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Israel's newly approved $271 billion budget has sparked concerns over its implications for the occupied West Bank, with a significant portion allocated to settlement expansion and far-right ideological projects. The budget, the largest in Israel's history, was passed early on Monday from a fortified bunker, amid the ongoing conflict with Iran.The ruling coalition has bypassed legal frameworks to direct billions towards these goals, citing national security concerns. A key allocation is $129.5 million to the Ministry of Settlement and National Missions, which authorizes illegal Jewish-only settlements and outposts on Palestinian land.Finance Minister Bezalel Smotrich, a settler himself, has been granted sweeping powers over the occupied territory and has openly opposed the two-state solution. Prime Minister Benjamin Netanyahu has echoed this sentiment, stating there will be no Palestinian state west of the Jordan River.The budget also includes funds for projects such as building bypass roads through Palestinian towns, providing protection for illegal settlement outposts, and incorporating armed settlers into the state's civilian security apparatus. These moves are seen as entrenching the occupation and empowering far-right elements of Netanyahu's government.The allocation comes against a backdrop of surging violence by settlers and Israeli armed forces' raids on Palestinian communities across the West Bank, which have intensified since the onset of Israel's war on Gaza in October 2023. UN data shows nearly 3,000 attacks on Palestinians in the West Bank over the past two years.The budget's passage has highlighted divisions within the Israeli opposition, with Yair Lapid accusing rival parties of being more focused on criticizing his party than uniting against the governing coalition. Analysts warn that the spending bill will have severe long-term consequences, including further destabilizing the region and undermining any future viable Palestinian state.

NASA's Artemis II mission has made history by breaking the record for the farthest human travel from Earth. The four astronauts on board the Orion spacecraft surpassed the previous record of 400,171km (248,655 miles) on Monday at 15:58 GMT, a feat previously achieved by Apollo 13 in April 1970.The mission, which is currently travelling around the far side of the moon, is expected to reach its maximum distance of roughly 406,788km (252,760 miles) from Earth at 23:07 GMT. During this journey, the crew will spend more than six hours analysing and documenting lunar surface features.The astronauts began their landmark day with a message from the late Jim Lovell, who took part in the Apollo 8 and 13 missions. Lovell recorded the message shortly before his death, saying, “It’s a historic day, and I know how busy you’ll be, but don’t forget to enjoy the view. Welcome to my old neighbourhood. I’m proud to pass that torch on to you as you swing around the moon.”Travelling around the moon's far side, the astronauts will witness previously hidden lunar territory, including the Orientale basin, a massive crater that had only been viewed by orbiting cameras on uncrewed missions. Kelsey Young, the lead scientist for the Artemis II mission, highlighted the importance of human observation, stating, “The human eye is basically the best camera that could ever or will ever exist.”The Artemis II crew includes several firsts: Victor Glover will be the first person of colour to fly around the moon, Christina Koch will be the first woman, and Canadian Jeremy Hansen will be the first non-American. The mission is a crucial step towards preparing for subsequent missions like Artemis III in 2027 and a lunar landing as part of the Artemis IV mission in 2028.

The quest to find Australia's oldest playable musical instrument has led to the discovery of several remarkable pieces. A 16th-century double bass crafted by Gasparo da Salò, a renowned luthier, has been found to be one of the oldest playable instruments in the country. Currently on loan to Max Bibeau, principal double bass for the Australian Chamber Orchestra (ACO), this instrument was made around 1580 in Brescia, Italy. Only a handful of such instruments exist globally, and Bibeau's relationship with the double bass was not immediate. He notes that it took considerable time and effort to 'wake it up' and make it playable again. The instrument had been stored in an abbey in northern Italy for centuries before being discovered by German bass player Prof Günter Klaus in the late 1960s. Culturally, the yidaki (didgeridoo), a sacred instrument to the Yolŋgu people, is likely Australia's oldest instrument, with a history spanning thousands of years. For an exhibition in 2017, curators at the South Australian Museum worked with Yolŋgu community members to restore a selection of the oldest and most unique yidaki to playing condition. The oldest restored yidaki was made around 1890. Another contender for the oldest instrument is a piano from the First Fleet, a 'square' piano made by Frederick Beck in 1780. This instrument, now housed at the Western Australian Academy of Performing Arts, has a softer and smaller sound compared to modern pianos. The oldest instrument found in Australia is an ocarina from Colombia, estimated to have been made around AD 1200. This ancient vessel flute is part of a collection of 830 musical instruments donated to the Queensland Museum. While it can produce a sound, its original sound and playability are uncertain due to its fragility and age. The wood used for the front of Bibeau's da Salò bass has been dated to a tree growing as early as 1266. According to Bibeau, age can enhance an instrument's sound, but it requires careful preservation and play to maintain its quality. He notes that 'instruments need to be played' and that 'the more it vibrates, the better it vibrates.'

Former US President Donald Trump has made a striking assertion about Iran, claiming that the nation could be neutralized in a remarkably short period. Trump stated that Iran 'can be taken out in one night', a comment that has garnered significant attention and sparked concerns about potential military actions.The statement, which was captured on video, has not been officially contextualized by Trump's team or the White House. This kind of rhetoric can have far-reaching implications for international relations, particularly given the complex history between the United States and Iran.Iran has been a focal point in global politics due to its nuclear program and involvement in various regional conflicts. Tensions between Iran and Western nations, especially the US, have been escalating, with diplomatic efforts often struggling to achieve lasting resolutions.Trump's comments have raised concerns among diplomats and analysts about the potential for increased military conflict. Such statements can influence market dynamics, impact geopolitical stability, and affect international diplomatic efforts.

The Grand National continues to be a major highlight in the horse racing calendar, with its enduring popularity and cultural significance in the UK. Despite ongoing concerns about horse welfare, the event has seen a decrease in serious injuries and fatalities in recent years, thanks in part to modifications made to the course.The Grand National has a long history dating back to 1839 and remains one of the most-watched and highly bet-on events in the sport. While animal rights groups continue to criticize the race, citing concerns over horse safety, the sport's governing bodies have implemented various measures to minimize risks.In recent years, there has been a steady reduction in the number of fallers in the National, with data showing a decline from 8-8-4-4-6-4-5-4-4-0-3 fallers between 2014 and 2025. The 2024 and 2025 runs, with easier fences and a maximum field of 34, recorded the lowest and third-lowest numbers of fallers this century.Despite these improvements, fatalities still occur, and the RSPCA has called for lessons to be learned from recent incidents, emphasizing that 'one death is too many.' The organization has highlighted the need for continued vigilance and improvement in horse welfare and safety protocols.The racing community continues to evolve, with jockeys and trainers working to balance the thrill of competition with the imperative of protecting the animals involved. As the sport prepares for upcoming events, including the Grand National, there is a renewed focus on safety, welfare, and the integrity of the sport.

Keith Altham, a trailblazing music journalist and publicist, has passed away at the age of 84 after battling Parkinson's disease. He was a key figure in shaping the careers of some of the most influential musicians of all time.Altham began his career as a music journalist, writing for publications like The New Musical Express and Fabulous. However, it was his work as a publicist that earned him the most recognition. In 1971, he founded KA Publicity, which became a go-to agency for many of the biggest names in rock music.His impressive client list included The Rolling Stones, The Who, Marc Bolan, The Beach Boys, Slade, Status Quo, and Van Morrison. Altham's ability to understand the needs of both artists and journalists made him a natural at PR.One of Altham's most notable contributions to music history was suggesting the stage name Reg Presley for Reg Ball, the lead singer of The Troggs. He also famously advised Jimi Hendrix to set fire to his guitar during a concert, a stunt that became an iconic moment in rock music.Altham's relationships with musicians were built on trust and respect. He was known for his wit and candor, often providing Sting with candid advice during some of the most turbulent years of his career.Throughout his life, Altham was celebrated for his contributions to the music industry. He will be remembered as a pioneer in rock music PR and a true legend in British music history.

UK Education Secretary Bridget Phillipson has publicly denounced Kanye West's antisemitic remarks, emphasizing that there is 'no place for that kind of hatred, bigotry or antisemitism' in the UK. Her comments come after West was announced as the headline act for all three nights of the Wireless festival in London's Finsbury Park.West has faced intense criticism for his antisemitic remarks, including voicing admiration for Adolf Hitler and releasing a song titled 'Heil Hitler.' These actions have led to calls from various UK ministers, organizations, and Jewish groups to ban him from performing at the festival and even from entering the country.Keir Starmer, the leader of the Labour Party, has expressed deep concern over West's booking at the festival, citing his previous antisemitic remarks and celebration of Nazism. The Campaign Against Antisemitism has also urged the government to take action, highlighting West's track titled 'Heil Hitler' and his history of antisemitic behavior.In response to the backlash, several sponsors, including Pepsi and Diageo, have withdrawn their sponsorship from the festival. Additionally, PayPal will not appear in any future promotional materials for the event.The controversy surrounding West's performance has sparked a broader conversation about antisemitism in the UK. Recent incidents, such as the firebombing of Jewish community-run ambulances in Golders Green and an attack on a synagogue in Manchester, have raised concerns about growing antisemitism in the country.

Warschau's neon signs, once symbols of hope and creativity during the communist era, have experienced a remarkable revival. The Neon Museum in Warsaw, founded in 2012 by Ilona Karwińska and David Hill, has been at the forefront of this movement, attracting over 100,000 visitors annually.During the cold war, neon signs were used as a form of Soviet propaganda, but they eventually became a creative outlet for Polish designers. After communism ended, many signs were discarded or destroyed. However, the Neon Museum has helped to revive interest in these iconic signs, with many historic signs being restored and new ones being created.The museum's founders, Karwińska and Hill, began their interest in neon signs in 2006, and their efforts have led to the preservation of many historic signs. The museum features neon signs from the former eastern bloc, and the founders plan to open a second museum in Budapest.The revival of neon signs has also inspired a new generation of architects and designers to work with neon. One notable example is the 4-meter-tall red cockerel sign, which was restored and returned to its original site. The neon signs have become beautiful symbols of Warsaw's history and culture, with many people from older generations remembering them fondly.

Elvira Notari—Italy’s first and most prolific female filmmaker—crafted a vivid portrait of early‑20th‑century Naples through melodramas such as È piccerella (1922). The film opens with bustling pilgrimage scenes at the Candelora festival, juxtaposing flamboyant revelry with stark images of poverty, a visual strategy that challenged the sanitized narratives favored by the fascist regime.According to film scholar Giuliana Bruno, Notari’s work was driven by a desire to document reality, exposing class tensions and gendered oppression that Mussolini’s censors deemed unacceptable. A 1928 censorship law explicitly banned Neapolitan films featuring “stallholders, beggars, urchins, dirty alleyways,” effectively silencing Notari’s authentic street‑level storytelling.Despite directing around 60 feature films—many hand‑coloured—alongside her husband Nicola at Dora Film, only three titles (A Santanotte, È piccerella, Fantasia ‘e surdato) and fragments survive today, a loss directly attributable to fascist suppression and the prohibitive cost of sound‑film conversion.The newly released documentary Elvira Notari: Beyond Silence, produced by Antonella Di Nocera and directed by Valerio Ciriaci, reconstructs Notari’s fragmented career by collaborating with contemporary “artisans”—photographers, visual artists, novelists, and musicians who reinterpret her silent‑film aesthetics. Ciriaci notes that the absence of personal archives made the film’s investigative approach essential, turning Notari’s silence into a creative catalyst.Critics emphasize Notari’s lasting influence on Italian‑American auteurs such as Francis Ford Coppola and Martin Scorsese. Elements of her chaotic street festivals anticipate the wedding scenes in *The Godfather* and *Goodfellas*, while her raw urban tableaux echo the gritty New York sequences of *Taxi Driver*.Beyond cinematic technique, scholars like Cristina Jandelli argue that Notari’s intertitles reveal a pronounced class consciousness and a critique of women’s marginalisation in early 20th‑century Italy. Her use of Neapolitan dialect and unvarnished depictions of squalor directly opposed the regime’s propaganda‑driven vision of a unified, pristine Italy.After Dora Film collapsed in 1930, Notari retired to Cava de’ Tirreni and died in 1946, largely forgotten until recent scholarly revival. The documentary positions her as a “symbol of the right to memories,” underscoring the ongoing relevance of silenced female voices in cultural history.*Elvira Notari: Beyond Silence* will premiere at New York’s Film Forum on 6 April 2026 and tour the United Kingdom throughout April and May, offering audiences a chance to reconnect with a pioneering filmmaker whose work was once erased by fascism.