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The Philosophy of ConfrontationFor the author, feeling good is not about escapism, but about confrontation: staring at what one truly cares about and embracing it. This perspective defines the enduring appeal of Billy Elliot, a film that resonates deeply as a coming-of-age story about striving to become the person you want to be, regardless of circumstances.The 1984 Miners' Strike and Billy's JourneySet in County Durham during the 1984 miners' strike, the film follows Billy Elliot, an 11-year-old boy who discovers a passion for ballet while his community is torn apart by political and social upheaval. Initially a reluctant boxer, Billy is drawn to dance classes held in the boxing gym. With the support of his dance teacher, Sandra (played by Julie Walters), and his brother Tony, Billy auditions for the prestigious Royal Ballet School in London, defying the expectations of his working-class environment.Breaking Class and Gender NormsThe film serves as a powerful commentary on the courage required to break free from societal convention. The author highlights that the story is not merely about queerness, but about the broader struggle of expressing one's true self against class expectations. Drawing from their own background in South Wales, the author reflects on how artistic inclinations were often viewed as a form of non-conformity or 'queerness' in their community. The narrative validates the experience of those who have faced ridicule for their choices, emphasizing that support from family, even when hesitant, ultimately outweighs criticism.A Lasting Legacy of ValidationUltimately, *Billy Elliot* offers a profound sense of optimism and belonging. The author describes the film as a source of comfort during times of life change, providing a 'hug' from the world. It serves as a reminder that one is loved and allowed to live life on their own terms, ensuring the film remains a vital source of inspiration for future generations.

The LeadWhen Keir Starmer won a landslide Labour majority promising to pursue five governing "missions", the high-profile leftwing economist Mariana Mazzucato was credited as an inspiration. Two years on, her bracing new book helps shed light on why Labour in power has struggled to project the sense of direction that "mission-led government", as Mazzucato calls it, requires.A New Framework for Economic PolicySynthesising and extending her earlier work, here she proposes "a new economics of collective action around the common good". From this perspective, the economy is not a concatenation of rapacious independent forces, to be contained and offset by public policy, but a project – or rather a series of projects – with direction and purpose.The Five Principles of Common Good EconomicsThe "compass" in the title is really a set of five principles, all of which Mazzucato says such an economy should have: purpose and "directionality"; co-creation by citizens; collective learning; reward sharing; and accountability. Each of these principles is set out in detail. Co-creation implies grassroots participation in designing and redesigning government programmes, for example – because, "when people help define a problem and develop and implement solutions, they see them as theirs rather than something imposed on them".Reward Sharing and PredistributionReward sharing means ensuring the creators or rightful owners of economic value stand to benefit: from Indigenous people whose homes lie near raw material deposits, to social media users whose data fuels Big Tech's profits. That implies radical tax reform – including greater use of wealth taxes – and the robust use of conditions in public contracts, to make sure workers and taxpayers get their fair share: an approach she calls "predistribution".Critique of Labour's Economic ApproachAccording to Mazzucato's definition, Labour's attempt at mission-led government badly missed the mark. Its first and overriding goal – "kickstart economic growth" – cannot be a "mission" at all, because it lacks the necessary purpose. What, in other words, is that economic growth meant to be for? While her scope in this ambitious book is global, the analysis also dismantles Starmer's claim to be pursuing national "missions", by setting out just how radical – and radically different – that would look in practice.Practical Examples and Global Applications"The seeds of transformation are everywhere," she says, citing inspiring projects that range from delivering healthy and sustainable school meals in Sweden to the EU's mission to support cities to become climate-neutral, to the international Nagoya Protocol on sharing the benefits of genetic resources and traditional knowledge. Echoes of Mazzucato's mindset are detectable in some Labour policies – from using the threat of legislation to cajole pension funds to invest more in UK assets, to writing conditions on youth training into clean energy contracts.The Future of Economic DirectionEconomies work best, she believes, when they pursue grand collective goals – developing and distributing a vaccine for a pandemic; or confronting the climate emergency (or, though she doesn't lean on the example here, tooling up for a new and more frightening geopolitical era). We should ask, she says, "not which market failure do we want to be fixed, but what direction do we want the economy to sail in".

Live Overview: Day Nine Kicks Off at Roland‑GarrosThe ninth day of the 2026 French Open unfolded with a mix of promising talent and high‑stakes matches across both courts. French‑speaking fans were greeted with a lively introduction and a promise of “another banger absolu,” setting the tone for a day where the absence of several top‑seeded men opened the field for new contenders.Cobolli’s Clay Mastery and Early Men’s ShowdownsFlavio Cobolli opened on Court Chatrier against Zach Svajda, showcasing the aggressive‑defensive style that suits the Parisian clay. On Court Lenglen, Anastasia Potapova faced Anna Kalinskaya after her upset over defending champion Coco Gauff. Later, Madison Keys (2025 Australian Open champion) took on Diana Shnaider, with a potential semi‑final clash against Naomi Osaka or Aryna Sabalenka. In the men’s draw, Matteo Berrettini, Félix Auger‑Aliassime and Frances Tiafoe each began their quarter‑final quests against Juan Manuel Cerundolo, Alejandro Tabilo and Matteo Arnaldi respectively.Key match‑ups: Cobolli vs Svajda, Potapova vs Kalinskaya, Keys vs Shnaider.Men’s quarter‑final prospects: Berrettini, Auger‑Aliassime, Tiafoe.Ranking Stakes and Prize Money ImplicationsAdvancing to the quarter‑finals at Roland‑Garros brings a substantial boost in both ATP/WTA ranking points and prize money, intensifying the pressure on players seeking to climb the year‑end rankings. For emerging talents like Cobolli and Potapova, a deep run could translate into a breakthrough in the top‑50, while established stars such as Keys and Auger‑Aliassime aim to solidify their positions in the top‑10.How the Absence of Djokovic, Alcaraz and Sinner Reshapes the TournamentThe draw’s notable void—missing Novak Djokovic, Carlos Alcaraz and Jannik Sinner—has turned the French Open into a rare open‑field Grand Slam. This vacuum reduces the barrier for lower‑seeded players, turning every match into a potential upset and increasing the tournament’s unpredictability.Opportunity for first‑time Grand Slam semi‑finalists.Higher motivation for mid‑rank players to capitalize on the open draw.What the Day’s Results Mean for the Rest of the French OpenIf Cobolli, Potapova and Keys secure victories, they will likely become the faces of the second week, attracting media attention and sponsor interest. A win for Félix Auger‑Aliassime would position him as a favorite for the title, while the outcomes of the men’s quarter‑finals will set the stage for a possible new champion emerging from a field without the usual dominant trio.Overall, day nine has reinforced the narrative of a transitional French Open, where the next generation is poised to seize the moment.

The IFAB Blueprint: New Laws Set for the 2026 World CupThe international self‑regulatory body for football, IFAB, revealed on Sunday a package of rule changes that will be enforced from the 2026‑2027 season and, for the first time, at a major tournament – the 2026 FIFA World Cup.Pierluigi Collina, FIFA Chief Refereeing Officer, described the amendments as a way to "tackle discrimination, cut time‑wasting, enhance match tempo and improve both the player and fan experience."Concrete Rule Shifts: What Players and Officials Must Now FollowRed card for mouth‑covering in confrontations: Players who hide their mouths with hands, arms or shirts during disputes will be sent off.Red card for leaving the pitch in protest: Any player or team official who incites a walk‑off will be dismissed, and the team may forfeit the match.Five‑second visual countdown for throw‑ins and goal‑kicks; failure hands possession to the opposition.Ten‑second substitution window: Substituted players must exit within 10 seconds or the replacement can only enter after a minute‑long stoppage.One‑minute off‑field treatment for injured outfield players after medical staff intervene.Expanded VAR scope: Review of clear‑cut red‑card errors, mistaken identity, incorrectly awarded corner kicks and pre‑restart fouls.Three‑minute hydration break in each half, timed around the 22nd minute.Goalkeeper injury timeout: No players may leave the field while a goalkeeper receives on‑pitch treatment.Numbers Behind the Changes: Quantifying the ImpactRed‑card offences now cover mouth‑covering and field‑walk‑offs, potentially adding 2–3 dismissals per match.The 5‑second countdown reduces average throw‑in and goal‑kick delays by an estimated 4–6 seconds per set piece.Substitution timing cuts player‑exit time from the current average of 15 seconds to 10 seconds.Mandatory 3‑minute hydration breaks add 6 minutes of total stoppage time per game, balanced by faster restarts elsewhere.Why These Rules Matter: Shaping the Future of the Beautiful GameBy criminalising mouth‑covering in heated moments, IFAB directly addresses recent incidents of alleged racial abuse, signalling zero tolerance for discrimination. The walk‑off sanction deters teams from using protest as a tactical weapon, preserving match integrity. Countdown timers and stricter substitution windows accelerate play, catering to broadcasters’ demand for a faster‑paced product and enhancing spectator engagement. Expanded VAR usage aims to reduce critical errors, restoring confidence in officiating decisions.Looking Ahead: Potential Ripple Effects Beyond 2026If the 2026 World Cup demonstrates smoother flow and fewer disciplinary controversies, the new laws are likely to become permanent fixtures in domestic leagues worldwide. Critics may argue that the stricter enforcement could increase red‑card counts, prompting a review of disciplinary thresholds. Moreover, the broader VAR remit could set a precedent for further technological integration, such as AI‑driven off‑side analysis, reshaping the officiating landscape for the next decade.

The Star Performance Vinicius Jr turned the Maracana into his personal welcome-home party, scoring a dazzling early goal and setting up another to fire Brazil to a 6-2 friendly win over Panama. The Event Details The match was played with Brazil missing several key players, including Neymar, who is expected to miss their June 13 opener against Morocco with a calf injury. Gabriel Magalhaes, Marquinhos, and Gabriel Martinelli were also absent after the Champions League final. The Scoring Spree Vinicius Jr scored the opening goal in the 2nd minute. Michael Murillo equalized for Panama in the 14th minute. Vinicius Jr set up Casemiro's goal in the 39th minute. Rayan scored in the 52nd minute. Lucas Paqueta made it 4-1 in the 60th minute. Igor Thiago added the fifth from the spot in the 63rd minute. Danilo scored the sixth in the 81st minute. Carlos Harvey replied for Panama in the 84th minute. The Impact Analysis The win was an encouraging one for Brazil ahead of the World Cup, despite missing several key players. Vinicius Jr's performance was particularly impressive, showing his skill and creativity on the pitch. The Future Outlook Brazil face Egypt next weekend before opening their Group C campaign against Morocco. Panama, in Group L with England, Croatia, and Ghana, still play Dominican Republic and Bosnia before facing Ghana on June 16 in their World Cup debut.

Executive Summary: Masturbation Recognized as Natural Avian BehaviorA collaborative survey of 120 bird species shows that self‑pleasuring is widespread, more frequent in the wild than in captivity, and poses no health risk. The findings challenge long‑standing advice to discourage or punish the behavior and call for a shift in veterinary guidance.Comprehensive Survey Highlights Widespread Onanism Across Diverse SpeciesThe research, led by Dr Chloe Heys (University of Lancashire) and co‑author Dr Matilda Brindle (Oxford University), combined expert interviews, online keeper communities, and published literature. Species documented include parrots, ducks, turkeys, chickens and numerous others, with both males and females engaging in the activity.Quantitative Findings Underscore Higher Incidence in Wild Populations120 bird species examined, spanning captive and wild individuals.Incidence reported as higher in wild birds than in captivity.Male birds were slightly more frequently mentioned, but female participation was notable.Repercussions for Veterinary Practice and Bird WelfareVeterinarians are urged to reassure owners that the behavior is normal and not a sign of distress. Interventions such as perch removal, hormonal treatments, or even surgical de‑sexing are deemed unnecessary except in rare pathological cases. Dr Ana Basto (University of Lancashire) emphasizes that the study will help vets provide evidence‑based advice.Projected Shift Toward Non‑Interventionist Care in Avian HusbandryAs the scientific community accepts masturbation as a natural component of avian sexual repertoires, bird‑keeping guidelines are expected to evolve. Future husbandry practices will likely focus on monitoring for genuine health issues rather than attempting to suppress a harmless behavior, fostering better welfare outcomes for both captive and wild birds.

The UK Government's Controversial Plan A coalition of over 100 refugee children's organizations has expressed concerns about the UK government's plan to use AI to assess the age of young asylum seekers. The plan, announced by the Home Office, involves using AI facial age estimation technology to determine the age of young asylum seekers whose age is disputed. The Risks of AI Age Assessment The Refugee and Migrant Children's Consortium, a coalition of organizations that work to promote and protect the rights of refugee and migrant children, has raised the alarm about the risks of using such technology. They argue that AI assessment is complex, especially considering the trauma, under-nutrition, and harrowing journeys that young people have undertaken to reach safety. The Data Analysis According to Home Office data, young asylum seekers are more than twice as likely to be recorded as children in assessments by social workers than those carried out by immigration officers at the border. The consortium's report, 'Benchmarks and Borders: the use of facial age estimation to assess the age of unaccompanied young people seeking asylum,' urges the Home Office to use AI in an advisory rather than determinative capacity, with a range of safeguards built in. The Impact Analysis The use of AI age assessment technology has sparked concerns about the potential for errors and bias. The consortium argues that AI faces the same problems with bias and inaccuracy as human decision-making, with similar patterns of errors. They also point out that poor image quality and bias in datasets can affect accuracy. The Prediction The UK government's plan to roll out AI age assessment technology has sparked concerns about the potential consequences for young asylum seekers. If flawed assessments are simply automated, more children could end up wrongly placed in adult accommodation, detention centers, or even prisons. The consortium is urging the government to reconsider its plans and to prioritize comprehensive age assessments carried out by social workers.

The Dance Challenge: A Weekend Immersion As I wait for my first Cuban salsa class to begin, I have the distinct feeling that I am poorly prepared. I'm wearing heavy jeans, a bulky woollen sweater and boots. I have never done a dance class in my life – or any kind of exercise class. I don't know anything about salsa, Cuban or otherwise. Standing alone, I notice that everyone has come with at least one friend, and begin to suspect that it takes two to Cuban salsa. This year, Rising festival – Melbourne's winter arts offering – has consolidated its longstanding dance focus into a mini-festival: the inaugural Australian Dance Biennale, showcasing Australian and international work. There's also a series of dance classes, romantically titled The Land of 1000 Dances, held in the romantically decrepit Flinders Street Ballroom. Running daily until 7 June, with classes costing $29 a pop, the diverse schedule includes Afro-fusion, ballroom, voguing, waltz and K-pop for teens and tweens. From Salsa to Shuffle: A Dancer's Journey As an audience member, I am an avid appreciator of dance; as a participant, I can most kindly be described as "curious" but uncoordinated. What if I went to a bunch of dance classes and then wrote about it? Precisely 24 hours before my first class, the misgivings begin – doing my first dance class while dressed for the show I'm seeing directly afterwards sounds like a bad idea. At the ballroom, I am briefly reassured: the crowd is a diverse mix of ages, genders and bodies, and hardly anyone is wearing dance-appropriate clothing. But the class itself is a blur – sometimes literally – as I try to learn and enact the cucaracha, the guapo and other basic Cuban salsa moves; attempt to locate the beat, my hips, any sense of coordination at all. Every time I feel as though I'm starting to get the hang of something, the instructor adds a new step. Then he corrals us into pairs – and a series of new moves, yelling "change partners!" every three minutes. Going solo, it turns out, is fine: everyone is friendly; many seem as unsure as I am. Some are nailing it but there's a sense of camaraderie: we're all in this together. That said, we're all a bit too sweaty to be holding each other. The Social Dynamics of Dance Classes I move from absolute befuddlement, through occasional moments of triumph, to a sense of quiet despair. A move that involves a 360-degree rotation to an eight-count almost breaks my spirit and I consider quitting. To my surprise, this awakens a latent fighting spirit: screw the rules, I'm doing it my way. I experience brief elation. Then we change partners and I find myself in a cursed duet involving four left feet. The elation shrivels. The class ends and I run to the theatre feeling like a dank, demoralised biohazard. I spend the next hour watching a show by the Irish choreographer Oona Doherty featuring a mix of professional, student and untrained dancers – and I mentally salute them all, with a newfound appreciation for the dark art of dance. Finding Joy in Movement I approach my next class, Melbourne shuffle, with a sense of dread. Not only do I now know how bad I am but I have agreed to be photographed. And I made the choice without knowing anything about the Melbourne shuffle, mistakenly assuming it was somewhere in the ballpark of the city's other great cultural tradition. This feeling I am experiencing, I discover, is known as "endorphins". The physical exertion, the mental focus required, the social connection – it all combines to create a chemical cocktail that makes the experience worthwhile despite the occasional humiliation. By the end of my dance weekend, I haven't become a dancer, but I've gained a profound respect for those who are. The Australian Dance Biennale and The Land of 1000 Dances offer not just entertainment, but an invitation to participate, to challenge oneself, and to discover new dimensions of movement and expression.

The Unplanned Performance La La Land is a much adored homage to Hollywood, where dreamers take chances and seize unexpected moments. On Saturday night at the ICC’s Darling Harbour theatre, that idea became a reality for a 21-year-old university student who was thrust into the spotlight at a live performance of the movie’s score – and saved a concert from derailment. The Keyboardist's Sudden Illness Sterling Nasa was in the audience at La La Land in Concert, a touring production where the movie – which features Ryan Gosling and Emma Stone – is projected on to a screen while a live orchestra plays the musical score in synchronisation with the film. The performance proceeded normally until the interval, which stretched out to 40 minutes. Then the film’s Oscar-winning composer and conductor, Justin Hurwitz, walked out alone to address the audience. The Call for a Pianist The orchestra’s keyboardist had suddenly fallen ill. Was there by any chance a pianist in the house? And one with exceptional sight-reading skills? Nasa, who plays piano and organ and is the bagpipes tutor at his old school, Scots College, hesitated when the call went out. The Impromptu Performance Nasa told the ABC he was thinking the same thing when he saw the complex score. “I saw it on the score and I thought, oh, I don’t know if I’m going to be able to sight-read that in one go,” he said. Like Gosling’s jazz-pianist character Sebastian, the student had to decide whether to stay in the shadows or take a monumental leap of faith. With no time to overthink, he chose to trust his instincts. The Audience's Reaction The gamble paid off, carrying the orchestra through the number – and earning Nasa a resounding ovation from the audience. “He saw it coming up … and he just improvised,” Hurwitz said. “That is a whole other skill on top of sight-reading. To be able to play a really cool solo in the right key, in the right scale, on the fly with no rehearsal – it was remarkable.” The Future Performance While the production team is now scrambling to rehearse new keyboardists for the upcoming Melbourne and Brisbane legs of the tour, Nasa will be heading back to his regular university lectures. La La Land in Concert will play at the ICC Sydney on Monday, at the Brisbane Convention & Exhibition Centre on Wednesday and at the Hamer Hall in Melbourne from Friday 6 to 8 June.