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Live Overview: Day Nine Kicks Off at Roland‑GarrosThe ninth day of the 2026 French Open unfolded with a mix of promising talent and high‑stakes matches across both courts. French‑speaking fans were greeted with a lively introduction and a promise of “another banger absolu,” setting the tone for a day where the absence of several top‑seeded men opened the field for new contenders.Cobolli’s Clay Mastery and Early Men’s ShowdownsFlavio Cobolli opened on Court Chatrier against Zach Svajda, showcasing the aggressive‑defensive style that suits the Parisian clay. On Court Lenglen, Anastasia Potapova faced Anna Kalinskaya after her upset over defending champion Coco Gauff. Later, Madison Keys (2025 Australian Open champion) took on Diana Shnaider, with a potential semi‑final clash against Naomi Osaka or Aryna Sabalenka. In the men’s draw, Matteo Berrettini, Félix Auger‑Aliassime and Frances Tiafoe each began their quarter‑final quests against Juan Manuel Cerundolo, Alejandro Tabilo and Matteo Arnaldi respectively.Key match‑ups: Cobolli vs Svajda, Potapova vs Kalinskaya, Keys vs Shnaider.Men’s quarter‑final prospects: Berrettini, Auger‑Aliassime, Tiafoe.Ranking Stakes and Prize Money ImplicationsAdvancing to the quarter‑finals at Roland‑Garros brings a substantial boost in both ATP/WTA ranking points and prize money, intensifying the pressure on players seeking to climb the year‑end rankings. For emerging talents like Cobolli and Potapova, a deep run could translate into a breakthrough in the top‑50, while established stars such as Keys and Auger‑Aliassime aim to solidify their positions in the top‑10.How the Absence of Djokovic, Alcaraz and Sinner Reshapes the TournamentThe draw’s notable void—missing Novak Djokovic, Carlos Alcaraz and Jannik Sinner—has turned the French Open into a rare open‑field Grand Slam. This vacuum reduces the barrier for lower‑seeded players, turning every match into a potential upset and increasing the tournament’s unpredictability.Opportunity for first‑time Grand Slam semi‑finalists.Higher motivation for mid‑rank players to capitalize on the open draw.What the Day’s Results Mean for the Rest of the French OpenIf Cobolli, Potapova and Keys secure victories, they will likely become the faces of the second week, attracting media attention and sponsor interest. A win for Félix Auger‑Aliassime would position him as a favorite for the title, while the outcomes of the men’s quarter‑finals will set the stage for a possible new champion emerging from a field without the usual dominant trio.Overall, day nine has reinforced the narrative of a transitional French Open, where the next generation is poised to seize the moment.

The Lead: A Record-Breaking CareerJames Milner has etched his name into football history by breaking the Premier League appearance record, a remarkable achievement that speaks volumes about his longevity, consistency, and unwavering dedication to the sport. The 40-year-old veteran has demonstrated an extraordinary level of professionalism throughout his career, earning admiration from teammates and rivals alike for his commitment to excellence both on and off the pitch.The Professional Profile: Beyond Ordinary DedicationFormer teammates paint a picture of a player who was exceptional from his early days. Michael Bridges, who roomed with Milner during his time at Leeds, recalls: "James Milner was the most dedicated and professional young player I've met. He also took the not inconsiderable transition from being at school to playing in the Leeds first team totally in his stride. Nothing fazed him. He was very level-headed."This level-headedness extended to Milner's lifestyle choices. While teammates socialized with alcoholic drinks, Milner remained steadfast in his commitment to peak physical condition, often opting for Ribena Toothkind instead. His dedication was so complete that teammates nicknamed him the "hydration monster" due to his intense focus on maintaining optimal hydration levels.The Technical Mastery: Versatility Across PositionsWhat sets Milner apart is not just his longevity but his remarkable versatility. Throughout his career, he has excelled in multiple positions, adapting his game to suit different tactical systems and managerial philosophies. Bridges notes: "Above all he's a very intelligent footballer who reads the game well and has the versatility to play in different positions for different types of managers. That's helped him."This adaptability has allowed Milner to remain relevant across different eras of football evolution. From his early days at Leeds to his current role, he has consistently demonstrated an ability to read the game and position himself effectively, even as the tactical demands of the sport have evolved.The Impact Analysis: Redefining ProfessionalismMilner's career offers a fascinating case study in modern professionalism. In an era where footballers often face intense scrutiny and shorter careers, Milner has bucked the trend through his extraordinary discipline and commitment. Steve Harper, who worked with Milner at Newcastle, draws a direct comparison: "His level of professionalism is right up there with Cristiano Ronaldo's. It's no coincidence that they're both still going strong."This approach has had ripple effects throughout the sport. Younger players now have a role model for how to maintain peak performance over an extended career. Milner's career demonstrates that longevity in professional football is not merely about talent but about lifestyle choices, work ethic, and mental fortitude.The Legacy: More Than Just AppearancesAs Milner surpasses Gareth Barry's previous record of 653 Premier League appearances, his legacy extends far beyond the numbers. Curtis Davies, who played with Milner at Aston Villa, emphasizes: "Breaking the appearance record will be testament to him and the way he has lived his life, and if anyone is going to go past Gareth Barry, another former Villa teammate, there's no better person than James to do so."Milner's career represents a different kind of greatness in modern football—one built on consistency, adaptability, and unwavering professionalism rather than just fleeting moments of brilliance. As he continues to add to his record, he stands as a testament to the values that can sustain a career at the highest level for more than two decades.

The Retaliatory Strike Iran's Islamic Revolutionary Guard Corps (IRGC) says it launched a retaliatory strike on a base used by US forces that it claims was used for an attack on an Iranian communications tower. The IRGC Aerospace Force fighters targeted the airbase where the aggression originated, and the predicted targets were destroyed. The Escalation The attacks come after the United States said it carried out strikes on Iran this weekend in response to 'aggressive Iranian actions that included the shootdown of a US MQ-1 drone that was operating over international waters.' US fighter aircraft swiftly responded by eliminating Iranian air defenses, a ground control station, and two one-way attack drones that posed clear threats to ships transiting regional waters. The Fragile Ceasefire The attacks, the latest in several exchanges of fire in recent days, come as indirect negotiations between the US and Iran to formalize a fragile ceasefire that took effect in April continue. There have been mixed signals about whether the two sides are close to an agreement to extend the fragile truce. The Potential Memorandum of Understanding The two sides have reportedly been reviewing a potential memorandum of understanding (MoU) that would extend the ceasefire for a further 60 days and begin negotiations to end the war permanently. The MoU will state that shipping through the Strait of Hormuz is to be 'unrestricted,' meaning there will be no tolls, no 'harassment,' and that Iran will have 30 days to remove all sea mines. Iran's Response Iran's Foreign Ministry spokesperson Esmaeil ‌Baghaei said on Monday that any delay ⁠in ⁠the diplomatic process to end the war can ⁠be explained by a lack of trust, ⁠Washington's contradictory positions and Israel's attacks on Lebanon. Negotiations have started amid severe suspicion and mistrust, and the exchange of messages is taking place in ⁠this atmosphere. Trump's Statement US President Donald Trump said in a statement on his Truth Social platform late on Sunday, Tehran 'really wants to make a deal' and that whatever deal is reached will 'be a good one' for the US 'and those that are with us.' He lashed out at domestic critics for 'negatively 'chirping'' about his handling of the war but made no mention of the US strikes on Iran.

The Ban on Cenk Uygur and Hasan Piker US political commentators Cenk Uygur and Hasan Piker have been barred from entering the United Kingdom. British authorities cited their public comments about Israel as the reason for the decision. The Event Details Uygur, co-founder of The Young Turks, learned of the restriction while trying to board a flight to London. He was scheduled to attend the SXSW London festival and deliver a speech at Oxford University. Piker, a staunch supporter of Palestine and one of the internet's biggest political streamers, also had his UK visa revoked as he prepared to travel to the same event. The Reason Behind the Ban According to Uygur, British authorities told him he is considered "a serious risk to the public order" due to his criticism of Israel. He claimed that the government stated his comments about Israel's influence on the American government are antisemitic. Piker also stated that the UK used the terminology "not conducive to the public good" when denying him entry. The Impact on Free Speech The restrictions have sparked concerns about free speech and the influence of Israel advocacy organizations on public discourse. Piker stated that "Israel advocacy organisations have unbelievable amounts of power over what even the United Kingdom has to say and do; if you are an avowed anti-Zionist, your travel will be restricted." The Future Implications This incident comes weeks after British authorities barred US rapper Ye from entering the country, citing his history of anti-Semitic remarks. The decision has raised questions about the UK's stance on free speech and its relationship with Israel.

The Takeover Bid EasyJet has called a potential £3bn bid by a US investment group “highly opportunistic”, as shares in the budget airline shot up to their highest level in three months on the takeover interest. Castlelake's Stake and Offer The US private credit firm Castlelake said on Friday it was considering a takeover offer for the airline. On Monday, it said it had already bought a 2.14% stake in the business and its offer would value easyJet at least at 403p a share, or about £3bn overall. EasyJet's Response However, easyJet hit out at its potential buyer, saying it was “highly opportunistic timing” as its share price was “temporarily depressed due to the current situation in the Middle East and its impact on customer confidence and jet fuel prices”. Market Reaction and Future Outlook Shares in easyJet shot up by as much as 12% in early trading on Monday, reaching 444.7p – well above the minimum level of a potential offer by Castlelake, and their highest level since 2 March, valuing the company at about £3.4bn. The jump later eased, with shares up about 10%. Regulatory Challenges Under City takeover rules, Castlelake, which is headquartered in Minneapolis and manages $36bn (£27bn) in assets, has until 5pm on 26 June to announce whether intends to make an offer for easyJet. EasyJet said it would “consider any proposal, should one be made” but that there were “considerable regulatory, financial and other execution challenges associated with a potential takeover”.

The Dance Challenge: A Weekend Immersion As I wait for my first Cuban salsa class to begin, I have the distinct feeling that I am poorly prepared. I'm wearing heavy jeans, a bulky woollen sweater and boots. I have never done a dance class in my life – or any kind of exercise class. I don't know anything about salsa, Cuban or otherwise. Standing alone, I notice that everyone has come with at least one friend, and begin to suspect that it takes two to Cuban salsa. This year, Rising festival – Melbourne's winter arts offering – has consolidated its longstanding dance focus into a mini-festival: the inaugural Australian Dance Biennale, showcasing Australian and international work. There's also a series of dance classes, romantically titled The Land of 1000 Dances, held in the romantically decrepit Flinders Street Ballroom. Running daily until 7 June, with classes costing $29 a pop, the diverse schedule includes Afro-fusion, ballroom, voguing, waltz and K-pop for teens and tweens. From Salsa to Shuffle: A Dancer's Journey As an audience member, I am an avid appreciator of dance; as a participant, I can most kindly be described as "curious" but uncoordinated. What if I went to a bunch of dance classes and then wrote about it? Precisely 24 hours before my first class, the misgivings begin – doing my first dance class while dressed for the show I'm seeing directly afterwards sounds like a bad idea. At the ballroom, I am briefly reassured: the crowd is a diverse mix of ages, genders and bodies, and hardly anyone is wearing dance-appropriate clothing. But the class itself is a blur – sometimes literally – as I try to learn and enact the cucaracha, the guapo and other basic Cuban salsa moves; attempt to locate the beat, my hips, any sense of coordination at all. Every time I feel as though I'm starting to get the hang of something, the instructor adds a new step. Then he corrals us into pairs – and a series of new moves, yelling "change partners!" every three minutes. Going solo, it turns out, is fine: everyone is friendly; many seem as unsure as I am. Some are nailing it but there's a sense of camaraderie: we're all in this together. That said, we're all a bit too sweaty to be holding each other. The Social Dynamics of Dance Classes I move from absolute befuddlement, through occasional moments of triumph, to a sense of quiet despair. A move that involves a 360-degree rotation to an eight-count almost breaks my spirit and I consider quitting. To my surprise, this awakens a latent fighting spirit: screw the rules, I'm doing it my way. I experience brief elation. Then we change partners and I find myself in a cursed duet involving four left feet. The elation shrivels. The class ends and I run to the theatre feeling like a dank, demoralised biohazard. I spend the next hour watching a show by the Irish choreographer Oona Doherty featuring a mix of professional, student and untrained dancers – and I mentally salute them all, with a newfound appreciation for the dark art of dance. Finding Joy in Movement I approach my next class, Melbourne shuffle, with a sense of dread. Not only do I now know how bad I am but I have agreed to be photographed. And I made the choice without knowing anything about the Melbourne shuffle, mistakenly assuming it was somewhere in the ballpark of the city's other great cultural tradition. This feeling I am experiencing, I discover, is known as "endorphins". The physical exertion, the mental focus required, the social connection – it all combines to create a chemical cocktail that makes the experience worthwhile despite the occasional humiliation. By the end of my dance weekend, I haven't become a dancer, but I've gained a profound respect for those who are. The Australian Dance Biennale and The Land of 1000 Dances offer not just entertainment, but an invitation to participate, to challenge oneself, and to discover new dimensions of movement and expression.

The Concept of 'On the Edge'The garden, named 'On the Edge', is a celebration of the often-overlooked urban edgelands, those unprotected and modest places that exist on the fringes of towns and cities. Designed by Sarah Eberle, it marks the centenary of the Campaign to Protect Rural England and the launch of the first interactive map of England's countryside edges.The Design and FeaturesThe garden features a naturalistic design with a variety of plants, including herb robert, plantain, bramble, and nettle. A drystone wall is woven with dog roses and willow, representing the hair of Gaia, a giant sleeping figure carved from fallen redwoods. The garden also includes a concrete farm trough, which has been transformed into a beautiful and serene feature with leaf shadows moving over its surface.The Significance of the GardenThe garden's design and features are meant to evoke a sense of wildness and neglect, highlighting the beauty of these often-overlooked areas. The garden's creator, Sarah Eberle, aims to raise awareness about the importance of preserving these urban edgelands and the role they play in supporting local wildlife. The garden's success is evident in its gold and best in show awards at the Chelsea Flower Show.The Future of Urban EdgelandsThe 'On the Edge' garden serves as a reminder of the importance of preserving and protecting urban edgelands. As urban areas continue to grow and expand, these areas are often threatened with development, making it crucial to raise awareness about their value and significance. The garden's message is clear: these areas are not just neglected spaces, but vibrant and beautiful parts of our urban landscapes that deserve our attention and protection.

A Day of Artful ParentingThere's a special magic in introducing young children to the world of art, especially when it happens in the comfort of home. This narrative follows a parent and toddler as they navigate a day filled with creative expression, from building animal houses with colorful magnet tiles to exploring the welcoming spaces of a local gallery.Creating an Artistic Home EnvironmentThe journey begins in the child's bedroom, where walls are adorned with playful prints by artist Moira Frith and a William Nicholson piece of the Velveteen Rabbit. The ceiling features elephant and bee mobiles alongside Japanese paper animal balloons, creating an immersive artistic space that welcomes the child into a world of creativity from the moment they wake up.Morning Art AdventuresThe day commences with art-themed board books featuring Miffy, the little white rabbit, and an interactive color-mixing book. Despite the artistic focus, the toddler's attention naturally shifts to his plastic tractor, demonstrating how children naturally balance different interests. The morning continues with building a house for farm animals using colorful magnet tiles, stacking wooden blocks, and experimenting with stickers on paper.The Gallery ExperienceAfter a brief outdoor chalk-drawing interlude, the parent and child visit the William Morris Gallery, which the child affectionately calls "the gallery." This familiar space offers crayons, blank paper, building blocks, and soft toys—all set against an artistic backdrop. The gallery has become a regular Wednesday destination with the child's grandmother, representing how cultural institutions can be woven into family routines.Art Education for the Very YoungChildren naturally lack hierarchical distinctions about what constitutes art, embracing everything from professional paintings to their own scribbles. This democratic approach to creativity allows for boundless exploration and expression. The article suggests that both home-based art activities and gallery visits play complementary roles in nurturing young artistic sensibilities.Cultivating Future Art EnthusiastsAs the child grows, the parent envisions future art adventures, possibly even a trip to the Miffy Museum in Utrecht for the child's second birthday. This forward-looking perspective suggests that early artistic experiences can blossom into lifelong appreciation of creativity and culture.Resources for Young ArtistsFor parents looking to bring art into their homes, the article recommends several books:Miffy the Artist by Dick Bruna (also Miffy at the Gallery, and Miffy and the Artists)Famous Art to Colour by Susan MeredithThis Book Will Make You an Artist by Ruth Millington

The Heatwave Prompt and a Glimpse into Everett’s PastDuring a scorching London heatwave, Rupert Everett—now 67—sits in a Bloomsbury café and admits the weather triggers memories of the summer of 1976, when he was a lanky teenager dreaming of stardom. The interview opens with his self‑deprecating humor about weight and age, setting the tone for a raw, introspective conversation. The 1997 Hollywood Resurgence: “My Best Friend’s Wedding”Everett’s most notable comeback arrived in 1997 when he played Julia Roberts’ gay best friend in My Best Friend’s Wedding. This role vaulted him into the position of the coveted “camp bestie” for leading ladies, briefly turning him into a box‑office draw.1997 – Cast as the gay confidant in My Best Friend’s Wedding1998‑2002 – Frequent supporting roles alongside A‑list actresses2006 – Publishes first memoir, Red Carpets and Other Banana Skins Memoir Revelations: Sex, Drugs, and Unflinching GossipEverett’s two memoirs—Red Carpets and Other Banana Skins (2006) and Vanished Years (2012)—expose a life of heroin use, cocaine experimentation, and selling himself for sex during lean periods. He spares no one: calling Madonna “vaguely sweaty,” describing Julia Roberts as “beautiful and tinged with madness,” and lampooning public figures like Alastair Campbell and Alan Sugar. The memoirs positioned Everett as a modern‑day Hedda Hopper, wielding ruthless, barbed gossip as a form of self‑critique. Personal Reckoning: Body, Identity, and the Weight of MemoryEverett confronts the physical and psychological toll of his past. He acknowledges his current “chubby” physique, the lingering “punk upper‑class attitude,” and the paradox of heroin as an “upper‑class version of punk.” The actor admits he often sabotaged his own performances—disrupting shows, sending bizarre gifts to critics, and indulging in drug‑induced escapism—behaviours he now finds “horrifying.” Looking Ahead: Redemption, Legacy, and the Role of Truth‑tellingDespite the self‑destructive legacy, Everett hints at a desire for redemption through honesty. By laying bare his flaws, he hopes to reshape public perception and perhaps inspire a new generation of actors to confront their own demons. The interview ends with a quiet acknowledgment that the heatwave, while uncomfortable, may finally force him to “smash his past up through sex” and move toward a more authentic future.