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Massive Attack has returned with their first single in a decade, 'Boots on the Ground', featuring the iconic voice of Tom Waits. The song is a seven-minute track that showcases the band's signature dark and experimental sound.The song's release marks a significant event in the music world, especially given Massive Attack's influential history in shaping the trip-hop genre with their debut album Blue Lines in the 90s. The band's music has since evolved to incorporate more abstract and disquieting elements, as evident in 'Boots on the Ground'.The track features a haunting intro and coda with Tom Waits's labored breathing, creating an unsettling atmosphere. Waits's vocals are unmistakable, and his presence elevates the song to a new level of intensity. The lyrics are surreal and disturbing, tackling themes of violence and authority.The song's accompanying video features the work of a documentary photographer, showcasing powerful images of Black Lives Matter protests, ICE raids, and homeless veterans. This visual component adds to the song's impact, making it a thought-provoking and timely release.'Boots on the Ground' is a fitting addition to Massive Attack's discography, reflecting the band's continued ability to push boundaries and create music that resonates with the current times. The song's dark and ominous tone, combined with Tom Waits's haunting vocals, makes it a standout track in the band's oeuvre.

The creation of the soundtrack for the film 'Mother Mary' was a collaborative effort between director David Lowery, actress Anne Hathaway, musician FKA twigs, and producers Charli xcx and Jack Antonoff. The film, which explores the story of a fictional pop star, required a soundtrack that captured the essence of 21st-century pop music.Lowery spent time studying the music of the last 25 years, including artists like Taylor Swift, Lorde, and FKA twigs, who appears in the film as a medium named Imogene. As the film's story emerged, Lowery's musical influences shifted towards artists like James Blake and Aldous Harding, who better captured the emotional tone of the film.Anne Hathaway, who plays Mother Mary, had a background in theater and had won an Oscar for her performance in the musical Les Misérables. However, the recording process for 'Mother Mary: Greatest Hits' was a new experience for her. She spent time with Jack Antonoff to record the soundtrack, exploring her vocal range and learning about production. She even changed minor lyrics to better fit her character.FKA twigs contributed to the soundtrack with her song 'My Mouth Is Lonely for You', which was not included in the final film but showcased her ability to create shimmeringly erotic and captivating music. Her other contribution, an ethereal song, was used in a scene featuring the dress Mother Mary requires from her former friend and designer, Sam.The soundtrack, 'Mother Mary: Greatest Hits', paints a uniform portrait of a 21st-century pop star with a cult-like following and avant-garde fashion sense. The music and performance footage have been acclaimed, with Hathaway and twigs delivering standout performances.Hathaway describes Mother Mary as a pop star who embodies a type of stardom that is neat, perfect, and huge, with a mass appeal that is slightly glossier than what twigs and xcx have experienced. The film implies that Mother Mary's fandom is attracted to her ecstasy and vulnerability, with fans feeling safe around her and seeking a motherly figure.

German director Christian Petzold, known for his elegant and disquieting films, presents 'Miroirs No 3', a psychological mystery that delves into the complexities of grief and family dysfunction. The film, starring Paula Beer as Laura, a talented pianist struggling with depression, navigates the aftermath of a sudden violent trauma.The story takes a fascinating turn when Laura, who survives a catastrophic car crash, meets Betty, an intense and enigmatic woman, played by Barbara Auer. Betty's character is shrouded in mystery, and her relationship with Laura becomes increasingly complex. As Laura becomes entangled in Betty's family dynamics, the film masterfully crafts an atmosphere of tension and unease.Petzold's direction weaves a narrative that eschews macabre twists and instead, steers towards a redemptive conclusion. The film's use of Maurice Ravel's Miroirs, particularly the third movement 'A Boat on the Ocean', adds a dreamlike quality to the proceedings. This subtle touch showcases Petzold's skill in creating an elegantly contrived study of an unhappy family group.The performances, particularly from Beer and Auer, bring depth to the film's exploration of emotional trauma and the complexities of human relationships. As the story unfolds, the audience is left questioning the characters' motivations and the true nature of their interactions. 'Miroirs No 3' is a thought-provoking and hauntingly beautiful film that solidifies Petzold's reputation as a master of modern European cinema.

Uzbek grandmaster Javokhir Sindarov has emerged victorious in the chess Candidates Tournament, drawing with Dutchman Anish Giri to set up a highly anticipated World Championship match against India's Gukesh Dommaraju.The 20-year-old Sindarov dominated the event in Cyprus, winning six of his 13 games and losing none. This impressive performance earned him 9.5 points, two clear of second-placed Giri on 7.5.Sindarov's victory marks a significant milestone in his career, and he expressed his relief and happiness after the tournament. 'It was the hardest week in my life. I even slept really bad the last few days. I am very happy to finish this tournament with a win,' he said.The World Championship match against Gukesh, who won the title in 2024 by defeating China's Ding Liren, is expected to be a challenging encounter. Sindarov acknowledged Gukesh's experience but expressed confidence in his own abilities, stating, 'Gukesh has an experience of playing at this level. But I have a very good team. I have a lot to work on, and I will work a lot for this and take my chances.'While Sindarov's breakthrough and the rise of a younger generation may spark speculation about a potential comeback by Magnus Carlsen, the Norwegian has stated that he has no intention of returning to the classical World Championship cycle.A precise date and venue for the World Championship match have yet to be announced.

The Atlantic meridional overturning circulation (Amoc), a critical component of the global climate system, is at risk of collapse, with new research indicating a significantly higher likelihood than previously thought. This current system plays a vital role in regulating global climate patterns, and its collapse would have catastrophic consequences for Europe, Africa, and the Americas.Scientists have long been monitoring the Amoc's decline, which is primarily caused by rising air temperatures in the Arctic due to global heating. The Amoc's slowdown allows more rainfall to accumulate in the salty surface waters, making it less dense and further slowing the sinking, creating a feedback loop.The research, published in Science Advances, combined real-world ocean observations with climate models to determine the most reliable predictions. The findings suggest an estimated slowdown of 42% to 58% by 2100, a level almost certain to end in collapse. This is a concerning development, as a collapse would shift the tropical rainfall belt, plunge western Europe into extreme cold winters and summer droughts, and add 50-100cm to already rising sea levels around the Atlantic.Experts, including Dr. Valentin Portmann and Prof. Stefan Rahmstorf, emphasize the gravity of the situation, with Rahmstorf warning that the 'pessimistic' models, which show a strong weakening of the Amoc by 2100, are unfortunately the realistic ones. He added that he is increasingly worried that the Amoc shutdown tipping point may be passed in the middle of this century, which is quite close.The Amoc's collapse would have severe impacts on global climate patterns, and scientists stress that it must be avoided at all costs. The research highlights the need for urgent action to mitigate the effects of climate change and prevent such a catastrophic event.

Gray whales have historically been a rare sight in the San Francisco Bay. They migrate over 10,000 miles from Mexico's Baja California to the Arctic region, seldom stopping in the busy shipping corridor for prolonged periods. However, in recent years, this has changed in a dire way.A new study published in the journal Frontiers in Marine Science has found that gray whales in the bay have been dying at alarming rates, largely due to collisions with vessels. Eastern North Pacific (ENP) gray whales began to appear more frequently in the well-trafficked maritime corridor around 2018.According to researchers, at least 18% of gray whales that entered the bay from 2018 to 2025 have died. They determined that for more than 40% of the whale carcasses, the cause of death was blunt force trauma consistent with vessel strikes, prompting calls for renewed efforts to help avoid more fatal collisions.“It was historically very unusual for them to enter the bay, especially for longer amounts of time or consistently year after year,” said Josie Slaathaug, lead author of the study. There are whale subgroups known to hunt for food south of the Arctic, but a majority of the recently spotted whales feeding in the bay were not a part of these foraging clusters.A wave of new whale presence had not been observed in the waters since the late 1990s. Researchers have theorized that Arctic warming is disrupting food availability for the whales, driving them to hunt in new places such as the bay, although it remains unclear what exactly they may be eating there.Their potential new feeding corner, though, is a major shipping route. The true mortality rate for whales in the bay may be higher, hovering somewhere from 40% to 50%, Slaathaug said.In recent years, there have been several reports of dead whales that wash up on Bay Area beaches. The ENP gray whale population has been in decline due to malnutrition and starvation from climate-driven prey shifts in the Arctic. The Southwest Fisheries Science Center estimated a population total of about 13,000 whales, its lowest count since 1970.“It’s not unique to their migratory corridor that a lot of whales are dying,” Slaathaug said. “What is unique about San Francisco Bay and this study was that there was such a clear emerging cause of death.”Some local efforts are under way to reduce vessel collisions. The Marine Mammal Center has developed a program called Whale Smart, to educate vessel operators in the San Francisco Bay on how to interpret whale behavior to avoid close encounters.In Alaska, where vessels also pose a threat to the whale population, one fleet company partnered with WhaleSpotter, a company that uses AI and thermal imaging to detect the presence of whales, so they can change course well in advance.Last year, the Center for Biological Diversity, a conservation group, sued the US Coast Guard, which regulates vessel traffic off the California coast, for failing to analyze how vessel routes may harm whales and sea turtles.“This most recent study about the gray whales reaffirms that we have way underestimated the problem and we are not managing human activities well enough to avoid the whales,” said Catherine Kilduff, senior attorney at the center.Federal action is needed to reduce the fatal collisions, Kilduff said. According to the Endangered Species Act, the coast guard should be consulting with the National Marine Fisheries Service when setting shipping lanes to assess impact to marine wildlife.Kilduff also suggested mandatory speed limits for vessels. “There are voluntary speed reductions on the west coast, but there is evidence that those aren’t effective. The compliance rate isn’t high enough,” she said.A 2022 study co-authored by the National Oceanic and Atmospheric Administration found that the average speeds of large vessels had decreased from 2010 to 2019 in voluntary speed reduction zones. But, researchers determined that the cooperation rate of roughly 50% was lower than the amount needed to reduce vessel strike-related mortality to a level that maintains a sustainable whale population.“These whales are using the oceans in such a sophisticated way. We can learn so much from them, and if we can figure out ways to avoid killing them, I know that they’ll come back to healthy population levels,” Kilduff said.

In a landmark decision, a Manhattan federal jury determined that Live Nation and its Ticketmaster subsidiary wield a monopolistic grip on major concert venues across the United States. The four‑day deliberation ended Wednesday with a finding that the ticket‑selling platform had overcharged buyers by $1.72 per ticket, a figure that will now be used by a judge to calculate total damages. The case, originally spearheaded by the federal government and later joined by dozens of states, accused Live Nation of leveraging its extensive venue network to stifle competition. Plaintiffs argued that the company barred venues from using alternative ticket sellers and retaliated against those that attempted to do so. Attorney Jeffrey Kessler, representing the states, called Live Nation a “monopolistic bully” that inflates prices for concertgoers. He cited the company’s control of 86% of the concert‑ticket market and 73% of the combined concert‑and‑sports market, underscoring the breadth of its influence. Live Nation, which reported over $22 billion in annual revenue, rejected the monopoly label, insisting that pricing decisions rest with artists, sports teams, and venue owners. Company counsel argued that the firm’s size reflects “excellence and effort,” not antitrust violations. The jury’s finding arrives amid a broader regulatory push. In 2024, the Federal Trade Commission required Ticketmaster to disclose ticket fees up front, prompting the company to eliminate a post‑checkout processing charge. However, a recent Guardian investigation revealed that Ticketmaster introduced alternative fees to offset lost revenue, raising questions about compliance with FTC rules. Earlier, the Department of Justice settled with Live Nation under the Trump administration, creating a $280 million settlement fund for participating states. The agreement also imposed caps on service fees at select amphitheaters and opened the door—though not the obligation—for venues to work with Ticketmaster rivals such as SeatGeek and AXS. More than 30 states declined the settlement and pursued the trial, arguing that the federal government’s concessions were insufficient. During the proceedings, Live Nation CEO Michael Rapino testified, including about the 2022 Taylor Swift ticket fiasco, which he attributed to a cyber‑attack. Internal communications from Live Nation executive Benjamin Baker surfaced, in which he described certain pricing practices as “outrageous” and disparaged customers as “so stupid,” later apologizing for the “very immature and unacceptable” remarks. Live Nation has announced its intention to appeal the verdict, stating confidence that the ultimate outcome will align with the original DOJ settlement framework. The case continues to spotlight the tension between dominant market players and antitrust enforcement in the live‑entertainment industry.

Arsenal manager Mikel Arteta expressed his pride in his team's performance after they reached the Champions League semi-finals for the first time in their history. The Gunners secured a spot in the last four with a gritty draw against Sporting, despite being without their injured captain Martin Ødegaard and Bukayo Saka.Declan Rice, who was captain in Ødegaard's absence, revealed that he had come off his sickbed to play a crucial role in the match. 'He was shattered,' Arteta said of Rice. 'He had no chance to play today, he wasn’t feeling good at all today, he played 94 minutes at the level that he’s done.'The match was a closely contested affair, with both teams creating chances. Leandro Trossard headed against a post from a Max Dowman corner late on, while Sporting's João Simões fired into the side netting with virtually the last kick of the match.Arteta attributed his team's success to their durability, saying, 'That is the reason why we are the only English team in the competition, because this league and this schedule takes the hell out of you, and it’s very difficult to do what we’ve done.'Rice also addressed criticism of the team's recent performances, saying, 'If you don’t play well, if you don’t play good, take it with a pinch of salt and keep moving.'Arsenal will now face Atlético Madrid in the semi-finals, having maintained their record as the only unbeaten team left in this year’s competition. They will also look to bounce back from their recent Premier League defeat to Bournemouth when they face Manchester City on Sunday.

Sperm whales produce a series of rapid clicks, known as codas, that researchers have now shown contain vowel‑like elements and phonetic rules akin to those of human speech.Using advanced acoustic analysis and artificial‑intelligence tools, a team led by linguist Gašper Beguš at UC Berkeley found that variations in click length, pitch rise, and fall encode distinct “vowel” sounds, creating patterns comparable to languages such as Mandarin, Latin and Slovenian.The findings, published in the Proceedings B journal, describe the whale communication system as “highly complex” and one of the closest animal parallels to human phonology, indicating a case of independent evolution of language‑like structures.The research was conducted by Project CETI (Cetacean Translation Initiative), which has been recording sperm whales off Dominica. The project recently released video of a collaborative birth, underscoring the species’ rich social lives.According to Project CETI founder David Gruber, the whales’ “chit‑chat” occurs when individuals press their heads together near the surface, a behavior he likens to intimate, face‑to‑face conversation rather than distant shouting.By removing silent gaps between clicks, the team uncovered rhythmic patterns that function like human vowel modulation—altering vocal fold tension to shift an “A” into an “E.” This level of linguistic sophistication surpasses that observed in other vocal animals such as parrots and elephants.Behavioral ecologist Mauricio Cantor (not involved in the study) noted that the discovery reveals multiple interacting layers of structure in whale signals, a complexity previously unappreciated.Project CETI aims to identify at least 20 distinct vocal expressions—covering actions like diving, sleeping, and social bonding—within the next five years, moving toward a functional understanding of cetacean communication.Gruber remains optimistic, comparing current progress to a two‑year‑old child speaking a few words, and hopes that future research will bring the field to a five‑year‑old level of linguistic capability.