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Opening the Silent Corridors of Cork’s AsylumThe Guardian’s latest review spotlights *Said the Dead*, a meticulously researched yet poetically daring study of the Cork Mental Hospital – once Ireland’s longest Gothic building, shuttered in the 1990s and now being turned into apartments. Doireann Ní Ghríofa uses the archive as a portal, giving voice to women whose stories were consigned to dusty casebooks.How Doireann Ní Ghríofa Reconstructed 19th‑Century Patient LivesWorking primarily from the hospital’s massive green casebooks, the author is forced to stop a century before the present to respect confidentiality, so the narrative centers on Victorian and Edwardian voices. She extracts vivid portraits – Bridget, a pregnant emigrant turned back home; Anna Martha, a painter who brandished a gun on magistrates; Dora, a sixteen‑year‑old yearning for death; and Muriel, wife of republican lord mayor Terence MacSwiney. The book also foregrounds Lucia Strangman, the first woman psychiatrist in the British Isles, as a thematic double for the author‑reader.Archive constraint: records stop at a 100‑year distance.Key patients: Bridget, Anna Martha, Dora, Muriel.Medical language: “fairies work on her nerves”, “dull”, “intelligent”.Why Revisiting the Asylum Matters for Irish Memory and Mental‑Health DiscourseThe review argues that the book does more than recount forgotten biographies; it interrogates the ethics of reading and surveillance. By positioning herself as “the Reader”, Ní Ghríofa acknowledges the power imbalance inherent in extracting lives from institutional records, echoing contemporary debates on mental‑health stigma and historical accountability. The work thus becomes a catalyst for broader conversations about how societies remember—and often erase—marginalised voices.What This Revival Signals for Historical Narrative and Public EngagementAs the former asylum is repurposed into luxury flats, *Said the Dead* reminds readers that commercial redevelopment can obscure painful histories. The book’s blend of scholarship and imagination may inspire similar projects that rescue silenced narratives, encouraging museums, publishers, and educators to foreground archival voices before they disappear beneath modern façades.

The Hollywood Backlash Against #MeTooCate Blanchett has lamented that the #MeToo movement "got killed very quickly" in Hollywood, while speaking at the Cannes film festival. In a wide-ranging conversation on Sunday, the acclaimed actress expressed concern that the tide of #MeToo has been turned in an industry where she has been outspoken about gender equality.Blanchett's Observations on Gender Disparity"It got killed very quickly, which I think is interesting," said Blanchett. "There are a lot of people with platforms who are able to speak up with relative safety and say this has happened to me. And the so-called average woman on the street, person on the street, is saying me too. Why does that get shut down?"Blanchett detailed her daily experiences on film sets, stating: "I'm still on film sets and I do the headcount every day. There's 10 women and there's 75 men every morning."The Evolution of Gender Representation in FilmIn 2018, when Blanchett was president of the jury at Cannes, she participated in a red-carpet protest with 81 other women, representing the total number of female directors who had been selected for the Cannes competition lineup, compared with the 1,866 male directors who had been selected over the same period."I love men, but what happens is the jokes become the same," she said. "You just have to brace yourself slightly, and I'm used to that, but it just gets boring for everybody when you walk into a homogeneous workplace. I think it has an effect on the work."Industry Perspectives on ChangeJulianne Moore also spoke at Cannes on the weekend about gender disparity on film sets, saying she believed numbers had improved in the last decade. Speaking at a Kering Women in Motion talk on Saturday, Moore recalled being one of two women on a set around 2016. "I can remember being on a set not too long ago where the only women were me and the third AC [assistant camera]," she said.Blanchett's comments come as she prepares to star in The Brutalist director Brady Corbet's next film, an "X-rated" feature set in the 1970s, alongside Selena Gomez and Michael Fassbender.

The Allegations Against Patrick Bruel French singer and actor Patrick Bruel has denied multiple sexual assault allegations, stating he has never forced a woman and will continue with his work despite the accusations. Bruel's Statement and Investigation The Paris prosecutor's office announced that Bruel is the subject of at least four complaints of sexual assault in France, and that the cases will be investigated together. Bruel wrote in a statement shared on his Instagram page: "I have never forced a woman. And if I have hurt anyone, I sincerely regret it." Separate Investigation in Belgium Bruel also faces a separate investigation in Belgium after a complaint about an alleged sexual assault in Brussels was filed in March. Concert Tour and Petition The 67-year-old, who is acting in a play in Paris, is scheduled to begin a concert tour on June 16 that will take him around France, as well as to Switzerland, Belgium, and Canada. A petition is circulating, backed by feminist groups, calling for the concerts to be cancelled. Bruel's Response to Allegations Bruel insisted on Sunday he would "continue to do my job, with the same dedication and the same passion." He addressed allegations made by the television presenter Flavie Flament, stating their relationship was "neither violent, nor coercive, nor underhanded." Previous Allegations and Investigations Bruel's lawyer, Christophe Ingrain, previously told Agence France-Presse that courts had already ruled on some of the allegations made against his client. These include accusations of sexual harassment and assault by two massage therapists in 2019. A preliminary investigation was closed due to lack of evidence.

Executive Summary: 80‑Day War and Trump’s UltimatumPresident Donald Trump posted on Truth Social that Iran must act quickly or face annihilation, while Iran’s defence ministry says its military is "fully prepared" to meet any new US‑Israeli attacks. The standoff has already pushed Brent crude toward $111 per barrel and sparked a cascade of reactions from Gulf states, Israel, and European politicians.Escalation of Threats: Trump’s Warning and Iran’s Military PostureDonald Trump wrote: “For Iran, the Clock is Ticking… TIME IS OF THE ESSENCE!”Iranian Ministry of Defence spokesperson Reza Talaei‑Nik affirmed the armed forces are “fully prepared” for any new aggression.Former IRGC commander Mohsen Rezaei warned the US to lift the port blockade, signalling Tehran’s readiness for confrontation.US politicians Lindsey Graham and former congresswoman Marjorie Taylor Greene called for harsher strikes, heightening the risk of direct conflict.Oil Market Reaction: Brent Crude Near $111 per BarrelStalled peace talks caused Brent crude to climb to about $111 per barrel, its highest level in weeks.The price surge reflects market anxiety over potential disruptions to Iranian oil exports and broader Middle‑East supply routes.Regional Ripple Effects: Gulf States, Israel, and Global DiplomacySaudi Arabia intercepted three drones and warned of operational measures against violations of its airspace.The UAE reported two additional drone interceptions after a strike hit the Barakah Nuclear Energy Plant, though no radiological release occurred.Israel’s Channel 13 noted the arrival of US cargo planes with ammunition, and Israeli officials hinted at joining any new US strikes on Iranian energy sites.France’s Jean‑Luc Melenchon condemned “European complicity,” while Russia suggested Iran appoint a special envoy to Moscow.Outlook: Potential Scenarios for the Next WeeksIf Washington proceeds with air strikes, the conflict could expand into a broader regional war, further inflating energy prices.Diplomatic channels remain fragile; a renewed cease‑fire extension could temporarily de‑escalate but is unlikely without concrete concessions.Continued drone activity in the Gulf signals that non‑state actors may exploit the chaos, raising security challenges for Saudi Arabia, the UAE, and Iraq.

Executive Summary of the Tehuitzingo TragedyState authorities in Puebla reported that an armed attack on a residence in the city of Tehuitzingo resulted in ten fatalities – six men, three women and a minor – early Sunday morning. No arrests have been made and the motive remains unclear, prompting a multi‑agency investigation as Mexico prepares to co‑host the FIFA World Cup.Details of the Early‑Morning ShootingAccording to the state government, municipal police responded to a citizen’s call around 1:55 am local time (6:55 GMT) after hearing gunfire. Officers found several victims with gunshot wounds; a woman died while being transported to a hospital. The victims were identified only by gender and age group; names were not released.Statistical Snapshot and Crime Trends10 deaths – six men, three women, one minor.Location: Tehuitzingo, a town of ~11,300 residents, 208 km south of Mexico City.Timing: Approximately 1:55 am local time.National context: Insight Crime reports a 19.8% decline in homicides in 2025, though disappearances remain high.Implications for National Security and World Cup PreparationsThe shooting underscores persistent security challenges as Mexico readies more than 100,000 personnel – National Guard troops, police and private security – for the World Cup kickoff on June 11. Recent high‑profile violent incidents, including a tourist killing at the Teotihuacan pyramids, have amplified concerns about the safety of visitors and the country’s international image.Outlook: Anticipated Responses and Ongoing InvestigationState Attorney General’s Office has launched a formal probe, involving intelligence and inter‑institutional coordination. Observers expect heightened patrols in Puebla and possible federal reinforcement ahead of the tournament. The investigation’s findings could shape future policy on cartel violence and influence diplomatic discussions with the United States regarding cross‑border security cooperation.

The LeadTwo legendary Nepali Sherpa climbers have once again pushed the boundaries of human endurance on Mount Everest, breaking their own records in what officials describe as another milestone in Nepal's mountaineering history. Kami Rita Sherpa, known as the "Everest Man," has now scaled the world's highest peak 32 times, while Lhakpa Sherpa, the "Mountain Queen," has set a new women's record with her 11th summit.The Record-Breaking AscentsKami Rita Sherpa, 56, first conquered Everest in 1994 while working as a guide for a commercial expedition. Since then, he has made the climb almost every year, sometimes achieving two summits in a single season. His latest achievement surpasses his own record set just last year.Lhakpa Sherpa, 52, made history in 2000 when she became the first Nepali woman to successfully summit and descend Everest. Her 11th summit further solidifies her position as one of the most accomplished female mountaineers in history."This is another milestone in Nepal's mountaineering history," said Himal Gautam, spokesperson for Nepal's Tourism Department. "Their record gives greater excitement to other climbers. By breaking records through healthy competition on Everest will help make climbing safer, more dignified and better managed."Mountaineering in NepalThe achievements of these Sherpa climbers highlight the growing significance of mountaineering as both a sport and a business in Nepal. Kami Rita was born in the same Thame village in Solukhumbu district as Tenzing Norgay, who with Edmund Hillary was the first to climb Everest in 1953.Since that historic first ascent, a climbing boom has transformed mountaineering into a lucrative industry for Nepal. This year, the country issued a record 492 Everest permits for the March-May climbing season. More than 8,000 people have climbed the mountain since Hillary and Norgay's expedition, many of them multiple times.Among non-Sherpa climbers, the record is held by British guide Kenton Cool with 19 ascents, followed by American climbers Dave Hahn and Garrett Madison with 15 climbs each. Notably, Cool and Madison are currently attempting to improve their own records.The Future of EverestThe high numbers of climbers and their Sherpa guides heading for the summit have rekindled concerns about overcrowding on the mountain, especially if poor weather shortens the climbing window. Despite these challenges, the record-breaking achievements continue to inspire and draw attention to the extraordinary capabilities of Sherpa climbers who have long been the backbone of Himalayan expeditions.While Kami Rita has previously stated he was "just working" and not specifically aiming to set records, his consistent achievements have elevated him to legendary status in the mountaineering community. As the popularity of Everest continues to grow, the records set by these exceptional athletes may continue to be broken, but their contributions to the sport and to Nepal's tourism industry remain unparalleled.

Four Fatalities Mark Ukraine’s Largest Drone Strike in Over a YearOn May 17, 2026, Ukraine launched a coordinated drone offensive that struck multiple Russian regions, including the Moscow and Belgorod oblasts, resulting in at least four deaths.Scale of the Assault: 556 Drones Intercepted Nationwide81 drones shot down over Moscow alone, according to Mayor Sergei Sobyanin.556 drones intercepted across Russia by the Ministry of Defence.Targets included residential buildings, infrastructure, and Sheremetyevo airport.Human and Infrastructure Toll: Casualties and Damage in Moscow Region3 fatalities in Moscow region (woman in Khimki, two men in Pogorelki).1 fatality in Belgorod region.12 injured, many near an oil refinery that remained operational.Damage to apartment blocks, homes, and airport debris, though no operational disruption reported.Strategic Implications for the Russia-Ukraine ConflictThe attack represents the most extensive Ukrainian drone campaign in more than a year, signalling a shift toward deeper penetration of Russian airspace. It follows diplomatic overtures by U.S. President Donald Trump and President Vladimir Putin suggesting a possible near‑term settlement, raising questions about the timing of escalations.What Comes Next: Potential Shifts in Military and Diplomatic DynamicsRussia may bolster air‑defence deployments around key urban centers.Ukraine could leverage drone successes to negotiate from a stronger position.International actors, especially the United States, might reassess support levels as the conflict’s intensity evolves.

The Lead: Parkinson's Praise for Female PerspectiveThe Bafta-winning actor Katherine Parkinson has lauded the television series Rivals for its "radical" depiction of sex from a woman's perspective. Speaking at a preview screening in Bristol, Parkinson emphasized the importance of showing a woman's view of sex on television.The Series: A New Take on Jilly Cooper's Rutshire ChroniclesThe award-winning Disney+ show follows the high-stakes world of British television with the backdrop of the Cotswolds countryside in the fictional county of Rutshire. Based on Jilly Cooper's Rutshire Chronicles, the series has become renowned for its frequent, racy sex scenes featuring a diverse cast of characters. The first three episodes of the second series landed on the streaming platform on Friday, continuing the show's reputation for bold content.The Regional Impact: Bristol's Role in Television ProductionThe series was filmed at Bristol's Bottle Yard Studios, which are owned by the city council, with many locations featured within a 30-mile radius around Bristol. The screening celebrated the role the region had played in creating the popular series and as a champion for moving film-making outside London's orbit. Mayor of the West of England, Helen Godwin, stated that "Rivals being made here has directly and indirectly helped add millions of pounds to the country's fastest-growing regional economy."The Industry Shift: Female Perspectives in Mainstream MediaParkinson, who won a Bafta last week for her role in Here We Go, highlighted the lack of female perspectives on sex in television. "The great thing that Rivals does is … there are truths being told that I don't feel that I've necessarily seen … there's a sort of bravery to that. And it sort of feels quite radical," she said. Parkinson noted that while Jilly Cooper wrote brilliantly from the female perspective about sex, "we still haven't seen a lot of that on television."The Future: Honoring Jilly Cooper's LegacyThe filming of the second series was overshadowed by the death of Jilly Cooper, who suffered a fatal head injury in a fall at her Gloucestershire home in October. The Bristol audience was asked to raise a glass in Cooper's memory before the screening of the first episode. As the series continues to gain popularity, it stands as a tribute to Cooper's work and a milestone for female representation in television storytelling.

The LeadPunk, intellectual, feminist, theorist, brave as hell, vulnerable, funny—Valie Export was a hero to many women. Since the 1960s, she was driven by a fierce conviction that art and media would play an essential role in women's liberation: that women must picture their own reality in the name of social progress. In Women's Art: A Manifesto (1972), she wrote that women must "use art as a means of expression, so as to influence the consciousness of all of us". What she demanded was revolution.The Revolutionary Art of Valie ExportI keep returning to her work. Can't stay away. Her work was heavy with explicit threat and pain, and she made evident the violence of forcing women's bodies to inhabit structures that were not designed for them. For the 1973 performance Hyperbulia she crept naked through a corridor of electrified wires, exposing herself voluntarily to shocks. Her 1976 photocollage The Birth Madonna shows a woman positioned like a Renaissance Madonna seated on a drying machine from which spews a bloody towel—it still provokes shock.Challenging Societal ConstraintsExport spoke with tremendous clarity about her work and the ideas underpinning it. Her father died during the war, and she was sent to a convent with her two sisters while their mother worked as a primary school teacher. The first of her many expulsions came aged 10 when she was discovered exploring the nun's living quarters. Her experience of girlhood was of constraint—of having little or no control over her own life.In 1967, aged 27, she swapped her married name Waltraud Höllinger for the moniker VALIE EXPORT. A play on a cigarette brand, written in capital letters, it was a decisive rejection of patriarchal structures. She would be known neither by her father's name, nor by her ex-husband's.The Power of PerformanceHer work was intended to explode the structures containing her—in cinema, in art and in the wider society. In Action Pants: Genital Panic (1969) she walked along the rows of a Munich art cinema with her exposed pubic region level with punters' faces, and plastered the walls of Vienna with posters of herself in crotchless trousers holding a gun.For Tap and Touch Cinema in 1968, she constructed a theatre in a box strapped to her chest, with people on the street invited to reach into the darkness and touch her breasts while she watched them. Documentary of the performance exposes the shifting power dynamic between Export and the men who accept the invitation. It was brilliantly subversive and unsettling.More recently, her 1968 performance From the Portfolio of Doggedness has drawn attention—during which she led Peter Weibel crawling through the streets of Vienna by a dog lead. Weibel was dressed in a business suit, a disturbing echo of the commuters milling around him.A Lasting Feminist LegacyHer 1972 manifesto described how the spark kindled by women's art might ignite far-reaching social change. It concludes by stating the importance of documenting and honouring the life and work of those who had come before, as we must now do hers. "The future of women will be the history of woman."I grieve her in the most selfish way: there were so many things I wanted to ask her about. Having survived decades in which women's art was marginalised and ignored, she had so much to tell us. Like a fool, I kept delaying a planned interview. Now it's too late.