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Ukraine has significantly damaged or destroyed a substantial amount of Russian oil and gas infrastructure over the past two weeks. This has led Russia to warn European countries and industries about funding Ukraine's long-range drone production, citing a potential escalation of the military and political situation in Europe. Russia's defence ministry stated that European leaders' decisions to support Ukraine's drone production are 'deliberate steps leading to a sharp escalation of the military and political situation on the entire European continent.' The ministry also warned of 'unpredictable consequences' and accused European leaders of 'dragging their countries into a war with Russia.' The warning came after Ukraine secured new agreements with European defence companies this week. Notably, Germany agreed to invest 300 million euros ($355m) in Ukraine's long-range strike capability and will separately invest in 5,000 mid-range attack drones. Norway also signed an agreement with Ukraine for joint drone production and donated 560 million euros ($661.5m) to support Ukrainian front lines. Ukraine's strikes have targeted various Russian oil infrastructure, including drilling platforms, pipelines, pumping stations, offloading terminals, and refineries. These strikes have been confirmed by geolocated video footage or Russian officials. In the past week alone, Ukraine struck two drilling platforms in the northern Caspian Sea, two oil pumping stations, an oil depot, an ammonia plant, a petrochemical plant, and an oil export terminal and refinery. Russia has missed out on $23bn windfall profit in March due to Ukraine's strikes, which have destroyed its ability to export at least 2 million barrels of oil a day. The strikes have hit a range of targets, causing significant financial losses for Russia. Ukrainian President Volodymyr Zelenskyy justified the attacks, stating that 'only significant financial losses force Russia to consider a scenario of abandoning this war.' The situation highlights the ongoing conflict between Ukraine and Russia, with European countries playing a crucial role in supporting Ukraine's military capabilities.

The LeadAnthropic announced the launch of Claude Design, an experimental product that lets users create visuals—prototypes, slides, one‑pagers and more—simply by describing what they need. Targeted at founders and product managers lacking a design background, the service aims to turn ideas into polished visuals in minutes.Claude Design: Text‑to‑Visual Prototyping for Non‑DesignersThe workflow is straightforward: users type a prompt, Claude generates an initial design, and users can refine it with direct edits or follow‑up requests. Example prompts include “prototype a serene mobile meditation app with calming typography, nature‑inspired colors, and a clean layout.”Generate full‑page mockups, slide decks, and one‑page summaries.Iterative refinement via natural‑language instructions.Export options: PDF, URL, PPTX, or direct hand‑off to Canva for further editing.Powering the Service: Claude Opus 4.7 and Research PreviewThe engine behind the product is Claude Opus 4.7, offered in a research‑preview mode for Claude Pro, Claude Max, Claude Team and Claude Enterprise subscribers. This version leverages the latest multimodal capabilities to interpret visual design intent from textual descriptions.Positioning Against Canva and the Broader AI Design LandscapeWhile Canva recently expanded its own AI features, Anthropic frames Claude Design as a complement rather than a competitor. By focusing on rapid idea‑to‑visual conversion for users who start from a concept rather than a design tool, Claude Design fills a niche in the AI‑augmented design market.Enterprise‑Ready Features and Integration PathwaysClaude Design can ingest a company’s existing design system—reading codebases and design files—to ensure visual consistency across projects. Teams can maintain multiple design systems, refine components, and export assets directly to Canva where they become fully editable and collaborative.Design‑system alignment for brand consistency.Seamless export to Canva for collaborative editing.Support for PDF, URL, and PPTX formats.Future Outlook: Anthropic’s AI‑Workplace AmbitionsThe launch underscores Anthropic’s broader push into enterprise and prosumer AI tools, following earlier releases like Claude Cowork and its agentic plug‑ins. With venture interest valuing the company at $800 billion or more, Anthropic appears poised to challenge rivals such as OpenAI in the AI‑driven productivity space.

Chris Evans’ attempt to resurrect the 1990s chatshow juggernaut TFI Friday began quietly on Virgin Radio’s YouTube channel earlier this year. The lo‑fi series, titled TFI: Unplugged, featured a handful of high‑profile guests – Danny Dyer, Chris Hemsworth, Bono and Noah Wyle – and quickly attracted enough viewers for Channel 4 to commission six late‑night episodes. While the media spotlight has been on Claudia Winkleman’s foray into celebrity interviewing, Evans’ revival arrives with far less fanfare and pressure. The new format is deliberately stripped back: a cramped studio, casually dressed staff, and a budget that Evans himself jokes is “only 1% of the original”. Channel 4 commissioning editor Cimran Shah pitched the show as “personality‑led, stripped‑back chat”, positioning it as a precursor to today’s visual podcasts. In practice, the production feels more like a video‑recorded audio interview than a full‑blown TV spectacle. The episode lineup mixes legacy and fresh talent. Vintage performances from Sleeper, The Cure and Garbage provide a nostalgic soundtrack, while contemporary guests such as Jack Savoretti – who Evans repeatedly hails for a recent chart‑topping album – and Indian star Shreya Ghoshal, who covers Coldplay’s “Fix You”, aim to broaden appeal. A promised appearance by Gemma Arterton and Peter Capaldi never materialised; instead, singer‑songwriter Sam Ryder appeared despite having lost his voice. One of the few moments that truly harkens back to the original is a splice of Evans’ 1999 interview with David Bowie, in which the legendary musician bizarrely claims to have contracted gastroenteritis from eating monkey meat. The clip underscores Evans’ desire to remind viewers of the show’s storied past, even if the anecdote feels more odd than iconic. Critics note that the new Unplugged version lacks the “laddish, often cruel humour” that defined the 1990s TFI Friday, including infamous segments like the “Fat Lookalikes”. The original’s chaotic energy and Britpop‑fuelled vibe have been replaced by a more restrained, if still frenetic, studio atmosphere. In terms of relevance, the series appears out of step with current trends. Unlike interview podcasts that create an intimate, off‑camera feel, Evans’ format retains the sweaty, over‑the‑top live‑TV aesthetic without delivering the depth or novelty that modern audiences expect. Overall, TFI Friday Unplugged may not reshape the UK chatshow landscape or outshine Winkleman’s high‑profile debut, but it does carve out a modest niche for nostalgia‑driven viewers. Its inexpensive production model proves sustainable, even if the show remains a modest footnote in the broader revival of British talk‑show culture.

Newcastle 0-1 Manchester United (1995‑96) – With a 12‑point cushion, Kevin Keegan’s Newcastle seemed destined for the crown, but Alex Ferguson’s United halted their march at St James’ Park. Peter Schmeichel’s saves kept the Magpies at bay, and Eric Cantona’s late volley secured the win, narrowing the gap to a single point and setting the stage for United’s eventual triumph.Manchester United 0-1 Arsenal (1997‑98) – Arsène Wenger’s Arsenal turned the tables at Old Trafford when Marc Overmars scored the first Arsenal goal at the venue in the Premier League era. The victory sparked a ten‑game winning streak that propelled Arsenal from sixth place to clinch the title by a solitary point, underscoring the match’s seismic impact.Manchester United 1-2 Chelsea (2009‑10) – In Carlo Ancelotti’s debut season, Chelsea needed a win to stay in the title hunt. A brilliant Joe Cole back‑heel opened the scoring, but a late switch to Didier Drogba produced a second goal that put Chelsea ahead. United’s missed chances, including a late miss by Dimitar Berbatov, meant Chelsea finished the season champions by just one point.Manchester City 1-0 Manchester United (2011‑12) – After an early‑season 6‑1 defeat, City found themselves eight points adrift. Vincent Kompany’s decisive header against United in April gave City the momentum they needed, though the title would ultimately be decided on the final day when City’s dramatic comeback against QPR secured the trophy.Manchester City 2-1 Liverpool (2018‑19) – A January showdown that proved pivotal: Liverpool entered unbeaten and seven points ahead. A narrow save by John Stones kept City in the game, Sergio Agüero opened the scoring, and Leroy Sané’s late strike clinched a 2‑1 win. City went on to win the league by a point; a draw for Liverpool would have handed them an unbeaten championship.

Dyson Daniels, the Australian guard for the Atlanta Hawks, is poised to make a significant impact in the NBA playoffs. Daniels has emerged as a key player for the Hawks, who are considered a dark horse in the Eastern Conference bracket.Daniels had a taste of the playoffs two years ago with New Orleans, but enters the 2026 post-season as a key protagonist in one of the first round's marquee match-ups against the New York Knicks at Madison Square Garden.“It's going to be fun, it's going be a lot, the Garden's going to be popping,” he says. “But these kinds of opportunities you live for and you dream for, and the only way to prepare for it, really, is to just trust your work, trust yourself.”The Hawks have played into form since trading All-Star guard Trae Young in January, led by forward Jalen Johnson and off-season acquisition Nickeil Alexander-Walker. Yet perhaps no player on the roster has the potential to turn a playoff series like Daniels, after his prominence in the team's 28-win, 15-loss run to close the season.Daniels may not have the touch of the league's finesse shooters, but he has found a way to contribute on offence to complement his defensive strengths. Measuring the Australian's contribution by his impact on the scoreboard when he is on the floor compared to when he is off it, he – alongside veteran guard CJ McCollum – is the Hawks' most important player, according to advanced stats site Cleaning the Glass.The New York Post recognised Daniels' influence this week when covering the challenge he will pose for the Knicks' floor general and leading scorer, Jalen Brunson, describing him as a “defensive stopper”. No player has guarded Brunson more in the past two seasons than Daniels.

Over 1,000 workers in Kenya have been laid off by Sama, a company contracted by Meta for content moderation and AI training work. The layoffs came after Meta terminated its contract with Sama, citing that the company did not meet its standards.The sacked workers, many involved in AI training, were given only six days' notice, according to the Oversight Lab, an organization advocating for fair regulation and deployment of technology across Africa. The lab is advising the workers on legal options.This move has been criticized by activists, who argue that it exposes the precariousness of tech jobs in the global south. Kauna Malgwi, a former worker at Sama, stated that "this issue is not confined to one company or contract. It shows how the global AI industry is shaped. Power sits with large technology companies. Risk flows downward, affecting outsourced workers, often in the global south, who have the least protection and highest exposure."Sama has stated that it recognizes the impact on its team and is supporting affected employees with care and respect, highlighting that its teams receive living wages and full benefits.The layoffs have been described as devastating and shocking by the Oversight Lab, which called for recognition that current strategies are harming youth, hurting the economy, and not advancing Kenya's participation in the AI ecosystem.

Oil and gas prices experienced a significant decline of almost 10% on Friday following Iran's announcement that the Strait of Hormuz is open to commercial shipping. This development could pave the way for tankers carrying millions of barrels of oil and gas to access the global market.Iran's foreign minister stated that vessels are free to transit the Strait of Hormuz during the 10-day ceasefire between Israel and Lebanon. Brent crude, the international benchmark, fell by 9% to $90 a barrel, while the benchmark European gas contract dropped by about 8.5% to €38.80 (£33.80) per megawatt hour.The US naval blockade on Iran's use of the strait remains in full force, according to Donald Trump, until a deal is reached with Tehran. Trump expressed optimism that the process will move quickly, as most points have already been negotiated.The crisis in the Strait of Hormuz has disrupted supplies of Middle Eastern crude and gas, as well as refined fuels from Gulf refineries, in what the International Energy Agency has described as the biggest energy supply crisis in history. Before the crisis, over 130 ships a day travelled through the strait, but this has reduced to a trickle under threats from Iran's Revolutionary Guards.There are currently around 800 tankers stuck in the Gulf, with about 300 being oil and gas tankers. It remains uncertain whether tankers will be required to pay a fee of about $2m (£1.5m) for safe passage through the strait.Analysts, such as Giovanni Staunovo from UBS, view Iran's comments as a sign of de-escalation, but emphasize the need to see a substantial increase in the number of tankers crossing the strait.

The play 'Huw Fyw' by Tudur Owen takes audiences on a sentimental journey through the life of a curmudgeonly World War II veteran, exploring themes of PTSD, generational trauma, social exclusion, and the weight of irreconcilable grief.Starring Tudur Owen in the eponymous role, the Welsh-language production is marked by its absolute and unironic sincerity, with its heart unabashedly worn on its sleeve. The play's setting, mostly confined to Huw's grimy living room, adds to its plausibly compact and winningly persuasive nature.Despite some convoluted plotting, the play is deftly directed by Steffan Donnelly, with four very fine performances from the cast, including Owen, Leah Gaffey, Owen Alun, and Dafydd Emyr. The play's sentimentality resists tipping into mawkishness, instead offering a poignant survival strategy to cope with the horrors of war.The production's strange double nostalgia for the 1990s and 1940s adds to its uncanniness, making it a must-see for audiences. 'Huw Fyw' is currently showing at Dance House, Cardiff until 18 April, and will be touring until 8 May.

Mr Cobra arrives as the latest statement from Korean‑American experimental musician Lucy Liyou, translating her solo music‑theatre piece into a full‑length album that confronts the corrosive nature of desire. From the opening track, listeners are greeted by a fractured piano motif that feels like shattered glass against an empty canvas, immediately setting a tone of tension and vulnerability.The record refuses to settle into any single genre. Liyou’s soundscapes swell into glossy disco bursts, dissolve into a tongue‑in‑cheek Taylor Swift skit, and even collapse into farmyard noises and text‑to‑speech monologues. This kaleidoscopic approach mirrors the emotional volatility of the central character, Babygirl, who oscillates between yearning and revulsion as she navigates a predatory romance.Key moments illustrate the album’s thematic focus on shame and power dynamics. On “Constrictor (Haha)”, Babygirl’s submissive cravings are drenched in cold‑water imagery, only to be abruptly repelled in the whimsical “Old MacDonald Had a Charm”. By the close of the track she is once again flirting, underscoring the cyclical trap of abusive attraction. Liyou also toys with celebrity culture; the track “Romeopathy” reworks Swift’s “Love Story” into a desperate plea for validation, repeatedly urging Mr Cobra to “just say yes”.While the album’s nursery‑rhyme hooks and disco interludes can momentarily distract from its darker undercurrents, they are integral to the smart, playful chaos that defines Liyou’s artistic vision. Mr Cobra stands as a daring, semi‑autobiographical exploration of how desire can both enthrall and erode, offering listeners a richly layered experience that rewards repeated, attentive listening.