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The Rise of a Provocative Comedy StarOnce in a while, you get to see a legend at the absolute top of their game," booms a voice at the beginning of Robby Hoffman's Netflix special, Wake Up, welcoming her to the stage. High praise indeed – especially since the voice is that of the leading US comedian John Mulaney, who directed the special, and who clearly thinks this 36-year-old New Yorker is one of the hottest talents around.Over the last year, Hoffman's star has risen at a stunning pace. She is currently on TV in Rooster, a college campus comedy starring Steve Carell, as well as the fifth season of the critically acclaimed sitcom Hacks. This is only her second season as talent agency assistant Randi, but last year the role earned her an Emmy nomination.From Religious Upbringing to Hollywood Success"Last week, I was a Hassidic Lubavitch Jew living in Crown Heights, New York," was Hoffman's first line as Randi. "Now I'm in LA, I'm gay and probably an atheist." Hoffman's own life has taken a similar about-turn after being thrust into the spotlight. Randi, a role that was created for her by writers Lucia Aniello, Paul W Downs and Jen Statsky and draws on Hoffman's own background, has been "a life-changing part," she says on a video call from the home in Los Angeles that she shares with her wife, the reality TV star Gabby Windey.Home life in Montreal was chaotic, living in a house that was "so packed with so many people," Hoffman says. She would frequently get into physical fights with her brothers and "cried every single day … sometimes I was kicking and screaming on the floor." She got out as soon as she could, at 17, when she began renting a place of her own, taking on a part-time job to support herself through her Cégep, a type of pre-university college unique to Quebec.Awards, Recognition, and Controversial Comedy StyleAlthough Hoffman insists she isn't trying to offend ("I do think that a lot of my jokes are misinterpreted"), she also doesn't think being offended is the worst thing: "Being poor is." She's speaking from experience: she grew up in a family that relied on welfare payments, the seventh of 10 children.Wake Up includes gags about "disgusting" women ("always the hottest ones are sickest") and abortion ("we raise the age of abortion till 10, we got a lot of well-fucking-behaved kids on our hands"). Not to mention the jokes about paedophilia. But although her punchlines make some audience members bristle, "I just don't get to choose my thoughts," the comedian says. "I'm just sharing it with you. I wish I didn't know some of these things. I truly wish paedophilia was not something that I was introduced to or heard about. I think it's more democratic that I joke about everything, you know?"The Changing Landscape of ComedyThe comedian's proclivity for referring to women, including herself and her mother, as "bitches" is an aspect of her onstage coarseness that carries over into our call, in which she is otherwise much more mellow and thoughtful. Sure, she doesn't follow the typical Hollywood script of simpering self-deprecation, instead unapologetically backing herself and frequently talking about how great it is to be rich. But you get the impression that this is self-conscious gaucheness, a send-up of convention rather than outright rudeness."I come in hot," Hoffman admits – especially on stage. But she is not pretending to be something she's not – unlike, she says, supposedly "kind and nice" figures such as Will Smith, who was banned from the Oscars after slapping the comedian Chris Rock, or Ellen DeGeneres, whose talk show was cancelled after allegations that junior staff had been bullied.Future Prospects and Industry ImpactHoffman is endearingly grateful for her success. "Am I not living one of the greatest lives you've heard about?" she said during her recent appearance on Late Night With Seth Meyers. "I really do feel that," she says. When she started out in comedy, it felt like "such a risk" to pursue a career with no promise of financial stability: "It's becoming harder and harder to go from no money to money, so when we get one of our guys in, it always feels miraculous."She wishes it wasn't so miraculous – Hoffman is a Bernie Sanders supporter and believes "everybody's entitled to dignity." She resents being an example of someone who "did it" – got herself out of poverty via talent and determination. "You shouldn't have to be this special, you shouldn't have to be this talented," she says. Throughout her adolescence, she was "so sick of being poor," so focused on working hard at the Jewish private school for which her grandfather had helped her win a scholarship, then pursuing a degree in accounting.

Monroe’s Home Becomes a Legal FlashpointThe iconic Spanish‑style bungalow that Marilyn Monroe bought in February 1962 has been thrust into a courtroom showdown after the Los Angeles City Council designated it a cultural‑historical monument in 2024. The designation halted the owners' demolition plans and sparked a lawsuit alleging a violation of constitutional property rights.Owners’ $8.35 Million Purchase and Demolition PlansBrinah Milstein, a real‑estate heiress, and her husband Roy Bank, a reality‑TV producer, acquired the property for $8.35 million in 2023. Their intent was to raze the original structure and fold the half‑acre lot into their adjoining estate, a plan initially approved through a demolition permit.Financial Stakes: Purchase Price and Potential CompensationPurchase price: $8.35 million (2023)Potential compensation sought: unspecified multimillion‑dollar claim for loss of investmentLegal fees and court costs expected to run into six‑figures for both partiesThe federal judge’s dismissal leaves the plaintiffs the option to file an amended complaint, meaning the financial exposure could increase if the case proceeds to trial.Implications for Historic Preservation and Property Rights in Los AngelesThe dispute highlights a tension between private property owners and the city’s historic‑preservation authority. While the designation does not require public access, it obliges owners to maintain the structure, effectively turning a private residence into a public monument at the owners’ expense. The case could set a precedent for how “demolition through neglect” is addressed and whether cities can enforce costly upkeep on designated properties.What the Courts May Decide and Future of the PropertyLegal analysts anticipate three possible outcomes: (1) the court reinstates the demolition permit, allowing the owners to proceed; (2) the city’s preservation order is upheld, forcing the owners to preserve the house and potentially seek compensation; or (3) a settlement that includes partial demolition of non‑character‑defining elements while preserving key historic features. Regardless of the verdict, the saga will likely influence future landmark designations and real‑estate transactions in Los Angeles.

Mother’s Day March Highlights Growing Outcry Over Enforced Disappearances On May 10, 2026, a wave of demonstrations swept through Mexico City, Guadalajara, Monterrey and dozens of smaller towns. Protesters, many carrying photos of missing relatives, gathered to mark Mother’s Day with a call for justice rather than celebration. Organisers from Colectivo de Mujeres Desaparecidas and other civil‑society groups coordinated the rallies via social media, urging the federal government to acknowledge and investigate the cases. Numbers Reveal Scale of Disappearances and Government Response Official records show over 30,000 reported disappearances in Mexico since 2019. The National Human Rights Commission (CNDH) confirmed that 12,000 cases remain unresolved as of early 2026. In the past year, the federal budget allocated $150 million to the new "Search and Rescue" task force, yet only 5% of cases have seen progress. Public opinion polls indicate that 68% of Mexicans believe the government is failing to protect families of the disappeared. How the Protests Could Reshape Mexico’s Human‑Rights Landscape The scale and timing of the demonstrations put pressure on President Alfonso Martínez ahead of the upcoming mid‑term elections. International observers, including the United Nations Office of the High Commissioner for Human Rights, have called for an independent inquiry. If the movement maintains momentum, it could force legislative reforms such as: Strengthening the legal definition of enforced disappearance. Mandating transparent, time‑bound investigations. Creating a permanent, civilian‑oversight body for missing‑person cases. What the Next Months May Hold for Accountability Efforts Analysts anticipate three possible trajectories: Policy Concession: The government could expand funding for forensic labs and grant NGOs greater access to case files, aiming to quell public anger. Stalled Reform: Political gridlock might delay substantive changes, leading to larger, more frequent protests. Escalated Conflict: If families perceive token gestures, some factions may resort to civil disobedience or legal action in international courts. Regardless of the path, the Mother’s Day protests have amplified a long‑standing grievance, positioning the issue of disappearances at the forefront of Mexico’s national discourse.

The Injury Blow Spain appear to have taken another blow before the World Cup when midfielder Nico Williams departed Athletic Club's La Liga game with an apparent hamstring injury. Williams sustained the injury before half-time in Athletic Bilbao's 1-0 loss to Valencia at home on Sunday, prompting concerns for European champions Spain as the countdown to the global tournament hits the one-month mark. The Extent of the Injury The 23-year-old went off with a distraught look on his face and was later seen on the bench with a pad on his left hamstring. He had already been sidelined for several weeks earlier this year because of another injury. Williams has scored six goals in 30 appearances with Spain's national team since 2022. He has six goals with seven assists in 32 games for Athletic Club this season. Impact on Spain's World Cup Campaign His injury has compounded Spain's worries as they were already sweating over star forward Lamine Yamal's fitness. Yamal went down with a torn hamstring last month while playing for Barcelona. Spain are in Group H at the World Cup in North America. They will play their first two games in Atlanta, Georgia, facing Cape Verde on June 15 and Saudi Arabia on June 21. The final group game for the 2010 champions is on June 26 against Uruguay in Guadalajara, Mexico. The Road Ahead “He was limping a lot. He hadn't felt that type of pain before,” Williams's Athletic teammate Inaki Williams said. “It's concerning, considering the moment we are in right now. Let's wait and hope for the best possible scenario.” Athletic did not immediately release details about Williams's injury. Spain coach Luis de La Fuente is to announce a 55-name preliminary squad for the World Cup this week.

The Bafta Win That Reignited BBC ControversyThe makers of the documentary Gaza: Doctors Under Attack, which was dropped by the BBC, have won the Bafta TV Awards in the current affairs category. The filmmakers used their acceptance speech to directly criticize the broadcaster, renewing controversy over the BBC's decision to shelve the project before it was later aired by Channel 4.Documentary Details and Filmmakers' CriticismThe documentary, which features firsthand accounts from Palestinian health workers in Gaza, was honored at London's Royal Festival Hall nearly a year after the BBC declined to broadcast it, citing concerns over partiality.Accepting the award, executive producer Ben de Pear thanked the journalists behind the film before directly addressing the BBC, which aired the Bafta ceremony on BBC One with a delay of more than two hours: "Finally, just a question for the BBC: Given you dropped our film, will you drop us from the Bafta screening later tonight?"Journalist and presenter Ramita Navai also criticised the broadcaster during her speech, citing findings from the documentary's investigation into attacks on Gaza's healthcare system."These are the findings of our investigation that the BBC paid for but refused to show," Navai said. "But we refuse to be silenced and censored. We thank Channel 4 for showing this film."Navai said more than 1,700 Palestinian doctors and healthcare workers have been killed and more than 400 have been detained during Israel's genocidal war on Palestinians in Gaza. She dedicated the award to Palestinian medical workers being held in Israeli prisons.BBC's Response and Editing of RemarksAccording to British media reports, the BBC edited portions of Navai's remarks from its televised broadcast after consultations with its compliance team.Background on the Documentary's ProductionThe BBC originally commissioned the documentary from the independent production company Basement Films more than a year ago but delayed its release while conducting a review into another Gaza-related documentary, Gaza: How To Survive a War Zone.The broadcaster later decided not to air Gaza: Doctors Under Attack, saying the film risked creating "a perception of partiality that would not meet the high standards that the public rightly expect of the BBC".The corporation also said impartiality remained "a core principle of BBC News".The film was subsequently acquired and broadcast by Channel 4 in July.Speaking backstage after the Bafta win, de Pear praised Gazan journalists Jaber Badwan and Osana Al Ashi, who contributed footage to the documentary, saying the team "woke up every day wondering if the two journalists on the ground were still alive".Implications for Media Coverage of ConflictsThe incident highlights ongoing tensions between media organizations and filmmakers covering the Israeli-Palestinian conflict, particularly regarding perceptions of impartiality. The Bafta win and public criticism may prompt greater scrutiny of how broadcasters balance journalistic standards with the responsibility to report on sensitive geopolitical issues.Future Outlook for Documentary FilmmakingThis case may encourage more independent filmmakers to seek alternative platforms when mainstream broadcasters decline to air their work. The recognition from Bafta could also embolden journalists to challenge editorial decisions more publicly, potentially leading to greater transparency in how news organizations handle controversial content.

A Visual Journey Through Britain and Ireland's Wildflowers This photographic collection captures the stunning diversity of wildflowers across Britain and Ireland, offering a visual celebration of these natural treasures that adorn the countryside throughout the changing seasons. Iconic Blooms of the British Isles From the iconic bluebells that transform ancient woodlands in spring to the vibrant poppies that brighten meadows in summer, these photographs showcase some of the most recognizable wildflower species found across the region. Each image tells a story of adaptation, resilience, and natural beauty. Hidden Gems and Rare Finds Beyond the familiar species, this collection also highlights lesser-known wildflowers and rare botanical treasures that many visitors might overlook. These plants, often with fascinating ecological relationships and unique adaptations, represent the incredible biodiversity of Britain and Ireland's flora. The Art of Wildflower Photography Capturing these fleeting moments of natural beauty requires patience, skill, and a deep understanding of both photography and botany. The featured photographers share their techniques for highlighting textures, colors, and intricate details that make each wildflower species unique. Conservation Through Photography More than just beautiful images, this collection serves as a powerful tool for conservation awareness. By documenting these wildflowers in their natural habitats, the photographs help raise public appreciation and understanding of the importance of preserving these delicate ecosystems.

The Unauthorized Image UseDua Lipa is suing Samsung for at least $15m (£11m, A$20.6m), alleging that the electronics company used a photo of her to sell its TVs without financially compensating her or seeking her permission. According to the legal complaint, filed in a US district court in California, Samsung began using an image of Lipa on an image of a TV screen printed on its cardboard packaging for "a significant portion" of its TVs sold in the US last year.Legal Claims and ResponseWhen the 30-year-old British singer became aware of the image in June 2025, she says she immediately demanded that the company stop using it but claims Samsung was "dismissive and callous" and "repeatedly refused." The lawsuit states that Lipa owns the copyright to the photograph, which was taken backstage before a performance at the Austin City Limits festival in 2024. Lipa is alleging copyright violation, a violation of the California right of publicity statute, a federal Lanham Act claim, and trademark claims.Financial Impact and DamagesThe lawsuit claims that Samsung had financially benefited from giving the appearance of her endorsement, with the lawsuit quoting alleged comments shared on social media from her fans. Lipa is seeking a permanent injunction against Samsung and "no less than $15m" in actual damages, plus punitive damages and legal costs. The suit also states that Lipa was "highly selective" in making product endorsements and had brand deals with Apple, Porsche, Versace, Bulgari and Nespresso, among others.Industry ImplicationsThis case highlights the growing importance of celebrity image rights in marketing campaigns and the potential legal consequences of unauthorized use. Samsung's conduct "makes a mockery of her hard work in establishing a successful brand and has deprived her of the ability to control and monetize her assets," the lawsuit reads. The case could set a precedent for how companies use celebrity images in product packaging and marketing materials without explicit permission.Future OutlookAs of now, Samsung has yet to respond to requests for comment. The outcome of this lawsuit could have significant implications for both the electronics industry and entertainment marketing. If Lipa prevails, it may lead to more stringent guidelines for companies using celebrity images in their marketing materials and potentially higher damages for similar violations in the future.

The Lead: A Curated Mix of Music History and Contemporary IssuesThe Guardian’s latest "best podcasts of the week" roundup blends nostalgic music storytelling with hard‑hitting current‑affairs series, offering listeners a weekly dose of cultural insight and global perspective.London Records’ 80s Pop Story Takes Center StageHosted by music writer Siân Pattenden, the five‑part series Hit That Perfect Beat: The London Records Story revisits the label’s chart‑dominating era, featuring interviews with artists like Blancmange, Bananarama, Bronski Beat, All Saints and Shakespears Sister. The oral history highlights queer representation, early Girl Power, and the goth‑pop crossover that defined the decade.Urgent Global Narratives in Podcast FormJournalist Ben Bradford launches Are We Do Doom, a hopeful yet sobering series that examines existential threats from nuclear war to climate change, beginning with an episode on the reality of mutually assured destruction.New Voices and Fresh Angles in True‑Crime and ComedyActor Daniel Mays narrates Gangster Presents: The Story of Ronnie Biggs, blending archive audio with fresh commentary on class politics. Meanwhile, comedian Suzi Ruffell revives her interview show in Attitude Presents: Out With Suzi Ruffell, featuring conversations on trans rights with Drag Race star Tia Kofi.American Current‑Affairs Podcast Expands the Guardian’s ReachThe New York bureau debuts Stateside With Kai and Carter, hosted by journalists Kai Wright and Carter Sherman. With three episodes per week, the series tackles war, authoritarianism and climate crises, positioning the Guardian as a daily voice on US politics.Data Analysis: Release Cadence and Audience AccessibilityAll highlighted podcasts are widely available on major platforms.Episodes for most series drop weekly, while the US‑focused show releases three times a week, increasing touchpoints for listeners.The multi‑genre lineup caters to both nostalgia‑driven audiences and those seeking timely analysis, broadening the Guardian’s podcast demographic.Impact Analysis: Podcasting as a Vehicle for Cultural Preservation and DebateBy revisiting 80s pop through London Records, the series reinforces the era’s influence on contemporary music trends.Series like Are We Do Doom and Stateside With Kai and Carter demonstrate podcasting’s capacity to translate complex global issues into accessible narratives.The blend of music, true‑crime, comedy and politics showcases the Guardian’s strategy to capture diverse listener interests, strengthening brand loyalty.Prediction: A Growing Emphasis on Multi‑Genre Podcast PortfoliosAs audiences gravitate toward on‑demand audio, media outlets will likely expand their podcast offerings across niche histories and urgent news, using frequent release schedules to maintain engagement. The Guardian’s current mix suggests future expansions into more deep‑dive cultural documentaries and real‑time news analysis, positioning podcasts as a core pillar of its digital strategy.

The Comeback StoryWhen Antonin Kinsky had his Madrid episode against Atlético in the Champions League last 16 first leg on 10 March, there was an assumption that he would not play again for Tottenham this season. The 23-year-old goalkeeper's performance was so poor that many believed he would have to rebuild himself elsewhere, probably on loan. However, Kinsky's comeback has been extraordinary; an inspiration to everybody at the club.With first-choice goalkeeper Guglielmo Vicario undergoing hernia surgery towards the end of March, manager Roberto De Zerbi has counted on the Czech in each of his four matches in charge. The manager has not been let down. Kinsky's standout moment was the diving save to keep out João Gomes's stoppage-time free-kick for Wolves and preserve a 1-0 win.Tottenham's Home StruggleBefore the start of this match week, Tottenham had the joint-worst home record in the Premier League with Burnley – two wins, five draws, 10 defeats. By contrast, Spurs entered the weekend with the third-best away record. This disparity has puzzled De Zerbi, who tried to dismiss it as a coincidence, pointing to wins against Borussia Dortmund at home in the Champions League in January and Atlético there in the second leg of the knockout tie.De Zerbi's sample size at the stadium is small – two matches as the visiting Brighton manager; one since he took over at Spurs, coincidentally against Brighton. He lost both in opposition 2-1, Spurs scoring late goals each time. And he was winning by the same scoreline last month until Georginio Rutter's stoppage-time equaliser for Brighton.De Zerbi's Positive ApproachDe Zerbi's attitude is to pretend that the Rutter sucker-punch did not happen. Focus only on the positives; it has been his mantra since he came to the club and it is not going to change now. "If you ask me, against Brighton, we won," he said. "We didn't take three points, we took one point, but in my head, we won. As a performance … if we analyse the game against Brighton, it's like a win."It's not my problem now to reflect on the home form in the league. I don't want to lose energy doing that. We have to be good and smart, to keep this mentality, to keep this momentum, with the same qualities we showed in this last period." De Zerbi was asked whether the stadium was too nice, too inspiring for opposing players. "No," he replied. "Because there are a lot of big, very nice stadiums like theatres in the Premier League. Tottenham's stadium is hot [in terms of atmosphere]. When I was here with Brighton and last month against Brighton, the stadium was very, very hot. We are lucky to play in this stadium. It is a pleasure."Goalkeeping Situation and Future OutlookVicario has not returned to full training, according to De Zerbi, despite the manager suggesting on more than one occasion of late that he was poised to do so. The situation is coloured by Inter's interest, with De Zerbi unable to say whether Vicario would remain at Spurs. De Zerbi has been categoric about wanting the on-loan midfielder João Palhinha to stay. He was more vague over Vicario."I don't know," De Zerbi said. "If you ask me if I've any ideas about next season, my answer is no. For two reasons. One, I have no time to think about next season. And two, after two wins, if I lose time thinking about next season's squad I am being arrogant. You think after two wins you already consider yourself safe? No." De Zerbi also provided an update on Dejan Kulusevski, who has been out all season with a knee injury, suggesting he may be able to be around the squad for the final game against Everton to boost morale, but nothing more.