who sold over 25m albums and inspired artists like Kendrick Lamar and SZA.The induction ceremony will take place on November 14 at the Peacock theater in Los Angeles. In addition to the performer category, the Hall of Fame will also celebrate contributions across three special categories: early influence, musical excellence, and the Ahmet Ertegun non-performer award.This year's early influence category will honor Queen Latifah, Celia Cruz, Fela Kuti, MC Lyte, and Gram Parsons. The musical excellence category will recognize songwriter Linda Creed and producers Arif Mardin, Jimmy Miller, and Rick Rubin. The Ahmet Ertegun non-performer award will go to Ed Sullivan, the legendary host of the eponymous TV show that launched many musical icons of the 1950s and 1960s.

Match details: Atletico Madrid will meet Barcelona on Tuesday at 21:00 CET (19:00 GMT) in the Metropolitano Stadium for the Champions League quarter‑final second leg. The fixture decides which side advances to the semi‑finals. After a 2‑0 first‑leg triumph at Camp Nou, Atletico enter the tie as favourites despite trailing Barcelona in the La Liga table. Their advantage stems from goals by Julian Alvarez and Alexander Sörloth, who capitalised on a red card for Barcelona defender Pau Cubarsi. Barcelona, the reigning Spanish champions, are desperate to overturn the deficit. They bolstered their domestic campaign with a 4‑1 win over Espanyol, extending their lead over Real Madrid to nine points. Ferran Torres netted a brace, assisted by teenage prodigy Lamine Yamal, while Marcus Rashford added the fourth. Atletico’s weekend league performance was less convincing, suffering a 2‑1 loss to Sevilla after heavy rotation by Diego Simeone. The loss left them fourth in La Liga with 57 points, four behind Villarreal. Historical context: The two clubs have met 251 times, with Barcelona winning 115 matches, Atletico 79 and 57 draws. Their recent knockout encounters include Atletico’s victories in the 2014 and 2016 quarter‑finals, both decided over two legs. Team news: Atletico will miss Marc Pubill (suspension) and have Jose Giménez, Pablo Barrios and David Hancko listed as doubtful. Barcelona’s defender Pau Cubarsi is suspended, replaced by Ronald Araujo. Injuries rule out Marc Bernal, Raphinha and Andreas Christensen. Predicted line‑ups: Atletico – Musso; Molina, Le Normand, Lenglet, Ruggeri; Llorente, Koke; Simeone, Griezmann, Lookman; Alvarez.Barcelona – Joan Garcia; Koundé, Araujo, Martín, Cancelo; Eric Garcia, Pedri; Yamal, Fermin, Rashford; Lewandowski. Managerial insights: Simeone stressed the need to stay focused on the objective of advancing, while Barcelona coach Hansi Flick highlighted the quality of his squad and the importance of collective effort. With a slim margin separating the sides, the second leg promises a tactical battle that could see either club secure a coveted place in the Champions League semi‑finals.

British Prime Minister Keir Starmer declared that the United Kingdom will not participate in the United States’ proposed blockade of the Strait of Hormuz, distancing London from President Donald Trump’s latest escalation against Iran.Speaking on BBC Radio, Starmer said, "We are not supporting the blockade," and added that the UK will not be "dragged into the US‑Israel war on Iran."The Strait of Hormuz is a strategic chokepoint through which about 20 % of the world’s oil supplies transit in peacetime. Starmer stressed that reopening the waterway is vital for global energy security and that the UK’s diplomatic efforts over recent weeks have focused on that goal.Meanwhile, the US Central Command announced it would block all maritime traffic entering or leaving Iranian ports from 14:00 GMT, though it provided few details on how the blockade would be enforced. The statement claimed the action would be applied impartially to vessels of all nations, yet it also noted that ships bound for non‑Iranian ports would not be impeded.President Trump, in a lengthy social‑media post, framed the operation as a mission to clear mines and prevent Iran from profiting from control of the strait.In a parallel diplomatic move, French President Emmanuel Macron said France and the United Kingdom will convene a conference in the coming days aimed at restoring freedom of navigation, reaffirming that “no diplomatic effort will be spared” to end the US‑Israel conflict over Iran.Nicole Grajewski, an assistant professor at Sciences Po, warned that the US blockade constitutes “more than a minor coercive signal” and effectively marks a resumption of hostilities.Other allies echoed criticism: Spanish Defence Minister Margarita Robles called the plan “makes no sense,” Turkish Foreign Minister Hakan Fidan urged “negotiations with Iran and the swift reopening of the strait,” and Chinese Foreign Ministry spokesman Guo Jiakun emphasized that the strait’s security is “in the common interest of the international community.”Starmer’s stance reflects a careful balancing act—maintaining NATO solidarity while refusing to endorse direct military pressure on Iran—highlighting the complex geopolitics surrounding one of the world’s most crucial maritime corridors.

Rory McIlroy secured his second straight Masters title on Sunday, finishing at 12‑under 276 and becoming only the fourth player in history to win Augusta National in back‑to‑back years.The Northern Irish star rallied from a three‑shot deficit on the front nine, carding a 71 (one under par) in the final round to edge out Scottie Scheffler by a single stroke."I can’t believe I waited 17 years to get one green jacket, and I get two in a row," McIlroy said in the Butler Cabin, emphasizing the perseverance that finally paid off.His victory marks a sixth major championship, tying Nick Faldo for the most majors by a European in the modern era and placing them both at 12th on the all‑time list.Trailing McIlroy were Cameron Young, Russell Henley, England’s Tyrrell Hatton and Justin Rose, each finishing one shot back at 10‑under.McIlroy began the final round tied for the 54‑hole lead at 11‑under, slipped to 9‑under after two early bogeys, then surged with birdies on holes 7, 8, 12 and 13 to build a two‑shot cushion heading into the iconic "Amen Corner."When the pressure mounted on the 18th, a well‑placed drive into the trees allowed him to reach a greenside bunker, set up a two‑putt bogey and preserve the lead, confirming his place among the Masters’ elite.Beyond the personal milestone, McIlroy’s back‑to‑back triumph underscores the rarity of defending the Masters—an achievement previously accomplished only by Jack Nicklaus, Nick Faldo and Tiger Woods—and highlights the growing prominence of European players on golf’s biggest stage.

The National Gallery of Art's latest exhibition, 'Dear America: Artists Explore the American Experience', is a thought-provoking collection of over 100 works by 95 artists. This 'open letter to the nation' offers a multifaceted exploration of the American experience, delving into themes of land, community, and freedom.Upon entering the exhibition, visitors are immediately struck by the unconventional representations of iconic American symbols. The Statue of Liberty, for instance, is reimagined through the lens of South African photographer Zanele Muholi and a geometric screenprint by Roy Lichtenstein.The exhibition's curatorial approach is to create 'provocative conversations across centuries, disciplines and demographics.' E Carmen Ramos, the gallery's chief curatorial and conservation officer, notes that the show was 'years in the making' and showcases an 'embarrassment of riches' from the gallery's permanent collection of over 160,000 works.Structured around three core themes – land, community, and freedom – the exhibition presents a diverse array of works. These include Thomas Moran's idyllic watercolours of the American West juxtaposed with Thomas Hart Johnson's photographs of a landscape ravaged by coal mining and railroads. The exhibition also features poignant pieces such as Carrie Mae Weems's haunting silhouette and Gordon Parks's indelible 'American Gothic.'The show's second section, 'Community,' features Richard Avedon's massive 1976 commission 'The Family,' which comprises 69 stark, uniform portraits of the bicentennial era's political, media, and corporate elite. This is contrasted with John Wilson's tender sketches of his teenage children and their friends.The final act of the exhibition turns its lens to 'Freedom,' showcasing historical portraits of figures such as Frederick Douglass, Sojourner Truth, and George Washington, alongside powerful works by Kara Walker, Martha Rosler, and Faith Ringgold. As visitors exit, they are met with Robert Indiana's boldly coloured screenprint 'Liberty '76,' created for the 1976 bicentennial.Ramos reflects on the exhibition's significance, stating that it 'explores how artists in the United States have explored the American experience across different moments in time.' The exhibition will be on view in the National Gallery's West Building until 20 September.

On the closing night of Coachella’s opening weekend, Karol G broke new ground as the festival’s first Latina headliner. Introducing herself in English, the Colombian artist announced, “I am Carolina Giraldo from Medellín, Colombia, and today I am the first Latina woman to headline Coachella,” to a roar of cheers from a crowd waving flags from Mexico, Puerto Rico, Venezuela, Colombia and beyond.The moment echoed Beyoncé’s 2018 ‘Beychella’ debut, reminding fans that representation on this stage can reshape cultural narratives. Karol G’s 90‑minute performance combined dazzling costume changes, high‑energy choreography and a stage that seemed to rise two stories above the desert floor, creating a spectacle that felt both meticulously crafted and effortlessly vibrant.From the opening number “Latina Foreva,” where she strutted in a glittering gold bikini, to the cave‑like rave set that highlighted the “primordial wildness of women,” the show never lost its momentum. Even a half‑hour delay for lighting adjustments was quickly forgiven as the music surged forward, blending hard‑hitting tracks from her 2025 album Tropicoqueta with hits from 2023’s Mañana Será Bonito.Musically, the set was a tour of Latin genres. After a brief interlude, Karol G returned wearing a Carnival‑style feathered headdress for the mambo‑infused “Tropicoqueta.” She then invited an all‑female Mexican mariachi band for “Ese Hombre Es Malo,” followed by a duet with Becky G that mixed Spanish‑language celebration of Mexico and Colombia with a pointed nod to the United States’ immigration debate.Speaking amid the roar of the crowd, the 35‑year‑old artist said, “This is not just about me, this is about the Latina community, the love of my people,” acknowledging the delicate balance of celebrating Latin pride while the U.S. government tightens immigration policies. Her remarks highlighted the symbolic weight of performing such a vibrant, unapologetic Latin set on a stage that reaches millions worldwide.The finale reinforced the message of unity. After a soulful cover of Gloria Estefan’s “Mi Tierra,” Karol G launched into an EDM‑styled version of “Provenza,” complete with rainbow lasers, strobe lights, fireworks and a cascade of confetti. Three false‑ending beat drops and a megawatt smile underscored her point: the victory belongs to the entire Latin community, not just the performer.

Only one team has ever overcome a 2-0 defeat at home to go through in the history of the Champions League, but a Barcelona player was involved in a notable exception: Marcus Rashford scored the winner as Manchester United knocked out PSG in the round of 16 in March 2019. However, Atlético Madrid have never lost in 20 knockout stage games at the Metropolitano and their former home at the Vicente Calderón.