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Lionel Messi delivered a brace to propel Inter Miami to a 3-2 victory over the Colorado Rapids on Saturday in Denver, securing three points in Major League Soccer and keeping the club in contention for a strong playoff push.The match, held at Empower Field before a crowd of 75,824 spectators—the second‑largest attendance in MLS history—saw Miami take an early lead when a pass from goalkeeper Zack Steffen was intercepted by Yannick Bright, allowing Messi to convert a 13th‑minute penalty and put the visitors ahead 1-0.Inter Miami extended the advantage to 2-0 during first‑half stoppage time after a swift passing sequence culminated in a header by German Berterame, set up by Rodrigo De Paul’s cross. Colorado responded with goals from Rafael Navarro (58') and substitute Darren Yapi (62'), leveling the score at 2-2.Messi reclaimed the lead in the 79th minute, launching a solo run from midfield and striking the ball into the upper left corner for a go‑ahead goal. The Argentine’s decisive strike proved crucial as Miami held on despite being reduced to ten men when Yannick Bright received a red card in the 87th minute.With the win, Inter Miami improved to 4‑1‑3 (15 points) while Colorado slipped to 4‑4‑0 (12 points), underscoring Miami’s upward trajectory in the Eastern Conference standings.Beyond the result, the match highlighted the growing popularity of MLS, drawing a near‑record crowd and showcasing Messi’s continued impact on the league’s global profile.

In a groundbreaking achievement, a humanoid robot has shattered the world record at a Beijing half-marathon, showcasing the rapid advancements in Chinese technology. The robot, equipped with an autonomous navigation system and sponsored by Chinese smartphone maker Honor, completed the approximately 21km course in 50 minutes and 26 seconds, averaging a speed of about 25km/h (15.5mph).This remarkable feat surpasses the current men's world record of 57:20, held by Ugandan runner Jacob Kiplimo. The event, held in Yizhuang, Beijing, featured over 100 humanoid robots, a significant increase from last year's 20 entries. Spectators witnessed a range of robots, from highly agile ones mimicking famous runners like Usain Bolt to those with more basic capabilities.The rapid progress in robotics has sparked both excitement and concern among onlookers. Han Chenyu, a 25-year-old student, described the event as 'pretty cool' but also expressed worries about the potential impact on jobs due to advancing technology. Xie Lei, a 41-year-old observer, noted that humanoid robots could become integral to daily life within several years, potentially assisting with tasks like housework, elderly care, or dangerous jobs.The humanoid half-marathon aims to encourage innovation and popularize the technologies used in creating and operating such machines. The industry's strength is evident, with 73.5 billion yuan ($10.8bn) invested in robotics and embodied AI in China in 2025, according to a government agency study. As technology continues to advance, it raises questions about humanity's role and the potential for robots to surpass human capabilities in various fields.

Pope Leo XIV has addressed tens of thousands of faithful near Angola's capital, Luanda, urging the country to overcome divisions and corruption during a landmark tour of Africa. Speaking at an open-air Mass on Sunday in the town of Kilamba, Leo addressed the country's civil war-scarred past, which he said has brought enmity and division, squandered resources and poverty.The pontiff arrived in the Portuguese-speaking nation on Saturday for the third leg of a four-nation tour of the continent, which began in Algeria and Cameroon and will also include a stop in Equatorial Guinea. At a meeting with Angolan officials, including President Joao Lourenco, Leo spoke out against the suffering and social and environmental disasters caused by the rampant exploitation of natural resources.Leo said he is not afraid of the Trump administration and will continue to speak out against war. The pope's rhetoric has put him at odds with Trump, who last week called the Catholic leader weak and terrible for foreign policy. Many people who attended the Mass at Kilamba arrived early in the morning in anticipation, with Sister Christina Matende saying, The pope coming here is a joy. We are living in a moment of a lot of difficulties, and we are waiting for the blessing of the pope.

Pope Leo XIV has arrived in Angola, marking the third leg of his landmark African tour. The visit comes at a time of heightened tensions with US President Donald Trump, who has publicly criticized the Pope's stance on various issues, including the Middle East conflict. The Pope's visit to Angola is significant, as he is the third pontiff to do so, following John Paul II in 1992 and Benedict XVI in 2009. During his stay, he is expected to meet with Angola's President Joao Lourenco and deliver a speech to the nation, where approximately 44 percent of the population identifies as Catholic. The Pope's message of world peace and his warnings against corruption and exploitation are likely to resonate deeply in Angola, a country that emerged from a 27-year civil war in 2002. About one-third of Angola's population lives below the poverty line, despite the country's vast fossil fuel reserves. Throughout his Africa visit, Pope Leo has been vocal about his concerns regarding corruption, the exploitation of resources, and the dangers of artificial intelligence. His statements have drawn attention and sparked discussions globally, particularly in the context of his public disagreements with President Trump. The clash between the Pope and Trump escalated when Trump called the Pope 'weak on crime' and 'terrible for foreign policy'. The Pope responded by stating he was not afraid of Trump and would continue to speak out against war. This public exchange marks a rare instance of a pontiff and a sitting US president engaging in a public dispute. During his visit, the Pope will also celebrate an open-air Mass in Kilamba and travel to Muxima and Saurimo for further engagements. His 18,000km African tour will conclude in Equatorial Guinea.

Al-Noor Centre has become a vital source of hope for blind children living in the besieged Gaza Strip. In a region where basic infrastructure is strained, the centre offers specialized education, mobility training, and psychosocial assistance that enable young patients to navigate daily challenges. By delivering tailored services, the centre not only addresses the immediate needs of its beneficiaries but also underscores the broader importance of disability‑focused humanitarian aid in conflict zones. Such initiatives help mitigate long‑term social exclusion and foster greater community resilience. Stakeholders and donors recognize that supporting facilities like Al-Noor is essential for safeguarding the rights of children with disabilities, especially amid ongoing security and economic pressures. The centre’s work illustrates how targeted interventions can serve as a lifeline, offering both practical assistance and a sense of dignity to a vulnerable population. As Gaza continues to grapple with humanitarian challenges, the sustained operation of the Al-Noor centre stands as a testament to the impact of focused aid programs that prioritize the most marginalized groups.

The United Nations' senior aid coordinator has issued a stark warning that South Sudan could be on the brink of a full-scale famine. The alert highlights the escalating food insecurity across the war‑torn nation and calls for immediate humanitarian assistance to avert a catastrophic humanitarian disaster. Urgent action from the global community is essential to deliver food, nutrition, and medical aid to vulnerable populations, whose livelihoods are already strained by ongoing conflict and displacement. The warning serves as a critical reminder of the fragile stability in the region and the potential socioeconomic fallout if the crisis deepens.

On April 18, 2026, the Guardian published a feature questioning if the forthcoming Michael Jackson biopic can alter public opinion about the legendary pop star. The piece explores the film’s potential to revisit Jackson’s artistic achievements, personal controversies, and enduring cultural impact, asking whether cinematic storytelling can outweigh decades of media scrutiny.The article notes that biopics often serve as powerful narrative tools, capable of reframing historical figures for new generations. By focusing on previously under‑examined aspects of Jackson’s life—such as his creative process, studio collaborations, and the pressures of fame—the film may offer a more nuanced portrait. Critics, however, caution that any dramatization risks oversimplifying or sensationalising complex truths.Industry insiders quoted in the piece suggest that the biopic’s success will hinge on its balance between artistic license and factual integrity. Box‑office projections indicate strong audience interest, especially among younger fans who know Jackson primarily through his music and viral moments. If the film resonates, it could prompt a broader reassessment of his legacy, influencing everything from streaming playlists to academic discourse.Ultimately, the Guardian concludes that while a single film cannot rewrite history, it can spark conversation. Whether the biopic will shift the collective memory of Michael Jackson remains an open question, dependent on both its narrative choices and the public’s willingness to engage with a more layered story.

Recent years have proved challenging for Madonna. Her 2024 tour sparked controversy when a group of fans filed a lawsuit over her arriving onstage two hours late, underscoring the growing disconnect between expectations and reality.Her last three studio releases have received mixed critical reactions and have seen sales roughly halve with each successive album – from the lukewarm reception of 2012’s MDNA and 2015’s Rebel Heart to the even more niche appeal of 2019’s experimental Madame X, which blended trap, reggaeton, Portuguese fado and politically charged lyrics.In an era where her own singles struggle to chart, Madonna’s most notable recent commercial win came from a featured appearance on The Weeknd’s 2023 hit “Popular”, rather than from a solo release.Despite the “Queen of Pop” moniker still clinging to her name, some observers argue that branding her upcoming record as a sequel to the 2005 dance‑floor classic Confessions on a Dance Floor hints at desperation. Others contend it simply reflects a strategic return to her strongest creative territory.Evidence suggests the new album, tentatively titled Confessions II, is being crafted largely with longtime collaborator Stuart Price, the producer behind the original 2006 record, reinforcing the project’s club‑centric pedigree.The teaser track “I Feel So Free” embraces classic house aesthetics. Its DNA includes nods to Lil Louis’s 1989 anthem “French Kiss,” a bassline reminiscent of Donna Summer’s “I Feel Love,” and an acid‑line that surfaces around the four‑minute mark, creating a hypnotic, late‑night dancefloor atmosphere.Structurally, the song eschews a conventional chorus, opting instead for a gradual build typical of underground dance tracks, and it avoids the bombastic drops common in contemporary EDM.Madonna’s vocals are delivered as spoken‑word excerpts from a 2021 interview with fashion magazine V, repurposed to celebrate nightclubs as spaces for personal reinvention – a lyrical approach that would feel at home in a mid‑90s New York Sound Factory set.Overall, the track feels like a soft launch for the album: it is less pop‑oriented than the unnamed song she performed at Coachella, yet it is meticulously produced, authentically rooted in house music, and showcases Madonna as herself rather than a chameleon chasing fleeting trends. This bodes well for the full release of Confessions II, suggesting a confident, club‑driven direction for the pop legend’s next chapter.

The V&A East has unveiled its first major exhibition, The Music is Black, a landmark survey of Black British music. Curated by Jacqueline Springer, the exhibition spans from early African drumbeats to contemporary pop and drill music, showcasing 200 items that highlight the rich history and influence of Black British music.The exhibition features iconic items such as Pauline Black's 2 Tone outfit, Stormzy's 2019 Glastonbury vest, and a drum sculpture by Ben Enwonwu. These artifacts are part of a broader narrative that aims to position Black British music as central to the UK's cultural story.Gus Casely-Hayford, the V&A East's artistic director, emphasizes the importance of repositioning Black British sound as a core part of British cultural heritage. The exhibition is part of a larger trend of recognizing and celebrating Black British music, including recent events like the 30th anniversary of the Mobo awards and the dominance of Black acts at the Brit awards.The V&A East's expansion is seen as a significant move to promote diversity and representation in cultural institutions. Despite some criticism of the building's design, the exhibition has drawn large crowds, with hundreds of people attending the launch events.The exhibition also highlights overlooked figures in Black British music history, such as Hewan Clarke, the original Haçienda resident DJ. The V&A East aims to continue this innovative approach with its latest expansion.