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Havana, Cuba – A year after the United States imposed an oil blockade, the island’s private sector is grappling with record fuel prices, crippling logistics and a scramble toward renewable energy. Entrepreneurs like Miguel Salva of Oishi and Elianis Aguero of Pincharte describe a “year of resistance” as they fight to stay afloat. Trump's Oil Blockade Cripples Havana's Private Enterprises The blockade, announced in late January, halted official fuel imports, pushing black‑market gasoline from $1 per litre to $10. Power outages now exceed 15 hours daily, forcing businesses to rely on costly generators or shut down entirely. Oishi closed its Regla restaurant, while mobile vendors like Pincharte see expenses swell eightfold. Escalating Fuel Costs and Shrinking Margins: The Numbers Transporting a container to Havana rose from $100‑$150 to at least $600. Private‑sector fuel imports between February and March totalled roughly 30,000 barrels (≈4.8 million litres). Importing a 25,000‑litre tank costs $45,000‑$50,000 plus a 13 % state commission. Private sector contributes 15 % of GDP, 31.2 % of employment, 55 % of retail sales and 23 % of state tax revenues. Business owners forecast a 50‑60 % drop in net income for 2026. Regulatory Flexibility Amid Crisis: New Opportunities In response to the blockade, the Cuban government introduced tax exemptions for solar‑panel imports, allowed overseas Cubans to register SMEs, and approved mixed‑ownership limited‑liability companies. These measures aim to inject private capital into traditionally state‑run sectors such as sugar and mineral mining, while health, education and the military remain off‑limits. What Lies Ahead for Cuba’s Private Sector? Negotiations between Washington and Havana could stabilize fuel pricing, but even a $2‑per‑litre rate remains far above pre‑blockade levels. Meanwhile, entrepreneurs are investing in solar arrays and electric vehicles, despite a 50 % price jump for electric tricycles. The sector’s survival will hinge on the ability to pool resources, navigate new mixed‑ownership laws, and sustain consumer demand amid persistent shortages.

The Legislative Push for Special Tribunals Israel is advancing controversial legislation through its parliament, the Knesset, that would create special military tribunals for Palestinians detained following the October 7, 2023 attacks. The bill, co-sponsored by Simcha Rothman of the far-right Religious Zionism Party and Yulia Malinovsky of Yisrael Beytenu, has gained rare bipartisan support and is currently in its final readings. The proposed legislation would establish a dedicated military headquarters and court in Jerusalem to handle mass prosecutions of Palestinians seized by Israeli forces on or around October 7. At least 1,139 people, mostly civilians, were killed in those attacks, according to an Al Jazeera tally based on official Israeli statistics, with about 240 others taken as captives. Lowered Legal Standards and Public Broadcasts Crucially, the bill authorizes the court to deviate from standard rules around evidence, legal procedures, and detention. It grants judges full authority to issue the death penalty against Palestinians implicated by prosecutors in the attacks. In a departure from standard Israeli judicial practice, which typically prohibits courtroom cameras, the bill mandates filming and public broadcasting of key moments in the trials on a dedicated website, including opening hearings, verdicts, and sentencing. "The entire world will witness the proceedings," said Malinovsky, one of the bill's sponsors. Legal Experts Sound Alarm Legal experts warn the legislation violates international fair trial standards. Muna Haddad, an attorney with Adalah, the Legal Center for Arab Minority Rights in Israel, stated: "The bill explicitly permits mass trials that deviate from standard rules of evidence, including broad judicial discretion to admit evidence obtained under coercive conditions that may amount to torture or ill-treatment." Haddad emphasized that the public broadcasting provision "transforms proceedings into show trials at the expense of the accused's rights," violating "the presumption of innocence, the right to a fair trial, and the right to dignity." Weaponizing Genocide Legislation The legislation seeks to transplant existing Israeli criminal codes—such as treason, assisting an enemy in wartime, and the 1950 Law for Preventing and Punishing the Crime of Genocide—into a new legal construct with substantially lower standards of due process. Israeli legislators have compared the upcoming proceedings to the 1961 trial of Adolf Eichmann, a chief architect of the Nazi Holocaust. However, Haddad pointed out historical and legal discrepancies in drawing these parallels, noting that "Adolf Eichmann was not, in fact, tried under the Genocide Law but the Nazi and Nazi Collaborators (Punishment) Law." International Law and Discrimination Concerns Under international law, imposing the death penalty through a compromised judicial process is illegal. "Any death sentence imposed in the absence of strict fair trial guarantees constitutes an arbitrary deprivation of life and is absolutely prohibited under international law," Haddad said, citing the International Covenant on Civil and Political Rights (ICCPR). The bill follows the Knesset's approval of a one-sided death penalty law that instructs military courts to impose capital punishment on Palestinians convicted of killing Israelis in acts of "terror," but does not apply the same penalty to Jewish Israelis convicted of killing Palestinians. Historical Context of Unequal Justice Israel has historically operated two parallel legal systems in the occupied territories: civil law for Israeli settlers and military law for Palestinians. According to data cited by Israeli rights groups, Palestinians tried in Israeli military courts face a conviction rate of 99.74 percent, while the conviction rate for Israelis tried in civilian courts for crimes committed against Palestinians is just around three percent. International rights organizations, including Amnesty International and Human Rights Watch, have described Israel's legislative maneuvers regarding the death penalty for Palestinians as a "discriminatory tool" that entrenches a "system of apartheid." Future Implications for Israel's Legal System Israel strictly limits the death penalty under civil law and has only carried out executions twice in its history. However, the domestic political climate has shifted drastically in recent years, with the internal security agency, the Shin Bet, publicly supporting the potential use of the death penalty for October 7 attackers as a deterrent. "This is not political theatre," Haddad stated. "Lawmakers have clearly and explicitly stated their expectation that the death penalty will be applied. Taken together with the recent passage of the March 2026 death penalty law, we are witnessing a deliberate move toward ending Israel's long-standing moratorium on the death penalty and operationalizing it in practice."

The Attempted Assassination Cole Allen, a 31-year-old man, has pleaded not guilty to a charge of attempting to assassinate United States President Donald Trump. He made a similar plea to other charges, including assault on a federal officer and firearms offences, as he appeared in Washington federal court on Monday. Court Proceedings Allen did not speak during the court proceedings, as his attorney entered the plea on his behalf. Prosecutors allege that Allen fired a shotgun at a Secret Service agent and stormed a security checkpoint in a foiled attack aimed at killing Trump and other members of his administration at a White House Correspondents’ Dinner. The Charges Attempting to assassinate US President Donald Trump Assault on a federal officer Firearms offences The Incident The incident occurred last month when Allen burst into the White House ballroom firing shots. The attack was foiled, and Allen was apprehended by the Secret Service. The Investigation The investigation into the incident is ongoing, with prosecutors working to gather evidence and build a case against Allen. The attempted assassination has raised concerns about the security of the White House and the safety of the President and his administration.

The Collapse of a European GiantThere were more than seven minutes left to play in a crucial end-of-season match, yet San Siro was already half empty. Milan's Ultras had deserted the Curva Sud to prepare a post-game protest, but even the more forgiving parts of the club's fanbase could not be bothered to stay until the end of another humiliating defeat. Their team was losing 3-0, at home, to Atalanta, and it hardly even felt a surprise.With this loss, inevitable as it now appeared, the Rossoneri had collected just seven points from their last eight games. Only three teams in Serie A had done worse over the same stretch. Two of those – Verona, and Pisa – have been relegated. The third, Lecce, are perilously close to joining them.The Maldini Factor and Management DecisionsWatching their beleaguered team struggle to get the ball out from the back against Atalanta's persistent press, fans started to sing for Paolo Maldini. One of the all-time great defenders, he won seven Serie A titles and five Champions Leagues as a player, extending the legacy of success begun by his father, Cesare.Appointed as a director for sporting strategy and development by Milan's then owners, Elliott Management, in 2018, Maldini was promoted to technical director a year later. He played a central role in player recruitment, helping build the team that won Serie A in 2021-22 – the club's first Scudetto for 11 years.Maldini's position was initially confirmed after RedBird Capital bought Milan in 2022. But he was fired one year later, despite having just overseen a fourth-place finish. The Rossoneri had just finished fourth, and Maldini spoke about a need for further squad investment to stay competitive at the highest level. But Milan's most expensive signing of the previous summer, Charles De Ketelaere, had been a flop, and their new CEO Giorgio Furlani said the objective given to him by RedBird was to get the club "living within our means."The Summer Investment and Early PromiseThe appointment of Massimiliano Allegri this summer was supposed to get things back on track. Here was a man defined by Italy's sporting press as a "guarantee" of Champions League football. An aggressive summer transfer window followed, headlined by the arrival of Luka Modric, and featuring significant outlays on the likes of Christopher Nkunku, Ardon Jashari, Samuele Ricci, Koni De Winter, Adrien Rabiot and Pervis Estupiñán.With no European distractions, Milan looked well equipped for a strong domestic campaign. Up until March, they delivered. The performance to beat Inter was classic Allegri, controlling the game while surrendering possession. Estupiñán scored before half-time, and Milan barely gave their opponents a sniff after that. This had been the mode all season: just win, it does not need to be pretty.The Tactical Breakdown and Player IssuesBut the problem with focusing always on the outcome is that you have nothing to fall back on once that part goes wrong. Milan's form early this season was built on the performances of talented individuals – Modric, certainly, but also Rabiot and especially Christian Pulisic, who had eight goals and two assists in the league, despite missing five games, by the end of December.Allegri's innovation was to move the American inside to operate as a centre-forward. He pulled the same trick with Rafael Leão after the Portuguese returned from a calf injury. Both thrived at first, but as their goals tailed off, Milan have struggled to replace them. Too many square pegs forced into round holes? Or is the picture a little more nuanced? Both Pulisic and Leão have been affected by physical issues as the season progressed.Atalanta were excellent, pressing selectively and executing ruthlessly. Giacomo Raspadori, signed from Atlético Madrid in January, brought a typically high-energy bustle behind the attack and it was his blocked shot that rebounded to Éderson inside the box for the opener. Nikola Krstovic, in the No 9 role, pinned his man expertly before laying the ball off to Davide Zappacosta to make it 2-0 before half-time.Fan Protests and Management ResponseWhat stood out in these moments was the clarity of purpose: each player performing the role they are best suited to and understanding what was required. The contrast with Milan's disjointed assembly of talents was stark. Absent the injured Modric, there was no glue to bind them together.Ultras had already made their feelings known before kick-off with a protest outside the ground then a choreography in the Curva Sud, using their bodies and mobile phone flashlights to spell out the letters "G.F. OUT" – Furlani's initials. Reporters saw a pair of fans attempt a protest, holding up shirts with Maldini's name on the back in front of the section where executives sit, but stewards ushered them away.By leaving early, they almost missed an improbable turnaround. Milan pulled a goal back in the 88th minute, Strahinja Pavlovic heading home from a Ricci free-kick. Nkunku, on as a second-half substitute, then won and converted a penalty. Suddenly the deficit was down to one goal. In the seventh minute of injury time, Matteo Gabbia almost equalised, flashing a header wide from another set-piece.Uncertain Future for Italian Football's PowerhouseMilan exist in a different orbit, still fourth in the table, even if their grip on a Champions League spot looks very loose indeed. It feels absurd to say it now, but before this miserable run they were the team keeping the Serie A title race alive. They were the last team to beat Inter, since crowned as champions, on 8 March. The gap between them, with mocking symmetry, was seven points.The layers to these decisions are complex, each party with their own version of how working relationships grew strained. But Maldini's assessment resonated with fans who want to see their team fight for trophies. Milan finished second in 2023-24 but fell all the way to eighth last season, and now find themselves once again struggling to maintain their position among Europe's elite.With the season approaching its conclusion, the question remains whether this is merely a temporary setback or a sign of deeper structural issues at the club. The contrast between the clear, purposeful football of Atalanta and Milan's disjointed performance suggests that tactical clarity may be as much a problem as player quality or management decisions.

The Lead: Norway's Funding Pause Creates Uncertainty for Global Environmental EffortsThe largest donor to the United Nations Environment Programme (Unep) has paused funding to the body before its revised budget on 12 May, triggering concern among member states and NGOs. The news carries significant implications for the already troubled plastic treaty negotiations being overseen by Unep, which have struggled to reach agreement since 2022.The Event Details: Norway's Financial Support to UnepUnep's executive director, Inger Andersen, met the director general of the Norwegian Agency for Development Cooperation (Norad) the week before last and was told that "all [funding] agreements are on hold" pending budget decisions, according to sources.Norway has been the largest overall donor to Unep in recent years, contributing approximately $12m (£9m) annually to the fund over the three years to 2025. Norway also contributed $19m in 2025 to the Planetary Fund and another $7.8m in earmarked funds in 2025, meaning that even a pause introduces significant uncertainty for future functioning of the global environment agency with the wider UN already facing severe financial pressure.In addition, the Guardian has obtained an email sent to NGOs by Norad advising them that it was postponing a funding call aimed at projects to combat plastic pollution in developing countries. The programme is valued at £4m-£6m a year and, according to Norad, the funding can be used for projects that support countries in the plastic treaty process.The Data Analysis: Financial Impact of Norway's Funding PauseNorway's financial contributions to environmental initiatives are substantial:Approximately $12m (£9m) annually to Unep's fund (2023-2025)$19m contributed to the Planetary Fund in 2025$7.8m in earmarked funds in 2025£4m-£6m annually for projects to combat plastic pollution in developing countriesPotential £79m commitment between 2025 and 2028 as previously announcedThese figures represent a significant portion of Unep's operational budget and the specific funding needed to support developing countries in the plastic treaty process.The Impact Analysis: Implications for Global Plastic Treaty NegotiationsNorway is the co-leader with Rwanda of the high-ambition coalition at the plastic treaty negotiations. The coalition says it is working for an "ambitious" and legally binding instrument on the "full life cycle of plastics". This stands in contrast to a small group of petrostates, who are widely seen as blocking moves to put a cap on plastic production.Christina Dixon, ocean campaign leader at the Environmental Investigation Agency, emphasized the timing: "Any risk to funding could not come at a worse time for the negotiations … sustained funding would reinforce Norway's longstanding leadership toward an ambitious plastics treaty."Karen Landmark, managing director at GRID-Arendal, a Norwegian environmental foundation that works closely with Unep, expressed concern that the funding pause could "give other countries an excuse to lower their level of ambition." She added: "For years, Norway has played a clear and constructive leadership role in pushing for a strong global plastics treaty. When a country in that position signals hesitation or withdraws support, the consequences can extend far beyond its own borders."The Prediction: Future Outlook for Environmental DiplomacyThe plastic treaty negotiations have faced significant challenges, with the chair of the process resigning suddenly last year after talks collapsed with little progress following three years of negotiations. A new chair was elected this year, with negotiations expected to resume in early 2027.Norway's reassessment of Unep funding comes amid a shifting domestic political and economic debate over climate and environmental spending. The country is governed by the centre-left Labour party, which has continued to position Norway internationally as a supporter of climate diplomacy, rainforest protection and efforts to negotiate a global plastics treaty.Per Fredrik Pharo, head of Norad's department for climate and nature, indicated that the assessment process for future cooperation will be finished in mid-2026. However, the vague language surrounding Norway's continued commitment to combating plastic pollution has raised concerns among environmental organizations about the future of these critical initiatives.

The Enduring Appeal of Moneyball The film 'Moneyball' has aged well since its release in 2011, offering a refreshing take on the sports genre by focusing on character-driven storytelling and intelligent dialogue. A Refreshing Take on Sports Movies 'Moneyball' treats its audience like adults, presenting a story that doesn't rely on over-the-top action sequences or melodrama. Instead, it explores the world of baseball through the lens of data analysis and the challenges faced by the Oakland Athletics, the poorest team in baseball. The Strength of the Cast The film boasts career-best performances from Brad Pitt as Billy Beane, the general manager of the Oakland Athletics, and Jonah Hill as Peter Brand, a character based on Beane's former assistant Paul DePodesta. Their on-screen chemistry and nuanced portrayals add depth to the story. Balancing Science and Humanity The movie strikes a balance between explaining complex data analysis and maintaining a human-centered narrative. This approach sets it apart from other sports films, such as 'The Big Short,' which focuses more on the science and less on character development. A Satisfying Conclusion The film's ending, which does not follow the typical Hollywood happy ending formula, leaves viewers with a lasting impression. The Oakland Athletics do not win the World Series, and Beane's decision to turn down a job offer raises questions about his motivations and loyalty. 'Moneyball' is available to rent digitally in the US, on Now TV in the UK, and on Amazon Prime and Binge in Australia.

Morning Highlights: Middlesex Seals Dramatic Win Over LancashireNaavya Sharma sparked a collapse with a three‑wicket over, finishing with figures 4/17. Ryan Higgins added four wickets, while Ben Geddes hit a match‑winning 73* to guide Middlesex to a six‑wicket victory. Lancashire were bowled out for 84, their first defeat to Middlesex at Old Trafford since 1996. Key performers: Naavya Sharma (4/17), Ryan Higgins (4 wickets), Ben Geddes (73*)Final score: Middlesex 169/4 chase, Lancashire 84 all out Durham's Dominance Over WorcestershireDurham rolled past Worcestershire with a nine‑for‑38 collapse, bowing them out in a single session. Ben Stokes claimed two late‑order wickets, while Ben McKinney and Emilio Gay guided the chase of 143 with ease. Result: Durham won by nine wicketsNotable figures: Ben Stokes (2 wickets), Ben McKinney (key runs) Essex Overcomes Hampshire in a Tight ChaseMatt Critchley anchored Essex’s chase with an unbeaten 90, securing a three‑day victory over Hampshire who suffered their third straight loss. Target: 177 runsOutcome: Essex 177/?? (won) Surrey Hit by Concussion Setback at Trent BridgeDuring the Nottinghamshire vs Surrey encounter, Josh Tongue struck Gus Atkinson on the helmet twice, leading to a delayed concussion diagnosis. Atkinson will miss Surrey’s next match, with Reece Topley stepping in. Dan Lawrence responded with his third century of the spring, scoring 104. Impact: Surrey lose a frontline bowler for the upcoming fixtureScore at pause: Nottinghamshire 415 & 99/1, Surrey 449 Division One Scoreboard SnapshotNottinghamshire 415 & 99/1 vs Surrey 449Glamorgan 229 & 140/5 vs Somerset 354 & 157 (Glamorgan need 143 to win)Sussex 430 vs Leicestershire 328 & 154/4Warwickshire 147 & 553/6 vs Yorkshire 152 & 98/5 Implications for the Championship RaceThe victories lift Middlesex and Durham into strong promotion contention, while Lancashire and Worcestershire slide deeper into the relegation zone. Surrey’s concussion loss could affect their bowling depth in the crucial final round. Looking Ahead: What to Expect This WeekWith Somerset eyeing a chase at Sophia Gardens and Yorkshire trying to recover at Edgbaston, the next few fixtures will likely decide the final promotion spots. Keep an eye on Gus Atkinson's return and whether Dan Lawrence can maintain his scoring streak for Surrey.

The Life of a Multifaceted ArtistRay Burgoyne, a painter, carpenter and musician from Essex, has died aged 80. He first exhibited his paintings in the late 1980s and spent the next 30 years organizing countless exhibitions across the Essex and Suffolk coastline. Burgoyne was self-taught and arrived in the art world with a seemingly fully realised, studied vision.An Artistic Journey of Abstract ExpressionThe extensive body of work Burgoyne produced mirrored the abstract ballad that was his life – romantic, unpredictable, filled with both childlike simplicity and dark complexity. His paintings featured carnivalesque characters, forgotten landscapes, and were painted in pure, deep colors. When viewing his more abstract paintings, typically characterised by thick oil application and conjured shapes, he was often confronted with the question: "So, what is it actually meant to be?" to which he would reply with that unmistakable Ray smile, "It's whatever you think it is."Early Life and Musical RootsBorn in Southend-on-Sea, Essex, Ray was the youngest of two children of Joseph Burgoyne, a greengrocer, and Dolly (nee Nash). His early life was characterised by fierce independence, spent trying to ride on the back of his pet pig, Rosie, pretending to be one of Alan Ladd's cowboys, fishing at the end of the pier and drinking in seafront dance halls to the soundtrack of the Shirelles.The Mod Scene and Musical CareerBy the early 60s, Ray was at the heart of the emerging mod scene in Southend as a founding member and drummer for the Flowerpots, a local rhythm and blues band who opened for the Animals and the Who. He stayed in the band until 1966, demonstrating his early artistic expression through music before transitioning to visual arts.Carpentry and Family LifeRay dreamed of going to art school, but after leaving Wentworth high school for boys, aged 14, was sent to work at a cabinet maker's as an apprentice carpenter. He continued to work as a carpenter throughout his life, at a boat-building yard in Leigh-on-Sea, doing shop fitting and antique restoration around Essex, and installing shows for the Design Centre in central London. In the mid-70s, he became master carpenter at the Palace theatre in Westcliff-on-Sea, building and constructing sets for repertory productions.Personal Relationships and Later YearsIn 1968 he married Sylvia, and they had four children, Claire, Paul, Helen and Sam. Ray and Sylvia divorced in 1986, and Ray married Gilly, a student nurse, later that same year. They had two children, Phelan and the author of this obituary. After the family moved to the village of Friston, in Suffolk, in 1999, Ray finally became a full-time artist.Artistic LegacyRay exhibited both solo and in groups, primarily in the nearby seaside town of Aldeburgh, with established and fledgling artists. He is survived by Gilly, his six children and 15 grandchildren. His artistic legacy continues through his extensive body of work that captured the romantic, unpredictable nature of his life through abstract expressionism and deep, pure colors.

The Lead Titas Halder's striking new one-man play "Foal" presents the story of A.K., a young British Asian man navigating life through increasingly brutal incidents of racism. The production explores themes of identity, belonging, and the psychological toll of discrimination through a character who is both funny and sensitive, yet fracturing under societal pressure. The Play's Narrative Structure The play follows A.K.'s journey from childhood on an unnamed "Island" to living in a dingy flat on Seven Sisters Road in the city. Through fleeting references to Walkmans in his childhood and an allusion to the murder of Jean Charles de Menezes, the writing oscillates between a feverish nightmare and something more grounded and political. The significant figures in A.K.'s life—including his Indian immigrant parents, childhood sweetheart Katie, and local bully Max—are presented in tantalizing flashes, though many remain underdeveloped. Performance and Production Elements In his stage debut, Amar Chadha-Patel delivers a performance marked by restraint and ease despite the punishing demands of the 90-minute show. His character ripples with doubt, tenderness, and brittle rage, creating a portrait of a man on the edge who might "contain symphonies" if he could find his place in a world that seems stacked against him. Director Annie Kershaw creates an eerie and engaging atmosphere, while Rajiv Pattani's lighting design effectively transforms mood and location throughout the production. Thematic Exploration The play delves into the complex experience of being British Asian in contemporary Britain, examining how casual and systemic racism affects individuals and families. A.K.'s father is harassed by his patients but responds with sadness rather than anger; his mother offers both heartfelt advice and malice; and his relationship with Katie transforms his life before abruptly ending. These contrasting elements reflect the duality of the immigrant experience—both tender and raging, restrained and billowing with lyrical emotion. Critical Reception and Context While the production has been described as "strangely arresting" with "rawness" that feels "quite special," critics note that it sometimes presents only "scraps of details" and leaves interesting characters "a little undercooked." The play emerges at a time when discussions about race and identity in Britain remain intensely relevant, particularly in the context of rising xenophobia and debates about multiculturalism. Theatrical Significance "Foal" represents an important contribution to British Asian theatre, offering a personal perspective on universal experiences of alienation and belonging. The production runs at the Finborough Theatre in London until May 30, providing audiences with an opportunity to engage with the complex themes of identity, racism, and self-discovery through the intimate medium of one-person theatre.