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The Olympic Champion's Record Ambition Keely Hodgkinson has dangled the intriguing possibility that July's London Diamond League meeting could be the day where she takes down Jarmila Kratochvilova's 42-year-old 800m world record. The Olympic champion said she would wait until closer to the time before deciding whether to attempt to better the Czech's time of 1min 53.28sec, the oldest track and field world record still standing. A Potential Record-Breaking Showdown She joked that the meeting could turn into a "battle of the world records", with Josh Kerr, Britain's 1500m 2023 world gold medallist, aiming for a world mile record and the pole vaulter Armand Duplantis also competing. "I would love to have that happen on home soil," she said when asked about taking a crack at the 800m world record. "There's just the whole crowd and everything. As a British person it's just so much fun and it's definitely the main thing I'm looking forward to this year." Peak Physical Condition Hodgkinson confirmed she was in prime shape having kicked on in training after breaking the world indoor record in February and winning the world indoor championships in March. "So far, the preparation has gone very, very well," she said. "I'm very happy with where I'm at, I'm building on the indoor season that we've had. I've been healthy for a year now. I've not missed a training session, so I'm in a really, really good place." Outdoor Season Strategy The 24-year-old starts her outdoor season next week with a 400m in Rome before travelling to Stockholm on 7 June for her first 800m of the season. "The lineup in Rome is crazy," she said. "I've really thrown myself in the deep end. But it's quite good to put myself in a position where on paper, I think I'm going in slowest and against girls that have been doing this event and are world finalists and Olympic medallists." Long-Term Athletic Goals Hodgkinson said she has identified some major targets away from winning medals. "I was thinking about it the other day: 'Wouldn't it be really cool if I could do a sub-50, a sub-2 and a sub-4 in my career?" she said. "It's very difficult. But it's a nice little challenge to have in the background." These goals refer to sub-50 seconds in 400m, sub-2 minutes in 800m, and sub-4 minutes in 1500m.

The LeadSam Campbell's new Channel 4 mockumentary, Make That Movie, has been crowned the funniest TV show of the year. The series, which follows a former big-shot director helping ordinary people create bizarre, low-budget films, is a chaotic celebration of 'outsider art' and unhinged creativity.The Surreal Premise of 'Make That Movie'At the heart of the show is a high-concept premise that defies logic. Campbell plays a version of himself who was once a successful director but now spends his time driving around in a van with a giant model film camera on top. His mission is to help people in need by producing bizarre low-budget productions based on their outlandish ideas.Snake Transformation Thriller: A Da Vinci Code-style story where a couple changes into snakes (but not simultaneously).Cyber-Thriller for Pensioners: A Lawnmower Man-style plot where seniors physically enter computers by singing songs and inserting USB cables into their mouths.Animated Feet: A project designed to cheer up a couple trapped in a cave.A Refreshing Pivot from Trauma to AbsurdityThe show arrives at a critical cultural moment. The review highlights a 'decade-long tailspin' where television was dominated by trauma-focused narratives. Had *Make That Movie* been attempted a few years ago, executives would likely have forced a subplot about dissociating from an abusive childhood. Instead, the show offers pure, unadulterated silliness.Celebrating the 'Outsider Art' of Bad CinemaSam Campbell is described as having an 'alien' quality, a stark contrast to the typical 'everyman' comedian. His stock in trade is looking like a frozen Paul McCartney, and this unique persona drives the show's success. By worshipping films like Birdemic: Shock and Terror, Campbell validates 'bad' cinema as a form of glorious outsider art.The Future of Sam Campbell's Comedy EmpireWhile the format is packed with content—23 minutes to meet characters, hear ideas, and watch the finished product—the sprinting pace is by design. The review suggests that nothing will kill the show faster than lapsing into formula. As long as Campbell and his uncomprehending face remain fixtures on television, the show is poised to become a lasting cult classic.

Lead: NASA’s New Moon‑Base MilestoneNASA revealed that Blue Origin will conduct the first uncrewed lunar lander mission in a series of three scheduled for 2026, marking the agency’s initial move toward a $20 bn moon base. The decision, announced by NASA Administrator Jared Isaacman, places Bezos’s company ahead of SpaceX for this critical early contract.Blue Origin Secures First Uncrewed Moon Base MissionThe award designates Blue Origin’s Endurance cryogenic cargo lander to deliver scientific payloads to the Shackleton‑de Gerlache Ridge at the lunar south pole. The mission, targeted for launch as early as fall 2026, will be the first privately funded lunar lander flight in history.Contract awarded to Blue Origin over competing bids.Mission to test critical capabilities for future human‑landing systems.Part of a broader NASA roadmap that includes more than a dozen additional lunar missions through the decade.Financial Terms and Timeline of the 2026 Lunar MissionsNASA has allocated $230.4 million for each of the first two moon‑base missions, with the agency covering the majority of operational costs.Funding per mission: $230.4 million.2026 schedule: Three uncrewed missions, followed by “more than a dozen” missions in subsequent years.Related contracts: Smaller awards to Lunar Outpost, Firefly Aerospace, and other private firms supporting lunar‑to‑Mars projects.Strategic Implications for U.S. Lunar Ambitions and Private Space CompetitionThe selection underscores the Trump administration’s push to accelerate the Artemis program and establish a permanent lunar presence ahead of China. By leveraging private industry, NASA aims to lower taxpayer costs, stimulate a space‑economy job market, and maintain U.S. leadership in deep‑space exploration.Creates a direct competitive dynamic between Blue Origin and SpaceX for future crewed lander contracts (Artemis III, Artemis IV).Supports the “blueprint for an enduring lunar presence” with a target of operational capability by 2029‑2032.Aligns with national space policy goals of a “golden age of exploration” and a semi‑permanent lunar settlement.What Lies Ahead for NASA’s Moon Base and Commercial Lander DevelopmentFollowing the 2026 uncrewed flights, NASA will evaluate the performance of both Blue Origin’s Blue Moon lander and SpaceX’s Starship HLS during the Artemis III test mission in low‑Earth orbit. Successful demonstrations are expected to pave the way for crewed landings on Artemis IV (planned for 2028) and the eventual construction of Moon Base One.Industry observers anticipate that continued private‑sector involvement will accelerate technology maturation, reduce launch costs, and expand the commercial market for lunar payload services, setting the stage for a sustained human presence on the Moon.

A rapid expansion of data‑centres around Santiago’s Quilicura wetland is siphoning billions of litres of water, turning one of Chile’s largest swamps into a dry plain and intensifying a 15‑year mega‑drought. The Wetland’s Vanishing: On‑the‑Ground Observations in Quilicura Rodrigo Vallejos, a final‑year law student, first noticed the change five years ago when the once‑lush Quilicura wetland – spanning 468.4 hectares (about 1,200 acres) – began to dry out. He now works with the activist group Resistencia Socioambiental de Quilicura, documenting how the area, once a key urban biodiversity zone, is turning into “a wetland without water.” Water Consumption Numbers: Billions of Litres Drained Annually Experts estimate that the largest data‑centres in the district – operated by Google, Microsoft, Brazilian Ascenty and Chilean Sonda – consume roughly 1.5 bn litres of water each year. The scale is illustrated by the following figures: 33 data‑centres are currently operating, with 34 more planned. Google’s water rights allow extraction of up to 50 litres per second, equivalent to the annual use of 8,500 Chilean households. Water‑based cooling systems dominate, using far more water than air‑cooled alternatives. Ecological and Social Fallout: Why Chile’s Tech Push Risks a Mega‑Drought Crisis The water draw aggravates a national mega‑drought that has persisted for over 15 years. Climate scientist Pablo Sarricolea warns that by 2070 precipitation could fall sharply while average temperatures rise from 15.6 °C to 17.4 °C, increasing evaporation and further stressing water supplies. Residents also point to limited job creation and the lack of transparent reporting on water extraction. Company statements differ: Microsoft claims its Chilean sites rely on air‑based cooling, reducing water use, while Ascenty argues its water consumption equals that of only 16 households. Nonetheless, activists argue that prioritising water for tech firms over local communities raises ethical concerns. Looking Ahead: Relocation, Regulation, and the Future of Chile’s Data‑Centre Strategy Chile’s national data‑centre plan, launched under former President Gabriel Boric, aims to position the country as Latin America’s tech hub. Experts suggest a shift to water‑rich southern regions to balance growth with ecological limits. Stronger industry regulation, transparent water‑use reporting, and investment in air‑cooled or renewable‑energy‑based cooling could mitigate the crisis. Without such measures, the Quilicura wetland may become a stark symbol of how unchecked digital infrastructure can deepen climate vulnerability in already water‑scarce regions.

The Wigmore Hall's 125th Anniversary Celebration Wigmore Hall, a renowned venue for classical music, marked its 125th anniversary with a special gala concert. The event was a partial recreation of the hall's inaugural concert in May 1901, which featured a starry lineup including Ferruccio Busoni and Eugène Ysaÿe. A Tribute to the Past The concert began with a performance of the national anthem, 'God Save the King,' followed by a new piano version of Thomas Adès' 2023 guitar piece 'Vesper (for Henry Purcell).' Adès also performed Beethoven's Op. 109 piano sonata, which showcased his dramatic and polished style. Musical Highlights Thomas Adès performed a new piano version of his 2023 guitar piece 'Vesper (for Henry Purcell)' and Beethoven's Op. 109 piano sonata. Louise Alder and pianist Joseph Middleton performed three Schubert songs, ending with 'Erlkönig,' which was almost like a mini-opera. Alina Ibragimova played the second half of Bach's first Partita for solo violin, in B minor, with freshness, precision, and elegance. Cédric Tiberghien joined Ibragimova for Beethoven's Romance in G and performed Brahms's Paganini Variations. The Venue's Legacy Wigmore Hall has a rich history dating back to 1901 when it was built by Bechstein, a piano manufacturer. The hall has continued to host concerts through the years, including performances by notable artists like David Bowie. Despite facing economic challenges, the venue remains a London home for solo recitals, chamber music, and song. Looking to the Future The Wigmore Hall's 125th anniversary festival continues until June 7, with all concerts being broadcast on BBC Radio 3 and available on BBC Sounds for 30 days. This celebration is a testament to the venue's enduring legacy and its commitment to showcasing classical music.

Sonny Rollins' Enduring Legacy: 10 Essential Recordings Sonny Rollins, a jazz icon, has left an indelible mark on the music world. With a career spanning over seven decades, Rollins has consistently pushed the boundaries of jazz, showcasing his mastery and innovation. Here are 10 of his greatest recordings: Tenor Madness (released on Craft/OJC, 1956) A 30-year-old Sonny Rollins had already made his unique mark with Miles Davis and Thelonious Monk by the time this 1956 session was cut. Hooking up with his contemporary and admirer John Coltrane happened by chance on the two-tenor blues chase of this album's title. Saxophone Colossus (Prestige, 1957) This writer's first connection with Sonny Rollins' music was occasioned not by music but words: poetic New Yorker writer Whitney Balliett's evocative review of Sonny Rollins' 1957 Saxophone Colossus. Rollins was partnered on this classic set by pianist Tommy Flanagan, bassist Doug Watkins, and bebop-pioneering drummer Max Roach. Way Out West (Contemporary, 1957) When UK jazz musician Courtney Pine was blossoming as a teenage saxophonist in the early 80s, he would recall that Sonny Rollins' 1957 recording Way Out West was a key inspiration. The format was a Rollins favourite in his own early years – the demanding setup of a sax improviser with just bass and drums in support. A Night at the Village Vanguard (Blue Note, 1957) Rollins' live recordings are not as abundant as his genius in open situations deserves, but this music from New York's Village Vanguard makes up a lot of the ground. Freed from the march of chords by the absence of a pianist, he's in storming form in the company of rock-solid bassist Wilbur Ware and soon to be legendary Coltrane drummer Elvin Jones. Freedom Suite (Riverside, 1958) Rollins was never a natural composer – like Miles Davis, he preferred tunes that could be sketched on the back of envelopes. But Freedom Suite was an interesting departure for him, occasioned by the political climate of US race relations and civil rights in the late 1950s. The Bridge (RCA, 1962) Rollins took a creative break between 1959 and 1961, and his return came with The Bridge, named after the eccentric refuge he found: practising alone on New York's Williamsburg Bridge with only passing trains for company. Live at Ronnie Scott's (Gearbox Records; recorded January 1965) Rollins' visits as a solo performer to London's Ronnie Scott's club in the late 50s and early 60s introduced his mesmerising magic to UK audiences, and also helped to galvanise the local scene's confidence at a time when European jazz became increasingly emancipated from the US. Sunny Days, Starry Nights (Milestone, 1984) From the 1980s onwards, Rollins settled into a concert groove that was predictable – by his exacting improvisational standards – and frequently dazzling for audiences new to him. Sunny Days, Starry Nights showcased him with partners who would regularly join him on stage for the rest of his life. This Is What I Do (Milestone, 2000) The best and most affectionately closeup manifestation of Sonny Rollins' genius as he hit his 70s. The saxophonist's later-life partners are present, and so is one of contemporary jazz's greatest drums pioneers in Jack DeJohnette. Without a Song: The 9/11 Concert (Milestone; recorded 2001) Sonny Rollins and his wife, Lucille, lived close to the World Trade Center, witnessed the buildings' collapse on 9/11, and had to evacuate their apartment shortly afterwards. Four days later, the saxophonist performed and recorded this evocative session with his regular sidemen at the Berklee School of Music in Boston.

The Filmmaker's Foray into Documentary Lucrecia Martel, the celebrated director of films like La Ciénaga and The Headless Woman, has expanded her creative horizons with Landmarks, a documentary that scrutinizes a murder trial with far-reaching implications. The film navigates the intricate dynamics between Indigenous communities and the descendants of colonists, set against the backdrop of Argentina's Tucumán province. The Case at the Heart of the Story The documentary centers on the tragic killing of Javier Chocobar, a 68-year-old member of the Indigenous Chuchagasta people. Chocobar was fatally shot during a confrontation with men claiming rights to mine the land. Martel weaves the grainy, shaky footage of the incident into her narrative, juxtaposing it with breathtaking drone shots that capture the vast, poetic landscapes. Exploring Themes of Land and Legacy Martel's concerns extend beyond aesthetics; she places people at the core of her story. Through interviews and personal stories, the film sheds light on Chocobar's life, his family, and the struggles of the Chuchagasta community. A particularly chilling aspect of the documentary reveals how the state and local landowners have attempted to erase the Chuchagasta people, claiming they became extinct in the 19th century. A Quiet yet Powerful Testimony Martel allows the subjects of her film to present their case with quiet dignity, steering clear of strident rhetoric. The documentary is described as beautiful yet occasionally soporific, with a stately pace that allows for deep reflection on the issues presented. What's Next for Landmarks Landmarks is set to screen at Bertha DocHouse in London starting from May 29. This documentary promises to be a significant cultural and cinematic event, offering viewers a chance to engage with pressing social issues through Martel's unique lens.

The Unlikely World of Greenland Football In a world where football often conjures images of packed stadiums and international superstars, 'No Place for Football' offers a refreshing look at the sport's fringes. The documentary focuses on Greenland's eight-team championship playoff, bringing to light the struggles of the country's football enthusiasts. The Challenges of Playing Football in Greenland The film highlights the difficulties faced by Greenland's footballers, from battling ice and snow to dealing with travel issues that make it hard to arrange matches against teams from outside the island. The team captain, Patrick Frederiksen, is shown hunting for seals, while giant icebergs float near the football pitch. The short playing season, due to the country's harsh climate, is a significant obstacle. The Data Behind Greenland's Football Struggles Greenland has only a few short summer weeks where the weather thaws enough for outdoor matches. Travel issues make it almost impossible to arrange games against teams other than local sides. The country's national side has been turned down by Fifa's North and Central Americas organisation Concacaf. The Impact on Greenland's Football Community Despite the challenges, there seems to be plenty of enthusiasm for football in Greenland. However, the country's footballing powers-that-be appear reluctant to give official sanction to the national side. The documentary offers an interesting insight into the fringes of the global game, showcasing the determination and passion of Greenland's footballers. The Future of Greenland Football As climate change continues to affect Greenland, it's possible that warmer weather could increase the country's chances of developing its football scene. For now, 'No Place for Football' provides a unique perspective on the sport's grassroots level, highlighting the struggles and triumphs of Greenland's football community. The film is available on digital platforms from May 29.

The Enduring Appeal of Sherlock Holmes In 1893, Sherlock Holmes' older brother, Mycroft, was introduced in The Adventure of the Greek Interpreter by Arthur Conan Doyle. Over a century later, Sherlock Holmes has achieved near-ubiquity, spawning numerous adaptations that stretch his life in various directions. The Recent Surge in Remakes This year alone has seen the release of Prime Video's Young Sherlock and an Enola Holmes threequel. Work has begun on a second series of Sherlock & Daughter, starring David Thewlis, and there are rumors of Robert Downey Jr reprising his role for a third big-screen adventure. The Data Analysis More than 100 years of Sherlock Holmes adaptations have shown no signs of slowing down. Recent adaptations include Sherlock Holmes films by Guy Ritchie, Benedict Cumberbatch's modern-day Sherlock, and Ian McKellen's Mr Holmes. The Impact Analysis The article questions whether the world has reached a Sherlock saturation point, given the numerous adaptations. However, Steven Moffat believes there's always been adaptations of Sherlock Holmes and no loss of appetite for them. The Prediction Despite concerns about saturation, the iconic detective's enduring appeal and the rich characters created by Conan Doyle ensure that Sherlock Holmes will continue to inspire original work. The Sherlock Holmes Society of London welcomes reinterpretations that respect the original texts, suggesting that Sherlock will remain a beloved character for years to come.