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A United States judge has ruled that he will not dismiss the drug-trafficking and weapons possession charges brought against former Venezuelan President Nicolas Maduro and his wife Cilia Flores.In a Thursday court hearing, Judge Alvin Hellerstein questioned whether the US government has the right to bar Venezuela from funding Maduro's legal expenses. The hearing was the first for Maduro and his wife since a brief January arraignment, where they pleaded not guilty.Maduro and Flores have sought to have the charges against them thrown out. Hellerstein declined to do so, but he pressed the prosecution on some of the issues Maduro's legal team raised in its petition to dismiss the case. Among them was a decision by the administration of US President Donald Trump to prevent the Venezuelan government from financing Maduro's defence.Federal prosecutors argued that national security reasons prevented the US from allowing such payments. They also pointed to ongoing sanctions against the Venezuelan government. But Hellerstein pushed back against that argument, noting that Trump had eased sanctions against Venezuela since Maduro's abduction on January 3. He also questioned how Maduro might pose a security threat while imprisoned in New York.“The defendant is here. Flores is here. They present no further national security threat,” said Hellerstein. “I see no abiding interest of national security on the right to defend themselves.”Hellerstein emphasised that, in the US, all criminal defendants have the right to a vigorous defence, as part of the US Constitution's Sixth Amendment. Maduro, who led Venezuela from 2013 to 2026, has been charged with four criminal counts, including “narco-terrorism” conspiracy, conspiracy to import cocaine, the possession of machine guns and the conspiracy to possess machine guns and other destructive devices.He and his wife were taken into US custody on January 3, after Trump launched an attack on Venezuela. The Trump administration has framed the military operation as a “law enforcement function”, but experts say it was widely considered illegal under international law, which protects local sovereignty.Trump himself weighed in on the proceedings during a Thursday US Cabinet meeting, hinting that further charges could be brought against Maduro. “He emptied his prisons in Venezuela, emptied his prisons into our country,” Trump said of Maduro, reiterating an unsubstantiated claim. “And I hope that charge will be brought at some point. Because that was a big charge that hasn’t been brought yet. It should be brought.”

Ben White stepped onto the Wembley pitch to a chorus of jeers from England supporters when introduced as a 68th-minute substitute. The Arsenal defender's return to international football came nearly two years after walking out on the squad during the 2022 World Cup, making his availability for this fixture a significant development.The friendly encounter lacked intensity for much of the first half, with England struggling to create meaningful opportunities. Thomas Tuchel, utilizing an experimental lineup with no survivors from the previous match against Albania, focused on evaluating fringe players for potential World Cup consideration. The match tempo was low, and patterns remained formulaic as Uruguay comfortably maintained defensive organization.The game transformed dramatically after White's introduction. In the 81st minute, the defender marked his fifth England cap with his first international goal, tapping in from close range following an excellent Cole Palmer corner delivery. Despite scoring, the announcement of his name was met with another round of boos from the home crowd.White's night took a turn for the worse in stoppage time when he conceded a penalty with an ill-advised challenge on Federico Vinas. After a video assistant referee review, Federico Valverde converted the spot kick, leveling the score at 1-1. The match had been particularly fractious, featuring several contentious challenges including an X-rated lunge by Uruguay's Ronald Araújo at Phil Foden, which left the Manchester City player limping off.Tuchel expressed frustration with the officiating, questioning why Araújo escaped punishment and suggesting the VAR system was malfunctioning. The England manager had made numerous changes to his squad, prioritizing rest for first-choice players during a condensed training week leading up to the fixture.

Thomas Tuchel, the England head coach, voiced his disappointment with the Wembley crowd's reaction to Ben White's return to international football during the 1-1 draw with Uruguay. White was booed upon his substitution in the 69th minute, a reaction Tuchel found disheartening.The game was marked by controversy, including a painful tackle by Ronald Araújo on Phil Foden that escaped a red card and an injury to Noni Madueke. Tuchel was also critical of the refereeing, particularly the decision to award Uruguay a penalty for a soft foul by White.“I heard that he was booed,” Tuchel said of White. “It cannot be the majority. There were some boos and some mixed reception for him which I’m disappointed about because of course we protect our players. He was excellent in camp and he deserved to come on. He got us almost a winner.”Tuchel praised his side's effort but focused his anger on the German referee Sven Jablonski, expressing confusion over the VAR's inconsistent application. The draw was a mixed result for England, who were without several regular players and are preparing for the World Cup this summer.

Sarah Strong, the 6ft 2in UConn forward, is chasing her second championship in as many years with an undefeated squad that hasn’t lost in 52 games dating back to last year. As a freshman, Strong thrived defensively in the 2025 NCAA tournament, while scoring the most points by a freshman in tournament history with 114.In her second season, Strong has been even more dominant. Her impact on both sides of the ball is so deep that she was named the Big East Player of the Year and the Big East Defensive Player of the Year. She’s the favorite to win the National Player of the Year award next month.This season Strong averaged 18.4 points, 7.5 rebounds, 4.1 assists, and 3.3 steals all while shooting 60.0% from the field. UConn coach Geno Auriemma praised her unique ability to play like a guard and play like a big guy.Unlike other collegiate women’s players with similar talent, such as Caitlin Clark, there is nothing flashy about Strong. She plays with certainty and lets her game do the talking. Her media commitments are increasing, but she remains uncomfortable with the spotlight.Strong’s poise, calm, and off-the-charts IQ have produced results impossible to ignore. Her parents, including former WNBA player Allison Feaster, instilled in her a respect for the game and family values.UConn assistant Jamelle Elliott quietly scouted Strong in ninth grade before the hype arrived and she became the country’s top recruit. Auriemma agreed with Elliott’s assessment, noting that Strong already had the skills that great players learn over time.With her star growing rapidly, Strong has inked NIL deals with Jordan Brand, Unrivaled, and Madison Reed. She had 18 points in each game as UConn rolled to first- and second-round wins last week, setting up Friday’s Sweet 16 matchup with North Carolina.

The Royal Opera's new production of Britten's 'The Turn of the Screw' begins with an eerie effect: the tenor's voice emerges from absolute blackout, setting the tone for an evasive ghost story that will keep audiences on edge. Director Natalie Abrahami and designer Michael Levine have crafted a staging that masterfully builds tension, using water as a recurring motif to underscore the themes of innocence and corruption.The set design features a traditional country house with doors, beds, and the Governess's haunted desk, while Duncan McLean's videos project images onto an invisible screen, adding to the sense of unease. The ghosts and their silent doppelgangers move through the space, creating skilful misdirections and emphasizing the Governess's desperation.The cast delivers richly woven performances, with Isabelle Peters shining as the intense Governess, Claire Barnett-Jones warm as Mrs Grose, and Elgan Llŷr Thomas persuasive as the volatile Peter Quint. The children, played by Phoenix Matthews and Emilia Blossom Ostroumoff, bring extraordinary detail and presence to their roles.Conductor Bassem Akiki draws a compelling performance from the 13 players in the pit, and the tension only loosens its grip when the cast and production team take their bows. This production of 'The Turn of the Screw' runs at the Linbury theatre, London, until 6 April.

Tamerlano, a 1724 opera by Handel, has been reimagined in a modern production at the London Handel Festival. The story revolves around the despotic emperor Tamerlano, who has brought the stubborn Bajazet to his court in chains. Tamerlano's infatuation with Bajazet's daughter Asteria leads him to offer his betrothed, Irene, to the Greek prince Andronico. However, both Bajazet and Andronico threaten to end it all, while Asteria plots to assassinate Tamerlano.In an attempt to make the opera more accessible, director Orpha Phelan has aligned each character with a recognizable famous figure. Tamerlano is reimagined as Donald Trump, Andronico as Alexander the Great, and Irene as Elizabeth Bennet or a Bridgerton escapee. The production is billed as 'Social Experiment 2', manipulated by Andronico's friend Leone, played as Sigmund Freud.Despite the modern twist, the opera's musical standards are high, led by Laurence Cummings and the excellent Academy of Ancient Music. The cast, including Benjamin Hulett as Bajazet, Nardus Williams as Asteria, and Kitty Whately as Irene, copes admirably with Phelan's concept. However, James Laing's portrayal of Tamerlano is somewhat overwhelmed by excessive fidgety business, including eating Big Macs and doing the Trump dance.The production runs at Shoreditch Town Hall, London, until 28 March. Despite some reservations, the opera's vital element of danger is somewhat lost in the buffoonery. Nevertheless, it remains a fine cast and a resourceful set by Madeleine Boyd.

Ed Miliband's stock is rising in the Labour Party as he fills a void left by Morgan McSweeney's departure, becoming a key figure in shaping the party's thinking. His influence has grown significantly in recent weeks, with some suggesting he is the real prime minister, calling the shots on key issues. Miliband's popularity among Labour members has increased, with him leapfrogging Angela Rayner as the membership's favourite cabinet minister. This surge in popularity has led to speculation that he could potentially win a leadership contest if one were to happen. The Labour Party's shift to the left, partly due to the Greens' victory in Gorton and Denton, has contributed to Miliband's rise. His reputation as a deep thinker and intellectual heavyweight has become increasingly valuable in a time when the party needs to address complex global challenges. Miliband's background in intellectual pursuits has prepared him for this role. Having cut his teeth in Gordon Brown's court, which was known for its intellectual voraciousness, Miliband has developed a unique ability to think through complex arguments from first principles. The current political landscape, marked by an energy crisis, potential recession, and rising populism, has highlighted the need for big ideas. Miliband's approach, which emphasizes thoughtful consideration and intellectual rigor, is seen as a welcome change from the party's previous focus on small, practical solutions. While Miliband is not infallible, his tendency to think years ahead of his time has been noted by those who have worked with him. His ideas, though not always successful, have the potential to sharpen the party's mental blades for the challenges ahead. In conclusion, Ed Miliband's rise to prominence is a reflection of the Labour Party's need for intellectual heavyweights who can provide big ideas and thoughtful leadership in a rapidly changing world.

Iran's men's football team, Team Melli, has been training in southern Turkiye as they prepare for two upcoming friendly matches before the FIFA World Cup. The team's preparations come against the backdrop of the US-Israel war on Iran, which is likely to attract heightened attention during the World Cup.The team held a training session in Belek, Antalya, with tightly restricted media access. Officials stated that they wanted to avoid distractions before the matches, which are critical to their World Cup preparations.Iran's football federation is in discussions with FIFA about moving its World Cup matches to Mexico from the US due to concerns over player safety. The friendly matches were originally scheduled to take place in Jordan but were moved to Turkiye following the outbreak of the war on Iran.The team will play against Nigeria on Friday and Costa Rica on Tuesday. Striker Sardar Azmoun was omitted from the squad after posting a picture on his Instagram feed of a meeting with Dubai's ruler Mohammed bin Rashid Al Maktoum. Iranian media reported that Azmoun had been expelled from the national team for a perceived act of disloyalty to the government.

German film-maker and author Alexander Kluge, a leading figure in the New German Cinema movement, has died at the age of 94. Kluge was known for his intellectually stimulating films and his role in shaping the cinematic landscape of post-war Germany. Kluge's career was marked by his innovative approach to filmmaking, which often incorporated cinematic collages and experimental techniques. His film Abschied von Gestern (released as Yesterday Girl in the US) was one of the first films to emerge from the Oberhausen Manifesto, a call to the German film industry to break free from traditional and shallow filmmaking. Kluge's contributions to German cinema were significant, and his influence can be seen in the work of other notable directors such as Rainer Werner Fassbinder and Werner Herzog. He continued to produce films and television programs throughout his career, including arts, magazine, and interview programs for German television through his production company DCTP. Kluge's wartime experiences had a profound impact on his life and work, shaping his commitment to pacifism. However, his comments on the topic have been met with controversy, particularly in the context of Russia's invasion of Ukraine. Throughout his career, Kluge collaborated with other artists and writers, including Ben Lerner, with whom he co-authored a poetic dialogue book, The Snows of Venice. Kluge's legacy as a pioneering film-maker and author continues to be celebrated, and his influence on German cinema and culture remains significant.