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The Rise of Essex as a Wine PowerhouseJust a 20-minute drive from Chelmsford in Essex lies a surprising viticultural landscape of rolling hills and vineyards that could soon rival traditional wine regions. While Essex might be better known for its reality TV connections, the surrounding area is gaining recognition as an emerging capital of English wine production. This transformation has been marked by record-breaking performances at prestigious wine competitions and growing international interest in the region's unique terroir.Crouch Valley: Essex's Wine HeartlandAt the forefront of this wine revolution is the Crouch Valley, which has been singled out by Master of Wine Sam Caporn as an exciting new region for wine production. The valley is home to nearly 30 growers and vineyards, with New Hall Wine Estate leading the way as the first to arrive in the area. Established in 1969, the estate has grown from humble beginnings—where the first wine was made in a saucepan—to producing about 250,000 bottles annually. The region's success is attributed to its ideal growing conditions, including low summer rainfall that allows grapes to ripen for longer periods compared to other parts of the UK.Award-Winning Recognition and Market GrowthEnglish wines have reached new heights of recognition, winning 25 gold medals at the International Wine Challenge this week—more than double the 10 awards received in 2025. This achievement underscores the improving quality and growing reputation of English wines on the global stage. The New Hall Wine Estate, which claims its wine was drunk during the sealing of the Magna Carta, has seen business explode in recent years. General Manager Becki Trembath attributes this growth to increased consumer awareness and preference for local products, particularly since the COVID-19 pandemic when people became more interested in knowing where their products come from.Climate Change and International AttentionThe Crouch Valley's emergence as a wine region is not just a matter of tradition and expertise—it's also tied to climate change. Researchers have identified the area as a location that could become even more favorable for wine production as rising UK temperatures create optimal conditions for grape cultivation. The region's growing reputation has attracted international attention, with French winemakers from Burgundy reportedly scoping out plans to buy land in the valley. Meanwhile, English winemakers are actively courting international buyers from Canada, America, New Zealand, and Australia, signaling a shift from local production to global recognition.The Future of English Wine: Developing a Distinct IdentityUnlike earlier generations of English winemakers who tried to emulate wines from countries like France or Germany, the current focus is on developing a distinctly English style. According to Andy Hares, vineyard and estate manager at New Hall, English wines tend to be "really aromatic and normally quite young" with a strong "fruit focus." This approach has helped establish a unique identity for English wines in the competitive global market. Looking ahead, the combination of favorable climate conditions, growing expertise, and international interest suggests that Essex's wine region is poised for continued growth and recognition, potentially becoming a significant player in the world of wine production.

The Shift in Hollywood’s Silicon StrategyUnder the white marquee on the Croisette, director Darren Aronofsky addressed the “AI for Talent” summit, positioning artificial intelligence not as a replacement for human storytellers, but as an essential evolution of the cinematic toolbox. Aronofsky, who runs Primordial Soup, argued that the technology is often misunderstood, distinguishing between simple chatbots and complex generative tools used in production. He framed the debate as a necessary part of cinema's history, comparing the current AI integration to the arrival of sound, portable cameras, and visual effects.Ethical Applications and Hybrid FilmmakingThe event highlighted how AI is being used to solve practical and ethical dilemmas on set. Aronofsky cited a project where AI tools allowed filmmakers to avoid using a real newborn baby by digitally transforming props, a solution he described as purely additive. This sentiment was echoed by film-maker Chuck Russell, who unveiled AI-driven sci-fi features, stating that the technology is expanding the scale of what is possible in film production.Steven Soderbergh’s documentary John Lennon: The Last Interview served as a prominent case study. Created with Meta, the film utilized AI for approximately 10% of its imagery to reconstruct the 1980 radio conversation. Soderbergh defended the sequences as “thematic surrealism” and a form of metaphor, similar to traditional VFX, emphasizing that the technology was used to enhance the narrative rather than deceive the audience.The Human vs. Machine DebateDespite the technical integration, the industry remains deeply divided. While Aronofsky and Soderbergh embrace the tools, skepticism remains high among veteran filmmakers. Guillermo del Toro famously stated he would “rather die” than use AI, while Seth Rogen dismissed AI-assisted screenwriting as producing “the most stupid dog shit I’ve ever seen.”Proponents: Aronofsky and Soderbergh view AI as a way to democratize storytelling and solve ethical production issues.Skeptics: Del Toro and Rogen fear AI devalues human creativity and risks the integrity of the art form.Navigating the New Regulatory LandscapeThe controversy extends beyond the set to the regulatory bodies governing the industry. The American Academy of Motion Picture Arts and Sciences has introduced new rules requiring acting to be “demonstrably performed by humans,” a move prompted by the backlash over the accent adjustments in The Brutalist. As hybrid productions become the norm, the industry faces the challenge of balancing innovation with the protection of human artistry.

The Rise of Spyware Attacks Spyware attacks on journalists, human rights defenders, and political dissidents are no longer rare or exotic. In early 2025, WhatsApp notified roughly 90 users — many of them journalists and civil society members across Europe — that they had been targeted by Israeli spyware company Paragon Solutions. Months later, Apple sent threat notifications to a new group of iOS users; forensic analysis confirmed two of them, both journalists, had been hit with Paragon’s Graphite spyware using a zero-click attack, meaning they didn’t even have to tap a link to be compromised. How Spyware Works These attacks rely on expensive, sophisticated, and stealthy tools that allow their operators to hack into and install spyware on computers, but especially smartphones, which hold virtually all of the data about a person’s daily life. Spyware gives its operators virtually full access to the target’s device and data. Government spies can record phone calls, steal chat messages, access photos, and switch on the device’s camera and microphone to record ambient sound and record nearby conversations. Spyware also typically tracks a person’s real-time location. Tech Giants Offer Defenses In response to these attacks, tech giants now provide their users with better defenses. In particular, Apple, Google, and Meta offer opt-in features specifically designed to counter targeted spyware attacks. Generally speaking, these features add extra protection, sometimes by turning off or limiting some regular features. It’s a tradeoff, but having used these myself for a long time, I have never found them to be too onerous or annoying to use. Apple's Lockdown Mode Apple’s Lockdown Mode is available on all Apple devices, including iPhones. Apple says that when Lockdown Mode is enabled, “your device won’t function like it typically does.” In exchange for this inconvenience, your device will be more secure. There is evidence that Lockdown Mode has helped in the past. Citizen Lab found that Lockdown Mode stopped one spyware attack carried out with NSO Group’s Pegasus software. As recently as March, Apple said it has never detected a successful attack on an Apple device with Lockdown Mode enabled. Google's Advanced Protection Program Google launched its Advanced Protection Program in 2017. This feature is designed to make your Google account more resilient against malicious hackers of all kinds. Advanced Protection Program includes the following features: Requires a physical security key (or a software passkey) as an additional verification factor apart from your passwords Requires a recovery phone and a recovery email to your account, or use a backup passkey or security key WhatsApp's Strict Account Settings WhatsApp launched Strict Account Settings earlier this year, an opt-in feature that switches on some privacy and security controls depending on the operating system. On Android and iOS, Strict Account Settings turns on the following features: Two-step verification Account protection To switch the feature on, use your primary device and go to Settings, then Privacy, then scroll down to Advanced and turn it on. The Future of Spyware Protection No security measure is perfect, and it’s a constant effort to keep security flaws at bay. Spyware makers find new ways to hack into phones and services, then software makers learn from those attacks and respond. Rinse and repeat. But that doesn’t mean these features are not worth using. On the contrary; these features have been proven effective. “These features are free, easy to enable, and the best defense we have today against sophisticated spyware,” said Runa Sandvik, a security researcher who has worked to protect journalists and other at-risk communities for more than a decade. “If the features get in the way of something you need to do, you can easily turn them off again — meaning it costs very little to turn them on and try them out.”

The Goalkeeping Masterclass That Sealed Charlton's WSL FutureSophie Whitehouse etched her name into Charlton folklore as she saved four penalties in the shootout to win her side promotion to the Women's Super League and relegated Leicester in the process. The Republic of Ireland goalkeeper's heroics gave Charlton a 2-1 victory on penalties to settle the nerviest playoff tie you could imagine after a goalless 120 minutes. The result capped off a dismal season for Leicester, who have lost every match they have played in 2026, while for Charlton the joy was unbridled and it was a case of 'second-time lucky' after they had lost a decisive game on the regular season's final day that had seen them miss out on automatic promotion.The Historic Playoff Drama at The ValleyThe first time such a playoff tie has been seen in the WSL, this fixture was introduced by the league partly with the idea of having a showcase game to draw in interest for broadcasters and create a climax to the season. They certainly got the drama they were hoping for at the very end but most of the match was remarkably cagey, lacking quality and low on chances.Leicester arrived in south-east London on a dismal run, winless since the middle of December, having lost 11 consecutive league games and 12 in a row in all competitions. Charlton were similarly low on confidence after ending the regular league campaign with a disappointing run of just one win and four defeats in their final seven league matches, which saw them surrender an automatic promotion spot. Charlton had been nine points clear in mid-March, and missed a chance to go 12 points clear earlier that month, but were eventually overtaken by both Crystal Palace and Birmingham, who won the title with a pivotal victory at Charlton on the season's final day.The Financial Stakes of Women's Football PromotionCompared to the £205m that was on the line about 15 miles away, for the men's playoff decider between Hull and Middlesbrough, the financial prize on offer for securing a top-flight place in the WSL was rather more negligible in comparison, with one club source estimating to the Guardian that the winner would stand to benefit from a boost in the 'hundreds of thousands of pounds' through a greater share of central distribution money compared to WSL2. The greater value in top-flight WSL football lies in the potential increase in club-specific commercial deals that can be negotiated as a result of the greater exposure offered with live games on the BBC and Sky Sports, with another source with knowledge of a WSL club's finances estimating that could be worth more than a million pounds per season, or more, depending on each club's voracity in sponsorship negotiations.How This Reshapes the Women's Football LandscapeBut try telling any of the players or staff – or the 3,979 fans in attendance who set a new club record for a Charlton women's home match at The Valley, surpassing the previous record that had stood for 23 years – that this was any less important. The passionate turnout demonstrates the growing interest in women's football and the significance of promotion to the top tier. Charlton's elevation to the WSL brings another competitive London-based team to the league, potentially increasing local rivalries and drawing more media attention to the sport in the capital. Meanwhile, Leicester's relegation marks a significant downturn for a club that had previously invested in their women's team, highlighting the competitive volatility in the lower tiers of women's football.What's Next for Charlton and LeicesterFor Charlton, the focus now shifts to preparing for life in the WSL, where they will face established top-tier teams and likely need to strengthen their squad to compete at the higher level. Their goalkeeper Sophie Whitehouse has already proven her worth with the Golden Glove award in WSL2 and her heroics in the playoff, but the team as a whole will need to adapt to the increased pace and physicality of the top division. For Leicester, the challenge is to regroup immediately and build a squad capable of winning promotion back to the WSL at the first attempt, learning from their dismal 2026 campaign that saw them lose every match. Both clubs will now be navigating the complex financial landscape of women's football, with Charlton seeking to capitalize on their new top-tier status through commercial opportunities, while Leicester must find ways to maintain investment despite being in the second tier.

Lead: From On‑Screen Heroine to Real‑World SurvivorIn a candid Guardian interview, Hannah Murray reflects on the paradox of feeling liberated after quitting acting, only to be drawn into a high‑priced wellness cult that jeopardised her mental health. The experience culminated in a psychotic break, a brief hospitalisation, and a subsequent bipolar diagnosis.The cult’s promise and Murray’s descent into its underbellyAt 27, Murray joined an organisation that marketed “wisdom and specialness” for a fee running into thousands of pounds. The group’s charismatic leader, identifiable by a symbolic necklace and a giant Starbucks cup, offered a quick fix for the emptiness Murray felt after years of fame‑driven validation.Initial attraction: desire for lasting “specialness” beyond acting roles.Practices: meditation, gratitude diaries, and “spiritual” workshops.Cost: substantial financial outlay combined with escalating mental strain.The hidden price tag and mental‑health falloutThe cult’s financial demands were matched by a severe psychological toll. Murray experienced a catastrophic psychotic episode, leading to a brief stay in an acute mental‑health unit where she was diagnosed with bipolar disorder.Impact: What Murray’s story reveals about the wellness industry’s lure for young creativesHer narrative underscores a broader vulnerability: young, high‑profile individuals often seek quick‑fix solutions to the pressures of fame, making them prime targets for exploitative “wellness” enterprises. Murray notes a lack of critical scrutiny surrounding the industry’s promises, which are frequently presented as universally benign.Future outlook: Growing calls for accountability and mental‑health advocacyAs more public figures share similar experiences, the wellness sector may face increased regulatory attention and a push for transparent, evidence‑based practices. Murray’s memoir adds momentum to a cultural conversation about protecting vulnerable talent from predatory self‑help movements.

The LeadGame of Thrones actress Hannah Murray shares her experience of being sectioned in a psychiatric hospital in her new memoir "The Make-Believe: A Memoir of Magic and Madness." The actress describes her mental health journey and the experience of being involuntarily admitted under the Mental Health Act.The Hospital ExperienceThe door to the room opens. A man enters the room. He is a Black man, bald and overweight. He is dressed in uniform. Blue uniform, a blue lanyard that reads "NHS". But I know Steve, the leader of the organisation that introduced me to magic, is a magician. I know he can appear in disguise.I approach the man and try to kiss him.He does not let me kiss him. Then no. It is not Steve.The man has brought me a plate of toast. He has brought me a cup of tea. I add sugar to the tea, which I would never have done in my former life, but a spoonful of sugar helps the medicine go down!I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive … I will never need to eat again. I survive on liquids and air and lightI do not eat the toast. I drink the tea. I am alone in the room again and I urinate into the cup and drink that too.I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive. It is the most potent of potions I can drink. I am a self-contained, utterly self-sufficient being. I will never need to eat again. I survive on liquids and air and light.I decide to explore outside the room. Outside my sanctuary. He has not come. So maybe I need to go searching for him …The Phone CallTime jumps. I am in a corridor lit by overhead strip lights. The electric light is pale yellow in tone. I am sat on one of three chairs in a row against the wall. The chairs are purple, curved plastic. I am still waiting for him to appear.There are two doors in front of me. One is the door to the blue room with the blue sofa and chair. Behind the other door is an office of some kind, and there is a woman in there, shuffling papers and talking on the phone.The woman comes out of the office. She is holding out my phone. My only possession now – the one artefact from my previous life. There is someone she wants me to speak to.Him.When I hold the phone to my ear, I hear a voice I recognise.But the voice belongs to my mother."Hannah?" she says. "Where are you? What's going on?"There is distress in her voice. Her voice is trembling with pain and anxiety.I do not want to hear it.This is a test. A horrible test, certainly, but one that I can pass. They are trying to tempt me back into the human. They are trying to lure me back into the past.I hang up the phone.But, after a moment, it starts to ring. The word Mum lights up the screen."Talk to her," says the woman.I answer the call.My mother sounds different now. Calmer. She asks again what's going on but gently, even cheerfully. I tell her everything's OK. That I'm fine. I tell her not to worry. I'm in a good place.This is the last time I will ever hear her voice, I think. This is the way I say goodbye.The DiagnosisThey tell me I am being sectioned.The words jar with my beliefs."Section 2 … the Mental Health Act … 28 days … right to appeal … "I cock my head.This does not fit at all. It does not fit in the world of Steve, of Ritual Master, of Shambhala and the invention of magic.I am not concerned. I am concerned only with the energy I can feel spiralling up through my body and the voices I can hear in my head.I pace the hospital corridors, delivering a tearful monologue, delivering the greatest performance of my life. A phrase comes to me. The Girl With All the Gifts. The title of a post-apocalyptic horror film released in 2016, starring Gemma Arterton.I am a magician. I am an actress. I am a writer. I have superhuman strength. I can fly. Anything that can be imagined, I can perform it. Every skill and every ability is mine.The film came out as a warning, and a prophecy.And because of me, the apocalypse has been averted.I am the saviour of the planet. I am the girl with all the gifts.The Journey to RecoveryIt was very hard, the journey to get here. It took 27 years. The path was twisting and full of setbacks, there were challenges and so much pain. There were times I wanted to give up. It was very hard. Everyone will have to make their own journey, and their journeys will be their own, unique as snowflakes or fingerprints. That is the beauty of it, the joy of it. Everyone has to figure it out for themselves.But I have laid the groundwork. I have walked the path. It starts with the energy healing, and it goes on and on through the seven dimensions, through increasingly magical planes. It goes on and on until you meet your soulmate, like I met mine.I was in a TV show called Game of Thrones, hidden in plain sight in the midst of a cultural phenomenon. I, the key to the world's salvation, wore the face of a character called Gilly, but really I played every role. Then I worked on a film called Detroit in Boston. David Benioff and Dan Weiss and Kathryn Bigelow were the four horsemen of the apocalypse. Numbers are irrelevant. Three counts as four. David and Dan and Kathryn cast me in the roles that brought about my destiny. The end and beginning of the world.I am the Ur-actress. I am every actress. Every performance ever given has been animated by my energy, my talent, by the gestures and facial expressions I am performing here and now.The Memoir and BeyondThis is an edited extract from The Make-Believe: A Memoir of Magic and Madness by Hannah Murray, published by Cornerstone (£18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.Hannah Murray will be in conversation with Jessie Cave at Kings Place in London on 5 June.

The Allure of the Enhanced Games The Enhanced Games, dubbed the 'Steroid Olympics,' is a new and highly contentious sports event set to take place in Las Vegas. The competition allows athletes to use banned performance-enhancing drugs, such as anabolic steroids, testosterone, and human growth hormone. In return, participants can earn substantial rewards, with some athletes potentially walking away with millions of dollars. Athletes Weighing the Risks Ukrainian swimmer Andriy Govorov, the 50m butterfly world record-holder, is one of the athletes competing in the Enhanced Games. He reveals that he was anxious about taking banned drugs for the first time, but the potential financial reward was too enticing to ignore. Govorov could earn around $1m if he performs well. The Financial Incentives The financial incentives for participating in the Enhanced Games are significant. Britain's Ben Proud, a silver medalist in the 50m freestyle swimming at the Paris Games, is reportedly on a mid-six-figure salary with Enhanced. If he wins the 50m and 100m freestyle and swims faster than the current world records, he could earn an additional $2.5m. The Health Risks However, the use of banned performance-enhancing drugs comes with serious health risks. The World Anti-Doping Agency (WADA) warns that these substances can lead to long-term side effects, including hypertension, heart attack, and blood clots. Despite these risks, Christian Angermayer, co-founder of the Enhanced Games, believes that the benefits outweigh the costs when used under strict medical supervision. The Future of Sports? The Enhanced Games represent a new and uncertain frontier in sports. While some see it as a threat to traditional athletics, others view it as an opportunity for athletes to take control of their own bodies and careers. As the event approaches, the world will be watching to see how it unfolds and what the consequences will be for the athletes involved.

Google has officially joined the glitterati of app icon design, rolling out disco-ball themed icons for Pixel devices in a move that blurs the line between functional UI and digital kitsch. This follows Spotify’s controversial 20th-anniversary icon, which initially drew heavy criticism before evolving into a meme-worthy moment. The Disco Ball Rollout: From Tease to Reality The feature was teased by Android ecosystem head Sameer Samat on X, who asked, "Should we make this icon pack happen on Android?" The answer was a resounding "yes," with the icons now available on Pixel devices via the custom icons feature introduced in March's Pixel Drop. Feature Origin: Part of the "Pixel Drop" update series. Creator: Android head Sameer Samat. Availability: Currently rolling out to Pixel users. Analyzing the "Ugly" Aesthetic: User Sentiment While Spotify's temporary icon sparked complaints about "glitter not being for everyone," Google’s full rollout suggests a shift in consumer tolerance—or preference—for maximalist design. The reaction has been polarized, with users calling it "awful" yet "taking it," indicating a complex emotional response to the change. The Rise of Whimsy in UI Design This move highlights a significant cultural shift in digital aesthetics. As reported by The New York Times, Zillennials are increasingly favoring "whimsical" designs as a playful response to a difficult world. Google’s embrace of the disco ball aligns with this trend, moving away from sterile, uniform iconography toward personalized, expressive interfaces. The Future of App Icon Customization Google isn't the only player in this space; tools like Lovable are already offering disco-ball effects for logos. We predict that as AI-generated design tools become more accessible, the line between "functional app icon" and "digital art" will continue to dissolve, leading to more frequent, bizarre, and highly personalized home screens.

The Android XR Prototype: A Glimpse into the Future of Wearables At Google I/O 2026, Google revealed a prototype of its Android XR smart glasses, bridging the gap between audio-only wearables and full spatial computing devices. Unlike the audio-only version shipping this fall, this prototype features a visible in-lens display that overlays widgets, navigation, and translation on the real world. Strategic Partnerships and Design Aesthetics Google is not developing this hardware in isolation. The company has partnered with Warby Parker, Gentle Monster, and Samsung to integrate Google’s technology with established design aesthetics. The current prototype, however, is a raw version focused on internal experimentation, lacking cosmetic details like different frame shapes and the ability to detect when the glasses are placed on the head. Performance Analysis: Latency and Usability The hands-on experience highlighted both the potential and the current limitations of the hardware. A key metric for the AI features was the round-trip time for photo manipulation, which took approximately 45 seconds in a high-load Wi-Fi environment. While the translation feature demonstrated near-instantaneous results, the audio quality was described as adequate for background noise but inferior to high-end earbuds. Navigation: Google Maps integration allows for turn-by-turn directions overlaid on the field of view. Translation: Real-time Spanish-to-English translation was fluid and accurate. Object Identification: Google Lens capabilities were present but sometimes required manual camera activation. Impact on the Spatial Computing Landscape This dual-release strategy—audio first, visual later—signals a defensive yet aggressive move against competitors like Meta and Snap. By shipping audio glasses this fall, Google secures a foothold in the consumer market while the prototype phase allows for refining the display technology and battery life for the full version. The Future Outlook Google’s roadmap suggests that the shipping version of the glasses will focus on cosmetic refinement and battery optimization. The integration of third-party apps and the ability to control home devices via voice commands indicate that the goal is to move beyond a novelty into a functional daily driver.