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The Rise of Usman Tariq Usman Tariq, a 30-year-old mystery spinner from Pakistan, is set to make his debut in the T20 Blast for the Bears. His journey to professional cricket is nothing short of remarkable. After spending his early 20s working for a car-parts company in Dubai, Tariq watched a biopic of India's MS Dhoni and decided to pack it in to pursue his cricketing dream. Overcoming Challenges Tariq's bowling action has been subject to scrutiny, with some questioning its legitimacy. However, he has been tested twice and cleared within a week. He attributes his unique action to a congenital condition that gives him an elbow joint that is split, allowing him to bowl with two elbows. Developing His Skills Tariq has developed around six different deliveries, including a devilish carrom ball. His release point is something he mixes up, with a low-slung, side-arm delivery that is not dissimilar to Sri Lanka's Lasith Malinga. Batters have plenty to think about when facing him. The T20 Blast The T20 Blast has undergone changes this year, with 12 group games down to 9 and two groups of six. Teams play two sides outside of their group, leading to new fixtures. The men's Blast now runs straight through to an earlier Finals Day at Edgbaston on 18 July. A Promising Future Tariq is a prime example of an overseas player who can now bounce seamlessly from one tournament to the other. With his unique action and developing skills, he will certainly be one to watch in the T20 Blast and the Hundred.

The Championship ShowdownThe Scottish Premiership title decider between Celtic and Hearts delivered high drama and contrasting emotions as the established powerhouse Celtic defeated the underdog Hearts, crushing their hopes of a championship fairytale. The match represented more than just three points—it was the culmination of a season's worth of aspirations for Hearts and the defense of dominance for Celtic.Emotional RollercoasterDavid Squires' cartoons perfectly captured the diverging emotional trajectories of the two sets of fans. For Celtic supporters, the victory brought unbridled joy as their team secured another title. For Hearts fans, the match represented soul-crushing pain as their dreams of an unlikely championship were extinguished in the decisive encounter.The Fairytale That Wasn'tHearts entered the match as the sentimental favorites, with many observers rooting for the underdog to break Celtic's stranglehold on Scottish football. The team had exceeded expectations throughout the season, building momentum and belief that they could achieve the unthinkable. However, in the ultimate test, Celtic's experience and quality proved decisive, maintaining their position as Scotland's dominant force.What's Next for Scottish FootballWith another title secured, Celtic reinforces their position as the benchmark in Scottish football. For Hearts, the challenge will be to channel the disappointment of this near-miss into motivation for future campaigns. The match highlights the competitive gap that still exists in Scottish football, but also demonstrates the potential for exciting narratives when underdogs dare to challenge the established order.

The Parent's Cricket Dream Every cricket-loving parent experiences that tiny flicker of hope that their child might become the next superstar. It's the irrational dream that the gods who blessed players like Sachin Tendulkar and Ellyse Perry might one day smile upon their own children. This hope begins the first time you wrap their chubby hands around a plastic bat or when they accidentally hit a tennis ball with surprising power. What parents truly hope for isn't fame or contracts, but simply that their children fall in love with the game. The author, a new father of two boys, already analyzes his children's physical attributes for cricket potential—long fingers for spin bowling, broad shoulders for powerful hitting. This is how cricket colonizes the mind, turning rational adults into amateur talent scouts studying toddler anatomy. Family Cricket Traditions Once cricket embeds itself deeply into your life, it becomes less a sport than a language through which everything else is understood. The author compares strategizing meal times and bedtime routines to captains discussing bowling changes, and positioning furniture to setting fields. This transformation of daily life through cricket's lens is a common experience for families deeply involved in the sport. The tradition of passing cricket through generations is highlighted by Sheahan Arnott, a club bowler in London whose father remains the record run-scorer at Bentley Cricket Club in Perth. They've played hundreds of games together, including a memorable moment when Arnott captained his father in his 500th game after he scored a century. For Arnott, the greatest cricket dream was playing alongside his father. The Joy of Shared Cricket Moments There is a unique joy in sharing cricket with family members that goes beyond individual achievement. The author inherited his love for cricket through his parents, who took him to the Wanderers stadium as a child. His mother drove him to endless coaching sessions, while his father offered infinite throwdowns in the garden despite working a full week. Their support transformed every small achievement into something significant. Mark Cooper, a 73-year-old cricketer, has played alongside his three sons and daughter with Millfields CC since the 1990s. He describes watching his children grow from young fielders to adults with their own lives, sharing magical moments like walking off together after hitting the winning runs. These shared experiences create bonds that transcend the sport itself. Balancing Dreams and Reality There is a delicate balance in passing on cricket passion without burdening children with parental expectations. The danger of projecting unfinished dreams onto children is as precarious as driving on the up in cricket. The trick is to pass on the obsession without passing on the burden, using cricket's intricacies as a guide. Cricket's grand tapestry is made with a million tiny stitches—properly filled-out scorecards, precisely packed cooler boxes, caring for an ageing ball. Sharing this wisdom with the next generation is both a responsibility and a privilege. The author acknowledges that his eldest son hasn't shown interest yet and his youngest can't even hold his head up, let alone a bat, but as a cricket tragic, he understands the value of patience and hope.

The Legal Challenge to FIFA's Ticketing SystemThe attorneys general of New York and New Jersey have launched a significant investigation into FIFA's ticketing practices for the 2026 World Cup, specifically focusing on matches at MetLife Stadium in East Rutherford, New Jersey. This legal action represents one of the most serious challenges yet to soccer's world governing body over its controversial approach to ticket distribution and pricing.Investigation Focuses on Seat Location and Pricing PracticesThe probe, announced by New York's Letitia James and New Jersey's Jennifer Davenport, centers on two main issues: fans who say they were misled about the location of their seats, and claims that FIFA's public messaging has contributed to inflated prices throughout the tournament. The investigation specifically targets matches at MetLife Stadium, which will host eight games including the July 19 final.Both officials made strong statements against FIFA. James emphasized that "no one should be manipulated into paying sky-high prices for seats," while Davenport accused FIFA of practicing "fake scarcity" by withholding blocks of tickets to drive up prices for remaining seats.The Economics of World Cup TicketingFIFA has faced widespread criticism for its implementation of dynamic pricing for the first time in World Cup history. This practice, which sees ticket prices fluctuate based on demand, has resulted in average ticket prices hovering above $1,000 throughout the tournament, despite an official price floor of approximately $60 per ticket.A Guardian analysis found that the cheapest World Cup tickets experienced the most significant price increases, a trend that has continued in recent months. In response to backlash, FIFA has made limited allocations of lower-priced tickets, including a "Supporter Entry Tier" with prices capped at $60 (representing just 1.6% of all tickets) and a special $50 ticket offer for New York City residents to MetLife Stadium games (excluding the final).Category Confusion and Seat Placement IssuesThe investigation also comes amid confusion over FIFA's ticket category system. Initially, FIFA officials announced they would abandon traditional category classifications (where Category 1 typically represented sideline seats, Category 2 endline seats, and Category 3 corner seats) in favor of a system based entirely on distance from the pitch.However, when tickets went on sale, a system much closer to FIFA's traditional categories was used, creating discrepancies between what was promised and what was delivered. In April, FIFA introduced a new category comprising the first several rows next to the field, further complicating the ticketing landscape.Legal and Consumer Protection ImplicationsThe investigation marks the first time that a law enforcement authority with jurisdiction has formally accused FIFA of "fake scarcity" in ticketing practices. The state officials were joined by Samuel A. A. Levine, commissioner of the New York City Department of Consumer and Worker Protection, who stated that FIFA's reported conduct would violate the city's consumer protection law.This legal action could set a significant precedent for how international sporting events are ticketed in the United States and potentially beyond. It also comes amid growing scrutiny of FIFA's business practices, which have long been criticized by fans, journalists, and even some national football associations.Future of World Cup Ticketing in QuestionAs the investigation unfolds, several outcomes are possible. FIFA may be required to modify its ticketing practices for the 2026 World Cup and potentially future tournaments. The investigation could also lead to greater transparency in how tickets are allocated and priced, potentially benefiting fans who have historically faced challenges in securing affordable tickets to major sporting events.Additionally, this case may prompt other jurisdictions to examine FIFA's ticketing practices more closely, potentially leading to a broader reevaluation of how international sporting bodies approach ticket distribution and pricing in the future.

The Scene of Celebration The mounds of detritus pile up outside Finsbury Park station, like an offering to a vengeful deity. A deity gone rogue for the evening, demanding tribute specifically in the form of empty food cartons and abandoned Lime bikes. A deity that has finally decided to break the habit of 22 years. The Essence of Arsenal What is Arsenal? Not really a place: the tube station is named after the team rather than a locality, rebranded in the 1930s at the request of Herbert Chapman, and in honour of the club rather than – as many Spurs fans have cheekily suggested – because otherwise people wouldn’t know where to get off. It draws its fanbase as readily from Ithaca and Indore as it does from Islington, from south London as much as north. Most of its players and staff live in the Hertfordshire commuter belt. It shares its city with at least half a dozen other perfectly competent clubs, many of which actively despise it. The Metropolitan Swagger and Angst Modern football loves nothing more than to divide its audience. Tiers of membership, tiers of pricing, tiers of devotion, tiers of worth. Red, silver, gold, platinum, hospitality. Local and foreign. And yet, here in the lit north London night, there are no partitions left. All the market segments have dissolved into a single human mass: just people in a place, desperate to seek out others, to see if everyone is feeling the way they’re feeling, communion as a form of verification. The Impact on the Community At times over the past few decades, it has felt increasingly hard to call this city one’s own. Tainted money sloshes through the gutters and sewers, luxury apartment blocks go up for nobody to live in, areas divide ever more starkly along lines of affluence, cherished cafes and businesses go under, longstanding residents get priced or Brexited out. Every state primary school in the borough of Islington is operating under capacity, according to the most recent available figures. Two were forced to close last summer. The Future Outlook This is not guaranteed to work. It will not protect you against fate, ridicule, springtime Guardiola, Emi Buendía smashing one in the last minute. It will not protect you against the crying laughing emojis piling up in your WhatsApp groups. It will not protect you against the doubts that gnaw away in your darkest moments: that you are not special, that this club is at heart like all the others, a capitalistic enterprise built to sell sportswear. That this is the club of Visit Rwanda and Thomas Partey. That City will find a way again.

Manchester United's Midfield Rebuild Manchester United have agreed to sign the Atalanta midfielder Éderson for a fee which could rise to about £37m as they work to bolster the squad for their return to the Champions League. Éderson's Profile and Signing Éderson is in line to be the first summer arrival as United aim to provide Michael Carrick with the depth to cope with four competitions. United’s director of football, Jason Wilcox, has closely monitored the Brazilian’s progress in Serie A and is a keen admirer. Financial and Squad Implications United are looking to add quality in midfield after losing experienced player Casemiro. The 26-year-old Éderson fits that profile and has spent four seasons at Atalanta, playing in the Champions League in the last two and winning the Europa League in 2024. Future Midfield Signings Éderson is unlikely to be United’s only midfield signing. Nottingham Forest’s Elliot Anderson is another option but is thought to favour a move to Manchester City, and Real Madrid’s Aurélien Tchouaméni is also under consideration. The Road Ahead Personal terms are not thought to be a problem for Éderson, who has not been picked for the World Cup. Manuel Ugarte, who has struggled since moving to United in 2024, could be allowed to leave on loan or permanently.

The Long-Awaited Return Falls ShortAfter 13 years of silence, Boards of Canada has released "Inferno," their first album since 2013's Tomorrow's Harvest. The Scottish duo, consisting of brothers Mike Sandison and Marcus Eoin, has been a significant influence in electronic music, known for their distinctive blend of hip-hop beats, ambient soundscapes, and nostalgic samples. However, the new album has been met with disappointment, with critics finding the duo stuck in their past while more nimble electronic contemporaries have moved forward.A Familiar Sound, Diminished Impact"Inferno" opens with the characteristic Boards of Canada sound—analog synths rising and falling like sound effects from a forgotten 1960s radio play. The album continues the duo's exploration of spectral ambient vistas and vintage samples, looking back at the mid-20th century's utopian promise while teasing out its latent kitsch and creepiness. However, the review suggests that while the duo has expanded their range with the addition of guitars and new influences, the core elements that made their earlier work compelling feel diminished.The Legacy of InfluenceSince their 1995 debut EP "Twoism," Boards of Canada has become hugely influential on various music scenes, from the US cloud-rap to the UK's "hauntological" Ghost Box label. Their music has resonated with filmmakers like Adam Curtis and Ben Wheatley, who appreciate their history-sampling approach. The band's ability to create distinctive soundscapes using heavy hip-hop beats and vintage samples has earned them a dedicated following. However, "Inferno" fails to capture the innovative spirit that made their earlier work so influential.Themes and Musical DirectionThe album's title suggests Dante's hell, with the duo exploring spiritual deliverance and damnation. Tracks like "Father and Son" and "The Word Becomes Flesh" use samples of people having crises of faith and educational videos about human embryo development, respectively. However, the review criticizes these approaches as "callow" and potentially offensive, particularly in their treatment of Eastern religious elements. Musically, the album attempts various styles—from country-influenced tracks recalling Mogwai to dream pop and instrumental pieces—but often falls flat with "wretchedly pedestrian" beats.Bright Spots in a Diminished ReturnDespite the overall negative assessment, "Inferno" does contain moments that recall the duo's earlier brilliance. The beatless tracks, such as "Age of Capricorn" and "The Process," offer glimpses of the innovative sound that made Boards of Canada influential. These tracks showcase the duo's ability to create compelling ambient soundscapes and intriguing juxtapositions of sounds. However, these moments are described as "fleeting" across the album's 70-minute runtime, leaving the impression that the band's creative peak may be behind them.The Future of a Once-Innovative Duo"Inferno" presents a challenging moment for Boards of Canada, raising questions about their ability to evolve creatively while maintaining their signature sound. For die-hard fans, the album may still hold value as a continuation of the duo's distinctive aesthetic. However, for listeners expecting the innovation that defined their earlier work, the album may feel like a missed opportunity. As electronic music continues to evolve rapidly, the duo will need to decide whether to embrace new approaches or risk becoming a nostalgic act revered more for their past achievements than their present contributions.

The Revival of Sugar Bob Mould has never seemed to have much interest in looking back. The bridges to a Hüsker Dü reunion were burned long before drummer and songwriter Grant Hart died in 2017; the notion that Mould might revive Sugar, the band who scored three unlikely UK Top 10 albums of ferocious alt-rock in the mid-90s, seemed ridiculous. But here we are: after three New York shows, Mould, David Barbe and Malcolm Travis are touring the UK and Ireland. The Performance Some things have changed: the seething sea of moshers at 90s shows is now a placid lake of the nodding middle-aged. Travis, 73, seems to drum with the minimum amount of movement possible, wisely given the searing heat inside the Forum. Others haven’t: JC Auto, which closes the main set, remains brutal and churning, thrillingly intense. Mould still stomps in circles around the stage like a man furiously searching for his lost remote control. The Music Mould, arguably, is the man who brought melody to American hardcore punk, and Sugar continued his desire for big tunes and searing guitars. When he plays alone, it can be hard sometimes to pick out the melodies behind the trebly sheets of guitar, but the ballast of the rhythm section holds the tunes in place, and the pop smarts of If I Can’t Change Your Mind and Gee Angel burst out of the PA. The Vocal Dynamics The songs sung by Barbe don’t fare quite so well – his voice is smooth and high and gets a little lost in the mix. You can hear he’s singing during Company Book, but it’s more a texture than a selection of words, floating atop the guitars. That same texture, though, adds depth to his harmonies, giving Sugar a warmth that not all their contemporaries could manage. The Future There’s no time for messing around, just a furious charge through 23 songs in 90 minutes, including two recorded for the reunion – Long Live Love and House of Dead Memories – suggesting that Sugar might stick around to do more than tour gen X nostalgia. We can only hope. Sugar play Ulster Hall, Belfast, 26 May; then tour the UK and Ireland until 4 June

The Explicit RoleNot many actors are relieved when they have to film an eye-poppingly explicit sex scene, but that was the case with Jamie Bell on Half Man. His role involved chemsex in saunas, dogging in car parks and illicit quickies in library loos. "Honestly, I was so grateful to be shooting that stuff and not fucking 16-page dialogue scenes, where you're emoting and it's so intense," says Bell. "On days when my character had to have sex with random people, I'd think: 'Thank God!' Frankly, it came as a welcome reprieve."The Creative PartnershipRichard Gadd's first TV show since the Emmy-gobbling global Netflix hit Baby Reindeer, Half Man chronicles the combustible, codependent relationship between two "brothers from another lover". Niall (Bell) is bookish, bullied and closeted. Ruben (Gadd) is the swaggeringly violent ex-con son of his mother's girlfriend. The six-part drama – which reaches its devastating finale next week – traces the inseparable duo's toxic relationship across three decades.The role of Niall was written specifically for Bell. "I didn't realise that when I initially read the scripts," says Bell. "But later, when I met Richard in Los Angeles to discuss it, he said he wrote it with me in mind. I was incredibly flattered … It's a sensory experience reading Richard's material. He truly takes you to those places in your own life. It probes experiences you've kept hidden away somewhere and chosen to forget."Character ComplexityHe was drawn to his Half Man character's complexity. "I thought: 'Woah, this man is on such a destructive downward spiral …' He's got everything he wanted in life but still can't accept who he is. Niall is living as several different people and he's not comfortable with any of them."Bell really empathised with gentle Niall being drawn to such an aggressive alpha male. "Ruben is this disaster of a man. A bull in a china shop, destroying everything and everyone in his wake. Why doesn't Niall step away? Partly self-preservation. Niall feels vulnerable whereas Ruben is intimidatingly powerful. He can be Niall's protector. People fear him. Because of that, Niall latches on to him almost parasitically. Ruben becomes his life support system. I understood that 100%."I grew up in an all-female household and did ballet, so I used to attach myself to tough, troubled guys too. Not my kind of crowd at all but I'd rather have them on my team than not."Themes of Toxic MasculinityNiall struggles with his sexuality to the extent that he undergoes conversion therapy. As a straight man, Bell felt an acute sense of responsibility portraying that. "It's the centre of the character," he says. "The basis of all his issues. I took that very seriously. Niall's self-hate goes beyond shame or societal pressure. Somehow, his own sexuality doesn't sit right within his worldview. That, to me, is beyond sad. 'Be yourself' is the simplest advice yet at times, the hardest to adhere to." As a result of his turmoil, Niall goes to some dark places sexually. "Because of his repression, everything is guarded and hidden. That becomes the excitement. It's an addiction. He gets a kick from dangerous sex."With its portrayal of male rage and damaged antiheroes, Half Man taps into debates about toxic masculinity. Does Bell believe his gender is in crisis? "Look at who are the majority transgressors in this world," he says. "It's men, on all fronts – not just misogyny but conflict, crime, everything. It's important to shine a light on that. The conversation is ongoing. Hopefully this show adds something."The ImpactIt's no-holds-barred TV, full of sex, violence and gut-punch plot twists. "It's a brutal, beastly thing that Richard has created," says Bell. "I'd be lying if I said it was easy or fun to make." Yet the show represents a significant moment in television, pushing boundaries in its depiction of complex male relationships and sexuality. Bell's performance as Niall, combined with Gadd's writing and performance as Ruben, creates a character study that resonates with contemporary discussions about identity, self-acceptance, and the destructive patterns that can emerge from unresolved trauma.