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While reviewing his putting in the new player facility on Friday evening, Scottie Scheffler found himself drawn to the big‑screen coverage of Rory McIlroy’s round. The sight of McIlroy’s play sparked a shift in Scheffler’s mindset, and with 36 holes remaining he was 12 shots behind the leader but with nothing to lose.Seizing the moment, Scheffler produced a 65 (‑7), the best round of his Masters career. He carded five birdies and an eagle, turning a steady start of 70 and 74 into a decisive surge.His charge began on the long downhill 2nd, where an approach landed in the heart of the green and he sank a six‑foot putt for eagle. He continued the on‑fire stretch through the 7th, 8th and 9th, leaving the front nine five under par with putts of six, 14 and four feet respectively.The crowd swelled as his name lit up the leaderboards. By the time he reached Amen Corner, spectators were lining the fairways, and his 200‑yard tee‑shot on the 11th curled perfectly onto the green, stopping eight feet from the pin.At the 13th, a mis‑hit approach found a bunker, forcing a scramble for par – a rare blemish in an otherwise flawless round. He rebounded with a birdie on the 16th, while short‑range putts at 14 and 17 fell short, leaving him just a few inches from a potential record.When asked if the round could have been even lower, Scheffler responded sharply, yet admitted, “It definitely could have been lower.” He emphasized that he had executed the shots he needed, noting his iron play was “very sharp” and that he created ample scoring opportunities.After the round, Scheffler sat four shots back of the leader, a manageable gap given his momentum. He also reflected on the broader challenge of Augusta, citing the need to master the course, shifting conditions and personal nerves.

The U.S. Court of Appeals for the District of Columbia has granted the Trump administration a brief reprieve, extending the pause on the White House ballroom construction until April 17. The move allows officials to pursue a potential Supreme Court review of a lower‑court injunction that barred further work. In a split decision, Judges Patricia Millett and Bradley Garcia formed the majority, while Trump‑appointed Judge Neomi Rao dissented. The majority questioned the administration’s repeated claim that the construction pause creates a national‑security risk, noting that the original order already exempts work necessary for the White House’s safety. Judge Richard Leon, appointed by former President George W. Bush, had issued the March 31 injunction, stating that a project of this magnitude requires explicit Congressional authorization. Leon’s order included a 14‑day stay to let the administration appeal, a stay that was set to expire this week before the appeals court’s extension. The court highlighted that the administration has not demonstrated how the injunction interferes with any existing security plans. As the majority wrote, “Defendants have not, on this record, explained how, if at all, the injunction interferes with their existing plans for safety and security.” Furthermore, the judges pointed out that the ballroom—spanning roughly 90,000 sq ft (8,360 m²)—was always projected to be a multi‑year undertaking. Planning documents estimate completion nearly three years after groundbreaking, raising doubts about the claim that a short‑term delay poses additional harm. In her dissent, Judge Rao argued that the majority’s demand for further fact‑finding would cause “irreparable injury” by halting construction, asserting that the aesthetic concerns raised by critics are outweighed by the administration’s interests. The controversy stems from the decision to demolish the historic East Wing, a structure dating back to 1902, to make room for the new ballroom. Critics, including the National Trust for Historic Preservation, contend the demolition was executed without notice and exceeds presidential authority, prompting a lawsuit that led to Leon’s injunction. While the appeals court has sent the case back to the district court for clarification on factual disputes and the scope of the security exemption, the extension effectively keeps the construction site active for another week, maintaining the political flashpoint surrounding one of the most transformative building projects on the nation’s capital in recent memory.

Mats Wieffer’s double proved decisive as Brighton edged Burnley 2‑1, delivering the Seagulls their fifth win in six fixtures and moving them just two points behind sixth‑placed Chelsea.Burnley manager Scott Parker expressed frustration after Jaidon Anthony and Bashir Humphreys found the net, only for lengthy VAR reviews to delay the proceedings and ultimately nullify the goals. Wieffer’s second strike completed his season tally for Brighton and reinforced the club’s push for a European place.“We want to achieve something, we want to make the next step as a team, as a club and we have big confidence that we can do it,” said Brighton’s Fabian Hürzeler. “The most important thing is to earn the right to compete with the top teams by staying humble, working hard every day and bringing consistency into our performances.”Brighton entered the match without a home win in six months, a drought that left the stadium sparsely populated. Burnley opened brightly, with Anthony scoring on the turn, but a fluttering flag and a blocked corner‑kick denied them a stronger start.The Seagulls’ first goal came from the left flank: Pascal Gross surged down the wing and delivered a pinpoint cross to an unmarked Wieffer, who calmly slotted the ball into the corner for his inaugural goal of the season.The second half saw Burnley dominate possession, yet they failed to convert chances. Zian Flemming forced two sharp saves from goalkeeper Bart Verbruggen, but Burnley’s attack remained fruitless, underscoring why they are 12 points from safety with six games left.In the 89th minute, Wieffer resurfaced at the edge of the box, meeting another cross and firing home his second goal, sealing the win as the majority of spectators filtered out before the final whistle.With the defeat, Burnley inch closer to the Championship and must confront a dwindling survival window, while Brighton’s victory keeps their European aspirations firmly within reach.

The New York Times Company has launched an investigation into the coverage of New England Patriots head coach Mike Vrabel by NFL reporter Dianna Russini. This move comes after photos of Russini and Vrabel together at an Arizona resort were published, raising concerns about their relationship and potential bias in reporting.Russini, who works for The Athletic, owned by The New York Times, has been temporarily sidelined while the review is ongoing. The images, published by the New York Post’s Page Six, show Russini and Vrabel together at a luxury hotel in Sedona, including by a pool, in a hot tub, and on a rooftop deck. Some photos appear to show the pair embracing and holding hands.Both Russini and Vrabel, who are married to other people, have claimed that the interaction was platonic and taken out of context. Russini stated that the photos did not reflect that they were part of a larger group gathering, while Vrabel called any suggestion of impropriety “laughable”.The Athletic initially defended Russini, with executive editor Steven Ginsberg saying the images lacked context and depicted public interactions among multiple people. However, the outlet has since expanded its review after additional reporting raised questions about Russini’s coverage of Vrabel and the nature of their relationship.Editors are now seeking to verify claims that others were present at the gathering. Notably, no stories under Russini’s by-line have been published since the photos surfaced earlier this week. The review is ongoing and expected to take time. Russini is among the highest-paid reporters at The Times Company, and her contract is set to expire later this year.

The musical adaptation of Heathers, based on the 1989 black comedy film, has premiered in Melbourne. The show features a young cast, including Emma Caporaso as Veronica Sawyer, and Conor Beaumont as Jason 'JD' Dean. The musical tackles serious issues like suicide, bullying, and rape culture, but its approach has been updated for modern audiences.The show's aesthetic and tone are more akin to its millennial successors, with a high-octane blast of colour and a bombastic pop-rock score by Laurence O'Keefe and Kevin Murphy. The cast shines, particularly Emma Caporaso, who brings a warmer and more likable take on Veronica Sawyer.The musical covers serious issues, from suicide and bullying to eating disorders, rape culture and homophobia. However, some changes, such as the removal of the controversial song 'Blue', have been made to update the approach to these topics. The show's tonal chaos is the embodiment of the whiplash in one of Slater's chilling lines from the film: 'Our love is God. Let's go get a slushie.'Despite some missteps, including unsubtle moralising in newer songs, the show is good, hammy fun, and the cast and audience alike are clearly having a ball. The show will tour to various cities in Australia, including Melbourne, Adelaide, Gold Coast, Canberra, Sydney, and Perth.

The 2026 Grand National is underway at Aintree, with a sellout crowd gathering to witness one of the most historic and compelling spectacles in sport. A total of 34 runners and riders are set to line up for the big race at 4pm BST. An early smattering of rain is clearing away, with a brighter forecast expected for later in the afternoon. The betting market for the National is already heating up, with an early gamble on Jagwar, one of just three seven-year-olds in the field. Panic Attack, the only mare in the field, is also popular and has taken over at the top of the market at 8-1. Meanwhile, I Am Maximus, yesterday's favourite, has drifted out to 9-1 in a place. Jagwar is top-priced at 17-2. Other notable horses include Oscars Brother from the two-horse yard of Connor King in Ireland; Haiti Couleurs, bidding to be the first Welsh-trained winner since 1905; and Mr Vango, trained by Sara Bradstock. Every punter will have their own strategy for picking a winner. Gorgeous Tom may be a popular choice later, with a decent each-way chance. A full guide to all the runners can be found here, and previews are available here.

American Classic is a heartwarming comedy that celebrates the power of art and human connection. The show follows Richard Bean, played by Kevin Kline, a former theatre star who returns to his small hometown of Millersburg after his mother's death. Richard's journey is filled with humor, wit, and tenderness, as he helps restore the local theatre's fortunes and comes to terms with his past.The show features a talented ensemble cast, including Laura Linney as Kristen, Richard's sister-in-law and the mayor of Millersburg. The series explores themes of grief, love, and the importance of community, making it a delightful watch. American Classic is now available on MGM+ and consists of eight episodes.The show's combination of charm, wit, and tenderness is reminiscent of popular comedies like Ted Lasso and Schitt's Creek. Its retro-tropes and nostalgic feel make it a comforting watch, perfect for audiences looking for a lighthearted and uplifting series.American Classic is a testament to the power of art to bring people together and provide comfort in times of need. The show's authentic belief in the power of art is evident throughout, making it a sweet and moving watch.

The United States Department of Justice has opened an investigation into whether the National Football League (NFL) has engaged in anticompetitive tactics that harm consumers. This probe comes amid concerns over the difficulties consumers face in watching sports games and the growing trend of selling broadcast rights to streamers.Major broadcast station owners, US regulators, and senators have raised concerns about the increasing costs for consumers to access sports games, with estimates suggesting it could cost over $1,500 to watch all NFL games last year. The Federal Communications Commission (FCC) has also opened a review into the shift of live sports away from free broadcast TV to pay TV and subscription services.The NFL has responded by stating that more than 87 percent of its games are aired on free broadcast TV and that all games are available on free broadcast television in markets of participating teams. However, the investigation's nature and scope are still unclear.A 1961 law exempts major sports leagues from antitrust laws, allowing them to pool their individual teams' television rights and sell them as a package. This has led to concerns about the NFL's dealings with streaming platforms and potential anticompetitive practices.

London-based musician Alex Peringer, known as Reckonwrong, has released his self-titled debut album 'How Long Has It Been?' after years of near silence. The record marks a departure from his early work, characterized by dizzying time signatures and wry tales, instead embracing warm, tinkering sounds and earnest sentiment.The album's theme of winter is reflected in its introspective stories and soft arrangements, punctuated by subtly wonky elements that prevent it from sounding overly polished. Tracks like 'Before and After' and 'Two Lovers' showcase Peringer's ability to blend atmospheric bedroom-pop with left-field flourishes.Influences from Arthur Russell and Robert Wyatt are evident in the album's use of echo and melancholy. Peringer's delightfully off-kilter vocals add to the charm, as he navigates themes of love, loss, and introspection. The album's eclectic sound is both captivating and emotionally resonant.In addition to Reckonwrong's album, other notable releases include Index for Working Musik's 'Bunker Intimations II' and Inrain's 'Rise', showcasing a range of experimental and shoegaze-inflected sounds.