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Arsenal manager Mikel Arteta expressed his pride in his team's performance after they reached the Champions League semi-finals for the first time in their history. The Gunners secured a spot in the last four with a gritty draw against Sporting, despite being without their injured captain Martin Ødegaard and Bukayo Saka.Declan Rice, who was captain in Ødegaard's absence, revealed that he had come off his sickbed to play a crucial role in the match. 'He was shattered,' Arteta said of Rice. 'He had no chance to play today, he wasn’t feeling good at all today, he played 94 minutes at the level that he’s done.'The match was a closely contested affair, with both teams creating chances. Leandro Trossard headed against a post from a Max Dowman corner late on, while Sporting's João Simões fired into the side netting with virtually the last kick of the match.Arteta attributed his team's success to their durability, saying, 'That is the reason why we are the only English team in the competition, because this league and this schedule takes the hell out of you, and it’s very difficult to do what we’ve done.'Rice also addressed criticism of the team's recent performances, saying, 'If you don’t play well, if you don’t play good, take it with a pinch of salt and keep moving.'Arsenal will now face Atlético Madrid in the semi-finals, having maintained their record as the only unbeaten team left in this year’s competition. They will also look to bounce back from their recent Premier League defeat to Bournemouth when they face Manchester City on Sunday.

At the Metropolitano, Barcelona appeared to be in control early on, with Lamine Yamal delivering a pinpoint cross that set up a near‑certain goal for Fermín López. The strike was thwarted by a spectacular save from Juan Musso, leaving López drenched in claret. Had the ball found the net, Barcelona would have taken a 3‑0 lead and an advantage in the tie after already scoring through Yamal and Ferran Torres in the opening half‑hour.The deadlock was broken when Charlton‑trained forward Ademola Lookman netted the decisive goal, sending Atlético Madrid into the Bigger Cup semi‑finals. The victory sparked an exuberant reaction from coach Diego Simeone, who praised his side’s enthusiasm and readiness for the next challenge, hinting at a possible showdown with Arsenal or Sporting.In the aftermath, Barcelona winger Raphinha launched a scathing critique of referee Clément Turpin, alleging that the officiating had robbed his team not only in the second leg but also in the first. The Brazilian warned that his comments could land him on UEFA’s disciplinary “naughty step,” with precedent suggesting a suspension of at least three matches for such language.The controversy deepened as Turpin refrained from issuing any bookings to Atlético players and denied Barcelona what they believed were two clear penalty opportunities across both legs. Musso, who had earlier saved López’s chance, dismissed the accusations, emphasizing that the match was decided on the pitch and that disciplinary actions are part of the game’s reality.Further coverage of the European fixtures, including live updates from the Bigger Cup quarter‑finals and analysis from Guardian experts, is available on the publication’s football portal.

The Bridget Jones statue in Leicester Square, London, has been made a permanent fixture, joining other iconic characters like Harry Potter, Mary Poppins, and Batman. Originally intended to stay for three years, the statue has become a beloved landmark.149 days without vices have passed since its unveiling, and the statue's fast is set to continue indefinitely. The statue depicts Bridget Jones clutching her diary and pen, wearing a gaping cardigan exposing her navel.Kirsty Tullett-Jones, director of marketing and communications for Discover Leicester Square, said: “For 25 years, Bridget has made Londoners laugh, cry and feel seen. The reaction to her arrival in Leicester Square has been incredible, showing just how much she continues to resonate with audiences today.”The statue was unveiled by stars of the film, including Renée Zellweger and Sally Phillips, alongside Helen Fielding, who created the character. The Bridget Jones series of novels has been published in over 40 countries, and the four films have a combined box office of $900m (£683m).The news coincides with the return to cinemas of the first film, Bridget Jones’s Diary, released 25 years ago. The fourth film, Mad About the Boy, was the second highest-grossing movie in the UK last year and was nominated for an Emmy and a Bafta.

After a 90‑year blackout, MGM’s 1932 melodrama Letty Lynton is set for its first legal public screening. The film, starring Hollywood icon Joan Crawford, was withdrawn in 1937 following a plagiarism lawsuit and pressure from the Hays Office, which deemed its risqué themes “unfit for adaptation”.The controversy began when MGM attempted to acquire the rights to the Broadway hit Dishonored Lady, a play notorious for its depictions of booze, drugs and sexual intrigue. After the playwrights demanded $30,000—a sum the studio balked at—MGM settled for the cheaper novel by Marie Belloc Lowndes for $3,500. The resulting film, inspired by the 1857 murder trial of Scottish socialite Madeleine Smith, shocked contemporary censors with scenes such as Crawford’s character watching her ex‑lover sip poisoned champagne.Legal battles intensified when playwrights Edward Sheldon and Margaret Ayer Barnes sued MGM for plagiarism, alleging the movie copied their work rather than the novel. The protracted case forced MGM to pull the film from circulation in 1937, and a year later Crawford herself was labeled “box‑office poison”. Yet both the actress and the film survived, resurfacing in cultural memory through fashion and later adaptations.Beyond cinema, Letty Lynton left an indelible mark on 1930s style. Costume designer Adrian created a white organdy dress with exaggerated sleeves for Crawford; the design was mass‑produced for Macy’s and sparked a nationwide craze. Edith Head later called the dress “cinema’s single biggest influence on fashion”.The film’s revival is largely credited to Crawford’s grandson, Casey LaLonde. In an Instagram post, he announced that the play’s copyright would expire on 31 December 2025, clearing the legal path for a public showing. Warner Bros., which now holds the rights to many pre‑1986 MGM titles, restored the picture in 4K and arranged for its debut at the TCM Film Festival in Los Angeles on 1 May 2026. The movie will also be issued on Blu‑ray and DVD through the Warner Archive.LaLonde thanked Warner Bros. and library historian George Feltenstein for making the restoration possible, noting that without their effort “we wouldn’t have this fabulous film to see again on big and small screens.”Fans of classic Hollywood can finally experience a piece of cinema history that was once deemed too daring for the silver screen, offering a fresh look at Joan Crawford’s daring performance and the era’s bold storytelling.

Nicole Kidman has announced her latest venture: training as a death doula, a professional who provides support to individuals nearing the end of life. The Australian actress revealed this during a speech at the University of San Francisco, sharing her personal experience of losing her mother, Janelle Ann, in 2024. Kidman's decision to become a death doula was motivated by her mother's lonely and isolating experience at the end of her life. With her sister and herself managing their careers and families, Kidman expressed a desire for impartial support during this difficult time. She noted that death doulas can offer solace and care to both the dying and their families. Death doulas, also known as end-of-life doulas, have become increasingly recognized in recent years. They provide emotional, physical, and psychological support to individuals approaching death, similar to how traditional doulas assist during childbirth. This role has gained attention, with even celebrities like Oscar-winning director Chloé Zhao pursuing similar training due to her own fears about death. Kidman's journey into this field follows her recent achievements, including winning the best actress award at the Venice film festival in September 2024 for her role in Babygirl. Her personal life has also seen significant changes, having lost her father, Antony, in 2014. By training as a death doula, Kidman aims to expand her understanding of end-of-life care and provide meaningful support to those in need. This new role reflects her commitment to helping others during life's most challenging moments.

The new Apple TV series 'Margo's Got Money Troubles' marks a significant milestone in Michelle Pfeiffer's career renaissance. The show, a comedy-drama created by David E Kelley, is based on the 2024 bestselling novel by Rufi Thorpe and directed by Dearbhla Walsh.Elle Fanning stars as Margo, a young woman who becomes pregnant after having a relationship with her English professor. Her mother, Shyanne, played by Pfeiffer, also got pregnant at a young age and has been struggling to make ends meet. The series explores their complex relationship and the challenges they face.Pfeiffer delivers a powerful performance, particularly in a scene where she expresses her grief and disappointment at Margo's pregnancy. “Will I love him? Of course. Just as I loved you from the moment you were born … But this life as you know it – this life that you never got to know – is over. I can’t rejoice in that.” This scene showcases Pfeiffer's talent and adds depth to the show.However, the series remains a David E Kelley production, which means it stays light and firmly on the side of the angels. The drama avoids exploring darker themes in depth, making it a cosy commentary on family and relationships.The show also stars Greg Kinnear as an Episcopalian minister and Nicole Kidman as a former wrestler turned lawyer. Despite its talented cast, the series could have been more impactful with a more nuanced approach to its themes.'Margo's Got Money Troubles' is now available on Apple TV.

FIFA, the global governing body of football, is under growing pressure to ask U.S. President Donald Trump for a blanket halt to ICE (Immigration and Customs Enforcement) raids during the 2026 World Cup. The request, sourced from anonymous contacts cited by The Athletic, would be presented to FIFA president Gianni Infantino for direct delivery to the White House. According to the report, Infantino is weighing a formal appeal that would seek a "full moratorium on ICE raids across the United States during the World Cup" – a tournament set to kick off on June 11 in eleven host cities spanning the United States, Canada and Mexico. The move comes as the Trump administration intensifies its immigration crackdown, tightening legal pathways and expanding deportation efforts. Critics warn that such policies could target the tournament’s massive international audience, undermining the event’s reputation as a celebration of global unity. When asked by Al Jazeera about any negotiations with FIFA, the White House declined to comment but praised the upcoming competition, with spokesperson Davis Ingle stating, "Thanks to President Trump’s leadership, the FIFA World Cup 2026 will be one of the greatest and most spectacular events in the history of mankind, right here in the United States of America." He added that the event is expected to generate billions of dollars in economic impact and create hundreds of thousands of jobs. Despite the administration’s enthusiastic rhetoric, officials have hinted that immigration agencies could be present at match venues. In February, ICE acting director Todd Lyons told a House committee that the agency would be on the ground for the World Cup, emphasizing that ICE is "a key part of the overall security apparatus for the World Cup" and would not pause operations. Previous incidents have fueled the concern. During last year’s FIFA Club World Cup in the United States, reports surfaced of ICE and Customs and Border Protection officers at stadiums, although the administration denied any enforcement actions took place. Vice President JD Vance recently warned that visitors must adhere to visa terms, suggesting that those who overstay could be subject to the authority of then‑Homeland Security Secretary Kristi Noem. Noem, who was dismissed in March, had overseen a controversial crackdown in Minnesota that resulted in two civilian deaths and drew accusations of human‑rights violations. FIFA executives see a potential immigration moratorium as a public‑relations win for both the sport’s governing body and the Trump administration. The proposal is also viewed as an opportunity for Infantino to leverage his personal rapport with Trump – a relationship that has attracted scrutiny after Infantino awarded the inaugural FIFA Peace Prize to the president in December, prompting a rights‑group complaint to FIFA’s ethics committee. With the World Cup fast approaching, fans and human‑rights advocates remain uneasy about whether the United States will provide a "safe and welcome" environment for the influx of international visitors.

Atletico Madrid has sent 10-man Barcelona crashing out of the Champions League, securing a spot in the semifinals with a 3-2 aggregate victory despite a 2-1 quarterfinal second leg defeat.Lamine Yamal and Ferran Torres fired visitors Barca ahead inside 24 minutes on Tuesday, but Ademola Lookman's strike gave Atletico the edge in the gripping all-Spanish tie once again after their 2-0 win in the first leg.Diego Simeone's side returned to the semifinals for the first time since 2017 by holding on against the La Liga champions in a compelling and bloody battle. Barcelona ended the game with 10 men as Eric Garcia was sent off for bringing down Alexander Sorloth as he ran in on goal, hampering their chance of finding a third goal to force extra time.Atletico, who have never won the competition and lost the 2014 and 2016 finals with Simeone at the helm, will face Arsenal or Sporting Lisbon in the semifinals.Barcelona coach Hansi Flick benched forwards Marcus Rashford and Robert Lewandowski for workhorses Torres and Gavi, looking to press Atletico relentlessly in the sixth match between these sides this season.Lamine Yamal fired the visitors ahead after just four minutes when he harried Clement Lenglet into giving the ball away. Torres nudged it back to Yamal, who slipped a low shot through Musso's legs to hush the home fans and ignite Barca's attempted comeback bid.Barcelona doubled their lead in the 24th minute to level the tie on aggregate when Torres left Lenglet trailing, reached Olmo's pass and fired across Musso into the top corner.Atletico pulled their way back into the game in the 31st minute after Barca switched off defensively for the first time. Marcos Llorente charged down the right behind the Catalans' high defensive line and crossed for Lookman to convert.The game spun away from Barca when Eric Garcia was sent off for clipping Sorloth's heels as he ran through on goal, similar to Pau Cubarsi's red card in the first leg.Flick threw centre-back Ronald Araujo up front for the final stages, but there was no way back, and Atletico gritted their teeth through eight minutes of stoppage time before the celebrations could begin.

UEFA announced on Tuesday that it has ruled Barcelona's protest concerning a handball incident in the Champions League quarter‑final first leg against Atletico Madrid as inadmissible. The decision was issued by the UEFA Control, Ethics and Disciplinary Body on 13 April 2026.Atletico, coached by Diego Simeone, secured a 2‑0 victory at Camp Nou, a result Barcelona attributes in part to a disputed moment when defender Marc Pubill handled the ball after a perceived goal‑kick was passed to him.Barcelona claimed the incident warranted a penalty and argued that referee Istvan Kovacs was not instructed to consult the VAR team. The club labeled the non‑award of a penalty a “major error” that directly influenced the match outcome.Despite the club’s appeal, UEFA’s statement confirmed that the protest does not meet the criteria for review, leaving the original 2‑0 scoreline intact as the teams prepare for the second leg.