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The forthcoming film 'The Drama', starring Robert Pattinson and Zendaya, has sparked controversy over its portrayal of a character who once planned a school shooting. Tom Mauser, whose son Daniel was killed in the 1999 Columbine school shootings, expressed his disapproval of the film's approach, calling it 'awful' and accusing it of 'humanising' perpetrators of such violence. The film, a dark romantic comedy directed by Kristoffer Borgli, features Zendaya's character revealing a past plan to carry out a school shooting during a parlour game. Despite her character backing out of the attack, Mauser argues that the film 'normalises' such actions. He also criticized Zendaya's response to questions about the film's twist on the Jimmy Kimmel show. A24, the studio behind 'The Drama', has limited screenings of the film to avoid spoilers. Early reactions to a small screening in the US were broadly positive, but reviews are embargoed until March 31. The film's UK distributors have been approached for comment. The controversy surrounding 'The Drama' highlights ongoing concerns about the portrayal of violence in media and the impact on audiences. This is not the first time a film has tackled the sensitive topic of school shootings; Gus Van Sant's 'Elephant' (2003) and Michael Moore's documentary (2002) are notable examples.

The England and Wales Cricket Board (ECB) has announced that Brendon McCullum will remain as England's head coach in all three formats. This decision comes after a review of the team's performance, particularly their 4-1 defeat in the Ashes series and a semifinal loss in the Twenty20 World Cup.Ben Stokes will continue as Test captain, with Harry Brook as his vice-captain. Rob Key will stay on as managing director of England's men's cricket. The ECB's decision aims to provide stability amidst concerns over the team's culture and performance.McCullum's coaching style, known as 'Bazball', has been a subject of debate. Despite criticism, Rob Key emphasized that McCullum is the right person to lead England forward, highlighting the importance of authenticity in leadership.Ben Stokes acknowledged that the last three months have been his hardest as captain but expressed confidence in the leadership group's ability to improve the team's fortunes. McCullum is contracted until the end of the 50-over World Cup next year.

When future generations examine television trends, they might be surprised by the glut of dramatisations about famous men caught in sex scandals. Jimmy Savile and Prince Andrew have both received multiple treatments, and now, with almost crushing inevitability, comes Channel 5's Power: The Downfall of Huw Edwards.Edwards, the high-profile BBC newsreader who resigned in 2024 before being charged with three counts of making indecent images of children, remains defensive. Prior to the broadcast, he released a statement claiming the drama is unlikely to convey reality while asserting: I am repelled by the idea that some people enjoy viewing indecent images of children.The drama earns its title by portraying a powerful man utilizing a queasy power dynamic to manipulate a teenage boy into fulfilling his sexual desires. While not the pinnacle of drama, the film succeeds in capturing a sickening feeling in the pit of your stomach.The main draw comes from its casting. Martin Clunes, known for roles that rely on his innate likability, creates an impressively accurate Edwards. He captures the fascinating mix of swagger and vulnerability, along with Edwards' distinctive accent and diction. Even during disturbing scenes, his performance never wavers.For much of the film, Edwards remains a figure of distant menace. Instead, this is really the story of Ryan (Osian Morgan), a teenage boy who finds himself being groomed by Edwards. The drama is constructed around first-hand interviews with Ryan (using a pseudonym to protect his identity), showing how Edwards validated his desire for connection before making the relationship transactional.Most powerfully, the film depicts the effect on Ryan's parents, as their dismay at his increasing waywardness first becomes anger directed at Edwards and then fear that they had become the bad guys.Still, the producers face challenges with a story that isn't visually interesting. Much of the relationship happened over text, meaning excessive time is spent watching people type or narrate messages. The film makes odd stylistic choices, including framing everything around the Queen's death and ending with Edwards reporting on his own charges.Edwards has promised to tell his side of the story, but as the reviewer notes, few will have the stomach to hear it when that day arrives.

Newcastle United manager Eddie Howe is facing a severe crisis after a stunning 2-1 defeat to Sunderland on Sunday. The loss has left his team reeling, with only seven Premier League games remaining to salvage the season.The defeat, which saw Brian Brobbey score a 90th-minute winner for Sunderland, has raised serious questions about Howe's tactics and team selection. The manager's often chaotic attacking approach has been criticized, with some suggesting he should have opted for a more pragmatic approach to secure a point.Howe's future at Newcastle United is now uncertain, with the club's Saudi Arabian ownership set to conduct a thorough performance review this summer. The manager's in-game management and player selection will come under intense scrutiny, particularly his decision to play Anthony Gordon as a centre-forward.The team's defensive frailties were exposed in a 7-2 defeat to Barcelona in the Champions League, and their inability to keep clean sheets has been a major concern. With a summer rebuild likely, Howe's position as manager may depend on his ability to address these issues and deliver European football next season.

The UK's Competition and Markets Authority (CMA) has concluded its investigation into vet chains, finding that pet owners have overpaid roughly £1bn in fees over five years. This significant finding has led to the implementation of new rules aimed at making the market work better for consumers.The veterinary sector has undergone a rapid transformation, with 60% of vet practices now wholly or partly owned by one of six large groups, three of which are owned by private equity investors. This shift has resulted in higher prices for pet owners, with large veterinary groups (LVGs) charging more for their services.The CMA's investigation revealed that pet owners are willing to pay more for services at LVGs, despite a strong preference for independent vets. The new rules will require vets to publish prices, itemize bills, and clearly indicate when a practice is part of a chain. Additionally, the fee for writing a prescription will be capped at £21, and complaints processes will be strengthened.The Veterinary Surgeons Act of 1966 is set to be updated, with proposals including the creation of a new regulator with powers over businesses and individuals, as well as protection of the job title 'veterinary nurse'. These changes aim to address the lack of transparency and accountability in the veterinary sector.The overhaul of the UK veterinary market serves as a lesson in how an old-fashioned market can be swallowed up by larger, more profit-oriented businesses. The CMA's review of the veterinary sector is part of a broader effort to examine private dentistry and other markets.

The final season of Netflix's Heartbreak High has concluded, but its farewell has left much to be desired. The show, a remake of the 1990s Australian series, had potential with its fresh-faced cast and energetic tone. However, it ultimately succumbed to a polished but contrived approach, straying far from the gritty realism that made its predecessor compelling.The original Heartbreak High was praised for its near-verite realism and diverse cast, tackling tough issues with fearlessness and courage. In contrast, the new series opted for a blinged-out U-turn, adopting a jokey tone and pat writing. While it still addressed important issues like abortion, mental health, and racial tensions, it did so without the same level of authenticity.The final season follows the gang's last year at Hartley High, kicking off with a chaotic muck-up day prank. However, even this moment felt painfully contrived, lacking the realism that once defined the series. The show's approach to emotional moments was similarly forced, designed to generate feeling rather than earn it.Creator Hannah Carroll Chapman may have aimed for a show akin to Sex Education, but Heartbreak High fell short. Its colourful but contrived approach rarely achieved a strong emotional pull, instead favouring sentiment over subtlety in its conclusion.Despite its shortcomings, Heartbreak High still explored complex relationships and character aspirations. However, the show's failure to balance humour and drama, coupled with its contrived emotional moments, left this reviewer underwhelmed.

The UK defence industry is in a state of crisis as a long-delayed military spending plan has left firms 'bleeding cash' and in 'paralysis'. The six-month delay to the defence investment plan (DIP) has resulted in some companies going bust, while others are struggling to stay afloat.Industry groups have warned that the delay has left the UK behind Germany and the US in attracting investment from global investors. The DIP, originally expected last autumn, has been repeatedly postponed amid warnings that the military faces a £28bn funding gap over the next four years.Samira Braund, the defence director of the ADS Group trade body, described the situation as 'paralysis', stating that the government has not put effective mitigation plans in place. The boss of BAE Systems, Europe's biggest defence contractor, has urged ministers to publish the plan, while some smaller firms have been forced out of business.One such company was MTE Heat Treatment, a Yorkshire-based manufacturer with just over 30 employees that helped make turbine blades for jet engines. It fell into administration in February. Andrew Kinniburgh, the head of the trade body Make UK's defence arm, warned that the delay risks deterring investment in the UK at a time when the US and Europe are also raising military spending.The DIP will show how the government plans to fund its strategic defence review, the blueprint for transforming the military amid growing threats from Russia, rising commitments to Nato and against the backdrop of the US-Israel war on Iran. Ministers accepted all the review's recommendations when it was published last June, but the head of the military, Air Chief Marshal Sir Richard Knighton, told MPs in January that defence cuts would be needed without more funding.

Handel's mid-career novelty, Imeneo, is a comedy of duty and desire that defies conventions. Unlike Mozart's Così fan tutte, Imeneo eschews cynicism and cruelty, instead opting for a lighthearted, meta-theatrical approach.Director Guido Martin-Brandis and the Cambridge Handel Opera Company bring this operetta to life with a delightful staging that captures its knowing, self-referential charm. The set design, featuring a row of Ionic columns and an 18th-century fantasy of topiary and trellis, perfectly complements the opera's playful nature.The story follows Imeneo (played by Timothy Nelson), who rescues the city's marriageable young virgins from pirate-kidnappers. The conflict revolves around Rosmene (played by Ellie Neate), who must choose between gratitude and fidelity. Handel's music, conducted by Julian Perkins from the harpsichord, is a precise cocktail of artifice and sincerity, beautifully balanced by the cast.The cast delivers outstanding performances, with Neate's Rosmene growing in power throughout the final scene, and Lisa Dafydd's Clomiri captivating audiences with her sweet singing. Bethany Horak-Hallett's mezzo and Nelson's baritone are evenly matched, while Trevor Eliot Bowes brings comic relief as the patriarch Argenio.This production of Imeneo is a must-see, with its witty and careful handling of Handel's music and libretto. Don't miss it, running until March 28.

Surrender to It is a film that seems to have been made without regard for the clichés that have been established by similar movies in the past. Writer-director Tim Bryn Smith appears to have ignored the criticism that greeted films like Peter's Friends back in 1992, which featured a similar premise of actors reuniting.The story revolves around a group of former thespians who met at a drama workshop and are now reuniting for a hiking weekend. The cast includes Daemian Greaves, Melissa May Smith, Fletcher Graham, and Chantelle Lee, among others. However, their performances are marred by stiff gestural quality and amateur production values.The script, credited to Bryn Smith and Chris Wetton, feels disjointed and like it was cobbled together from improv exercises and random suggestions. The film tries to balance maudlin tones with comic subplots, but the result is a mess. One subplot involves a bereaved couple mourning their dead son, while another focuses on a movie star recovering from a scandal.The film's production values are also lacking, with scissorhand editing and poorly executed plot twists. Despite its flaws, Surrender to It will be available on digital platforms from 30 March.