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Rian Brazil's Sonic Journey Rian Brazil, a Brighton-born producer, has had his track played by Björk while DJing at the Venice Biennale. His music masterfully blends earworms from the UK underground with deeply vulnerable vocals. The Engine Heartbreak EP Brazil's forthcoming Engine Heartbreak EP features a range of sounds, from drum’n’bass love-songs to gospel-inflected tracks and glitchy electronica. His real name, Brazil, weaves a sonic world that's both addictively online and yearning for real-life connection. This Week's Best New Tracks Jorja Smith – What’s Done Is Done: A song-of-the-summer contender with a heavily bassy beat and UKG influences. Helado Tropical – Tocando: A sweet guitar and lo-fi fuzz track about a slipping relationship. Show Me the Body​ – No God: A brutally funky, danceable hardcore punk track rejecting religion. The Avalanches – Together (ft Nikki Nair, Jessy Lanza and Prentiss): An electro-pop candyland track with a camera shutter beat. Overmono – Lockup: A masterful inversion of bass-driven tech-house with chaotic detail. Alys(alys)alys – Effervescence: A perilous, bassy track with splintered vocals and overwhelming drums. Ivy Knight – Beacon: A beautifully produced track with crisp acoustic guitar and amorphous bass. Playlist and Subscription Subscribe to the Guardian's rolling Add to Playlist selections on Spotify or transfer it to Apple, Tidal or other services.

Top Picks in Crime and Thrillers A selection of standout crime and thriller novels reviewed recently. Honey by Imani Thompson Honey by Imani Thompson (Borough, £16.99) centres on Yrsa, a young Black woman studying for a sociology PhD and teaching undergraduates at Cambridge. Irritated by her solipsistic, over-privileged students and tired of situationships, she’s fed up with life, and men in particular. Her first killing – that of a much older supervisor who reneges on his promise to leave his wife for a colleague, and steals her research in the process – is an accident, but Yrsa, who has catastrophically poor impulse control, enjoys the sensation and, more importantly, gets away with it. Quite Ugly One Evening by Chris Brookmyre Quite Ugly One Evening by Chris Brookmyre (Abacus, £22) features journalist Jack Parlabane, now 60, who feels increasingly like a “Boomer Ambassador” to the younger colleagues who are snapping at his heels. With his job on the line, he agrees to investigate a cold case: the death, 40 years earlier, of an MI5 operative. The Final Chapter by CB Everett The Final Chapter by CB Everett (Simon & Schuster, £18.99) is a metafictional tour de force: the story of literary superstar Jon Durward, who achieved critical acclaim, commercial success, well-regarded film adaptations and a Booker prize before he mysteriously disappeared in 2009. The Hollow Boys by Tariq Ashkanani The Hollow Boys by Tariq Ashkanani (Viper, £18.99) is set in Appalachia, a prize-winning Scottish author’s latest novel and a masterpiece of smalltown horror. The town of Aurora seems doomed – blighted by poverty, drug addiction, diseased crops, a mysterious beast that slaughters dogs and an underground coal seam fire that grows ever closer. Shrink Solves Murder by Philippa Perry Shrink Solves Murder by Philippa Perry (Hutchinson Heinemann, £18.99) features therapist Patricia Phillips, who lives on East Sussex’s South Downs with Dave the cat, and swims in the sea every morning. When her client Henry Clayton’s body is found below cliffs near the notorious suicide spot Beachy Head, the police assume he has taken his own life.

A Global Folk Revival EmergesMarisa Anderson has released "The Anthology of UnAmerican Folk Music," a groundbreaking collection that interprets folk tunes from Southeast Asia, Soviet Russia, and Islamic/Arabic worlds. The album represents a significant expansion beyond the boundaries of American folk music, inspired by the archives of legendary collector Harry Smith.Rediscovering Musical ArchivesBehind this gorgeous collection lies the legacy of two Americans: the peyote-dropping 78rpm collector Harry Smith (whose 1952 Anthology of American Folk Music presented folk, blues and country recordings from the 1920s and 1930s) and the exploratory guitarist Marisa Anderson. In 2023, she gained access to Smith's shuttered archives, discovering hours of non-American music before learning to perform and share it.Cultural Translation Through MusicAnderson interprets nine tunes from regions shaped by major US conflicts since her birth in 1970. While her liner notes track what is lost and found when translating these compositions, their universal musicality still cuts through. The opener Quodlibet is a beautiful, intricate minor-key medley of Uzbek tunes originally performed on the dambura (a fretless lute), on which Anderson adds bluegrass techniques to counter her inability to play quarter-tones on her guitar.Musical Fusion TechniquesThe album showcases Anderson's innovative approach to blending musical traditions. Her take on a qawwali vocal tune, Hamd, features stacked guitar layers ringing with warmth and emotion. For Sarvi Simin, a shimmering tune from Soviet-era Afghanistan, Gisela Rodríguez Fernández adds violin. In Yemeni tune Zar, intended to exorcise evil spirits from the sick, Anderson and Fernández constantly rearrange five notes without repetition. Dark ambient moods are conjured in Pair of Duduk, on which Anderson shifts the drones of Armenian woodwinds onto reverb-heavy guitar and bassy synths.Bridging Musical CulturesIn her liner notes, Anderson rightly questions how porous far-flung musical cultures really are. The album constantly challenges conventional boundaries between musical traditions, suggesting that contemporary classical composers may have been influenced by these global folk traditions. This approach represents a significant shift in how folk music can be reimagined and recontextualized for contemporary audiences.The Future of Global Folk MusicAnderson's work opens new possibilities for folk music preservation and interpretation. By drawing from diverse musical traditions and techniques, she demonstrates how folk music can continue to evolve while honoring its roots. The Anthology of UnAmerican Folk Music Vol 1 stands as both a tribute to Harry Smith's legacy and a bold step forward in global musical appreciation, suggesting that the future of folk music lies in its increasingly interconnected global nature.

The upcoming clash between Chelsea and Manchester City at Wembley will see the fifth‑generation FA Cup trophy lifted for the 13th time, a reminder that the silverware’s allure transcends the modern game’s evolving aesthetics.The FA Cup Trophy’s 13th Final Appearance Marks a Century‑Old LegacyFirst contested in 1871, the FA Cup has become the world’s oldest football competition. The current trophy, crafted in 2014 by silversmiths Thomas Lyte, is the fifth version to grace the podium. Its history includes dramatic incidents – a drop from a Chelsea team bus, a fall off a plinth in Portsmouth – each episode mirroring football’s exponential growth and the trophy’s journey from cabinet‑bound relic to travelling ambassador.Weight, Materials and the Modern Design of the 2014 Silver TrophyMaterial: solid silver, thicker gauge than previous versionsWeight: 6.3 kg, noticeably heavier than earlier modelsDesign goal: durability for frequent travel and handlingWhile the trophy’s increased mass adds to its physical presence, restoration work such as hammering and polishing can thin the metal over time, making careful stewardship essential.Why the FA Cup Remains a Symbol of Football’s Cultural IdentityThe cup’s mystique stems from its deep‑rooted heritage, contrasting with the sleek, corporate aesthetics of the Premier League and Champions League trophies. Superstitions surrounding untouched trophies – from pop stars like Rihanna to internet chefs like Salt Bae – reinforce its sacred status. Comparable reverence is seen in other sports, such as the Stanley Cup’s taboo against premature handling, highlighting a broader cultural pattern where trophies become talismans of achievement.What the Future Holds for England’s Most Iconic SilverwareAs football continues to globalise and commercialise, the FA Cup’s enduring appeal suggests it will retain its ceremonial weight. Ongoing preservation efforts, combined with the trophy’s robust 2014 construction, aim to safeguard it for future generations, ensuring that only a select few will ever lift the silver emblem of English football glory.

The LeadRenowned actress Linda Bassett reflects on her distinguished career spanning decades of theatre work, her celebrated collaboration with playwright Caryl Churchill, and her upcoming role in Alexander Zeldin's "Care" at the Young Vic. Known for her understated yet powerful performances, Bassett shares insights into her approach to acting and the profound impact of theatre on her life.The Career JourneyBassett's path to acting wasn't conventional. Despite coming from a non-theatrical family, she discovered her passion at age four when she was unexpectedly thrust into a Sunday school Easter play. "I was in bliss," she recalls. Her formative years included ushering at the Old Vic during Laurence Olivier's legendary tenure, where she witnessed groundbreaking performances and even sold ice creams during intermissions.After briefly studying English at Leeds University, where she focused on drama rather than academics, Bassett began creating devised work in Leeds and Coventry. This experience, she suggests, "made me a bit gobby," developing her confidence to make suggestions as an actor, though she admits she sometimes oversteps when working with certain playwrights.The Churchill ConnectionBassett's most significant artistic relationship has been with playwright Caryl Churchill, beginning with "Fen" in 1983 and continuing through to "What If If Only" in 2021. She describes auditioning for Churchill as "enormous" because it launched her on a particular trajectory. Her disconcerting clarity has made her a peerless interpreter of Churchill's work, which some audiences find forbidding."They're not hard to watch," Bassett protests of Churchill's plays. She recalls her iconic monologue in "Escaped Alone" where the phrase "terrible rage" is repeated 25 times in succession. "It was the only thing to say at that point. The words fed the feeling, and it was the audience who felt it, not me, which is ideal." Churchill's writing, she notes, is "so distilled, no excess baggage," requiring actors to find "the one way" to play them.From Call the Midwife to CareDespite notable film roles including "East Is East" and "Calendar Girls," many audiences know Bassett as stern nurse Phyllis in the BBC's "Call the Midwife." "Complete strangers come up and say, I love you. My wife loves you, my mother loves you. It's extraordinary," she remarks of the public's connection to the character. Despite playing Phyllis for over a decade, she found fresh aspects to explore, learning "how to be" more matter-of-fact and practical than her natural disposition.Currently rehearsing Alexander Zeldin's "Care" at the Young Vic, Bassett plays Joan, a woman who after caring for her family begins showing signs of dementia and needs care herself. "She's convinced, as many people are, that she's just in for respite. She never loses the idea that she's going home," Bassett explains. The role draws from personal experience; after a heart attack, she spent two weeks recuperating in a care home, giving her "an insight into what it's like when you become helpless."The Actor's Philosophy"Every part is an education," Bassett states. "That's the glory of being an actor. You learn about human feelings and frailty and rottenness. The writer puts their soul on the page, and you inhabit that. I've always felt I was a writer's actor." This philosophy has guided her selective approach to roles, resulting in a "remarkably free of crap" CV despite turning down numerous opportunities.Though she hasn't performed as many classics as she might have hoped—"I think I'm seen as a working-class actress"—Bassett values the authenticity she brings to her roles. With Zeldin directing "Care," she appreciates his desire for "absolute truthfulness," which "suits me down to the ground." As she prepares for this new challenge, she acknowledges the nerves: "Every new part you're starting again. It's a bit scary, but I think we'll be all right."The Future of TheatreAs a veteran performer who has witnessed theatre's evolution, Bassett remains committed to the medium's power. She recalls the impact of Ronald Pickup's messenger speech in Peter Brook's production of Seneca's "Oedipus": "People fainted every night. You didn't see anything, his voice was enough. That's the power of theatre, isn't it?"Looking ahead, Bassett continues to seek roles that challenge her and explore the human condition. Whether through her meticulous interpretation of complex playwrights like Churchill or her willingness to portray the vulnerability of aging in "Care," she remains dedicated to the craft that has defined her life. "Every part is an education," she reiterates, and with each new role, Linda Bassett continues to learn, grow, and enrich the theatrical landscape.

The LeadA third round of direct talks between Israel and Lebanon has kicked off in Washington, DC, days before the expiration of a ceasefire that hardly halted Israeli attacks and Hezbollah's response to them. The Event DetailsThe talks, which began on Thursday, represent a step towards more serious negotiations, with higher-level envoys from Lebanon and Israel taking part after the initial preparatory sessions were headed by the ambassadors of the two countries to Washington. The Parties InvolvedLebanese officials are hoping that the two-day negotiations will yield a new ceasefire deal and pave the way for tackling a series of thorny issues, including the withdrawal of Israeli forces from southern Lebanon and the disarmament of Hezbollah. Lebanon's envoy heading up Thursday's talks, Simon Karam, is an attorney and well-connected former Lebanese ambassador to the United States. On the Israeli side, Deputy National Security Adviser Yossi Draznin was set to attend. The Impact AnalysisUS Secretary of State Marco Rubio, who attended the first Israel-Lebanon meetings in Washington in April, was with US President Donald Trump on a visit to China and did not attend Thursday's session. Hezbollah, meanwhile, is not part of the talks and has been vocally opposed to Lebanon engaging in direct negotiations with Israel. The PredictionStill, there is optimism. The cessation of hostilities agreement is due to expire on Sunday, so there is an expectation that this will be front and centre in discussions. The immediate objective is to prevent the situation along the border from escalating into a broader regional conflict.

London Debut Marks a Milestone for Tulsa BalletThe Oklahoma‑based company made its first UK appearance at the Linbury Theatre, Royal Opera House in London, performing its “Made in America” triple‑bill until 17 May 2026. Under artistic director Marcello Angelini, the troupe demonstrated why its 70‑year legacy continues to resonate internationally.Triple‑Bill Programme Showcases Choreographic RangeThe evening opened with Classical Symphony by Ukrainian choreographer Yuri Possokhov, set to Prokofiev and interpreted by lead couple Nao Ota and Jun Masuda. The second piece, Divenere by Nicolo Fonte, paired Ludovico Einaudi’s pop‑classical piano with a lyrical solo for Masuda. The finale, Remember Our Song, was choreographed by Broadway veteran Andy Blankenbuehler, condensing a wartime narrative into a 15‑minute burst of swing and Charleston.Performance Metrics and Audience ReachVenue: Linbury Theatre, Royal Opera House, LondonRun: 14 May – 17 May 2026Seating capacity: approx. 400 seats per performanceCritical reception: praised for technical precision, musicality, and versatilityImplications for American Ballet on the Global StageThe successful London run signals growing appetite for American regional companies abroad. By blending neoclassical works with contemporary pop‑classical scores and Broadway‑style storytelling, Tulsa Ballet positions itself as a versatile ambassador for U.S. dance, potentially influencing programming choices at other European houses.Future Prospects for Tulsa Ballet’s International TouringBuoyed by the positive press, the company is likely to schedule additional European dates in the 2026‑27 season, possibly targeting festivals in Paris and Berlin. Continued collaborations with choreographers like Possokhov and Blankenbuehler could cement Tulsa Ballet’s reputation as a conduit for cross‑Atlantic artistic exchange.

The Visa Crisis for Iran's World Cup Campaign Iran's football federation chief Mehdi Taj has revealed that no visas have yet been issued for the national team to play World Cup games in the United States, creating a significant logistical challenge less than a month before the tournament begins. The team, also known as TeamMelli, is scheduled to face New Zealand in Los Angeles on June 15, followed by matches against Belgium and Egypt in Group G. FIFA Intervention Becomes Critical "Tomorrow or the day after tomorrow, we will have a decisive meeting with FIFA. They must give us guarantees, because the visa issue has still not been resolved," the state news agency IRNA quoted federation chief Taj as saying on Thursday. The federation has not received any information about which players have been granted visas, adding to the uncertainty surrounding their participation in the tournament co-hosted by the United States, Mexico, and Canada. Logistical Complications Mount The players were expected to travel to the Turkish capital Ankara for fingerprinting as part of the visa process, but the federation is now attempting to arrange for this procedure to be done in Antalya instead. "The players must travel to Ankara for fingerprinting, but we are trying to arrange for this to be done in Antalya, so there will be no need to travel to Ankara," Taj explained, highlighting the additional challenges facing the team. Geopolitical Tensions Cast Shadow The visa complications occur against a backdrop of heightened tensions between the United States and Iran. The two countries have had no diplomatic relations since 1980, following the hostage crisis at the US embassy and the Islamic revolution that toppled the US-backed shah. More recently, the US and Israel launched attacks on Iran on February 28, leading to a war that extended across the Gulf, though a fragile ceasefire has been in place since April 8. Preparations Continue Despite Uncertainty Despite the visa issues, Iran held a send-off ceremony on Wednesday for the team prepared to play in the 2026 World Cup. The national team will be based in Tucson, Arizona during the tournament, with their first match against New Zealand scheduled for June 15 in Los Angeles. The federation continues to work through diplomatic channels to resolve the visa situation before the team's departure. Path Forward for TeamMelli As the deadline approaches, Iran's football federation faces the critical task of securing visas for all team members while navigating complex diplomatic relations. The outcome of their meeting with FIFA and subsequent discussions with US authorities will determine whether TeamMelli can participate in the World Cup as planned, or if further complications will arise in this already challenging situation.

The Lead A new round of negotiations between Israel and Lebanon will take place on Thursday and Friday to save a fragile ceasefire – repeatedly ignored by Israel – which is set to expire on Saturday. The Event Details The process has deeply divided Lebanon, a country which does not recognise Israel, with President Joseph Aoun and Prime Minister Nawaf Salam supporting direct negotiations. Hezbollah and their allies, including Parliament Speaker Nabih Berri, prefer indirect talks. Some of the same officials who attended the previous negotiations will be at the third round – including the US ambassador to Israel Mike Huckabee – with diplomatic and military representation from both sides expected, according to Lebanese media. The Key Players Involved Lebanon is set to be led by Simon Karam, a Lebanese diplomat appointed by Aoun, while Lebanon’s ambassador to the US, Nada Hamadeh Moawad and Deputy Chief of Mission Wissam Boutros, who were both in previous meetings, will also likely attend. A new addition to the negotiators’ list will be Lebanon’s Military Attache to Washington, General Oliver Hakme. Israel’s ambassador to Washington, Yechiel Leiter, will be joined by Brigadier General Amichai Levin, head of the Israeli army’s Strategic Division, and Deputy Advisor to Israel’s National Security Council, Yossi Draznin. The Impact Analysis The country is divided over the prospect of direct negotiations, all the way up to the governmental level. “The country’s president, prime minister and speaker of parliament – all hailing from different religious sects according to Lebanon’s confessional system – cannot agree upon a framework, or even an ultimate objective to the talks,” Souhayb Jawhar, a Lebanese journalist and analyst, wrote for the Middle East Council on Global Affairs. Analysts say that ultimately, Israel is trying to use its power and influence in order to force Lebanon to bend towards its regional goals and interests. The Prediction Israel is expected to reject the proposal of a ceasefire as wants to continue attacks on Hezbollah assets in Lebanon, resulting in four children killed or injured a day since another ostensible truce was declared on April 16. It also seeks the disarmament of Hezbollah, while some Israeli officials are seeking the annexation of southern Lebanon.