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Beirut, Lebanon – In late March, authorities abandoned a proposed shelter for war‑displaced residents in the Karantina neighbourhood after a wave of public protest.Opponents, including local politicians and community activists, cited practical concerns such as traffic congestion near the port and health risks. However, the core of the backlash was sectarian: many Christian residents invoked demographic fears, chanting slogans reminiscent of the 1975‑1990 Lebanese Civil War to block housing for the predominantly Shia‑Muslim displaced population.The controversy resurfaced painful memories of the 1976 Karantina massacre, when right‑wing Phalangist forces expelled and killed thousands of Muslims. Historian Diala Lteif, researching the district’s history, estimates the death toll at 1,000‑3,000. She warned that the current rhetoric mirrors the “foundational logic” of that tragedy – a drive to segregate neighbourhoods.Israel’s intensified campaign against Lebanon has already forced the displacement of approximately 1.2 million people. The war, reignited on March 2 after Hezbollah’s retaliatory rocket fire, has seen Israeli troops and air strikes devastate southern towns and parts of Beirut, heightening fears that hosting displaced families could draw further attacks.Amid these tensions, a 10‑day ceasefire is slated to begin, yet many Lebanese worry the violence could spiral into renewed communal conflict or even a civil war.Experts note that the association of displaced Shia communities with Hezbollah fuels anxiety. Lara Deeb, an anthropologist at Scripps College, explained that Lebanon’s sectarian political system blurs the line between a religious group and a political party, amplifying mistrust across the board.While the cancelled site remains unused, another displacement centre operated by the Lebanese charity Offre Joie continues to function in Karantina. It currently shelters about 1,000 displaced families from the south, the Bekaa Valley, and Beirut’s southern suburbs.Volunteer Marie Daou described the centre’s conditions as comparatively decent, with reliable hot water and regular meals. Security forces monitor the residents’ identities, and no occupants have left despite more than 40 days of conflict.One resident, 30‑year‑old Nadine, fled her home in Burj al‑Barajneh on March 2. She now lives with five siblings at the centre, saying, “For now, we’re staying here. You can’t go back because there is danger, but nowhere is safe. We will endure.”The episode highlights how historic sectarian wounds intersect with today’s geopolitical crisis, shaping public policy and community responses in a Lebanon already strained by war and displacement.

As a 10-day ceasefire between Israel and Hezbollah took effect, displaced Lebanese people expressed skepticism about returning home. The agreement's terms are still unclear, and many doubt Israel's commitment to upholding the ceasefire.Abu Haidar, who has been displaced for six weeks, planned to return to his village, Kherbet Selem, near the border. However, he acknowledged the challenges, including a bombed bridge, and decided to leave before the midnight deadline.Others, like Fadal Alawi and Haytham Dandash, whose homes were destroyed, were more cautious. They chose to stay in Beirut until a longer-term agreement is in place, citing concerns over Israel's history of violating agreements.The Israeli military's recent intensification of attacks in southern Lebanon added to the uncertainty. Hezbollah and its ally, Nabih Berri, urged supporters not to return home until the situation clarifies.The unclear terms of the agreement and Israel's Prime Minister Benjamin Netanyahu's statement that troops would not withdraw from southern Lebanon during the ceasefire contributed to the skepticism. Hezbollah responded by asserting its right to resist if Israel continues to occupy Lebanese territory.In the meantime, displaced people like Dandash and his wife, Ruwayda Zaiter, faced desperate living conditions, with limited aid and no support from the state or political parties.

Israeli military chief Eyal Zamir authorized five soldiers from the Force 100 unit to resume reserve service after the top military prosecutor dismissed all charges linked to an alleged sexual assault on a Palestinian detainee at the Sde Teiman detention camp. The decision comes while an internal military inquiry into the soldiers’ conduct remains open; Israeli Army Radio reports that some of the reservists have already been redeployed to active combat roles. In a statement cited by Haaretz, the army emphasized that “the investigation does not prevent them from continuing to serve … the command‑level investigation will be completed as soon as possible.” Charges were withdrawn last month by Israel’s senior military lawyer, ending a case that had become one of the most contentious in recent Israeli history. The original indictment alleged that the soldiers stabbed the detainee with a sharp object near his rectum, causing cracked ribs, a punctured lung and an internal tear. Prison doctor Yoel Donchin told reporters he was initially shocked by the severity of the injuries, assuming they were inflicted by a rival armed group. Military Advocate General Itay Offir explained that the indictments were scrapped due to “complexities in the evidentiary structure” and “difficulties” arising after the detainee’s release to the Gaza Strip. Human‑rights organisations, led by Amnesty International, condemned the reinstatement as “yet another unconscionable chapter” in a legal system they say routinely grants impunity for grave crimes against Palestinians. The group noted that only one Israeli soldier has ever been sentenced for torturing a Palestinian detainee. Broader reports, including a February study by the Committee to Protect Journalists, document widespread abuse—ranging from beatings and starvation to sexual assault—experienced by Palestinians held in Israeli custody.

Pellegrino Matarazzo, the coach of Real Sociedad, has had an extraordinary journey from New Jersey to Seville. Born to Neapolitan émigrés, Matarazzo's love for football was ignited at a young age. He earned a degree in applied mathematics from Columbia University but chose to pursue a career in football instead of investment banking.Matarazzo's journey took him from playing in Germany's third and fourth tiers to coaching in the Bundesliga. He successfully led Stuttgart back to the Bundesliga and Hoffenheim back to Europe. His impressive track record made him an attractive candidate for Real Sociedad, a team he joined in December.Under Matarazzo's leadership, Real Sociedad has experienced a remarkable turnaround. The team had just 17 points in 17 games and was on the brink of relegation. However, Matarazzo's impact was immediate, and they are now within reach of a Champions League place and feature in a cup final, having defeated Athletic en route.Matarazzo attributes his success to his ability to adapt to different cultures and his willingness to connect with the people and history of the region. He emphasizes the importance of understanding the club's values and identity, which has earned him the appreciation of the fans.As Real Sociedad prepares to face Atlético Madrid in the Copa del Rey final, Matarazzo expresses his excitement and gratitude for the opportunity. He acknowledges the significance of the moment, not just for the team but also for the city and the fans, who have been waiting 39 years for a cup final.

U.S. Defense Secretary Pete Hegseth told reporters on Thursday that Iran’s energy infrastructure is "not destroyed yet," but the United States is "locked and loaded" to finish the job. Speaking from the Pentagon podium, Hegseth framed the press corps as the modern equivalent of the Pharisees who plotted against Jesus, suggesting that media criticism was driven by hostility rather than facts.The remarks coincided with the launch of a naval blockade of Iranian ports that began earlier this week. Hegseth urged Tehran to accept a nuclear agreement, warning that refusal would bring further attacks on the country’s remaining power‑generation and energy facilities."We are reloading with more power than ever before, and with better intelligence," Hegseth said, emphasizing the United States’ enhanced surveillance capabilities.He added that Iran’s missile launchers are dwindling and cannot be replenished: "You are digging out your remaining launchers and missiles with no ability to replace them. You can dig out for now. Can’t reconstitute, but we can."Offering a stark choice, Hegseth said, "We prefer to do it the nice way, through a deal led by our great vice‑president and negotiating team, or we can do it the hard way." He also pledged that the War Department would ensure Iran never acquires a nuclear weapon.Gen. Dan Caine, chair of the Joint Chiefs of Staff, confirmed that the blockade applies to all ships, regardless of nationality, and has been in effect for more than 24 hours. Over 10,000 sailors, marines and aircrew are enforcing the restriction. Since its inception, the U.S. Navy has transmitted a "do not attempt to breach the blockade" warning to vessels 13 times, with none of the ships boarded.During his address, Hegseth invoked a biblical sermon, likening the press to the Pharisees who, according to the Gospel of Mark, plotted to destroy Jesus after witnessing his miracles. He claimed the media’s “hardened hearts” were calibrated only to “impugn.”Hegseth also criticized the press for what he called a distorted portrayal of the 2021 Afghanistan withdrawal, citing the phrase "the greatest airlift in American history"—a line originally used by President Joe Biden and later echoed by right‑wing commentators and politicians.Concluding his remarks, Hegseth admitted, "Sometimes it’s hard to figure out what side some of you are actually on," underscoring the tension between the Pentagon and the media.

Jason Allen-Paisant, an award-winning poet, has written an audiobook titled 'The Possibility of Tenderness', which is a meditation on nature, history, race, and the notion of belonging. The book is narrated by the author himself and is available via Penguin Audio, with a duration of 8 hours and 32 minutes.Allen-Paisant's early childhood in Coffee Grove, Jamaica, played a significant role in shaping his relationship with nature. He spent his early years climbing trees, picking fruit, and helping his grandmother harvest yams on their small plot of land. This close connection with the natural world had a profound impact on his life.As Allen-Paisant grew older and moved to Britain to study at Oxford, he noticed a significant change in his interactions with nature. He realized that his socio-economic status and class limited his access to the natural world in Britain, leading him to feel disconnected from the land and soil.The audiobook is a personal account of Allen-Paisant's journey to reconnect with nature and find a sense of belonging. He explains how surrounding himself with nature allows him to feel hopeful and find ways to cope with the constraints of racism. Allen-Paisant emphasizes the importance of non-anger and finding ways to live through difficult experiences.Further listening recommendations are also provided, including 'Don’t Let It Break You, Honey' by Jenny Evans and 'Slags' by Emma Jane Unsworth.

For the first time in Hollywood history, an authorized generative‑AI version of a major star headlines a feature film. The western As Deep As the Grave showcases a digitally recreated Val Kilmer, whose voice was synthesized by UK‑based firm Sonantic using archival recordings. The project, delayed by Kilmer’s death in April 2025, received full cooperation from his estate and his daughter Mercedes, who helped craft the visual deep‑fake of the actor. Mercedes Kilmer confirmed that her father embraced emerging technologies as a storytelling tool, a sentiment the filmmakers say they honored throughout production. At Wednesday’s CinemaCon trade show in Las Vegas, the trailer revealed that Kilmer’s character, Father Fintan—a Catholic priest and Native American spiritualist—appears for roughly one hour of screen time. The footage shows the priest at different ages, including a spectral elder who advises a child, “Don’t fear the dead and don’t fear me.” Writer‑director Coerte Voorhees explained that the narrative was built around Kilmer’s heritage and his love of the Southwest. He added that the production adhered to SAG‑AFTRA guidelines and that the estate was financially compensated for the use of archival material. The film also stars Tom Felton, Abigail Breslin and Abigail Lawrie. In a March interview with Variety, Voorhees noted that Kilmer’s family repeatedly emphasized the project’s importance to the late actor. The Kilmer case follows a growing trend of AI‑generated performances. In 2022, Bruce Willis consented to a digital twin after a dementia diagnosis, while actors such as Matthew McConaughey and Michael Caine have licensed their voices to AI firms for approved uses. Estates of legends like Laurence Olivier, Judy Garland and James Dean have similarly partnered with the marketplace ElevenLabs. Beyond film, celebrities are exploring AI for digital meet‑and‑greets; Paris Hilton and Kendall Jenner have reportedly signed deals with Meta for AI‑powered appearances on Instagram, and users can even query an AI version of Deepak Chopra for advice on a range of topics. Nevertheless, some stars remain cautious. Morgan Freeman, Tom Hanks and Scarlett Johansson have publicly expressed skepticism about deep‑fake replicas of their likenesses.

Massive Attack has returned with their first single in a decade, 'Boots on the Ground', featuring the iconic voice of Tom Waits. The song is a seven-minute track that showcases the band's signature dark and experimental sound.The song's release marks a significant event in the music world, especially given Massive Attack's influential history in shaping the trip-hop genre with their debut album Blue Lines in the 90s. The band's music has since evolved to incorporate more abstract and disquieting elements, as evident in 'Boots on the Ground'.The track features a haunting intro and coda with Tom Waits's labored breathing, creating an unsettling atmosphere. Waits's vocals are unmistakable, and his presence elevates the song to a new level of intensity. The lyrics are surreal and disturbing, tackling themes of violence and authority.The song's accompanying video features the work of a documentary photographer, showcasing powerful images of Black Lives Matter protests, ICE raids, and homeless veterans. This visual component adds to the song's impact, making it a thought-provoking and timely release.'Boots on the Ground' is a fitting addition to Massive Attack's discography, reflecting the band's continued ability to push boundaries and create music that resonates with the current times. The song's dark and ominous tone, combined with Tom Waits's haunting vocals, makes it a standout track in the band's oeuvre.

Cédric Klapisch’s new film, Colours of Time, is an entertaining sentimental fantasy that invents a romantic backstory to the career of Claude Monet and his contemporary, the pioneering photographer Félix Nadar. The film follows Adèle, a fictional young woman who makes a fateful journey to find her errant mother in Paris during the belle époque, leaving behind her sweetheart and the village where she was brought up, in the countryside near Monet’s home town of Le Havre.The story intercuts enjoyably between past and present, as Adèle's life and times are rediscovered by her descendants. In the present day, dozens of descendants of Adèle are contacted by lawyers and PRs working for a property company that wants to build a vast new shopping mall, which would mean bulldozing Adèle’s derelict cottage. This garrulous ragtag bunch must give their collective consent, leading to a journey of discovery that uncovers historical secrets: photos, letters, and even what might be a painting.The film takes a pretty un-subversive view of art and artists but is executed with brio and comic gusto, particularly in the “past” sections. Suzanne Lindon’s performance has charm, and the detective work is interspersed ingeniously with what Adèle in her own day discovers about her errant mother. The film culminates in a wacky climax when the present-day claimants have an Ayahuasca psychoactive experience, sending them back in time to encounter historical culture icons in person at an exhibition.Colours of Time is a film that requires a sweet tooth, but it’s tasty. It’s set to hit UK cinemas from 17 April.