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Marwan Barghouti, often referred to as Palestine's Nelson Mandela, has been facing a pattern of escalating abuse in Israeli jails, his lawyer Ben Marmarelli has said. Barghouti has been attacked three times in as many weeks, including an incident where prison guards set a dog on him.The 66-year-old Palestinian leader has been held in Israeli jails since his conviction for ordering attacks that killed civilians during the second intifada. His trial was criticized as flawed by legal experts, and Mandela himself reportedly described it as a legal attack on a legitimate political struggle.Marmarelli said that Barghouti faced violence, medical neglect, and treatment that places him at immediate risk in jail. On March 25, prison guards entered Barghouti's cell with a dog and forced him to the ground, where the dog repeatedly attacked him. The following day, Barghouti was assaulted during a transfer to another prison, and on April 8, guards at that jail beat him severely, left him bleeding for over two hours, and denied requests for medical treatment.Despite the abuse, Marmarelli said Barghouti's mind was sharp, focused, and deeply engaged with everything happening outside those prison walls. The lawyer added that the only way to protect Barghouti is to secure his immediate release, as there can be no guarantee of his safety while he is held in an Israeli jail.The Israeli Prison Service did not respond to requests for comment on Barghouti's treatment. The Palestinian leader's son, Arab Barghouti, thanked artists speaking up for his father and called for others to join the campaign to free him, citing the critical role artists played in the movement to free Mandela and end apartheid in South Africa.

Madonna has confirmed the arrival of her 15th studio album, "Confessions II," positioned as a direct follow‑up to the 2005 disco‑infused masterpiece Confessions on a Dance Floor. The new record is scheduled to drop on 3 July 2026 and reunites the pop icon with British producer Stuart Price, who helmed the original. In a candid statement, Madonna framed the project as a manifesto for dance: "We must dance, celebrate, and pray with our bodies… the dance floor is a ritualistic space where we connect with our wounds and fragility." She emphasized that rave culture is an art form that reshapes perception through sound, light, and vibration. The artist also quoted lyrics from a forthcoming track, One Step Away, underscoring the theme: "People think that dance music is superficial, but they’ve got it all wrong. The dancefloor is not just a place, it’s a threshold—a ritualistic space where movement replaces language." Accompanying the announcement, Madonna posted a YouTube teaser featuring a deep‑house groove layered with a spoken soliloquy: “Thanks for coming… on the dancefloor I feel so free.” The video, embedded below, offers the first audible glimpse of the album’s direction. Critics anticipate that Confessions II will revive the nightclub‑centric sound that powered hits such as Vogue, Music and the Abba‑sampled lead single Hung Up. Those tracks cemented Madonna’s return to global mega‑pop status after the lukewarm reception of 2003’s American Life. Since the original Confessions, Madonna has explored a variety of styles—pop, R&B, hip‑hop on Hard Candy, MDNA, and Rebel Heart, then the eclectic, Portuguese‑fado‑infused Madame X. She has also revisited her back catalogue with releases like Veronica Electronica (remixes from the Ray of Light era) and the EP Bedtime Stories: The Untold Chapter, which unearthed demos from 1994. Stuart Price, known for projects such as Les Rythmes Digitales, Zoot Woman and Thin White Duke, previously helped shape Confessions on a Dance Floor into a chart‑topping phenomenon—"Hung Up" reached No. 1 in 41 countries, and its follow‑up single "Sorry" topped the UK charts. Madonna’s recent collaborations include the track Popular with The Weeknd and Playboi Carti for the TV series The Idol, as well as a partnership with Christine and the Queens, signaling her continued relevance across genres. After surviving a severe bacterial infection in 2023 that required a medically induced coma, she launched the expansive Celebration tour, culminating in a historic concert for 1.6 million fans in Rio de Janeiro. The upcoming album therefore arrives at a moment when Madonna’s live presence and cultural influence are at a peak.

The International Monetary Fund (IMF) has released its latest World Economic Outlook, warning of a significantly darkened global economic outlook. The report cites the outbreak of war in the Middle East on February 28, 2026, as a major factor in the deteriorating outlook.The IMF's January report was titled “Steady amid Divergent Forces”; whereas the latest outlook is headlined “Global Economy in the Shadow of War”. The IMF now expects the global economy to slow compared to its previous forecast in January.The latest outlook notes that the global outlook has abruptly darkened following the outbreak of war. Far be it for the IMF to gloat, but its suggestion in January that “steady” was not a word to describe the global economy unless you were desperately trying to make the madness of Donald Trump seem normal has aged quite well.The IMF remains unwilling to name Donald Trump, while noting the lingering effects of the persistent rise in energy prices since Russia’s invasion of Ukraine. However, it only talks about the Middle East conflict as though it sprang out of nowhere.The IMF warns of three possible scenarios: a bad scenario where Trump, Israel and Iran come to an agreement; an adverse scenario where things carry on for the rest of the year and oil stays around US$100 per barrel; and a severe scenario where nothing is resolved, oil prices reach $125 in 2027, gas prices increase by 200% over the same period, and food prices increase by 5% in 2026 and 10% in 2027.Even under the current bad scenario, the global economy is expected to slow compared to what the IMF forecast in January. But under the adverse and severe scenarios the global economy grows by just 2.0% this year and 2.2% next year.For context, over the past 40 years, the global economy has grown slower than 2.2% only three times – 1992 (global recession), 2009 (the GFC) and 2020 (Covid).The IMF has downgraded Australia’s growth by more than most. Even under the most optimistic scenario growth is 0.5% worse than was forecast last October – a bigger downgrade than all G7 nations.The IMF warns against governments doing popular things like energy caps or subsidies, designed to protect households and firms. It worries that such policies will increase inflation because we’ll all suddenly have so much more money to spend.Gas companies exporting LNG from Australia will be cheering on the war as it keeps gas prices – and their profits – ever higher. The senate is investigating changing the way gas is taxed. An ACTU proposal for a 25% tax on exports would raise roughly $17bn a year.

The future of the LIV Golf series hangs in the balance after Saudi Arabia’s Public Investment Fund (PIF) signaled a possible withdrawal of its multi‑billion‑dollar support. Executives were summoned to a high‑stakes meeting in New York this week, a development that follows growing speculation that the rebel tour could be shut down. While the fifth season’s sixth event in Mexico City is set to proceed on Thursday, the tournament is being eclipsed by reports that PIF intends to cut the tour’s funding. The tour has already faced challenges securing a merger with the PGA Tour despite a three‑year “framework agreement,” and the funding pull would exacerbate its financial strain. According to the PIF’s newly released five‑year economic strategy, the fund is prioritising sustainable domestic investments and has omitted sport from its seven key focus areas. This shift signals a move away from the “free‑spending, disruptive internationalism” that characterised the launch of LIV Golf in 2021. Since its inception, PIF has poured over $5 bn into the tour, but this year prize money and bonus payouts have already been slashed. High‑profile players such as Phil Mickelson, Dustin Johnson, Jon Rahm, Sergio García and Bryson DeChambeau initially defected from the PGA and DP World Tours, yet recent defections back to the PGA—including Brooks Koepka and Patrick Reed—highlight the tour’s precarious position. DeChambeau has yet to sign a new contract. A source familiar with the Saudi Ministry of Sports confirmed that the fund is redirecting its sports budget toward football and esports, with golf no longer a priority. The same source noted that PIF is ending its partnership with the Women’s Tennis Association, and the three‑year WTA Finals deal in Riyadh will not be renewed after its November expiry. The rumours ignited on Tuesday after journalist Ryan French posted on X that multiple sources warned of a “bombshell announcement” on LIV’s future, later suggesting the tour might be shutting down. LIV officials and players have not received any formal update. In Mexico, Sergio García told reporters they have only heard the same message from PIF chief Yasir al‑Rumayyan at the start of the year: that the project is a long‑term commitment, and that rumours are inevitable. Technical glitches, including an alleged power failure at the venue, forced the cancellation of pre‑tournament press conferences on Tuesday. Nevertheless, the pro‑am competition resumed on Wednesday at 8:30 a.m. local time, indicating that day‑to‑day operations continue despite the uncertainty. The outcome of the New York meeting could determine whether LIV Golf survives as a viable alternative to traditional tours or becomes another casualty of shifting Saudi investment priorities.

Negotiations between Washington and Tehran are expected to resume in Islamabad within days, placing President Donald Trump under intense pressure to deliver an Iran accord that can be credibly billed as superior to the 2015 Joint Comprehensive Plan of Action (JCPOA) brokered by former President Barack Obama. Two tests dominate the diplomatic calculus: the deal must demonstrably exceed the Obama agreement, and it must ensure that Iran derives no lasting strategic advantage, particularly over the vital Strait of Hormuz. While direct comparisons with the 159‑page JCPOA are imperfect—given the evolution of Iran’s nuclear program and the emergence of non‑nuclear concerns—the Trump team is framing its objectives around four pivotal issues. 1. Enrichment suspension: In Geneva on 26 February, the U.S. demanded a 10‑year freeze on all domestic uranium enrichment, a figure Iran’s foreign minister deemed unrealistic beyond three years. In Islamabad, the U.S. escalated the ask to a 20‑year suspension, yet Trump publicly dismissed even that, insisting on a permanent ban. The practical timeline for Iran to restart enrichment after the damage to its facilities remains uncertain. 2. Highly enriched uranium (HEU) stockpile: The original JCPOA capped uranium enrichment at 3.65% and limited the stockpile to 300 kg. Iran now holds 440.9 kg of 60%‑enriched uranium—a material that can be rapidly converted to weapons‑grade (90%)—mostly stored as UF₆ gas in scuba‑tank‑sized canisters. Tehran offered to down‑blend this stockpile to 3.67% in an irreversible process, mirroring the 2015 deal’s provisions. The U.S., however, is pressing for the entire stockpile to be removed from Iran under American supervision, a stance that raises questions about the relative merits of in‑country down‑blending versus export. 3. Sanctions relief: The JCPOA promised the release of roughly $100 billion in frozen Iranian assets and the lifting of oil trade restrictions, while retaining sanctions on terrorism, human rights, and missile proliferation. In the Geneva framework, over 80% of sanctions would be lifted, leaving only human‑rights‑related measures. Trump’s administration, wary of political backlash, seeks to attach conditions on how Iran can spend the relief, a demand Tehran rejects, insisting on a permanent, irreversible lifting of sanctions. 4. Non‑nuclear issues: Trump has repeatedly criticized the JCPOA for isolating Iran’s nuclear program from its broader regional behavior. The current negotiations must grapple with Iran’s ballistic‑missile program, support for proxy forces, and the strategic future of the Strait of Hormuz. Iranian officials are divided: one camp favors leveraging the strait for immediate revenue and national pride, while another views it as a diplomatic lever to secure a lasting ceasefire and security guarantees. The confluence of these challenges creates a “marshmallow test” for both sides—whether they can forgo short‑term temptations in favor of a durable, long‑term settlement. As the Trump presidency approaches its final year, the ability to craft a deal that convincingly outperforms the Obama era while addressing the expanded nuclear and geopolitical landscape will determine the legacy of U.S. policy on Iran and its impact on regional stability.

On Wednesday, Everton marked the 37th anniversary of the Hillsborough tragedy by installing a permanent memorial at the newly‑named Hill Dickinson Stadium, dedicated to the 97 Liverpool supporters who lost their lives.Representatives of the victims' families and officials from Liverpool FC were invited to a solemn ceremony where a plaque was affixed to the South Stand, formally unveiling the tribute.Former Liverpool manager Sir Kenny Dalglish and club legend Ian Rush laid floral offerings on behalf of Liverpool, while Hillsborough campaigner and Everton supporter Stephen Kelly—who lost his brother Michael in the disaster—placed a wreath at the site.Everton legend Graeme Sharp, club ambassadors Ian Snodin and Graham Stuart, chief executive Angus Kinnear, and Liverpool counterpart Billy Hogan also attended, underscoring the joint remembrance. The event precedes the first Merseyside derby at Hill Dickinson Stadium, scheduled for Sunday.Later, Liverpool’s players, staff and head coach Arne Slot observed a moment of silence at the club’s training ground at 3:06 pm, the exact minute the 1989 match was halted. To conclude the tribute, 97 balloons were released from Anfield’s centre circle, symbolising each victim.

The Italian comedy-drama Diamanti is set in a costume atelier in 1970s Rome and features a predominantly female ensemble. While it may be light on comedy, the drama is decidedly on the melo end of the scale, making it a sumptuously soapy dramedy. The film's strength lies in its luscious-looking period costumes, which specialize in 18th-century silhouettes and 1970s prints.Director Ferzan Özpetek brings his love and sincerity to the film, which is inspired by his visits to costume studios around Rome in the 80s. The story follows sisters Alberta (Luisa Ranieri) and Gabriella (Jasmine Trinca) as they run a studio staffed by dozens of seamstresses. The film's framing device features Özpetek himself gathering his cast for a read-through, where one character describes the female assemblage as a “vaginodromo”.The film explores various subplots, including girl-on-girl tension among the staff, a battered wife urged to defy her husband, and a political protestor with a gift for passementerie and decoupage. The costumes designed by Stefano Ciammitti convince throughout, and the film's 135-minute runtime feels breathless, never draggy.Diamanti is set to release in UK and Irish cinemas from 17 April. With its stacked cast and Özpetek's direction, this film is sure to delight fans of period dramas and costume films.

The Blue Trail, directed by Gabriel Mascaro, is a captivating and thought-provoking film that defies easy categorization. Set in the remote north-west of Brazil, the movie follows Tereza, a 77-year-old widow played by Denise Weinberg, as she navigates a dystopian future where older citizens are forced into 'colonies'. This chilling premise serves as the backdrop for a film that explores themes of rebellion, freedom, and the patronization of older people.The film's narrative is characterized by its meandering pace, reminiscent of a road movie or river movie, as Tereza encounters a series of characters who aid her in her escape. These encounters are woven together with fascinating visual compositions, showcasing the Amazonian landscape in a way that is both breathtaking and haunting.One of the most striking aspects of The Blue Trail is its exploration of gerontocide and the dehumanizing treatment of older citizens. The 'wrinkle wagon', a special prison vehicle for errant oldsters, and the humiliating, compulsory adult diapers issued to those being transported to 'colonies' are potent symbols of this theme.Tereza's journey is marked by moments of defiance and resilience, as she forms connections with a riverboat captain, Cadu (played by Rodrigo Santoro), and a woman named Roberta (played by Miriam Socarras), who becomes her friend and potential love interest.The film's use of symbolism adds depth to its narrative, particularly in the form of the 'blue drool snail', whose ecstatic visions offer a glimpse into a world beyond the dystopian reality. This blend of tones, from the bittersweet to the subversive and disquieting, makes The Blue Trail a generic mashup that is both captivating and thought-provoking.The Blue Trail is set to release in UK and Irish cinemas on April 17, making it a must-watch for fans of dystopian fiction and those interested in exploring the complexities of ageism and rebellion.

The Bridget Jones statue in Leicester Square, London, has been made a permanent fixture, joining other iconic characters like Harry Potter, Mary Poppins, and Batman. Originally intended to stay for three years, the statue has become a beloved landmark.149 days without vices have passed since its unveiling, and the statue's fast is set to continue indefinitely. The statue depicts Bridget Jones clutching her diary and pen, wearing a gaping cardigan exposing her navel.Kirsty Tullett-Jones, director of marketing and communications for Discover Leicester Square, said: “For 25 years, Bridget has made Londoners laugh, cry and feel seen. The reaction to her arrival in Leicester Square has been incredible, showing just how much she continues to resonate with audiences today.”The statue was unveiled by stars of the film, including Renée Zellweger and Sally Phillips, alongside Helen Fielding, who created the character. The Bridget Jones series of novels has been published in over 40 countries, and the four films have a combined box office of $900m (£683m).The news coincides with the return to cinemas of the first film, Bridget Jones’s Diary, released 25 years ago. The fourth film, Mad About the Boy, was the second highest-grossing movie in the UK last year and was nominated for an Emmy and a Bafta.