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Entertainment May 12, 2026

Bold Tendencies: How a Peckham Car Park Revolutionized British Art

Bold Tendencies, the groundbreaking art installation in a Peckham car park, is celebrating its 20th…
The Art Revolution That Started in a Car Park It's hard to imagine now, but there was a time when rooftop bars weren't really a thing. A time before pop-ups and contemporary outdoor sculpture parks. A time even, if you can bear to think of it, before immersive art. Way back in 2007, there was none of that – the UK was an experiential art wasteland. And then Bold Tendencies showed up, chucked a whole load of sculptures in a multi-storey Peckham car park, painted a staircase bright pink, built a cocktail bar on the roof, and changed everything. Two Decades of Transformative Art Now going into its 20th summer season, Bold Tendencies is celebrating two decades of sometimes sun-drenched, often windswept and drizzly arts programming. In that time, it has welcomed more than 3 million visitors into its concrete edifice behind Peckhamplex cinema, commissioned dozens of new artworks, hosted countless recitals and performances, built an auditorium and a concert hall, and drawn the roadmap for countless art experiences that have come in its wake. The Artistic Legacy And the art's not been too bad, either. Anthea Hamilton built a doorway to heaven through a man's splayed legs in 2010. Jess Flood-Paddock parked Del Boy's three-wheeled van on the roof in 2011. James Bridle flew a black balloon filled with wifi routers from the roof in 2014. Adam Farah-Saad installed a decorative retro water fountain in 2024. There have been piles of raw pigment, fluttering flags, wobbly walkways, heads on spikes. Almost all newly commissioned, and all free to see. Transforming the Cultural Landscape You can't overstate just how different, not only Peckham was in 2007, but the whole cultural landscape of the country. This was years before the likes of The Vinyl Factory or Frameless, and long before the Hayward and Tate were racing to the bottom to find the most TikTok-ready, Instagram-friendly exhibitions possible. The only large-scale sculptural commissions around back then were the fourth plinth and the Tate's annual Turbine Hall and Duveen projects. There wasn't really anywhere else to see new sculptural work by young artists. The Peckham Effect There also wasn't a lot going on in Peckham at the time. But what the area did have was a handful of project spaces, a single dive bar called Bar Story, seriously cheap rents and – thanks to being squeezed between Camberwell College of Arts and Goldsmiths – a lot of artists. Combined with a relative sense of isolation in the days before the London Overground, it boasted a fairly unique set of circumstances. "I found it to be a place of great possibility," says Barry. "And it still feels like that." The Visionary Behind the Movement Barry had been putting on exhibitions in a semi-derelict house on nearby Lyndhurst Way, and struck up a relationship with the people responsible for property in Southwark council. The council realised that artists could act as caretakers of empty, derelict buildings awaiting redevelopment, and Barry figured that those buildings could be used for art exhibitions. It's a model still followed today by other cultural charities, one that some consider the forward battalion in a wave of gentrification that has engulfed the city ever since. The Future of Public Art "Part of our responsibility in doing a project like this is to offer up the joy of feeling welcome to as many people as possible," says Hannah Barry, the driving force behind Bold Tendencies and owner of Peckham's longstanding Hannah Barry Gallery. "People come here for all sorts of different reasons and they may stay for a short time or stay for a long time. What matters is that they're curious enough to come." As Bold Tendencies enters its third decade, it continues to push boundaries and redefine what public art can be, proving that sometimes the most revolutionary ideas come from the most unexpected places.
#Bold Tendencies #Peckham #British Art
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World Wide May 12, 2026

Sudan's Humanitarian Crisis Deepens Beyond Official Acknowledgment

New reporting highlights that the scale of Sudan's crisis far exceeds official estimates, with moun…
The Unfolding Humanitarian Catastrophe in SudanRecent coverage by Al Jazeera underscores that the conflict‑driven crisis in Sudan has spiraled into a humanitarian disaster that is not fully reflected in official statements. Ongoing fighting, economic collapse, and disrupted services have left millions without reliable access to food, water, and medical care.Discrepancies Between Official and Independent Impact EstimatesGovernment and UN agencies cite approximately 9 million people in need of assistance.Independent NGOs and local monitors report figures that are significantly higher, suggesting the true number may be well above 12 million.Displacement data show a rapid rise in internally displaced persons (IDPs), with major camps in Darfur and Khartoum swelling beyond capacity.Regional Ripple Effects and International Response GapsThe worsening situation is straining neighboring countries, prompting a surge in cross‑border refugee flows into Chad, Ethiopia, and South Sudan. Meanwhile, donor fatigue and competing crises have slowed the mobilization of additional aid, leaving critical gaps in nutrition programs and health services.Scenarios for the Next Six MonthsOptimistic outlook: A negotiated ceasefire could unlock humanitarian corridors, allowing aid agencies to scale up operations.Moderate outlook: Continued low‑level fighting maintains high displacement levels, with incremental aid deliveries but no major breakthrough.Pessimistic outlook: Escalation of hostilities leads to further collapse of infrastructure, pushing the number of people in acute need beyond current estimates.
#Sudan #Humanitarian Crisis #UN
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World Wide May 12, 2026

Over 370 Afghan Civilians Killed in First Quarter 2026 Amid Escalating Pakistan-Afghanistan Conflict, UN Reports

The UN Assistance Mission in Afghanistan recorded at least 372 civilian deaths and 397 injuries in …
Over 370 Afghan civilians were killed and 397 injured during the first quarter of 2026 as cross‑border clashes between Taliban forces and the Pakistani military intensified, according to a new UN report. UN Report Details Spike in Cross‑Border Violence and Airstrikes The United Nations Assistance Mission in Afghanistan (UNAMA) released its quarterly casualty assessment on 12 May 2026. It attributes the majority of deaths to air raids, including a devastating strike on a drug‑rehabilitation facility in Kabul that alone killed more than 260 people. Casualty Numbers Reveal Grim Demographics 372 civilians killed 397 civilians injured Gender breakdown: 13 women, 46 children (31 boys, 16 girls), 313 men Cause distribution: 64% air strikes, remainder from indirect cross‑border fire and one targeted NGO worker killing Notable incidents: 269 deaths in the March 16 Kabul hospital attack; a female NGO worker killed on 19 March during Eid al‑Fitr Escalation Threatens Regional Stability and Humanitarian Access Since the Taliban’s return to power in 2021, cross‑border attacks have risen sharply, culminating in what Pakistan’s defence minister described as an “open war” at the end of February 2026. Islamabad blames the Kabul government for sheltering the Tehrik‑e‑Taliban Pakistan (TTP), while Afghan officials accuse Pakistan of harboring hostile groups and violating sovereignty. UNAMA urged both sides to respect international law, especially the protection of health facilities. Pakistan, however, maintains its actions target only “terrorist and military infrastructure.” Prospects for Ceasefire and International Intervention Recent ceasefire talks in China in early April yielded a temporary pause, but incidents persist—most recently a shelling on 27 April that killed seven civilians at a university in Asadabad. Analysts warn that without a robust, verifiable ceasefire, civilian casualties are likely to climb, prompting renewed calls for UN‑mediated negotiations and possible humanitarian corridors.
#UNAMA #Taliban #Pakistan military
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Fiction May 12, 2026

Amanda Craig's High and Low: A Gripping Portrait of Community Under Pressure

Amanda Craig's novel 'High and Low' explores community and tension in a north London suburb, weavin…
The Premise of High and Low Amanda Craig's 10th novel, 'High and Low', is set in Prospect Park, a fictional north London suburb caught between gentrification and decline. The story takes place on the 12th day of Christmas and revolves around the lives of various characters as they navigate the challenges of their community. The Event Details The narrative centers around a trainee barrister named Xan, who muses that Britain is getting 'hotter, crueller and angrier'. The setting is vividly described, with a hotel housing asylum seekers facing protests and counter-protests, while a man has been stabbed in a nearby flat, and thugs search for a teenage boy they believe is responsible. The Character Dynamics The novel features an ensemble cast, including regulars at a book-lined cafe, workers from a nearby bakery, and characters from Craig's previous works, such as Xan from 'The Lie of the Land' and Ivo from 'A Vicious Circle'. The characters discuss the state of the nation, including crumbling infrastructure, soaring rents, and riots. The Impact Analysis 'High and Low' is part state-of-the-nation novel, part literary satire, and part siege drama. The book explores themes of community, local pride, and pragmatism under pressure. Craig's fascination with the stories people carry is evident throughout the novel, making it an involving portrait of a community facing challenges. The Prediction While the novel has its flaws, such as a concluding standoff that feels a bit quick and neat, it is a compelling read. Returning readers will enjoy watching Craig's characters weather the passing years, each with their own hopes, fears, and hidden reserves of courage. The book is a testament to Craig's skill in crafting a narrative that is both engaging and thought-provoking.
#Amanda Craig #The Guardian #Book Review
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Politics May 12, 2026

Bomb-Laden Rickshaw Blast Kills Nine in Pakistan’s Sarai Naurang Market

A bomb‑laden rickshaw detonated in the Sarai Naurang market of Pakistan’s Lakki Marwat district, ki…
At least nine people were killed and around 30 injured when a bomb‑laden rickshaw exploded in the bustling market of Sarai Naurang, Lakki Marwat district, on Tuesday.Deadly Rickshaw Bomb Shatters Sarai Naurang MarketThe explosion was triggered by a rickshaw packed with explosives, according to local police chief Azmat Ullah. Among the dead were two traffic police officers and a woman. The blast occurred near the border with Afghanistan, raising immediate security concerns.Casualty Toll and Immediate Medical Response9 fatalities (including two police officers)≈30 injured, with 37 patients admitted to THQ HospitalMedical superintendent Mohammad Ishaq reported several in critical conditionRescue 1122 coordinated emergency transport to hospitals in BannuEscalating TTP Violence Strains Pakistan‑Afghanistan RelationsPakistan has attributed the attack to the Tehrik‑e‑Taliban Pakistan (TTP), a group allied with but distinct from the Afghan Taliban. The Afghan Taliban’s spokesperson Zabihullah Mujahid dismissed the allegation as “baseless.” This incident follows a recent bombing that killed 21 police officers in nearby Bannu, underscoring a broader surge in insurgent activity since the Afghan Taliban’s return to power.What Lies Ahead: Prospects for Regional Security and Counter‑Terror EffortsAnalysts warn that without renewed diplomatic engagement—potentially mediated by regional actors such as China—the cycle of retaliatory strikes could intensify. Strengthening cross‑border intelligence sharing and accelerating development projects in border districts may help mitigate the TTP’s recruitment base.
#Pakistan #Tehrik-e-Taliban Pakistan #Sarai Naurang
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Economy May 12, 2026

Australia’s 2026 Budget: Ambitious Tax Reforms Amid Modest Deficit Gains

The 2026 Australian budget, presented by Treasurer Jim Chalmers, trims the projected deficit and in…
The 2026 Australian federal budget, unveiled by Treasurer Jim Chalmers, delivers a mix of modest deficit improvements and bold tax reforms, most notably the removal of the 50 % capital gains tax discount and a $36.2 bn cut to the NDIS. The Budget’s Core Ambitious Tax Reforms The government is ending the long‑standing 50 % CGT discount and introducing a minimum 30 % tax rate on capital gains. Negative gearing is limited to new‑build properties, with existing investors grandfathered. Meanwhile, the National Disability Insurance Scheme (NDIS) will see spending flat‑lined in nominal terms, falling about 10 % in real terms by 2029‑30. Fiscal Numbers: Deficit Forecasts and Revenue Shifts Deficit projected to be smaller over the next four years than in the December mid‑year outlook. Unemployment forecast capped at 4.5 %. CGT reform expected to raise $2.3 bn in 2029‑30. NDIS cuts total $36.2 bn over four years. Potential revenue from a 25 % gas export tax estimated at $17 bn, but not pursued. Petroleum Resource Rent Tax (PRRT) revenue remains modest, lower than beer and spirits excise. Policy Impact: Housing, NDIS, and Gas Revenue Choices Housing affordability remains a challenge; ending the CGT discount and restricting negative gearing aim to curb speculative demand, though the $2.3 bn revenue gain is modest relative to the 26‑year legacy of the discount. NDIS cuts will reduce real‑term support for people with disability, potentially widening inequality. The decision to forego a gas export tax in favour of a modest PRRT increase reflects reliance on volatile oil prices rather than a stable revenue stream. Outlook: What the Next Four Years May Hold If economic parameters hold—higher oil prices and inflation sustaining tax receipts—the deficit trajectory could stay on a downward path. However, any slowdown in commodity markets or a resurgence in unemployment could erode the modest fiscal gains. The housing reforms may gradually temper price growth, but significant affordability improvements will likely require further policy action beyond 2029‑30.
#Australia #Budget 2026 #Jim Chalmers
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Entertainment May 12, 2026

Artist Sung Tieu Recreates Childhood Home as Monument to Immigrant Workers at Venice Biennale

Artist Sung Tieu has recreated the Berlin housing complex where she lived as a child at the Venice …
The Artist's Monument to Forgotten WorkersAn air of civilisational wipeout hangs over the Gehrenseestrasse complex, an abandoned housing estate on the north-eastern outskirts of Berlin, where the city still looks shabby without the chic. The insides of the nine prefabricated blocks have long been gutted; six floors of empty window frames stare hollow-eyed over multi-lane carriageways. In the courtyard, paintballers have left behind wooden barricades from when they played at World War III.Yet in one of the second-floor rooms of Berlin's largest ruin, artist Sung Tieu is waltzing across the concrete floor and reliving scenes from her childhood. "Here was the single bed I shared with my mother for three years," she says, pointing into a corner of the small room. "Two metres by 90cm, can you believe it?" There in the corridor is where her neighbours used to make bánh bao dumplings on camping stoves, for lack of private kitchens. "I still remember the smell." Here was the door through which she used to entertain her best friend when his mother locked him in during working hours. "We played cards through the gaps," she recalls with glee.But she also still remembers where neo-Nazis tried to throw molotov cocktails into the building: "They eventually set up a net because the windows kept on getting smashed".The Mosaic Recreation of a Lost CommunityThese days, few people have heard of the Gehrenseestrasse complex, whose last tenants left in 2002. But if Tieu had her say, it would be as essential a stop on the tourist trail as the Brandenburg Gate, the Reichstag or Checkpoint Charlie. There is, in her view, no place that better tells the story of the Vertragsarbeiter generation – the oft-forgotten workers who were hired on fixed-term contracts from socialist "brother states" in Vietnam, Mozambique, Angola or Cuba to boost the East German economy. "To me, this place is a monument," says Tieu.By the end of this summer, many more people in Germany – and art enthusiasts around the globe – will know about her childhood home. For this year's Venice Biennale, Tieu has clad the German pavilion with a like-for-like replica of the complex's facade, recreating the grey concrete and smudges of graffiti with three million mosaic stones made in Ravenna. She conceived the pavilion in tandem with the artist Henrike Naumann, who died in February from cancer aged only 41.Bureaucracy as Artistic MediumThe woman I meet at a Vietnamese restaurant in Berlin's Lichtenberg district is the antithesis of that exoticised cliche: modest, dressed all in black, analytical in her answers to my questions. She talks me dispassionately through the more experimental food options on the menu, but comes alive when explaining bilateral treaties and labour regulation."I really try to avoid the pure post-migrant diaspora narratives. By focusing on individual experience you can lose sight of the bigger picture. Contracts, state treaties, floorplans – that's what I am interested in. There has to be a certain formal toughness."Looking through her catalogue raisonné you are reminded of Marcel Duchamp. You see an artist dedicating her career to seeking ever more minimalist ways to express the same idea, from Cubist painting to readymade to annotations of chess moves. And in Tieu's case, that big idea is bureaucracy. In 2015, she reprogrammed the scrolling LED displays at a shop inside the Dong Xuan Centre, Berlin's largest Asian market, to display the texts of immigration treaties. For a group show at Berlin's Haus der Kulturen der Welt in 2024, she transcribed by hand documents from the national archives on the East German porcelain industry, authenticating them with her own ornamental stamp. Her website, fittingly, is just a long index of file names and a deadpan biography section: "Sung Tieu is an artist."Childhood Trauma and Artistic Vision"I think it's also a childhood trauma," she says when I ask her where her interest in bureaucracy comes from. "I've had to fill out forms for my mother since I was five, since she didn't speak any German. And by the time I was seven my German was better than hers. Bureaucracy was part of my childhood – I studied politics and administration because I wanted to understand it."Born in 1987 in Hai Duong, northern Vietnam, Tieu moved with her mother to what was by then the formerly socialist East German regions in 1992. They were joining up with her father, who had moved to the GDR five years earlier via a bilateral agreement for factory workers from the socialist republic.Initially announced in the romantic spirit of ideological solidarity, the treaty between the two states soon became a more hard-nosed deal, addressing ongoing labour shortages in East Germany while helping to rebuild a war-ravaged Vietnam, which took a...The Legacy of Forgotten WorkersTechnically there was no racism in the GDR, because it wasn't documented. But of course it always existed. This is the uncomfortable truth that Tieu's installation confronts – the erasure of immigrant experiences in official narratives, even as these workers were essential to East Germany's economy.Through her art, Tieu transforms personal memory into collective history, giving voice to the thousands of contract workers who built East Germany but were never fully acknowledged as part of its society. The Venice Biennale installation, with its meticulous recreation of a housing complex that many would prefer to forget, serves as both memorial and critique – a reminder that the stories of immigrants are integral to understanding modern Germany.The Future of Migration Narratives in ArtAs Europe continues to grapple with questions of migration and identity, artists like Sung Tieu are pioneering new forms of expression that move beyond personal stories to examine the structures and systems that shape immigrant experiences. By focusing on bureaucracy, architecture, and official documents, Tieu creates art that is both deeply personal and universally relevant.The Venice Biennale platform ensures that these often-overlooked histories reach a global audience, challenging visitors to reconsider their understanding of migration, labor, and belonging. As Tieu continues her exploration of these themes, we can expect more installations that transform bureaucratic systems into powerful artistic statements, creating spaces where the voices of the marginalized can be heard and remembered.
#Sung Tieu #Venice Biennale #Berlin
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Politics May 12, 2026

Escalation in Southern Lebanon: Israeli Airstrike Kills Six, Displacement Threats Rise Ahead of US‑Brokered Talks

An Israeli air raid on a house in Kfar Dounin killed six people and wounded seven, while new forced…
Israel’s military killed six people in an air raid on a house in the Kfar Dounin municipality of southern Lebanon on Monday night, intensifying violations of the U.S‑brokered cease‑fire that has existed only on paper.Six Killed in Kfar Dounin Airstrike and New Displacement OrdersTarget: residential house in Kfar Dounin, ~100 km south of Beirut.Casualties: six dead, seven wounded (treated in Tyre hospitals).Displacement threats: residents of Sohmor, Arzoun, Tayr Debba, Bazouriyeh and al‑Haush urged to flee.Additional damage: water‑pumping station in Deir Mimas blown up; homes demolished in Bint Jbeil.Casualty Toll and Damage Since the April 16 CeasefireMore than 500 people killed during the truce period.Total deaths since the March 2 invasion exceed 2,800.Israeli air force reports targeting over 1,100 sites in Lebanon since the cease‑fire began.Humanitarian Strain and Diplomatic Pressure on the TruceLebanese Ministry of Public Health and local officials warn that repeated attacks are forcing residents who previously returned to stay away, despite “significant escalation” reported by Al Jazeera.Lebanese Prime Minister Nawaf Salam has asked U.S. Ambassador Michel Issa to exert pressure on Israel to halt the violations ahead of a third Israel‑Lebanon meeting in Washington, D.C.Outlook for the Washington Talks and Regional StabilityThe upcoming meeting, described by Al Jazeera’s Rory Challands as “the next phase of a cease‑fire hanging on in name only,” is unlikely to produce an immediate face‑to‑face summit between President Joseph Aoun and Prime Minister Benjamin Netanyahu. The Lebanese side remains opposed to such a meeting until Israeli forces withdraw from southern Lebanon.Continued displacement orders and attacks could further erode any de‑escalation momentum, making U.S. diplomatic leverage critical in the weeks ahead.
#Israel #Lebanon #Hezbollah
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Sports May 12, 2026

Stephen A Smith's Criticism of Black Athletes Sparks Debate About Race and Politics

Former NBA player Etan Thomas explains why many Black people criticize ESPN's Stephen A Smith, high…
The LeadFormer NBA player Etan Thomas addresses ESPN commentator Stephen A Smith, explaining why many Black people feel he has "betrayed his race" despite his support for HBCUs. The letter outlines specific criticisms of Smith's commentary on Black athletes and his political positions.The Critique of Black AthletesThomas points out that Smith frequently criticizes Black male athletes with "passion and vitriol" that he doesn't reserve for white athletes and executives. He cites examples of Smith attacking figures like Kyrie Irving, Kwame Brown, LeBron James, Terrell Owens, and Kevin Durant while being less critical of white league officials and owners.Political InconsistenciesThe article highlights Smith's adoption of right-wing talking points, including his claim that racism isn't as prevalent in the US as some on the "left" claim. Thomas also notes Smith's controversial positions on ICE actions, his characterization of Democrats' legal efforts against Trump as "lawfare," and his criticism of Black politicians like Jasmine Crockett for not being respectful enough to Trump.The Voting Rights DebateThomas takes issue with Smith's suggestion that Black people should vote Republican to make Democrats work for their votes. He points out that while Democrats may not do enough for Black people, Republicans actively work against their interests, particularly citing the Trump administration's celebration of the Supreme Court gutting the Voting Rights Act.Economic Impact on Black CommunitiesThe article details the tangible consequences of political alignment, noting that under the current administration, the Black unemployment rate has risen to 8.2%, the highest since its pandemic peak. Thomas also highlights targeted federal workplace policies, cuts to Medicaid, and reduced opportunities in housing, lending, and education that disproportionately affect Black Americans.The Future of Sports CommentaryThomas acknowledges Smith's intelligence and effectiveness as a commentator but suggests he should reconsider the agenda he's promoting. The letter concludes by questioning whether Smith's criticism of Black athletes and his political positions serve the best interests of the Black community he claims to support.
#Stephen A Smith #Etan Thomas #Black athletes
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