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The Masterpiece of John Woo The title of this 1990 John Woo extravaganza might lead the uninitiated to expect a chillingly focused, targeted assassination. Actually, there are innumerable bullets and innumerable heads in this over-the-top gonzo spectacle. It is a crime thriller, a wartime action film set in Vietnam, but it offers something other than the usual Hollywood perspective; it is a parable of greed comparable to The Treasure of the Sierra Madre, and even a kind of romantic melodrama. The Symbolic Bullet There is, however, one key bullet in a head, a literal bullet lodged in the skull of someone who achieves a macabre zombie-like semi-survival, the bullet being symbolic of the way violence takes root in the brain, dehumanising its victim. The final “boardroom” scene disclosing this image is toweringly mad and strange. Yet in this movie, as in so many other Woo films, we can see how the director counterintuitively uses sad music – harmonica, woodwind – over grisly, brutal action sequences, as if what he wants us to register is not the violence or the shock but just how poignantly futile and pathetic it all is. The Plot Unfolds The setting is – initially – late 60s Hong Kong; Tony Leung plays Ben, a young guy getting married to his sweetheart Jane (Fennie Yuen), and on hand are his buddies Frank (Jacky Cheung) and Paul (Waise Lee). This trio are involved in a gang war with a rival mob who corner Frank when he has gone to get cash from the local moneylender to pay for the wedding. The confrontation ends in violence and, simply to get away and avoid the heat – Woo has a cameo as a police inspector – the three guys accept a crooked job from a local gang boss smuggling contraband pharmaceuticals in Vietnam. The Climax In Saigon, all their plans explode in pure anarchy; they are at first arrested under suspicion of working for the Vietcong, then upgrade their strategy to cynical arms smuggling for the North Vietnamese, and stealing the gold belonging to the local wiseguy who was supposed to be distributing their drugs. They make contact with a worldly fixer called Luke (Simon Yam), who has a Catherine Deneuve poster in his apartment, and also gallantly undertake to rescue a Hong Kong singer Sally (Yolinda Yam), who has been trafficked to Vietnam to sell sex. They end up on the spectacular field of battle itself (with helicopters, explosions, burning villages), where Paul, increasingly obsessed with the gold, finds himself at a key moment at mortal risk of detection if he cannot keep the wounded Frank quiet, whose cries of pain might alert the enemy to their position. The Legacy It’s an extraordinary, uninhibited barnstormer from Woo, who takes us from regular, domestic crime to military chaos with confidence and sweep. One moment, in which someone stands in front of a tank, even appears to echo the Tiananmen Square protests. No one else could have made it. The Release Bullet in the Head is in UK cinemas from 1 June, and on 4K UHD and Blu-ray from 22 June.

The Return of a Shakespearean Legend Kenneth Branagh is said to have played 35 Shakespearean parts, and his return to the Royal Shakespeare Company after more than 30 years is an event in itself. In this production of The Tempest, Branagh takes on the role of Prospero, Shakespeare's magician, deposed duke, and tyrant occupier. A Stormy Beginning Branagh's Prospero initially follows in the vein of his fast and feverish King Lear, performed in the West End in 2023. He seems to be speeding through the part rather than inhabiting it, too puckish, almost larky, rather underwhelming. However, the show itself casts its spell through its enchanting sights, sounds, and ensemble accomplishments. A Visual and Musical Feast Richard Eyre, directing his first Shakespeare play at Stratford, does a stupendous job of bringing an overt sense of performance to the production. The set design by Bob Crowley is enthralling, almost Disney-like with its sparkly, floaty elements, casting spells over the audience with its visual thrills and beautifully choreographed movement. A Strong Ensemble Cast The ensemble cast delivers strong performances, with Amara Okereke as Ariel being a delight, with her beautiful movement and song. The scenes featuring Caliban (Ashley Zhangazha), Stephano (Guy Henry), and Trinculo (Keir Charles) as they plot rebellion, wink toward a music hall comedy sketch. A Deeper Exploration As Branagh slows down, the production takes on deeper, more plaintive shades, and the audience feels the emotional hit when Prospero declares that the rarer action is in virtue than in vengeance. Caliban is wordlessly habilitated back into his rightful role as ruler of the island in this ending, giving power to Prospero's transformation. A Must-See Production The production runs at the Royal Shakespeare theatre, Stratford-upon-Avon, until 20 June. It is a must-see for fans of Shakespeare, theatre, and Kenneth Branagh, offering a unique and unforgettable experience.

The Filmmaker's Perspective on Indigenous Issues Lucrecia Martel, known for her fiction films like 'Zama' (2017) and 'The Headless Woman' (2008), has spent about 15 years working on 'Landmarks', her first documentary. The film addresses the broader and historical problem of Indigenous rights in Argentina through the case of Javier Chocobar, an Indigenous leader killed in 2009. The Event Details: The Killing of Javier Chocobar The documentary centers on the killing of Javier Chocobar, an activist and leader of the Diaguita people from the Chuschagasta community in the province of Tucumán. He was shot dead inside his territory on October 12, 2009, by Darío Luis Amín, a mining businessman, and two former police officers. Martel was present at the trial, which she described as an 'extraordinary spectacle' that highlighted racism against Indigenous peoples. The Data Analysis: A Historical Pattern of Neglect Martel believes that Argentine racism against Indigenous peoples, who make up about 3% of the population, is tied to how the country sees and projects itself: a 'white' nation shaped by European immigration. She argues that Argentina needs to end its 'fantasy of being a European country' and acknowledge its Indigenous heritage. The Impact Analysis: The Ongoing Struggle for Recognition The Chuschagasta community is still fighting for official state recognition of its land. Martel's film aims to contribute to the history of Argentina and the health of Argentine society by shedding light on the usurpation of Indigenous lands. The documentary shows moments where the centuries-long presence of the Chuschagasta community was questioned, and even the very existence of Indigenous Argentinians was denied. The Prediction: A Call for Change Martel hopes that her film will help bring about change and recognition of Indigenous rights in Argentina. She plans to hand over the rights to the Chuschagasta community, who were the first to see the completed documentary. The film's promotional cycle is coming to an end, and Martel looks forward to its continued impact on raising awareness about Indigenous issues in Argentina.

The Stage is Set for a Classic Wigan Warriors and Hull KR are set to clash in the Challenge Cup final at Wembley, marking the third consecutive season the two teams have met in a major final. This historic meeting promises to be a thrilling encounter, with both teams boasting impressive recent form. The Rivalry Intensifies The record between the two teams is evenly matched, with one win each in their previous two encounters in major finals. Hull KR's rise to the top of rugby league has been remarkable, culminating in a historic treble last season. Wigan, meanwhile, are seeking to claim their 22nd Challenge Cup title. The Data Analysis Wigan have won the Challenge Cup a record 21 times. Hull KR have won the Challenge Cup twice. Wigan have a strong record of promoting young players, with up to 10 academy products in their 17-man squad. The Impact Analysis This final has significant implications for the sport, with Super League aiming to sell itself to potential broadcasters with a new TV deal for 2027. The rivalry between Wigan and Hull KR is set to showcase the best of rugby league, with two of the game's current heavyweights doing battle at Wembley. The Prediction With both teams at the peak of their powers, this has the makings of an all-time Wembley classic. Wigan's youthful squad and Hull KR's experienced team will make for a compelling encounter, with the outcome far from certain.

The Lead XCENA, a four-year-old chip startup with offices in South Korea and the U.S., has raised $135 million in a Series B round at a valuation of $570 million. The company aims to solve the structural bottleneck in AI infrastructure by designing a chip that places compute capabilities closer to DRAM. Revolutionizing AI Infrastructure with Memory-Centric Architecture Every time you ask ChatGPT a question, your request triggers a data relay race. Information leaves memory, passes through a CPU for preprocessing, travels to a GPU for heavy computation, and then makes its way back — and that entire journey repeats for every single word the AI generates. XCENA's chip, the MX1, connects to the CPU through CXL (Compute Express Link), processing data before it ever needs to leave the memory module. The Data Analysis XCENA's successful funding round reflects investor enthusiasm around the company's potential to significantly reduce AI infrastructure costs. The startup has designed a chip that brings compute capabilities much closer to DRAM, allowing routine data operations to be handled near memory, without the costly round trips between CPUs, GPUs, and memory. This approach could lead to substantial savings for hyperscalers spending tens of billions a year on AI infrastructure. The Impact Analysis The recent rise in memory prices and related stocks points to a broader shift in AI infrastructure toward memory-centric architectures. XCENA's thesis is that "inference isn't just a compute problem; it's increasingly a memory scaling problem." The company's chip aims to handle tasks directly within the memory module itself, reducing the need for multiple servers and cutting costs. The Prediction With mass production chips scheduled to roll off Samsung's foundry lines by the end of 2026, XCENA expects to generate revenue starting in 2027. The company's ideal customers are hyperscalers, and it is in early-stage conversations with several global memory vendors. XCENA's innovative approach and vertical integration could give it a competitive edge in the market.

The Uncertainty Surrounding USMNT Captaincy As the 2026 World Cup approaches, the US Men's National Team is yet to officially announce a captain. Coach Mauricio Pochettino has rotated the captaincy throughout his tenure, with Tim Ream serving as captain most often – 16 times out of Pochettino's 23 games in charge. Pochettino's Leadership Philosophy Pochettino emphasized that leadership is not something that can be bought or assigned, but rather it's about creating cohesion, providing tools to the group, and finding the right dynamic. He mentioned that his players still don't know who will be the captain. Potential Candidates for Captaincy Midfielder Tyler Adams, who captained the US at the 2022 World Cup, expressed that he 'couldn’t care less' about wearing the armband, stating that his leadership on the field speaks for itself. Other potential candidates include Christian Pulisic and Chris Richards, who have also served as captain in friendlies. The Data Analysis: Captaincy Statistics Tim Ream has served as captain 16 times out of Pochettino's 23 games in charge. Christian Pulisic and Chris Richards have also served as captain in recent friendlies. The Impact Analysis: Importance of Captaincy Former USMNT attacker Jozy Altidore stressed the importance of the captaincy role, especially in a home World Cup. He noted that the current team has many leaders, but the captaincy still holds significance. The Prediction: Who Will Be the Captain? Despite being the most likely candidate, Tim Ream has not been officially announced as captain. Pochettino's tendency to surprise and his emphasis on leadership qualities make it difficult to predict who will ultimately be chosen as captain. However, Ream's experience, values, and standing within the group make him a strong contender for the role.

The Leadership Shake-Up at KPMG Australia KPMG's Australian chief, Andrew Yates, will step down immediately, after taking responsibility for the consultancy firm's failure to properly respond to whistleblower allegations around the misuse of client information. The firm's chief executive made the shock announcement on Friday morning, saying: "It is clear that in this case we have let ourselves down and I take accountability." Yates was appointed to the top role at KPMG Australia in 2021 and will be replaced on an interim basis by partner Stan Stavros. The Whistleblower Scandal Senator Deborah O'Neill, who chairs the powerful joint committee on corporations and financial services, first revealed the whistleblower's allegations under parliamentary privilege in a speech to the Senate on 24 March. It was alleged that KPMG improperly used confidential information from its client Lendlease to win audit work with Westpac and Dexus, and that the accounting firm had repeatedly failed to act on the whistleblower's complaint. The Regulatory Response The Australian Securities and Investments Commission (Asic) on Friday morning revealed it was conducting "a preliminary investigation into the allegations about the conduct of a number of the registered company auditors at the firm KPMG". The Asic commissioner Kate O'Rourke told the joint parliamentary committee, which has oversight of the corporate watchdog, that the investigation related to three individuals "rather than the firm itself". The Future of KPMG Australia KPMG said it was continuing to investigate "a matter relating to client documents being inappropriately shared internally". KPMG said it recognised its internal reviews had fallen short. "KPMG Australia confirms its treatment of a whistleblower and investigation into their allegations fell short of the firm's expectations, those of the whistleblower and the broader community," it said in a statement.

The Film’s Core Concept: Turning Internet Liminality into CinemaThe Guardian review details how *Backrooms* follows architect‑turned‑store‑owner Clark (played by Chiwetel Ejiofor) as he discovers a portal to an endless maze of fluorescent‑lit, drop‑ceiling rooms. The film expands the viral “backrooms” meme—originally a series of YouTube shorts made with Blender and After Effects—into a feature‑length narrative while retaining its minimalist visual language.Production Insight: A 20‑Year‑Old Director’s Low‑Budget MasteryDirector Kane Parsons, the youngest ever to helm an A24 feature, built the original series using free software, demonstrating how low‑cost tools can generate high‑impact horror aesthetics. The movie’s production emphasizes practical set design—repeating office‑style corridors, yellow lighting, and drop ceilings—to evoke the “junkspace” described by architects like Rem Koolhaas.Financial Snapshot: A24’s Continued Investment in Indie HorrorBudget details were not disclosed, but A24’s recent horror slate averages $5‑10 million per film.Box‑office expectations align with the studio’s strategy of modest budgets paired with strong niche appeal.Why It Matters: Architecture as a New Horror FrontierThe film taps into academic concepts such as Mark Augé’s “non‑places” and Juhani Pallasmaa’s idea of architecture as mental space, positioning the built environment itself as the antagonist. By visualising bureaucratic infinity, *Backrooms* expands horror beyond monsters to the sterile, endless corridors of modern capitalism.Looking Ahead: The Future of Liminal‑Space HorrorParsons’ success suggests a growing appetite for horror that interrogates everyday environments. Expect more studios to mine internet subcultures and architectural theory, blending low‑budget VFX with philosophical storytelling to attract both genre fans and critical audiences.

Israel's Mental Health Crisis: Trauma and Societal TransformationAfter more than two years of relentless bombardment and war – from Israel's operations in Gaza and the Hamas-led assault on southern villages in October 2023 that preceded it, to the country's successive wars and strikes on Iran, Lebanon, Syria and other neighbouring states – analysts, observers, and numerous studies from within Israel have concluded that the country has become moulded by trauma.A recent survey by Maccabi Healthcare Services found that about one-third of Israelis believe they need professional mental health support. Among those who have served in the army, as either conscripts or reservists, the picture is even starker.Rising PTSD Cases and Mental Health EmergenciesIn January, Israel's Defence Ministry reported a near-40 percent rise in the number of post-traumatic stress disorder (PTSD) cases among its soldiers since September 2023, with a 180 percent increase expected by 2028. The government has not published the number of soldiers discharged due to mental health over the same period, despite a legal obligation to do so, Israeli media has reported.Earlier this month, Magen David Adom, Israel's paramedic service, launched a dedicated mental health emergency service after registering a 45 percent spike in the number of calls it was receiving. The majority, it said, were linked to the continued strain of the country's multiple wars.The Statistical Surge in Mental Health IndicatorsThe number of suicides, a key indicator of mental health, has sharply increased across society as a whole, but particularly among the military, with 78 percent of military suicides in 2024 linked to combat operations in Gaza, the occupied West Bank and Lebanon, The Jerusalem Post reported in February.Incidents of domestic violence, as well as mental health conditions such as depression and stress, have all spiked since what many in the country regard as its endless series of wars began in October 2023, as well.Societal Brutalization and Political ShiftsIsrael's President, Isaac Herzog, appeared to acknowledge the trend in late May, referring to the increase in violence across Israeli society itself, including that perpetrated by rampaging Israelis from illegal settlements against Palestinians in the occupied West Bank, and the spike in violence targeting Christians.Speaking at an awards ceremony, he said, "I wish I could speak today only about unity. But to my great sorrow, we are living through days in which violence is not the only thing rearing its head. Alongside it, at the margins of our magnificent Israeli society, a terrible process is creeping in – a terrible process of brutalisation. It is a slow and disturbing process, one that threatens to enter the mainstream of Israeli society, and we will not allow it.""October 7 was like a switch, and the trauma it caused is widespread and ongoing," Tuly Flint, an Israeli mental health practitioner and combat veteran, told Al Jazeera. "People's sense of security was shattered," he said, arguing that the gap between past conflicts and the present ones had created a false sense of safety, alongside misplaced confidence in Israel's military and technological superiority."People have lost confidence in their society, government and institutions," Flint said, describing the sense of institutional betrayal among those who relied on the state for protection, or the moral injury experienced by those who lived through the consequences of its failure to do so. "In some cases, this has led people to embrace right-wing politics, adopt a more forceful response to perceived threats, and lose trust in government," he added.Trauma's Long-Term Implications for Israel's FutureHowever, the degree to which these trends began on October 7, 2023, is unclear, analysts and observers say. Violence has been intrinsic to Israel since its founding in 1948, analysts, such as the noted Israeli sociologist Yehouda Shenhav-Shahrabani, told Al Jazeera, with the events following October 7 merely giving new impetus to existing currents."October 7 was like a new beginning," Shenhav-Shahrabani said. "People create beginnings to erase the trauma of the past. Giving trauma a start date helps explain it."Recounting a conversation he had with his friend, the late Lebanese novelist, Elias Khoury, who had described to him his idea that Israelis need to experience defeat to become "more human" and less hubristic, Shenhav-Shahrabani said, "I'm not sure that's happened. October 7 was a defeat, and since then, Israelis have become even more fascist."There was always a fascist element to zionism, but more liberal strands, such as kibbutzim, obscured it. However, since October 7, it's become more apparent. You can see it everywhere," Shenhav-Shahrabani, who has given up teaching in response to endless criticism from a growing number of right-wing students, said.How its current trauma will shape Israel going forward is unclear, Zahava Solomon, a professor at Tel Aviv University who has researched the phenomenon for the past 40 years, said.Trauma can motivate a society to be strong and aggressive, or to always seek negotiation, she said. For Israel, the past trauma of the Holocaust has, she said, instilled in society an absolute sense of victimhood, one imprinted upon its citizens from the cradle and for whom the mantra of "never again" has become second nature.As for the Palestinians, who have experienced their own victimhood, this carries "dire consequences" for the future.For Flint, however, still on the front line of managing the fallout from the wars' collective trauma, "There's no cure"."There's just recovery. Once people have crossed that threshold, that's it."