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The Filmmaker's Foray into Documentary Lucrecia Martel, the celebrated director of films like La Ciénaga and The Headless Woman, has expanded her creative horizons with Landmarks, a documentary that scrutinizes a murder trial with far-reaching implications. The film navigates the intricate dynamics between Indigenous communities and the descendants of colonists, set against the backdrop of Argentina's Tucumán province. The Case at the Heart of the Story The documentary centers on the tragic killing of Javier Chocobar, a 68-year-old member of the Indigenous Chuchagasta people. Chocobar was fatally shot during a confrontation with men claiming rights to mine the land. Martel weaves the grainy, shaky footage of the incident into her narrative, juxtaposing it with breathtaking drone shots that capture the vast, poetic landscapes. Exploring Themes of Land and Legacy Martel's concerns extend beyond aesthetics; she places people at the core of her story. Through interviews and personal stories, the film sheds light on Chocobar's life, his family, and the struggles of the Chuchagasta community. A particularly chilling aspect of the documentary reveals how the state and local landowners have attempted to erase the Chuchagasta people, claiming they became extinct in the 19th century. A Quiet yet Powerful Testimony Martel allows the subjects of her film to present their case with quiet dignity, steering clear of strident rhetoric. The documentary is described as beautiful yet occasionally soporific, with a stately pace that allows for deep reflection on the issues presented. What's Next for Landmarks Landmarks is set to screen at Bertha DocHouse in London starting from May 29. This documentary promises to be a significant cultural and cinematic event, offering viewers a chance to engage with pressing social issues through Martel's unique lens.

The Vinnie Jones Documentary: A Chaotic but Enjoyable Biopic The Untold UK documentary series on Netflix has taken a new turn with its latest episode, focusing on the life and career of Vinnie Jones, a former footballer and film star. The documentary is an energetic and celebratory portrayal of Jones' life, but it falls short in providing in-depth analysis or critical questioning. Early Life and Football Career Vinnie Jones, born just outside Watford, began his football career as a semi-pro at Wealdstone, combining it with his work on a building site. He became captain of the boys' team and eventually joined Wimbledon in 1986, where he became part of 'the Crazy Gang' alongside John Fashanu. The team caused endless ruckus but also achieved a brief spell at the top of the newly promoted first division. The Crazy Gang and Rise to Fame Jones' time at Wimbledon was marked by his reputation as a hard man on the pitch, with numerous yellow and red cards. The documentary lovingly documents his successes and controversies, including his infamous tackles and tactics. However, it lacks critical questioning about his career choices and the impact of his image on his personal life. Hollywood and Later Life The documentary also touches on Jones' time in Hollywood, but it is a brief and unenlightening segment. Overall, the documentary is an enjoyable but shallow portrayal of Vinnie Jones' life and career. The Verdict Despite its shortcomings, the documentary is an unexpected amount of fun, providing a lighthearted and entertaining look at Vinnie Jones' life. The documentary is available on Netflix, and viewers can decide for themselves whether it is a fitting tribute to the man and his career. Untold UK: Vinnie Jones is on Netflix

Death of Yemen's Exiled Leader Marks End of an EraYemen's former president Abd-Rabbu Mansour Hadi, who fled house arrest by Houthi rebels and spent his final years in exile in Saudi Arabia, has died at age 80. Yemen's presidency confirmed the death, with state-run Yemeni TV reporting that Hadi died at his residence in Riyadh on Thursday.Former President's Life in ExileHadi was the internationally recognized president of Yemen who led a fractured government mostly from exile for eight years as the country descended into civil war and famine before stepping down in 2022. He fled to Saudi Arabia in 2015 as war erupted between the Iran-backed Houthis, who had forced the government from the capital Sanaa, and a Saudi-led coalition.The government announced three days of mourning, during which flags will be flown at half-staff. Hadi is survived by his wife, Hala, and six children.Human Cost of Yemen's ConflictAlthough a UN-brokered ceasefire is largely holding, the war has killed hundreds of thousands of people through direct and indirect causes. Last year, 19.5 million people needed aid, the United Nations reported. Yemen remains divided between the Houthi-controlled north and the government-run south, which includes a patchwork of factions.Political Vacuum in Divided YemenRashad al-Alimi, the head of the Presidential Leadership Council – the leadership body of Yemen's internationally recognized government – said Hadi believed in the Yemeni people's "right to a just state, freedom and human dignity." "He led the battle to defend the republican system," al-Alimi said on social media.Hadi took office in 2012 after a long stint as vice president to Ali Abdullah Saleh, who reluctantly ended his 33 years in power during Arab Spring protests. He handed over his powers – reportedly under Saudi pressure – to the newly formed Presidential Leadership Council in April 2022.Uncertain Path for Peace in YemenHadi, a career military officer, was waved through as the sole candidate in an election in which he won 99.8 percent of the vote. His presidency was thwarted with spells of unrest, with his opponents accusing him of favoring the country's eastern oil-rich provinces at the expense of the mountainous heartlands dominated by Houthis. After the Houthis overran the capital in 2014, they placed Hadi under house arrest in early 2015 before he escaped in February of that year.

The Plan for World Cup Glory As co-hosts, Canada enter the World Cup with high expectations, despite never winning a match at a previous tournament. Since a Concacaf Nations League semi-final defeat to Mexico in March 2025 the team have lost one of 15 matches at the time of writing, a run that has included some excellent opponents such as Colombia, Ecuador, Ukraine and the USA, whom they have defeated twice in the past two years, including their first win on US soil in 57 years. The coach, Jesse Marsch, has maintained a consistent 4-4-2 with the emphasis on pressing from the front and pace in wide positions. "Some teams press to win the ball back, we press to punish and think about scoring immediately when we recover the ball," said Marsch, who is American, but has captured the hearts of many Canadians since he took the job in May 2024 and guided the team to the semi-finals of the Copa América. Canada's World Cup Schedule 12 June v Bosnia and Herzegovina, Toronto (3pm local, 8pm BST) 18 June v Qatar, Vancouver (3pm local, 11pm BST) 24 June v Switzerland, Vancouver (noon local, 8pm BST) Success at that tournament, and subsequently in friendlies, is based on a defensive structure Marsch worked on immediately when taking the job and playing against the Netherlands and France in his first two matches in charge. Nine clean sheets in 13 matches before the pre-tournament friendlies is even more impressive considering Moïse Bombito, their star centre-back from Nice, and Bayern Munich's Alphonso Davies did not play in any of those matches because of injury. The Coach's Vision Jesse Marsch's first venture into international management has been a successful one, but not one he found easy to adjust to. "From the moment I worked with this group of players in the first camp, I knew I was going to fall in love with these guys," he says. "They are a unique group of really good people, who are very talented, and when I said goodbye to them it was different from what I was used to as a head coach in the club game." Marsch has enjoyed those gaps in his schedule, using time to visit Canadian players across the world and spending a lot of time in the country at the provincial level to help bring a more united approach to the way the game is developed and governed. Star Player's Return Questioned The captain, Alphonso Davies, has not played for Canada since tearing his ACL against USA in the Nations League third-place match last March. Whether to play him at left-back or on the wing has been one of the biggest questions for years, but under Marsch the Bayern Munich man has predominantly been used at the back and has been excellent. However, another injury setback, against Paris St-Germain in the Champions League semi-final second leg – his third in the past three months – has put his participation for the opening game against Bosnia and Herzegovina in doubt. He has started 12 of 29 internationals in the Marsch-era at the time of writing. One to Watch Few players have received more work and attention from his national coach than the midfielder Ismaël Koné, who was dropped during the Copa América as he struggled to make an impact. Since then he has been excellent for Sassuolo in Serie A and has turned into a dynamic box-to-box midfielder for Marsch, learning valuable lessons defensively in Italy, where his discipline and tactical concentration has improved significantly. Expected to start next to the excellent Stephen Eustáquio in a key double-pivot tandem for Canada. Unsung Hero Norwich's Ali Ahmed has become a favourite of Marsch's because of his selfless work on the pitch. Ahmed is asked to lead the press on the left wing, often cutting inside to increase the midfield numbers and bring intensity and energy off the ball. One of the reasons Marsch has not deployed Davies further forward is because he views his team without the ball more than with it and in that vision the former Vancouver Whitecaps man is crucial. Probable Starting XI Canada's likely formation for the World Cup matches will be based on the 4-4-2 system that Marsch has consistently employed, with specific attention to defensive structure and pressing from the front. Fan Expectations Canada is ready to host the world, but the attention is more on this team than other games happening in the country. Being the only side to start on the east coast and move directly to the west coast allows fans in Toronto and Vancouver to watch their team in the group stages. The supporters group The Voyageurs will lead the noise with their flags and chants of "Ooh, Ahh Canada". Canada is known for its cosmopolitan population and cultural diversity, with people from all over the world, and should benefit from playing three group opponents with relatively diverse fan bases.

Ring 5 Redefines the Smart Ring Form FactorOura introduced the Ring 5, a 40% smaller iteration of its flagship device, measuring just 2.28 mm in thickness. The ring packs the health‑tracking capabilities of a smartwatch—sleep, stress, readiness and heart health—into a jewellery‑like profile while extending battery life. It will ship on 4 June with a retail price of £399 (€399/$399) and a mandatory $5.99 monthly subscription.40% reduction in size versus Ring 4Battery life increased (exact hours not disclosed)Subscription‑based model adds recurring revenueFinancial Outlook: $1 bn Revenue Target and $11 bn ValuationOura reports roughly 5 million paying subscribers and a four‑fold revenue growth over the past two years, projecting $1 bn in revenue for 2025. The company is currently valued at about $11 bn ahead of an IPO slated for later this year.Market Implications: Accelerating Smart‑Ring Adoption and Competitive LandscapeAnalyst firm FDM CCS Insight estimates 4 million smart rings shipped in 2025, a figure that has more than doubled each year for the past two. While still dwarfed by the 175 million smartwatches shipped in the same period, rings are gaining traction among both traditional smartwatch users and those who prefer a less conspicuous device. Oura’s focus on sleep‑first tracking and a “female‑first” design philosophy differentiates it from larger players such as Apple.What’s Next: IPO Timing and Expansion of Proactive Health ServicesWith a global footprint that now includes offices in Helsinki, London, Los Angeles, San Diego and dual headquarters in San Francisco and Oulu, Oura is positioning the Ring 5 as a gateway to broader health‑care services. Upcoming software features—such as a health radar for early detection of blood‑pressure spikes and GLP‑1 weight‑loss monitoring—signal a shift toward proactive health management. Investors will be watching the IPO filing later in 2026 for clues on how the company plans to monetize these new services and sustain its growth trajectory.

The Rise of Heated Rivalry: From Canadian TV to NYC StageWalking into the Culture Club in West Chelsea, New York, for a performance of Heated Rivalry: The Unauthorized Musical Parody last week, I was met by three ghosts left over from when the space was called the McKittrick hotel and it hosted the immersive spookfest, Sleep No More. The first was the phantom of clever detail: cans of Athletic IPAs for sale, a cute, non-alcoholic nod to the mega-popular series' hockey setting. The second was of unnerving fright, as I realized there would be no booze at this singing satire. Would I be able to make it through 90 minutes of jokes about an overexposed Canadian gay sports romance, with zero quality guarantee and an even lower blood alcohol concentration? At least at the downtown premiere of the popular parody Titanique, long before it proved itself worthy of a handful of Tony nominations, you could stand up and order a bucket of White Claws.But then the third specter materialized, the ghost of immersion and surrender, as this very funny production completely won me over. (I've since learned that a liquor license is forthcoming.) Heated Rivalry, for the uninitiated, is a television show adapted from a series of gay romance novels by Rachel Reid, a straight woman who unwittingly launched a thousand discussions about who gets to be horny over whom, how and when. Fans of the books petitioned for a wider release of the show produced for the Canadian streamer Crave, last November and, some six months later, its formerly unknown stars Connor Storrie and Hudson Williams are in easy contention for the most photographed people alive. Heated Rivalry: The Unauthorized Musical Parody is the latest addition to New York City's musical parody cottage industry, which has led me to a theater lobby where a woman in a branded hockey jersey is telling the stranger next to her that she's seen the series "probably not as many times as you think, but still a lot".The Unauthorized Musical: A Masterclass in ParodyThere was a communal giddiness as everyone filed into the unassuming performance space, where less than 200 folding chairs were arranged around a small stage. Super-fans were giddy that their dreams were coming true, and the more reserved types, perhaps blushing at what they deemed beneath them, were still clearly enjoying themselves. I liked the TV show just fine, a bit underwhelmed at what was broadly discussed as "softcore smut" but felt more in line with the twee "naughtiness" of the romance world. I had worried a musical parody put together in a few months would be a cash-grab; plain fan service for those who can't get enough of those six novels or episodes, not jabbing at the culture so much as stroking its ego. Impressively, as written by Dylan MarcAurele and directed by Alan Kliffer, it satisfies all three camps.Framing is everything, and this romp begins with a faux earnest number, à la Waitress, where three suburban Susans detail their newfound pastime: putting their husbands to bed with some iPad time, knocking back an "Ambien margarita" and reveling in their favorite televised "boy aquarium". From there, "Main Susan" (Ryann Redmond, glorious) recaps the years-long flirtation between the feuding players, innocent Japanese-Canadian "Shane Hollander" (Jimin Moon) and brusque Russian "Ilya Rozanov" (Jay Armstrong Johnson).The obligatory double entendres (a song titled Shane Hollander, Slap that Stick! or a line, by Shane's mom, about the "heavy load" her obviously gay son carries) are expertly delivered right between earnestness and tongue-in-cheek, but it's MarcAurele's ability to mock the story's sillier elements that clinched it for me. Shane, whose thumb-twiddling submissiveness often grated me in the TV show, is played by Moon as a dopey bottom with a hopeless romantic complex. What the series plays out as a forbidden romance writ epic across timelines and borders, MarcAurele presents as Shane's borderline delusion in dealing with an uncaring dom for years on end. "I keep replaying things he said," Shane beams after a hookup, "like, 'Ass up, little whore.'" The score's best number, certainly the one best primed for cabaret nights anywhere, is Liza Minnelli's Maybe This Time send-up where Shane croons, "This fuck felt different from the last fuck. This fuck, he asked if I would stay."If reading that inspires eyerolls – totally – Moon (and the rest of the cast, which includes Cherry Torres and Ryan Duncan) are so winning in their deliveries, so in on the joke without reducing their project into one, that it's impossible to resist. As the icy-hot Ilya, Johnson has the less showy role and plays it mostly straight, which makes his song about an outcast childhood made tragic by his impossibly "big ass, cold heart" that much funnier. And, well, let's face it: Johnson and Moon are sexy as hell, and charming to boot. Kliffer's inventive staging, with choreography by Brooke and Tiffany Engen on a resourceful set by Sully Ross, goes long on bunny-hopping glee.The Off-Broadway Parody Boom: A New RenaissanceThe Canadian Kliffer, previously artistic director of famed improv spots like Second City and Asylum NYC, where he helped launch Titanique's improbable boom, later told me that these parodies rarely come together with such speed, let alone quality. He'd loved MarcAurele's Pop Off, Michelangelo! in London and M3gan spoof stateside, and had just bought into Heated Rivalry, courtesy of its amorously optimistic fifth episode, when the writer texted him with the idea. The resulting work fits attractively between the out-and-out bawdiness of the Titanic send-up and the relentless Millennial nostalgia of Ginger Twinsies, which parodied the 90s Parent Trap remake last summer, and Kliffer notes that this very queer, very funny moment downtown – which also includes Cole Escola's Oh, Mary! – points to "a little bit of an Off-Broadway renaissance."This particular renaissance seems to be defined by parodies that are loving but not saccharine, willing to mock their source material while still celebrating what made it appealing in the first place. The success of these shows suggests a hunger for theater that doesn't take itself too seriously but still delivers genuine theatrical craft. In a city where Broadway ticket prices can be prohibitive, these intimate, affordable productions offer a different kind of theatrical experience – one that feels more accessible and immediate.Cultural Impact: Beyond the ParodyHeated Rivalry exists at the intersection of several cultural conversations. The original series, based on novels by Rachel Reid, sparked discussions about who gets to tell LGBTQ+ stories and how those stories should be represented. The parody doesn't shy away from these questions but instead uses humor to explore them. By exaggerating certain elements of the original series, the musical actually highlights what made it compelling in the first place.The show also represents the growing visibility of LGBTQ+ stories in mainstream entertainment. What began as niche content has become a cultural phenomenon, with the original series gaining international attention and its stars becoming unlikely celebrities. The musical parody capitalizes on this popularity while simultaneously commenting on it, creating a meta-narrative that appeals to both fans and newcomers.Moreover, the success of Heated Rivalry reflects a broader trend in entertainment where audiences are increasingly drawn to content that acknowledges and plays with its own artificiality. In an era of heightened awareness about media consumption, audiences seem to appreciate works that don't pretend to be anything other than what they are – crafted, performed, and enjoyed.The Future of Parody Theater: What's Next?As the Off-Broadway scene continues to evolve with these clever parodies, we can expect to see more adaptations of popular TV shows and movies hitting the small stage. The success of Heated Rivalry, following in the footsteps of Titanique and other parody hits, suggests that there's a sustainable market for this type of entertainment.What's particularly interesting is how these parodies are pushing the boundaries of traditional musical theater. They're more immediate, more self-aware, and more willing to break the fourth wall than many conventional productions. This approach seems to resonate with younger audiences who are accustomed to interactive media and meta-commentary.Looking ahead, we might see parodies of other recent cultural phenomena – perhaps streaming hits, viral social media trends, or even political events. The key to success, as demonstrated by Heated Rivalry, will be balancing genuine affection for the source material with sharp, intelligent humor that offers something new to the conversation.

The Lead: A Midlife Comedy Triumph Middle age is a brutal time of life, perfectly suited for mining laughs that are bound up with tears, crisis, and death. Tina Fey's The Four Seasons returns for a second season that is even more perspicacious, poignant and hilarious than the first, proving once again why Fey remains one of comedy's most insightful voices. The Event Details: Season Two's Narrative Structure The second season continues with four fancy holidays split across the seasons, each given two gag-packed episodes. This rigid but neat structural device allows big moments to happen off-screen while we experience the aftermath soundtracked by an avalanche of Vivaldi and bracing jokes about sad lonely donkeys, secret vapes mistaken for thumb drives, and the tragicomedy of being an angry, unravelling fiftysomething man. The three couples have been reconfigured after the death of Nick (Steve Carell) at the end of season one. We follow Kate (played by Fey) and Jack as they workshop their marriage, Danny and Claude as gay, unbearably chic, forever bickering couple, and Nick's ex-wife Anne and the much younger woman for whom he left her, Ginny – now heavily pregnant with his baby. By summer, Anne and Ginny have moved in together with the baby, creating an unconventional but loving family unit. The Critical Analysis: Why This Season Excels The Four Seasons season two delivers moments so hilarious they rival Fey's previous masterpiece, 30 Rock. The show's strength lies in its ability to balance absurd humor with genuine emotional depth. The conversations between Danny and Claude are particularly funny, moving, and sensitively wrought, while Kate and Jack's "freeballing" – their decision to "grow apart on purpose" – evolves into a beautiful meditation on the endurance test of long-term relationships. This season belongs to Anne, who makes a joyous transition from lonely, fearful ex-wife to contented (enough) single woman willing to dress up as a folkloric old witch at an Italian Christmas pageant. She delivers many of the best lines and sports the most fabulous wardrobe, proving that middle-aged women can be both hilarious and fashionable. The Impact Analysis: Redefining Midlife Comedy The Four Seasons stands out in today's television landscape by tackling middle age with honesty and humor. Unlike the aspirational settings of Nancy Meyers movies that the show lovingly mocks, The Four Seasons presents a more realistic – though still beautiful – vision of midlife. The lush lakeside lawns and lobster rolls serve as a lure to reel viewers into the murky depths of actual midlife experience, where good men smash up vintage snack shacks, regrets must be lived with, and people who love each other want completely different things. Fey's special power lies in creating jokes so specific they feel personally tailored to the middle-aged experience. The show's ability to make viewers laugh while simultaneously acknowledging the existential dread that comes with this life stage represents a significant contribution to the comedy genre. The Prediction: The Future of The Four Seasons Given the critical acclaim and the rich narrative possibilities still available, The Four Seasons seems poised for additional seasons. The show has established itself as a worthy successor to Fey's 30 Rock, with the potential to become a modern classic of television comedy. Its unique blend of high-concept settings and low-stakes domestic problems, combined with Fey's signature wit and emotional intelligence, suggests the series will continue to resonate with audiences navigating the complexities of middle age. As streaming platforms increasingly compete for quality content, The Four Seasons represents the kind of smart, character-driven comedy that awards seasons and cultural conversations are built around. If the show maintains this level of quality, it may not only extend its own run but also inspire more television creators to tackle middle age with the same honesty, humor, and heart.

The Mischief Theatre Company's Thespians Review The Mischief theatre company has been making fun of actors' foibles for years, especially in their deliriously amusing Goes Wrong series. Their first musical, Thespians, asks if the rampaging egos, heated rivalries, creative differences, and hammy activities of actors can be dated back to the world's very first acting troupe. The World of Thespians Little is known about the real Thespis, father of tragedy in the sixth century BC. Co-writers and lyricists Jonathan Sayer and Ed Zanders introduce him on the drought-plighted island of Ikaria and chart his odyssey to Athens, where he competes in a Eurovision-style prayer competition at the whim of a merciless tyrant and ends up founding the art of acting with his pals. The Musical Elements The musical elements of Thespians are a highlight, with songs that grow stronger over the evening. The show includes a Kander and Ebb spoofing Old Man Tango, with a geriatric chorus line prone to back pain. The sound, from Ben Smith's band, is more Sondheim than Rydell High in a show subtitled Greece the Musical (But Not That One). The Performances The cast, including James Spence as Thespis, Luke Latchman as Atlas, and Marc Pickering as Adonis, deliver strong performances. The show is directed by Robyn Grant and features a panto-esque adventure with a mix of physical comedy and witty wordplay. The Verdict While the show could benefit from zippier physical set pieces and a faster-paced ending, it distinguishes itself with an abundance of heart and soul. Thespians is a sweetly affecting paean to keeping good company – in life as much as in theatre.

The Flaws in Blair's Vision Tony Blair is right about one thing: we are living through a historic rupture. The old certainties of the 20th century are breaking apart under the pressure of technological revolution, geopolitical instability, and economic insecurity. AI will transform how we work, learn, and govern as profoundly as steam power or electricity reshaped the world before it. The Challenge of Inequality But here is the striking weakness at the heart of Tony Blair’s intervention: across thousands of words about technology, geopolitics, and political strategy, the defining issue of our age is barely confronted at all. Inequality – the economic, social, and democratic fracture running through modern Britain – is treated as peripheral rather than fundamental. The Data Analysis People in Britain’s poorest communities fall into ill health nearly two decades earlier than those in the wealthiest. Most private wealth is now inherited rather than earned. A nurse paying back student debt sees a greater proportion of their income taxed than landlords collecting gains from rising property values. The Impact Analysis When people believe the rules no longer reward effort fairly, resentment grows. And resentment never remains politically homeless for long. Across Europe and North America, that anger increasingly fuels nationalism, protectionism, and the politics of grievance. The Prediction The Labour party will not secure our country’s future by fighting old factional wars or recycling outdated orthodoxies. Nor will it do so through technocratic detachment from the lives people actually live. The future belongs to those prepared to harness change in the service of justice.