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The film 'Truth & Treason' presents a compelling narrative centered around Helmuth Hübener, a German Mormon teenager from Hamburg who played a significant role in the German resistance during World War II. Initially a member of the Hitler Youth, Hübener's perspective shifted dramatically after his Jewish friend Salomon Schwarz was sent to Auschwitz. This pivotal event inspired Hübener to take a stand against the Nazi regime by distributing leaflets that denounced their actions.Despite being backed by faith-based outfit Angel Studios, known for producing content that can be perceived as promoting certain ideologies, the film manages to convey its anti-fascist message effectively. The acting, particularly by Ewan Horrocks as Hübener and Rupert Evans as Gestapo officer Erwin Mussener, has been praised for its quality. A climactic conversation between Horrocks and Evans characters stands out for its intensity and persuasive dialogue.The film's portrayal of Hübener's actions and the consequences he faced is both timely and impactful, especially in today's world. With its anti-fascist message, 'Truth & Treason' feels relevant and necessary. Although considered flawed, the movie is commended for having its heart in the right place. It is now available on Prime Video from April 20th.

Lidl and Iceland Foods have become the inaugural retailers to see their advertisements prohibited under the United Kingdom’s newly‑introduced junk‑food advertising rules, the Advertising Standards Authority (ASA) confirmed on Wednesday.The ASA has been overseeing the ban that bars television ads for high‑fat, salt and sugar (HFSS) items before 9 p.m. and prohibits any online promotion of such products at any hour, a regime that took effect on 5 January 2026.In Lidl’s case, the ASA found that an Instagram post created by popular influencer Emma Kearney ("Baby Emzo") for Lidl Northern Ireland showcased a tray of pain suisse – a French pastry filled with vanilla cream and chocolate chips. A complainant argued the product was “less healthy” and breached the HFSS criteria. Lidl defended the content as a “brand‑led” advertisement, noting that the new rules allow brand promotion provided no identifiable junk‑food item appears, but the ASA concluded the post did indeed highlight a prohibited product.For Iceland, the breach involved a digital display and banner ad on the Daily Mail website promoting confectionery such as Swizzels Sweet Treats, Chupa Chups Laces, Choose Disco Stix and Haribo Elf Surprises. These sweets fail the nutrient‑profiling model used to classify HFSS foods, meaning they cannot be advertised under the current legislation.The HFSS framework classifies foods high in fat, salt or sugar as “less healthy” and bars their promotion across broadcast and digital channels. This move is part of the UK government’s broader strategy to curb rising childhood obesity rates by limiting children’s exposure to unhealthy food marketing.Iceland acknowledged that, while it requests nutrient‑profile data from all suppliers, there are “gaps” in the information received. To address this, the retailer has contracted a data‑service provider to compile monthly nutritional data for every product on its website, aiming to flag any items that fall under the HFSS definition before they appear in advertising.After reviewing the complaints, the ASA upheld the objections and ordered both supermarkets to ensure future digital marketing does not feature products that violate the junk‑food ad rules. The rulings signal a stricter regulatory environment for retailers and advertisers, urging a shift toward healthier product promotion and more robust data‑management practices.

UEFA announced on Tuesday that it has ruled Barcelona's protest concerning a handball incident in the Champions League quarter‑final first leg against Atletico Madrid as inadmissible. The decision was issued by the UEFA Control, Ethics and Disciplinary Body on 13 April 2026.Atletico, coached by Diego Simeone, secured a 2‑0 victory at Camp Nou, a result Barcelona attributes in part to a disputed moment when defender Marc Pubill handled the ball after a perceived goal‑kick was passed to him.Barcelona claimed the incident warranted a penalty and argued that referee Istvan Kovacs was not instructed to consult the VAR team. The club labeled the non‑award of a penalty a “major error” that directly influenced the match outcome.Despite the club’s appeal, UEFA’s statement confirmed that the protest does not meet the criteria for review, leaving the original 2‑0 scoreline intact as the teams prepare for the second leg.

The App Store Removal Apple is taking a tough stance on vibe-coding apps, blocking updates or removing those apps from the App Store. Affected apps include Replit, Vibecode, and Anything. While Replit and Vibecode's updates were paused, Anything's app was removed twice. Anything's Struggle with Apple Anything's co-founder, Dhruv Amin, said in a conversation with TechCrunch that Apple removed its app on March 26. Since then, the company has been unable to get its app approved, despite a period where there was a brief reinstatement. Apple cited developer agreement clause 2.5.2, which prevents apps from downloading, installing, or executing code. The app markets itself as a mobile app builder for iPhone and advertises making native iOS apps with features like 1-tap App Store submissions, code export, and full source code editing. The Impact on Anything Amin noted that when the company managed to get on a call with Apple, the iPhone maker told them that the vibe-coding app was removed because of the potential it could be used to download malicious code. The Future of Anything Following the battle with Apple, Anything's maker is looking for other ways to allow people to build mobile apps. Earlier this month, the company launched a feature that let users build apps using the iMessage platform. The company said it will also build a desktop companion app that lets users vibe code mobile apps on their computer. The company may instead look at Google's Android operating system for building its apps, as the platform is more open than iOS. Epic Games CEO Tim Sweeney has been vocal about Apple's tactics, saying that Apple needs to "stop blocking development tools apps ASAP." The Broader Implications Earlier this month, The Information reported that thanks to AI-powered coding tools, Apple saw an 84% jump in app submissions in a single quarter. This could force Apple to change its human-led review processes. As AI-powered coding takes off, consumers might demand that platforms like Apple allow them to create apps for themselves.

Dianna Russini, a prominent NFL reporter for The Athletic, has resigned from her position amid an investigation into photos of her with New England Patriots coach Mike Vrabel. The images, published by The New York Post, show Russini and Vrabel together at a luxury hotel in Sedona, Arizona, and have sparked speculation about their relationship.Russini maintained that her interactions with Vrabel were platonic and taken out of context. She expressed frustration with the media frenzy surrounding the photos, stating that it was 'unmoored from the facts' and had caused significant damage to her career.In a letter to The Athletic's executive editor, Steven Ginsberg, Russini said she had covered the NFL with professionalism and dedication throughout her career. She chose to resign before her contract expired on June 30, rather than allowing the situation to continue and potentially harm her reputation further.The Athletic initially defended Russini, with Ginsberg stating that the images lacked context and depicted public interactions among multiple people. However, the outlet expanded its review after additional reporting raised questions about Russini's coverage of Vrabel and the nature of their relationship.Russini joined The Athletic in 2023 after nearly a decade at ESPN, where she held various roles, including SportsCenter anchor, NFL analyst, and insider. Vrabel, who won three Super Bowls as a player with New England, is preparing for his second season as coach of the Patriots.

The latest film from director David Lowery, 'Mother Mary', is a visually stunning yet narratively flawed exploration of the pop star world. Anne Hathaway stars as Mother Mary, a former music A-lister attempting a comeback after a mysterious event has left her haunted and struggling to find her fashion sense.Mother Mary seeks out the help of fashion designer Sam Anselm, played by Michaela Coel, who is both distantly glacial and imperious in her interactions with the pop star. Despite their complicated past, Sam agrees to create a new stage costume for Mother Mary, leading to a series of surreal and stylish moments.The film features stunning visual moments that blend Dalí-esque surrealism with the high-tech gloss of the modern pop stage. However, the narrative often feels incomprehensible, with overly earnest performances from the lead actresses. The script's lack of self-awareness and coyness about its central queer relationship also detract from the overall experience.Despite these flaws, 'Mother Mary' is worth watching for its strong performances and visual spectacle. The film's $100m budget is evident in its arena spectacles, which are some of the best in recent cinema. With a bit more self-awareness and depth, 'Mother Mary' could have been a cult classic.

The author of the article, a self-proclaimed lifelong Nintendo fan, recently watched the new Super Mario Galaxy movie with their children over the Easter break. The film received harsh reviews from critics, with The Guardian's Peter Bradshaw calling it 'worse than AI' and Empire deeming it a 'humourless, hysterical trudge'. Despite this, the author's children loved the movie, which sparked a reflection on its strengths and weaknesses.The film is criticized for its lack of depth and originality, launching into an unrelated storyline that fails to develop the characters or plot. The author notes that the movie relies heavily on action sequences and lacks humor, with Jack Black's Bowser being a notable exception. However, the film's attention to detail and commitment to accurately representing the Mario universe are praised.The author argues that the movie's creators, including many from Nintendo itself, genuinely care about the Mario games and have ensured that the details are accurate. This love for the source material is evident throughout the film, even if it's not always successful in translating to the screen. The author also criticizes the film for feeling like an advertisement, particularly with the inclusion of Fox McCloud from Star Fox, which seems to be a promotional move.Ultimately, the author concludes that while the Super Mario Galaxy movie is not great, it's not as bad as critics make it out to be. The film's shortcomings are largely due to its shallow storytelling and reliance on familiar elements rather than innovative ideas. The author hopes that future Nintendo movies will be more enriching and engaging for young audiences.

The documentary Kinaesthesia delves into the dreamlike qualities of early cinema, showcasing a treasure trove of visions from the 1910s and 1920s. Director Gerald Fox draws on the theories of late Harvard film studies professor Vlada Petrić, who posited that early cinema pioneers employed techniques to activate the brain similar to those experienced during dreams.Luis Buñuel's Un Chien Andalou, co-written with Salvador Dalí and inspired by their dreams, is a seminal work featured in the documentary. Its surreal images, including a razor slicing through an eyeball and rotting donkeys strapped to grand pianos, continue to shock and disturb nearly a century later.The film is a greatest hits collection of experimental early cinema, featuring works by FW Murnau, Fritz Lang, Sergei Eisenstein, and Oleksandr Dovzhenko. Notably, it includes Teinosuke Kinugasa's A Page of Madness, a 1926 film set in a psychiatric hospital that was long believed lost but later found in a sake barrel.The documentary also highlights the contributions of avant-garde filmmaker Maya Deren, with a dedicated section showcasing her brilliance. While the narration by Fox can be somewhat hammy and the dramatic sections featuring Goran Kostic as Professor Petrić add little value, the film remains required viewing for anyone interested in the history of cinema.Kinaesthesia is set to release in UK and Irish cinemas from April 17, 2026.

England Test captain Ben Stokes has moved to play down suggestions of a disagreement between himself and Brendon McCullum, the England head coach, despite the challenging Ashes series that raised questions about their tactical alignment.In a recent video released by the England and Wales Cricket Board, Stokes stressed that he and McCullum share the same overall vision for the team, but acknowledged that their approach might look 'different' this summer. He emphasized that agreeing on every single thing would be 'unhealthy' and that their discussions are crucial to achieving their goals.Stokes highlighted that he and McCullum are 'similar' but also 'dissimilar' in certain areas, which leads to constructive discussions about their strategy. He confirmed that they agree 95% of the time, and the remaining 5% is addressed through open dialogue.The England captain was keen to retain McCullum as head coach after the 4-1 Ashes defeat and has publicly expressed confidence in their ability to work together effectively. Despite reports suggesting they criticized each other during the ECB's internal review, Stokes and McCullum have maintained a united front.Looking ahead, the team's approach to cricket will be closely watched during the upcoming visits by New Zealand and Pakistan this summer, followed by tours to South Africa and Bangladesh next winter, and the home Ashes in 2027.Stokes concluded that he and McCullum are committed to making the team as good as possible and that their alignment towards winning is unwavering, even if their methods might evolve over time.