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The LeadGame of Thrones actress Hannah Murray shares her experience of being sectioned in a psychiatric hospital in her new memoir "The Make-Believe: A Memoir of Magic and Madness." The actress describes her mental health journey and the experience of being involuntarily admitted under the Mental Health Act.The Hospital ExperienceThe door to the room opens. A man enters the room. He is a Black man, bald and overweight. He is dressed in uniform. Blue uniform, a blue lanyard that reads "NHS". But I know Steve, the leader of the organisation that introduced me to magic, is a magician. I know he can appear in disguise.I approach the man and try to kiss him.He does not let me kiss him. Then no. It is not Steve.The man has brought me a plate of toast. He has brought me a cup of tea. I add sugar to the tea, which I would never have done in my former life, but a spoonful of sugar helps the medicine go down!I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive … I will never need to eat again. I survive on liquids and air and lightI do not eat the toast. I drink the tea. I am alone in the room again and I urinate into the cup and drink that too.I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive. It is the most potent of potions I can drink. I am a self-contained, utterly self-sufficient being. I will never need to eat again. I survive on liquids and air and light.I decide to explore outside the room. Outside my sanctuary. He has not come. So maybe I need to go searching for him …The Phone CallTime jumps. I am in a corridor lit by overhead strip lights. The electric light is pale yellow in tone. I am sat on one of three chairs in a row against the wall. The chairs are purple, curved plastic. I am still waiting for him to appear.There are two doors in front of me. One is the door to the blue room with the blue sofa and chair. Behind the other door is an office of some kind, and there is a woman in there, shuffling papers and talking on the phone.The woman comes out of the office. She is holding out my phone. My only possession now – the one artefact from my previous life. There is someone she wants me to speak to.Him.When I hold the phone to my ear, I hear a voice I recognise.But the voice belongs to my mother."Hannah?" she says. "Where are you? What's going on?"There is distress in her voice. Her voice is trembling with pain and anxiety.I do not want to hear it.This is a test. A horrible test, certainly, but one that I can pass. They are trying to tempt me back into the human. They are trying to lure me back into the past.I hang up the phone.But, after a moment, it starts to ring. The word Mum lights up the screen."Talk to her," says the woman.I answer the call.My mother sounds different now. Calmer. She asks again what's going on but gently, even cheerfully. I tell her everything's OK. That I'm fine. I tell her not to worry. I'm in a good place.This is the last time I will ever hear her voice, I think. This is the way I say goodbye.The DiagnosisThey tell me I am being sectioned.The words jar with my beliefs."Section 2 … the Mental Health Act … 28 days … right to appeal … "I cock my head.This does not fit at all. It does not fit in the world of Steve, of Ritual Master, of Shambhala and the invention of magic.I am not concerned. I am concerned only with the energy I can feel spiralling up through my body and the voices I can hear in my head.I pace the hospital corridors, delivering a tearful monologue, delivering the greatest performance of my life. A phrase comes to me. The Girl With All the Gifts. The title of a post-apocalyptic horror film released in 2016, starring Gemma Arterton.I am a magician. I am an actress. I am a writer. I have superhuman strength. I can fly. Anything that can be imagined, I can perform it. Every skill and every ability is mine.The film came out as a warning, and a prophecy.And because of me, the apocalypse has been averted.I am the saviour of the planet. I am the girl with all the gifts.The Journey to RecoveryIt was very hard, the journey to get here. It took 27 years. The path was twisting and full of setbacks, there were challenges and so much pain. There were times I wanted to give up. It was very hard. Everyone will have to make their own journey, and their journeys will be their own, unique as snowflakes or fingerprints. That is the beauty of it, the joy of it. Everyone has to figure it out for themselves.But I have laid the groundwork. I have walked the path. It starts with the energy healing, and it goes on and on through the seven dimensions, through increasingly magical planes. It goes on and on until you meet your soulmate, like I met mine.I was in a TV show called Game of Thrones, hidden in plain sight in the midst of a cultural phenomenon. I, the key to the world's salvation, wore the face of a character called Gilly, but really I played every role. Then I worked on a film called Detroit in Boston. David Benioff and Dan Weiss and Kathryn Bigelow were the four horsemen of the apocalypse. Numbers are irrelevant. Three counts as four. David and Dan and Kathryn cast me in the roles that brought about my destiny. The end and beginning of the world.I am the Ur-actress. I am every actress. Every performance ever given has been animated by my energy, my talent, by the gestures and facial expressions I am performing here and now.The Memoir and BeyondThis is an edited extract from The Make-Believe: A Memoir of Magic and Madness by Hannah Murray, published by Cornerstone (£18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.Hannah Murray will be in conversation with Jessie Cave at Kings Place in London on 5 June.

The Spygate Scandal That Reshaped the Championship PlayoffsWhen television cameras captured Hayden Hackney crying after Middlesbrough's extra-time defeat to Southampton in the Championship playoff semi-final, little did the Championship's player of the season know that images captured days earlier would ultimately ensure his presence at Wembley. Southampton's expulsion from the playoffs for spying on Middlesbrough's training session has set up an unexpected final between Boro and Hull City, with both teams attempting to disregard the surrounding 'weird and crazy' noise.The Unfolding of the Spygate ScandalThe controversy began when Southampton manager Tonda Eckert dispatched an intern analyst, William Salt, to film one of Middlesbrough's pre-match training sessions on his phone. The mission's aim was to assess the availability of Hayden Hackney, who had been sidelined with a calf injury. Unfortunately for Salt, a freelance photographer on assignment with Middlesbrough happened to capture images of him attempting to conceal himself between a tree and a bush.Middlesbrough promptly submitted a formal complaint to the English Football League (EFL), and 'spygate' began gaining rapid traction in the national news agenda. The disciplinary commission subsequently expelled Southampton from the playoffs and docked them four points for the next season. When Southampton's appeal was dismissed just over 24 hours later, the precedent was set that would ultimately send Middlesbrough to Wembley.The Financial Stakes of the Unexpected FinalThe Championship playoff final represents a potential windfall of at least £205m in additional Premier League revenue for the winner. Hull City owner Acun Ilicali has spent recent days consulting lawyers who believe Southampton's expulsion should result in automatic promotion and the cancellation of the playoff final. Meanwhile, Jakirovic has bought 70 Wembley tickets for family and friends from Croatia, highlighting the personal significance of this unexpected opportunity.For Middlesbrough manager Kim Hellberg, the situation has been particularly challenging. 'The head is tired,' admitted the 38-year-old as he discussed a 'weird and crazy' fortnight. 'There's been a lot of emotion. I haven't been able to sleep.' Hellberg's initial plan to keep the players training between the semi-final and the disciplinary commission was disrupted, making preparation for the final unusually difficult.How the Scandal Echoes Previous Football Espionage CasesThe EFL disciplinary panel's judgment was heavily informed by the so-called 'Canada case' from 2024, where Canada women's coach Bev Priestman was found to have choreographed a spying operation against New Zealand at the Paris Olympics. Canada was docked six Olympic points, and Priestman and two of her staff were banned from football for a year by FIFA.As Eckert contemplates a career in apparent tatters, he can take some heart from Priestman's impressive comeback at New Zealand's A-League women's side Wellington Phoenix. However, Eckert faces not only the sack at Southampton but a Football Association inquiry into his supervision of espionage against not merely Middlesbrough but Oxford and Ipswich, too, with a potential ban looming.Two Managers' Unexpected Paths to WembleyWhile Middlesbrough's Swedish manager Kim Hellberg was a surprise appointment when he swapped Stockholm's Hammarby for Teesside after Rob Edwards's defection to Wolves last November, Hull's Sergej Jakirovic had even more modest ambitions. Back in August, finishing 'somewhere between 10th and 15th' represented the summit of his aspirations when he arrived from Turkey.When Jakirovic took over at Hull, the club had just avoided relegation to League One on goal difference on the final day of the previous season. Moreover, an EFL transfer embargo restricted him to recruiting free agents and loan signings. Hull's sixth-placed league finish and defeat of Millwall in the playoff semi-final emphasizes that Hellberg would be unwise to underestimate the tactical talent of this Mostar-born Jürgen Klopp admirer and gegenpressing disciple.The Future of English Football Post-SpygateThis scandal has raised important questions about the integrity of English football and the measures needed to prevent similar incidents in the future. The EFL will likely face pressure to strengthen its regulations regarding spying and unauthorized filming of training sessions. Meanwhile, both Middlesbrough and Hull City must now navigate the unique challenge of preparing for a playoff final that neither expected to reach just weeks ago.For the players, particularly Hayden Hackney who is expected to make his first appearance since March, the final represents an opportunity to write their own story, separate from the controversy that has dominated the headlines. As both teams prepare for Wembley, the focus will shift from the 'weird and crazy' spygate noise to the football itself, with the winner securing a place in the Premier League and the financial rewards that come with it.

The Road to Wembley Hull City owner Acun Ilicali is set to take his team to Wembley for a chance to secure a Premier League spot. The Turkish media mogul has been at the helm of Hull since January 2022 and has overseen a tumultuous period, including multiple coaching changes and playoff battles. The Coaching Carousel Ilicali has changed coaches several times, which some attributed to his ego. However, he claims it was due to his 'lack of ego,' as he aims to correct mistakes and find success. The current coach, Sergej Jakirovic, was appointed after a series of changes, and Ilicali is optimistic about the team's chances. Overcoming Adversity The team has faced challenges, including the 'spygate' scandal involving Southampton. Despite this, Hull secured sixth place on the final day and defeated Millwall to reach the playoffs. Ilicali is proud of his team's achievement and believes they have a good chance of promotion. Financial Commitment and Future Plans Ilicali has invested significantly in the team, spending over £100m and owning every player who started the recent win against Millwall. He is committed to long-term recruitment and is optimistic about the team's future prospects. Premier League Ambitions If Hull City secures promotion, Ilicali is aware of the challenges they will face in the Premier League. He cites Sunderland as an example of a team that can survive their first season and progress. Ilicali is not afraid of failure but is focused on helping the team learn and grow.

The Churchill Exhibition: War Leader's Artistic EscapeBritain's eloquent war leader kept himself sane by puffing on cigars, swilling brandy – and painting the world around him. The Wallace Collection in London is hosting "Winston Churchill: The Painter" from 23 May to 29 November, offering a rare glimpse into the artistic side of the historical figure.New Voices in Contemporary ArtThe London art scene is buzzing with new exhibitions featuring contemporary artists:Kira Freije presents hollow metal people at Modern Art Oxford, showing shadows of Berlin Dada in her work. The exhibition runs from 23 May to 16 August.Miriam Elia, known for her witty take on Ladybird books, turns her eye towards Moses in this exhibition for Jewish Cultural Month at JW3, until 30 June.Liam Young offers futuristic but lo-fi worlds you can walk through at the Barbican, until 6 September, with installations finding hope for our planet.Zsuzsi Ujj presents her first UK solo show at Arcadia Missa, from 22 May until 18 July, establishing her presence from Hungary's dissident art and underground music scenes.Remembering Valie ExportThe art world mourns the passing of Austrian feminist artist and film-maker Valie Export, who died this week. Her 1968 performance piece "Tapp und Tastkinema" (Tap and Touch Cinema) is highlighted as typically provocative but playful, giving people the opportunity to interact with and appraise a real female body: her own. Export's fearless approach to challenging beauty standards continues to influence contemporary artists.Notable Art News and DevelopmentsThe week brought several significant stories from the art world:Taiba Akhuetie makes wild creations out of hair – Rihanna and Cate Blanchett are fansWhistler should have used better paint to capture his motherNina Simone's chewing gum is going on show in a new exhibition celebrating the superfanChristo made the invisible visibleGrayson Perry's life story is to be made into a musicalFlorentina Holzinger rocked this year's Venice Biennale with naked jetskiers, human bells and urine diversGen Z can't get enough of the king of colour, Mark RothkoSanya Kantarovsky's paintings of Christian iconography and children will haunt youMasterpiece of the Week: The Judgement of ParisJoachim Wtewael's "The Judgement of Paris" (1615) stands as this week's masterpiece. The painting depicts the moment when Trojan prince Paris foolishly rates the beauty of Minerva, Venus, and Juno, giving the prize to Venus in return for her helping him seduce Helen. This decision sparked the Trojan War, with the Greeks supported by the furious Juno. Wtewael's mannerist style, with its bony, angular forms and deliberate distortions, creates an overabundance that presages doom, reflecting the war-torn Europe of the 1600s. The painting is on display at the National Gallery in London.

Heatwave Fuels Surge in Holiday Road TravelTemperatures are forecast to exceed 30 °C in parts of the UK this Monday, turning the late‑May bank holiday into a high‑traffic event. Motoring groups warn that the combination of heat and the start of the half‑term break will make coastal roads and border crossings exceptionally busy.Key Traffic Figures for the Long WeekendThe RAC expects almost 19 million drivers on Britain’s roads, 1 million more than the same period in 2025.Nearly four in ten drivers plan a leisure trip, with the peak traffic on Friday and Saturday.About 5 % of drivers say high fuel prices will keep them at home; the average petrol price is 158.52p, the highest since December 2022.Coastal destinations on England’s east and north‑west coasts, as well as routes to the south‑east and Cornwall (A303, M5, A38), are flagged for severe congestion.Transport analytics firm Inrix predicts the worst bottlenecks on the M1, M25, M5, and M6.Border Checks and Rail Disruptions Compound DelaysAt the Port of Dover, the EU’s entry‑exit system (EES) remains partially manual, leading to hour‑long queues for the estimated 18 000 travellers between Friday and Sunday. Ferry departures peak on Saturday morning.Rail services will also face interruptions: £64 million of engineering work continues, with replacement buses on the east‑coast mainline (London‑Edinburgh) and the Great Western mainline (Newport‑Bristol Parkway). Strikes by the TSSA union will reduce timetables on routes linking the Midlands, Birmingham, Liverpool, and London.Broader Implications for UK Travel and EconomyThe surge in road traffic and associated delays could strain fuel supplies, exacerbate congestion‑related emissions, and pressure border infrastructure. Despite these challenges, demand for domestic and short‑haul leisure travel remains robust, with the AA noting a higher proportion of day trips to the coast than overnight stays, and the travel association ABTA reporting strong bookings for Mediterranean holidays.What to Expect Over the Bank Holiday WeekendTravelers should anticipate the heaviest road congestion on Friday and Saturday, especially on the highlighted motorways and coastal routes. Ferry passengers at Dover are advised to arrive early to avoid prolonged border checks. Rail users should check for service alterations and consider alternative routes or modes of transport, given ongoing engineering works and strike‑related reductions.

The Performance We know that Aeneas is going to sail away. We know it before he arrives, before he declares his love to Dido, and certainly before the Sorceress and her witchy acolytes get all eye-of-newt about it. But when your opera house is the great hall under the Cutty Sark, and the clipper’s 200ft copper hull is rearing up over your head, it’s impossible to forget the tragedy that Purcell’s compact drama has in store. The Staging So you have to wonder why Andrew Staples, director of the Monteverdi Choir’s semi-staging, felt the need to work quite so hard? The space is the staging. You can try to ignore it (no mean feat when the museum’s collection of antique figureheads flanks the stage in a surreal guard of honour: Florence Nightingale rubbing painted wooden shoulders with Disraeli, Sir Lancelot and a selection of buxom lovelies), but you can’t work against it; you simply won’t win. The Musical Performance Close your eyes, though, and this was a rich account. Conductor Jonathan Sells rode every darting, eddying current in the score, the English Baroque Soloists a colourful, abandoned force in celebration, infinitely restrained elsewhere. Best of all were unaccompanied choral moments – “With drooping wings”, or the two interpolated Funeral Sentences – where movement and time stilled together, voices absolutely unified in their inflection, carving the music’s emotions with devastating clarity. The Vocal Performances The space’s natural resonance allied to some big voices made for an exciting central drama. German-Egyptian mezzo Karima el Demerdasch (definitely one to watch) was a voluptuous-voiced Dido, her suicidal queen still coming into focus. Johanna Wallroth’s radiant, exuberantly ornamented Belinda and Bethany Horak-Hallett’s sumptuous Sorceress supplied the rival musical poles, tugging us from good to ill and back again. And what a treat to have a properly baritonal Aeneas in Hubert Zapiór – a worthy lover and sparring partner for Demerdasch, a hero almost worth dying for. The Future of the Performance Next month the show travels to Norway for the Bergen festival. Cut loose from its nautical anchor, I suspect it’ll pick up several dramatic knots.

The Play's Concept Imagine if One Day was set in Long Eaton. Now, take its sweeping, time-spanning love story, but make it platonic, and about two theatre-obsessed best mates. That’s the foundation for Jane Upton’s luminous, heart-exploding play, which catches Jess and Billy in a series of snapshots across their friendship. The Story Unfolds Beginning in the early 90s, during their school days, and then moving through their 20s, 30s and into their mid-40s, the play threads together teenage crushes, career decisions, breakups, marriages, births and children. Jess (Katie Redford) is an oversharer while Billy (Benedict Salter) has secrets. Their early years together pass through play rehearsals, parties, personal revelations and betrayals, but even in their lowest moments, the two are always pulled back to each other’s side. The Evolution of Friendship As their lives move in different directions, with Billy heading to London for drama school and later building a career as a high-flying agent, and Jess staying at home in a “suburban bubble” before eventually tiptoeing her way back into the creative scene as a playwright, they turn their noses up at the other’s choices. Still, in times of turmoil, they can’t help but pick up the phone or race across the country just to be there for their old friend. Their dialogue accurately captures people who know each other’s lives inside out. The Production Directed by Hannah Stone, the production shows friendship as something defining. Redford and Salter make their characters people we want to stay with across the decades. In fact, time here slips through our fingers. One moment they’re 15 in 1995, and Jess is getting advice from More! magazine; the next it is 2022, and a 42-year-old Billy is considering surrogacy for his next child. Abby Clarke’s design evokes nostalgia, with the back wall composed of white, Polaroid-inspired squares that shift from photographic outlines to mirrors. The Verdict With so much life to fit into 95 minutes, there are inevitable gaps in Billy and Jess’s stories. We could learn more about the structure of their families and the other relationships in their lives. But really, this is a play about the complicated, beautiful bond between two people. It leaves you desperate for more days with them. Where to Watch At Nottingham Playhouse until 12 June

The Early Days of Trump's Soccer Career Drive north from New York City and into the Hudson valley. Take Exit 17 and follow Route 7 as it heads south along the river, past the abandoned shipyard and the aptly named Cadet Motel. Hang a left after a few miles, wind up a long driveway and you’ll arrive at New York Military Academy. The Culture of Hazing and Discipline at NYMA The NYMA of the 1960s was entirely unlike the sleepy, near-abandoned campus that exists today, with a well-documented culture of hazing and abuse akin to Full Metal Jacket. Most instructors were hardened veterans, many of whom had served overseas during the second world war. Individual discipline aside, they also pitted students against one another, as Dobias did during twice-weekly “cage matches”, where one student would beat another into submission. Trump's Time on the Soccer Team Trump became part of the Dutchess County Scholastic League, a collection of small schools scattered throughout tiny hamlets in the Hudson Valley and just beyond. Trump joined NYMA’s soccer team after suffering an injury playing gridiron football. A photo of the New York Military Academy soccer team, featuring Donald Trump, has surfaced, providing a glimpse into his early days as a soccer player. The Truth About Trump's Playing Career Yearbooks exist, as do newspapers. Combing through them in search of clues about Trump’s playing career paints an interesting picture of Trump’s brief moment as a soccer player at NYMA, and helps add even more depth to arguably the most polarizing leader in US history. Some accounts describe Trump as an incredible athlete, while others are starkly different. Many describe him as a bully, a character trait that was only hardened amid NYMA’s culture of hazing and rigid discipline. The Legacy of Trump's Soccer Career It’s debatable whether Trump truly cares about the sport itself or simply likes the attention it brings him. But it’s a fact that in 2018, he welcomed international and domestic club teams to the White House and presented the Club World Cup trophy to Chelsea. Cristiano Ronaldo, Wayne Rooney and Lionel Messi have all visited with Trump; the latter was made into wallpaper while Trump went on a rant about the war in Iran. Fifa’s president Gianni Infantino at times seems glued to the US president.

The Record-Breaking Quarter Nvidia has announced record quarterly profit and revenue amid explosive demand for its advanced AI chips. The US tech behemoth said on Wednesday that profit soared to $58.3bn for the February-April period, up 37 percent from the previous quarter and more than 200 percent year-on-year. Revenue jumped to $81.6bn, up 20 percent from the prior quarter and 85 percent compared with the same period in 2025. Nvidia forecast revenue for the current quarter to hit $91bn, more than most analysts' estimates. The AI Chip Surge Nvidia's data-centre business was the main driver of growth, with quarterly revenue surging 92 percent year-on-year to $75.2bn. The Santa Clara, California-based chip giant's hardware unit racked up revenue of $6.4bn, up 29 percent from the previous year. In a sweetener for shareholders, the world's most valuable company said it would buy back an additional $80bn in shares and raise its quarterly cash dividend from $0.01 a share to $0.25 per share. Nvidia CEO Jensen Huang hailed the "extraordinary" results as proof of the growing utility of AI. "Demand has gone parabolic," Huang said in a conference call with investors and analysts. "The reason is simple. Agentic AI has arrived," Huang said, referring to the advent of semi-autonomous AI models. "AI can now do productive and valuable work." Market Expectations vs Reality Despite once again blasting past analysts' expectations, Nvidia's latest results received a muted market response. Shares in Nvidia fell nearly 1.3 percent in after-hours trading, an indication of the sky-high expectations attached to a company whose blistering growth since 2022 has lifted its market capitalisation to more than $5 trillion. "Expectations are very high, and when a company like Nvidia has been doing as well as it has for so long, it takes a lot for people to get excited," Jay Goldberg, a senior analyst for semiconductors and electronics at Seaport Research, told Al Jazeera. "That's just kind of the nature of Wall Street." "All these stocks have run a lot this year, but a lot of it is driven by press releases," Goldberg said, adding that tech firms have yet to demonstrate a "broad-based consumer case" for AI. The AI Valuation Debate Nvidia's spectacular rise and the sky-high valuations of other tech giants, such as Microsoft and Amazon, have stirred discussion about whether AI is overhyped and creating a massive market bubble. William Rhind, the CEO and founder of New York-based investment firm GraniteShares, said the muted reaction showed that expectations had "caught up to fundamentals." "Nvidia is no longer beating a high bar – it is the bar," Rhind told Al Jazeera. Rhind said the bullish case for Nvidia nonetheless remains strong, pointing to the dividend hike and share buyback scheme as signs of a company with "more cash than it can possibly redeploy into the business". "When the marginal use of capital starts shifting toward buybacks and dividends, you're watching a hypergrowth story begin to mature in real time," he said. "That's not bearish – it's a different kind of bullish." Future Outlook John Belton, a portfolio manager at Gabelli Funds, said Nvidia's latest results should not "dramatically shift the story one way or another". "Overall, another solid earnings," Belton told Al Jazeera, saying the results mirrored the "strong numbers" of previous quarters "albeit without any new earth-shattering developments." As Nvidia continues to dominate the AI chip market, the company faces the challenge of maintaining its extraordinary growth trajectory while navigating increasing scrutiny about whether current valuations reflect sustainable business fundamentals or speculative enthusiasm.