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News Apr 19, 2026

Pope Leo XIV Urges Angola to 'Build Hope' Amid Corruption and Division

Pope Leo XIV addresses tens of thousands in Angola, urging the country to overcome divisions and co…
Pope Leo XIV has addressed tens of thousands of faithful near Angola's capital, Luanda, urging the country to overcome divisions and corruption during a landmark tour of Africa. Speaking at an open-air Mass on Sunday in the town of Kilamba, Leo addressed the country's civil war-scarred past, which he said has brought enmity and division, squandered resources and poverty.The pontiff arrived in the Portuguese-speaking nation on Saturday for the third leg of a four-nation tour of the continent, which began in Algeria and Cameroon and will also include a stop in Equatorial Guinea. At a meeting with Angolan officials, including President Joao Lourenco, Leo spoke out against the suffering and social and environmental disasters caused by the rampant exploitation of natural resources.Leo said he is not afraid of the Trump administration and will continue to speak out against war. The pope's rhetoric has put him at odds with Trump, who last week called the Catholic leader weak and terrible for foreign policy. Many people who attended the Mass at Kilamba arrived early in the morning in anticipation, with Sister Christina Matende saying, The pope coming here is a joy. We are living in a moment of a lot of difficulties, and we are waiting for the blessing of the pope.
#pope #leo #angola
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Politics Apr 18, 2026

Pope Leo XIV Embarks on Historic Angola Visit Amidst Rising Tensions with Trump

Pope Leo XIV begins his third leg of an African tour in Angola, amid escalating tensions with US Pr…
Pope Leo XIV has arrived in Angola, marking the third leg of his landmark African tour. The visit comes at a time of heightened tensions with US President Donald Trump, who has publicly criticized the Pope's stance on various issues, including the Middle East conflict. The Pope's visit to Angola is significant, as he is the third pontiff to do so, following John Paul II in 1992 and Benedict XVI in 2009. During his stay, he is expected to meet with Angola's President Joao Lourenco and deliver a speech to the nation, where approximately 44 percent of the population identifies as Catholic. The Pope's message of world peace and his warnings against corruption and exploitation are likely to resonate deeply in Angola, a country that emerged from a 27-year civil war in 2002. About one-third of Angola's population lives below the poverty line, despite the country's vast fossil fuel reserves. Throughout his Africa visit, Pope Leo has been vocal about his concerns regarding corruption, the exploitation of resources, and the dangers of artificial intelligence. His statements have drawn attention and sparked discussions globally, particularly in the context of his public disagreements with President Trump. The clash between the Pope and Trump escalated when Trump called the Pope 'weak on crime' and 'terrible for foreign policy'. The Pope responded by stating he was not afraid of Trump and would continue to speak out against war. This public exchange marks a rare instance of a pontiff and a sitting US president engaging in a public dispute. During his visit, the Pope will also celebrate an open-air Mass in Kilamba and travel to Muxima and Saurimo for further engagements. His 18,000km African tour will conclude in Equatorial Guinea.
#Pope Leo XIV #Angola #Donald Trump
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Entertainment Apr 18, 2026

V&A East Launches Landmark Exhibition: The Music is Black

The V&A East has opened its inaugural exhibition, The Music is Black, a comprehensive survey of Bla…
The V&A East has unveiled its first major exhibition, The Music is Black, a landmark survey of Black British music. Curated by Jacqueline Springer, the exhibition spans from early African drumbeats to contemporary pop and drill music, showcasing 200 items that highlight the rich history and influence of Black British music.The exhibition features iconic items such as Pauline Black's 2 Tone outfit, Stormzy's 2019 Glastonbury vest, and a drum sculpture by Ben Enwonwu. These artifacts are part of a broader narrative that aims to position Black British music as central to the UK's cultural story.Gus Casely-Hayford, the V&A East's artistic director, emphasizes the importance of repositioning Black British sound as a core part of British cultural heritage. The exhibition is part of a larger trend of recognizing and celebrating Black British music, including recent events like the 30th anniversary of the Mobo awards and the dominance of Black acts at the Brit awards.The V&A East's expansion is seen as a significant move to promote diversity and representation in cultural institutions. Despite some criticism of the building's design, the exhibition has drawn large crowds, with hundreds of people attending the launch events.The exhibition also highlights overlooked figures in Black British music history, such as Hewan Clarke, the original Haçienda resident DJ. The V&A East aims to continue this innovative approach with its latest expansion.
#V&A East #The Music is Black #Pauline Black
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Sport Apr 17, 2026

Scotland to break attendance record at Murrayfield as women’s Six Nations faces England

Scotland will host its first standalone women’s rugby match at Murrayfield, drawing an estimated 30…
Scotland’s women’s rugby team is set to make history on Saturday by playing a standalone match at Murrayfield Stadium, the national venue traditionally reserved for the men’s side. The fixture against long‑time rivals England marks the first time the team will host a Six Nations game at Scotland’s premier rugby ground.Ticket sales have already surpassed 30,000, obliterating the previous Scottish women’s rugby attendance record of 7,774 set earlier this year at the Hive. The expected crowd also promises to be the largest audience ever for a standalone women’s sporting event in Scotland.Team captain Rachel Malcolm, who earned her first cap in 2016, described the occasion as a "landmark moment" and emphasized the importance of growing the sport’s profile: "Playing at our national stadium with crowds this size is something I never imagined in my career."Former Scotland star Donna Kennedy – the nation’s most‑capped player with 115 caps – credited the surge in interest to the team’s performance at the 2025 Women’s Rugby World Cup, where Scotland reached the quarter‑finals for the first time since 2002. She noted that the tournament provided a commercial and media springboard that has only accelerated in the past five years.England arrive as the dominant force in the competition, having won the Six Nations seven years in a row and maintaining a 28‑game winning streak against Scotland. The last Scottish victory over the Red Roses came in 1999, 27 years ago.Despite England’s pedigree, they head into the match with a significant injury list. Alex Matthews (vice‑captain) is out with a shoulder problem, while prop Hannah Botterman and hooker May Campbell have been ruled out for the remainder of the tournament. In total, England are missing 13 players due to retirement, pregnancy or injury, opening opportunities for newcomers such as Demelza Short, who will earn her first senior cap.Scotland also face a setback, missing scrum‑half Emma Orr through injury, but they remain optimistic that England’s depleted roster could level the playing field.England defence coach Sarah Hunter acknowledged the challenges, suggesting the situation could be a "blessing in disguise" for player development ahead of the 2029 World Cup in Australia. She highlighted the chance for younger talent to gain experience in a high‑pressure environment.With a record crowd, historic venue, and the prospect of ending a decades‑long losing streak, Saturday’s clash promises to be a defining moment for women’s rugby in Scotland and a compelling chapter in the Six Nations narrative.
#scotland #england #but
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Entertainment Apr 17, 2026

Acclaimed Filmmaker Asif Kapadia to Helm Final ‘70 Up’ Episode, Closing Landmark ITV Documentary Series

Renowned director Asif Kapadia will oversee the concluding installment of ITV’s iconic ‘Up’ series,…
Asif Kapadia has been appointed to direct the final chapter of the ITV documentary series “70 Up,” slated for broadcast later this year. The series, which launched in 1964, was voted the most influential UK television programme of the last 50 years in a 2024 Broadcasting Press Guild poll. Kapadia, celebrated for his award‑winning documentaries on Amy Winehouse, Ayrton Senna and Diego Maradona, described the role as an "incredible honour and privilege" and called the original “Up” series the ultimate portrait of human life. ITV’s factual controller Jo Clinton‑Davis praised the appointment, noting that Kapadia will bring “passion, creativity and incredible flair” while safeguarding the series’ legacy, which she said has become “part of our cultural fabric.” The series was conceived by Granada’s Tim Hewat, who adapted the Jesuit maxim “Give me the child until he is seven and I will show you the man” into a longitudinal study of British social class. Michael Apted, who served as the series’ long‑time director, passed away in 2021; his earlier prediction that the project would continue “as long as I’m above ground” has now been fulfilled. Over the decades, viewers have followed fourteen participants from childhood to senior age. Notable stories include Liverpool’s Neil Hughes, who dreamed of becoming an astronaut at 14, later endured homelessness, and ultimately emerged as a lay preacher and Liberal Democrat councillor. Only one participant, Charles Furneaux, chose to exit the experiment early, while others, such as scientist Nick Hitchon, have passed away. With Kapadia at the helm, “70 Up” will serve as a tribute to both Apted’s pioneering vision and the courage of the cast, who have shared their lives across seven‑year intervals for more than six decades.
#Asif Kapadia #ITV #Up series
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Sports Apr 17, 2026

Ex-NBA Player Damon Jones to Plead Guilty in Landmark US Gambling Case

Former NBA player and assistant coach Damon Jones is set to become the first person to plead guilty…
Former NBA player and assistant coach Damon Jones is expected to plead guilty in a landmark US gambling case, marking a significant development in a sweeping investigation that has led to the arrests of over 30 individuals, including reputed mobsters and other basketball figures.A change-of-plea hearing for Jones is scheduled for April 28 in Brooklyn federal court. He faces charges of wire fraud conspiracy and money-laundering conspiracy related to two separate indictments. The first indictment accuses him of profiting from rigged poker games, while the second charges him with providing sports bettors with non-public information about injuries to NBA stars LeBron James and Anthony Davis.Jones, 49, had previously pleaded not guilty to the charges. He was arrested last October alongside Portland Trail Blazers head coach Chauncey Billups and Miami Heat guard Terry Rozier, among others. According to prosecutors, Jones sold or attempted to sell non-public information to bettors, including a tip that James was injured and wouldn’t play in a February 9, 2023, game against the Milwaukee Bucks. He also allegedly received $2,500 for a tip that Davis would see limited playing time against the Oklahoma City Thunder.In the poker scheme, Jones was among former NBA players used to lure unwitting players into rigged poker games. He was paid $2,500 for a game in the Hamptons where he was instructed to cheat. The poker scheme often made use of illegal poker games run by New York crime families that required them to share a portion of their proceeds with the Gambino, Genovese, and Bonnano crime families.Jones, who earned more than $20m playing for 10 teams in 11 seasons from 1999 to 2009, is a native of Galveston, Texas. He played alongside James in Cleveland from 2005 to 2008 and served as an unofficial assistant coach for James’s Los Angeles Lakers during the 2022-2023 season.
#jones #prosecutors #james
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Politics Apr 17, 2026

Trump's Massive Arch Design Wins Approval from US Panel

The US Commission of Fine Arts has approved President Donald Trump's design for a massive 76-meter-…
President Donald Trump's ambitious plan to erect a colossal arch in Washington, DC, has cleared a significant hurdle with the US Commission of Fine Arts giving its approval to the proposed design. The arch, which would stand at 76 meters (250 feet) high, is intended to be built on Memorial Circle, between the Arlington National Cemetery and the Lincoln Memorial. The commission's approval is a crucial step forward for the project, which has faced criticism and legal challenges. The arch would be significantly larger than the Lincoln Memorial, which stands at 99 feet (30 meters) tall, and approximately twice as tall as the famous Arc de Triomphe in Paris, which the design resembles. The proposed monument, dubbed the 'Triumphal Arch,' would feature the phrases 'One Nation Under God' and 'Liberty and Justice for All' in gold lettering atop either side. However, the design has faced opposition, with about three out of every four people who delivered public comments expressing opposition, many citing its enormous size. Criticism has also centered on the potential impact on views of the national cemetery, a resting place for war veterans. Public Citizen Litigation Group is representing some Vietnam War veterans in a lawsuit against the proposed construction, arguing that it needs congressional approval. Even within the Commission of Fine Arts, there was some dissent. James McCrery II, the vice chair, suggested modifications to the design, including removing the winged statue and eagles on top and the lions at its base, citing that African animals are 'not a beast natural to the North American continent.' The project is part of Trump's efforts to leave his mark on the physical landscape of Washington, DC. The commission still needs to vote on final approval for the proposal after reviewing updated designs. If given final approval, the arch would tower above other landmarks in the national capital.
#Donald Trump #US Commission of Fine Arts #Washington DC
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Tech Apr 15, 2026

Roblox settles with Nevada for $12 million and rolls out comprehensive youth safety safeguards

Roblox will pay more than $12 million to Nevada and adopt new age‑verification, chat‑restriction, a…
Roblox, the popular gaming platform used by nearly half of U.S. children under 16, has entered a historic settlement with the state of Nevada, agreeing to contribute over $12 million and implement a suite of new safety measures for young users. Attorney General Aaron Ford described the deal as a "first‑of‑its‑kind" arrangement that will "create a safer environment for our children online" and could serve as a bellwether for how interactive platforms protect youth. Under the agreement, Roblox will allocate $10 million over three years to fund community programs such as the Boys & Girls Club and other non‑digital activities. The money will also support a law‑enforcement liaison role and an online‑safety awareness campaign. Key platform changes include mandatory age verification for all users, the introduction of facial age‑estimation technology, and the restriction of night‑time notifications for minors. Chat functions will be limited to peers of similar age, and communication with adults will be allowed only with a "trusted friend" added via QR code or phone contacts. Roblox will launch dedicated kids’ accounts for users under 16, blocking access to adult‑rated content and offering only vetted games. Parental oversight, previously limited to children under 13, will now extend to all users under 16. Matt Kaufman, Roblox’s chief safety officer, hailed the settlement as a "landmark agreement" that establishes a new standard for digital safety and provides a blueprint for collaboration between industry and regulators. The Nevada deal arrives amid a wave of litigation targeting social‑media giants for allegedly designing addictive experiences for children. Recent rulings in California and New Mexico forced companies like Meta and YouTube to pay more than $375 million in penalties for similar claims. Attorney General Ford is also pursuing actions against Meta, TikTok, Snapchat, YouTube, and Kik, alleging failures to implement adequate child‑safety measures. Donch’e King, a supervising criminal investigator with the Nevada AG’s office, warned that roughly 500,000 online predators are actively seeking children across platforms, emphasizing the importance of parental vigilance and prompt reporting of suspicious activity. "Protecting Nevada’s children is not an option. It’s our duty," King asserted, underscoring the broader societal stakes of the settlement.
#Roblox #Nevada #age verification
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World Economy Apr 15, 2026

Manhattan Jury Rules Live Nation and Ticketmaster Monopolized Major Concert Venues, Finding Ticket Overcharges

A federal jury in Manhattan concluded that Live Nation and its Ticketmaster unit maintain a harmful…
In a landmark decision, a Manhattan federal jury determined that Live Nation and its Ticketmaster subsidiary wield a monopolistic grip on major concert venues across the United States. The four‑day deliberation ended Wednesday with a finding that the ticket‑selling platform had overcharged buyers by $1.72 per ticket, a figure that will now be used by a judge to calculate total damages. The case, originally spearheaded by the federal government and later joined by dozens of states, accused Live Nation of leveraging its extensive venue network to stifle competition. Plaintiffs argued that the company barred venues from using alternative ticket sellers and retaliated against those that attempted to do so. Attorney Jeffrey Kessler, representing the states, called Live Nation a “monopolistic bully” that inflates prices for concertgoers. He cited the company’s control of 86% of the concert‑ticket market and 73% of the combined concert‑and‑sports market, underscoring the breadth of its influence. Live Nation, which reported over $22 billion in annual revenue, rejected the monopoly label, insisting that pricing decisions rest with artists, sports teams, and venue owners. Company counsel argued that the firm’s size reflects “excellence and effort,” not antitrust violations. The jury’s finding arrives amid a broader regulatory push. In 2024, the Federal Trade Commission required Ticketmaster to disclose ticket fees up front, prompting the company to eliminate a post‑checkout processing charge. However, a recent Guardian investigation revealed that Ticketmaster introduced alternative fees to offset lost revenue, raising questions about compliance with FTC rules. Earlier, the Department of Justice settled with Live Nation under the Trump administration, creating a $280 million settlement fund for participating states. The agreement also imposed caps on service fees at select amphitheaters and opened the door—though not the obligation—for venues to work with Ticketmaster rivals such as SeatGeek and AXS. More than 30 states declined the settlement and pursued the trial, arguing that the federal government’s concessions were insufficient. During the proceedings, Live Nation CEO Michael Rapino testified, including about the 2022 Taylor Swift ticket fiasco, which he attributed to a cyber‑attack. Internal communications from Live Nation executive Benjamin Baker surfaced, in which he described certain pricing practices as “outrageous” and disparaged customers as “so stupid,” later apologizing for the “very immature and unacceptable” remarks. Live Nation has announced its intention to appeal the verdict, stating confidence that the ultimate outcome will align with the original DOJ settlement framework. The case continues to spotlight the tension between dominant market players and antitrust enforcement in the live‑entertainment industry.
#ticketmaster #antitrust #ftc
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