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The Lead: Player Pressure Mounts on Wimbledon The world's leading tennis players have told Wimbledon officials they expect a substantial increase in prize money at this year's Championships, as part of their ongoing push for grand slams to match the revenue share offered by the ATP and WTA Tours. The Grand Slam Revenue Dispute At a meeting involving representatives from Wimbledon, the US Open, and Roland Garros, players called for a bigger increase than last year's 7% rise. They are seeking to raise the current 15% prize money share to match the 22% of tournament revenue paid by the ATP and WTA Tours. Many top players, including world No 1s Jannik Sinner and Aryna Sabalenka, recently staged a public protest by limiting their media activity to 15 minutes, symbolizing the current 15% revenue share. Financial Context and Current Figures Wimbledon already pays more in prize money than Roland Garros, with a total fund of £53.5m—double what was offered a decade ago. However, the All England Club's revenues have increased from £170m to £406.5m over the same period. The French Open recently increased its prize money by 9.5% to a total fund of £52.6m, which disappointed players and led to their first public protest. Shifts in Tennis Governance The discussions reflect a broader shift in tennis governance, with the French Tennis Federation promising to return with concrete proposals about increased prize money, player welfare, and representation within a month. A source described the recent talks as "direct and productive," with slam officials demonstrating understanding of players' demands for fairer revenue allocation, meaningful welfare contributions, and genuine consultation processes. Wimbledon's Pivotal Announcement Wimbledon's prize money announcement on June 11 is now seen as a pivotal moment in a dispute that has rumbled on for over a year. Players will be looking for double-digit increases, and the outcome could influence future negotiations with all grand slam tournaments. The situation is complicated by Tennis Australia's alignment with the Professional Tennis Players' Association, which is suing the other three grand slam governing bodies in a separate dispute over alleged restrictive practices.

Embolo's Sudden Travel BlockadeSwiss international striker Breel Embolo has been temporarily separated from his national team just days before the start of the 2026 FIFA World Cup. The forward was unable to board the team's flight to the United States after his travel authorization was unexpectedly placed under review, creating an unforeseen administrative hurdle for the Swiss squad.The ESTA Complication and Team ItineraryThe Swiss national team departed from Zurich to Los Angeles on Tuesday, subsequently moving to their pre-tournament training camp in San Diego. Embolo, however, was left behind due to an issue with his Electronic System for Travel Authorisation (ESTA), the automated system that dictates eligibility for the US Visa Waiver Program.Initial Approval: The Swiss federation noted that Embolo's ESTA was fully approved until the morning of the departure.Sudden Review: At 10:30 am local time (08:30 GMT), authorities informed the federation that the application had been placed under further review.Upcoming Fixtures: Switzerland's opening Group B match is scheduled for June 13 against Qatar in San Francisco.The Legal Entanglement Triggering the ReviewThe sudden review of Embolo's ESTA is highly likely tied to recent legal finalizations. The US travel system strictly scrutinizes applicants with past criminal records. The delay follows the conclusion of a Swiss court ruling connected to an altercation in Basel in 2018.Embolo, who currently plays for Stade Rennais, was convicted in 2023 of making multiple threats and received a suspended fine. After judges rejected his appeal, Swiss media reported in April that the striker chose not to escalate the case to the Federal Court. This action rendered the judgment final nine months ago, likely triggering the automated security flags within the US travel system.Switzerland's Offensive Strategy at RiskLosing a key player to administrative hurdles poses a significant disruption to Switzerland's World Cup preparations. Embolo is a critical asset for the squad, bringing a wealth of experience and proven scoring ability to the pitch.International Record: He has scored 24 goals in 86 international appearances.Tactical Role: As the team's first-choice forward, his physical presence and finishing are central to Switzerland's attacking strategy.Resolution Timeline and Visa Waiver ImplicationsThe Swiss federation remains optimistic, maintaining contact with US authorities and anticipating that Embolo will travel either later today or the following day. However, ESTA reviews involving criminal convictions can sometimes require a traveler to apply for a traditional B1/B2 visa, a process that takes significantly longer and requires an in-person interview. If the current review is merely a procedural check, Embolo should link up with the squad before the June 13 opener; if not, Switzerland may need to prepare for their Group B campaign without their primary striker.

The Urgent Wake-Up Call for Women's HealthcareBBC presenter Emma Barnett delivers a powerful and unflinching look at the realities of living with endometriosis in her new documentary, Fighting Endometriosis. The program moves beyond a mere medical overview, serving as a stark indictment of a healthcare system that routinely minimizes women's pain and underfunds critical research into debilitating conditions.Unmasking the Agony of a Hidden EpidemicThe documentary details the severe physical toll of the condition, where cells resembling the uterine lining grow elsewhere in the body, causing debilitating pain. Barnett highlights the inadequate treatment options currently available, which are largely limited to hormonal masking or invasive surgeries like hysterectomies. Through candid video diaries and interviews with other sufferers—such as a 26-year-old named Chloe who was forced to seek surgery abroad—Barnett exposes the daily struggle that belies her professional success.The £12.5 Billion Economic Toll of Medical MisogynyA critical revelation in the documentary is the staggering economic impact of the disease. While endometriosis is often deprioritized in research funding because it is not directly fatal, it costs the UK economy £12.5bn annually due to women being forced out of the workforce. Furthermore, the data reveals a systemic failure in diagnosis and care:1 in 10 women of reproductive age in the UK are affected by the condition.It takes an average of 9 years to receive a proper diagnosis in the UK.Sufferers are frequently misdiagnosed with conditions like appendicitis, IBS, or PMS.Confronting Politicians on Systemic Healthcare FailuresBarnett refuses to accept the status quo, directly confronting political figures like former Health Secretary Wes Streeting about the medical misogyny deeply rooted in society. The documentary argues that the minimization of women's pain—often dismissed by medical professionals due to its supposedly subjective nature—is no longer an acceptable excuse. By bringing these hidden struggles into the public eye, the film forces a conversation about accountability and the urgent need to reevaluate how female health issues are prioritized by policymakers.The Future of Endometriosis Research and AdvocacyWhile the documentary does not end on an overly optimistic note—acknowledging that millions remain in daily agony—it marks a crucial step forward in health advocacy. As high-profile figures like Barnett and Lena Dunham continue to articulate the severe realities of the condition, the medical establishment will face increasing pressure to innovate. The hope is that highlighting both the massive economic cost and the profound human suffering will finally shift policy priorities, leading to reduced diagnosis times and the development of targeted, curative treatments.

The Return to the Cape Fear UniverseThe classic revenge thriller Cape Fear has been resurrected for the modern streaming era, premiering on Apple TV+ on June 5. Executive produced by cinematic legends Martin Scorsese and Steven Spielberg, the new series transforms the traditionally compact cinematic thriller into a sprawling, 10-episode psychological drama.The Evolution of Max Cady and Anna BowdenRather than a direct remake of the 1991 or 1962 films, this adaptation introduces a crucial gender-swapped dynamic. The protagonist is now Anna Bowden, an affluent lawyer played by Amy Adams, who buried exonerating evidence 17 years ago to ensure a conviction. Her adversary, Max Cady, is brought to life by Javier Bardem.Character Dynamics: Adams delivers a nuanced performance fueled by repressed aggression, while Bardem's Cady blends granite ferocity with mercurial ambiguity.Narrative Depth: The series explores whether Cady is still a victim or the ultimate villain, shifting the focus to modern themes of generational trauma and political expedience.Modern Twists: The expanded format introduces new characters and technological elements, including a mysterious hooded woman in a Covid mask, updating the gaslight-era dread for contemporary audiences.The Shift from Cinema to Prestige TelevisionThe transition of Cape Fear from a feature film to a 10-hour television event highlights a broader industry trend. As theatrical investments for original adult dramas dry up, streaming giants like Apple are stepping in to fund prestige projects that legendary filmmakers like Scorsese struggle to get off the ground in Hollywood.While stretching a traditionally tight, biblical narrative over ten episodes risks diluting the tension that defined the original films, the creative team uses the extra runtime to build a deeply psychological play. The series acts as a dark satire on the frailty of comfortable western lives and the blood upon which they are built.The Future of Legacy IP RevivalsThis adaptation signals that successful IP recycling requires more than just a visual update; it demands a fundamental structural shift in perspective. By changing the gender of the lawyer and exploring the murky ethics of the justice system, the series taps into contemporary anxieties about insidious celebrity, reputation destruction, and powerlessness.If this series succeeds, it will validate the streaming model's approach to legacy cinema: utilizing massive budgets and top-tier talent to transform classic, high-tension films into long-form, character-driven television serials.

A Critical Portrait of George MichaelIn 1998, George Michael was arrested for public lewdness in an LA lavatory, an incident that finally led the singer to publicly come out. The following day, Sathnam Sanghera found himself unable to leave his room at university: the doorway had been mockingly plastered with tabloid newspaper headlines – "ZIP ME UP BEFORE YOU GO-GO!" – by fellow students aware of his longstanding fandom. As a writer, Sanghera is best known for a series of award-winning books on the British empire, which he calls his "specialist subject". Judging by Tonight the Music Seems So Loud – not a biography so much as a miscellany, a set of themed essays that tend to digress in all kinds of intriguing directions – the life and work of one Georgios Panayiotou runs imperialism and its legacy a very close second.The Complex Legacy of a Pop IconIt is an unashamedly partisan book, although not an uncritical one. Sanghera is as alive to Michael's personal and professional failings (whether the naffness of some of his early work as one half of Wham! or his high-handed treatment of the duo's other half, Andrew Ridgeley) as he is in love with his artistic triumphs. These, of course, range from Careless Whisper and Wham!'s annually inescapable Last Christmas to the 1996 solo masterpiece Older, a peculiar and peculiarly effective cocktail of raw grief at the Aids-related death of his lover Anselmo Feleppa and unrepentant horniness.The Evolution of Critical ReceptionSanghera's love for his subject is evidently sharpened by the opprobrium of others. Indeed if the book has a flaw, it's that the author is old enough to remember an era when George Michael was deemed insufferably uncool by some arbiters of taste (incredibly, when Wham! performed at a 1984 benefit show for striking miners, the only mainstream pop act to show support for the cause, they were received stone-faced by the audience and savaged by the music press for their trouble), and thus has a tendency to underestimate how much both he and his music have been critically re-evaluated in the 21st century.The Artistic Journey of George MichaelHe says one of the spurs to write the book was his belief that "most truly popular music is not generally deemed worthy of serious analysis and George Michael's music most certainly is not". That might have been true once, but certainly not of late: when he died, this newspaper alone ran six features by critics analysing different aspects of his music. "He sang so exquisitely about the marrow of life, about the vital, corporeal things", wrote one, which definitely doesn't amount to taking George Michael insufficiently seriously.double quotation markEven as he skinned up in front of journalists and discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed himFamily Background and Cultural IdentitySanghera is very good on the climate of homophobia in the 80s, which might have given any gay public figure serious qualms about coming out, and fascinating on Michael's family background: how growing up embedded in north London's Greek Cypriot community impacted on everything from Wham!'s image – not camp, Sanghera suggests, but "the vision of two children of immigrants imagining a kind of glamour they had not actually experienced before" – to his work ethic and control freakery. His dad made good in England by working exceptionally hard, running such a tight ship at his restaurant that he summarily fired his only son for messing up the drinks orders. The fact that the same son went on to hire 12 different saxophonists before finding one that could play the solo on Careless Whisper to his satisfaction doesn't come as a huge surprise.The Perfectionist and Contradictory ArtistThis my-way-or-the-highway perfectionism could yield hugely impressive results – Careless Whisper's sax hook may well be the most famous in pop history – but it could equally lead to intransigence and self-sabotage. Michael worked incredibly hard to transform himself from a member of a teen pop band into a more adult-facing solo artist, but having sold a staggering 25m copies of his 1987 solo debut Faith, he refused to promote its follow-up Listen Without Prejudice Vol. 1, or even make videos for its singles: a better album than its predecessor, it achieved only a fraction of its sales as a result. It was evidence of a deeply contradictory nature that occasionally has Sanghera throwing up his hands in bewilderment.The Public and Private Faces of George MichaelMichael was a polymath, keen to be duly credited as the sole singer, writer, producer and musician on a succession of tracks, but also had a weird habit of talking down his abilities, claiming he couldn't play instruments he was perfectly capable of playing. He was a Stakhanovite who increasingly worked at an agonisingly glacial pace, endlessly fussing over details, a state of affairs not much helped by his gargantuan appetite for marijuana: coupled with bouts of writers' block, it meant he released only six albums of original material in a career that lasted 34 years. He was a Labour voter, booster of the NHS and famously generous philanthropist who also engaged in tax avoidance. After being publicly outed, he became a notoriously frank interviewee ("as if nothing can embarrass him anymore" the Guardian's Simon Hattenstone suggested when he met him in 2009). But even as he skinned up in front of journalists and freely discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed him.The Decline and Final YearsMichael emerges as a messy, unpredictable but ultimately hugely likable figure, which makes the essay about his demise particularly tough reading. Listed starkly on the page, the facts of his final 10 years make it obvious that he was a deeply unwell man whose life had spun wildly out of control: drug busts, medical emergencies, visits to rehab, rumours of breakdowns and suicide bids and seven incidents in which he either crashed his car or was found comatose at the wheel.The Professional Mask of Personal StruggleThat it somehow didn't appear obvious at the time – that his death at 53 felt like a shock rather than a grim inevitability – seems remarkable, but as Sanghera points out, Michael's professionalism did a lot to paper over the cracks. He was always available to the media and always smart, funny and self-effacing: to use a modern turn of phrase, he controlled the narrative. He was punctilious about his appearance – the star certainly never looked like an ailing drug addict – and unfailingly superb onstage.The Hidden Realities Behind the FameBehind the scenes, it was a different story. He struggled to make new music: at one juncture he booked six months of recording sessions but never turned up to the studio once. His once-acute commercial instincts seemed to desert him: even Sanghera can't muster much enthusiasm for the handful of still-unreleased songs he completed in his final years. He cut off close friends and family who tried to intervene. No one who knew him seems to have been particularly surprised by his death: the list of adjectives used to describe him on his official website now includes not just "icon" "legend" "soul singer" and "philanthropist" but "addict" "repeat offender" and "depressive".An Imagined Alternative LegacyAs the book draws to a close, Sanghera offers a heartbreaking alternative history. He imagines Michael conquering his addictions, coming to a complete accommodation with his musical past (to the end of his life, he was dismissive of Wham!, describing their oeuvre as an exercise in "ignoring my own intelligence" and declining to play most of their hits live) and headlining Glastonbury, "getting pleasure from the audience reaction to Club Tropicana".The Enduring Power of George Michael's MusicIt's affecting because you can imagine it so vividly: the endless succession of hits that anyone with even a passing interest in pop music knows, the pandemonium in the crowd when he breaks out Careless Whisper, the encore of Freedom '90. You don't have to be a fan on Sanghera's level to understand what a triumph it would have been. Tonight the Music Seems So Loud: The Meaning of George Michael by Sathnam Sanghera is published by Picador (£22). To support the Guardian, buy a copy at guardianbookshop.com. Delivery charges may apply.

The Ancient Art of Altamira The aurochs, the mammoth, and the steppe bison are long extinct, but their painted likenesses still look relatively fresh across the walls and roofs of Altamira. Or so said Diego Garate Maidagan, who is one of the very few humans allowed to enter that exalted cave in northern Spain. The Technique of Prehistoric Painters Garate's specialism requires close attention to the etching or “pecking” technique whereby the artists used flint blades to outline figures on the rock before applying their ochre and charcoal. Altamira is rare and precious, he told me, because those reds and blacks are still so solid and vivid. The colours were preserved in the near-quarantine conditions imposed by that long-ago landslide. The Impact of Human Presence on Cave Art The site was opened to the public in 1917, partly closed in the 1970s, then shut for good in 2002, as a century or so of gaping admiration revealed the paint-stripping effects of moisture and carbon monoxide from the breath of too many beholders. A replica cave, with replica artwork, was created on an adjacent site. Today, only Garate and other select scholars have access to the original sanctuary. The Future of Cave Art Research In the far north of the Basque Country, the recent search for such apparitions has stirred “a little revolution”, by Garate’s reckoning. He and his colleagues in Santander planned a campaign to test a working theory: that the caves of northern Spain and south-western France were once lavishly decorated with pictograms and petroglyphs, now barely visible to the untrained eye. Unlocking the Secrets of Prehistoric Image-Making The general idea, Garate told me, was to reverse-engineer the processes of prehistoric image-making: to unpack the practical, mechanical decisions of the artists, and thus to better understand their skill set, their knowledge base, their means and modes of communication. One project gauged the “luminous intensity” and “radius of action” achieved by burning different woods and fats to light the cave.

The LeadA UK resident voluntarily surrendered their driving license to the DVLA after suffering a spinal cord injury in August 2024, only to have the agency revoke it instead. This administrative decision has created significant barriers to regaining driving privileges, as the person now faces a bureaucratic catch-22 where they need a license to get assessed for adaptive driving equipment.The License Revocation DilemmaAfter the spinal injury, the person took the responsible step of voluntarily surrendering their license to the DVLA. However, rather than accepting the surrender, the DVLA revoked the license. This distinction is critical because a revoked license is much more difficult to reinstate than a surrendered one. The person has now submitted three applications to regain their license, with evidence from their spinal consultant and an off-road driving assessment confirming they can drive with hand controls. Despite submitting this documentation two months ago, they still haven't received an update from the DVLA.The Processing BacklogThe DVLA attributes these delays to "exceptionally high demand" from drivers with medical conditions, which has significantly affected processing times. The agency has acknowledged the problem and says it is introducing a new system to address these delays. The person's experience reflects a broader issue, as evidenced by the "long backlogs of reviews of medically revoked licenses" mentioned in the article.The Assessment Catch-22The person now faces a significant bureaucratic hurdle: they need to take a medical driving assessment to get their license back, but they cannot take one without a license. The DVLA eventually sent an application for a provisional disability assessment license, which should have been provided when the person first applied a year ago. The person also needs to be assessed for a vehicle with suitable hand controls but requires a license before they can be assessed for the most suitable options.Recommended SolutionsThe article suggests that Driving Mobility, which provides on-road assessments for drivers with medical conditions, could help with the assessment process. The DVLA should have referred the person to these services earlier in the process. The agency's failure to provide proper guidance and the necessary provisional assessment application has created unnecessary complications for someone already dealing with the challenges of a spinal cord injury.Future OutlookUntil the DVLA's new system is fully implemented and processing times improve, individuals with medical conditions who need to surrender or have their licenses revoked will continue to face significant challenges. The agency needs to improve its communication processes and ensure that applicants receive all necessary information upfront, rather than requiring multiple applications and creating bureaucratic barriers that prevent people from regaining their independence through driving.

The Pentagon's Latest Move to Restrict Media Access The United States Department of Defense has barred journalists from its press office, the latest move by the Pentagon to restrict media access since President Donald Trump’s return to the White House. Reasons Behind the Restriction Acting Pentagon Press Secretary Joel Valdez said on Monday that the administration had re-designated the office as a “Sensitive Compartmented Information Facility” due to its use by speechwriters with access to classified government information. “These speechwriters routinely handle classified material and require SIPRNet access,” Valdez said in a statement provided to Al Jazeera, referring to the secure computer network used by the Pentagon to share classified information. Impact on Media Access “As a result, journalists will no longer be permitted to enter the office space. Access to the office of the Assistant to the Secretary of War for Public Affairs and to the Press Secretary remains available by appointment only,” Valdez added, using the Trump administration’s preferred title for Defense Secretary Pete Hegseth. The Washington Post first reported the change. A Pattern of Restrictions The move follows a slew of steps by the Trump administration to curtail the ability of US media outlets to report on the military and other areas of the government. In March, the Defense Department said it would no longer allow media outlets to maintain offices at the Pentagon after a judge sided with The New York Times in a lawsuit challenging the imposition of new rules for obtaining press credentials. The Pentagon also announced that journalists would require an official escort while inside the complex, a policy that The New York Times is seeking to overturn in a separate lawsuit filed in May. Criticism from Journalism Organizations The National Press Club, the main professional organisation for journalists in the US, condemned the latest restrictions as a “troubling escalation” in the Trump administration’s efforts to curtail media scrutiny of the Pentagon. “Independent reporting on the US military is not optional,” National Press Club President Mark Schoeff Jr said in a statement. “When journalists are pushed farther from the institutions they cover, the American people are left with less information, less transparency, and less oversight. Any effort to restrict that access should alarm everyone who values a free and informed society.” The Freedom of the Press Foundation, a nonprofit advocacy organisation, also criticised the move. “It’s rare for anything other than disingenuous spin and outright lies to come out of the Pentagon’s press office these days, so it’s hard to imagine what basis they have to call the space classified,” Seth Stern, chief of advocacy at the organisation, told Al Jazeera. “The only thing sensitive or confidential about the information released by Pete Hegseth’s Pentagon is that it’s not true.”

Court Blocks Trump's Transgender Military BanA United States court of appeals has ruled that a policy under President Donald Trump to expel transgender troops from the military was a violation of the Constitution. Monday's decision was a split one among the three-judge panel of the US appeals court for the District of Columbia.One judge, Robert Wilkins, an appointee of former Democratic President Barack Obama, upheld a lower court ruling rejecting the Trump administration's policy as it pertains to already enlisted service members. A second judge – Judith Rogers, who was picked by former Democratic President Bill Clinton – agreed with his opinion, but only in part. She felt it should extend to those who seek to enlist, too.And the third judge, Trump pick Justin Walker, issued a dissent questioning the court's ability to second-guess US military policy.Origins of Trump's Controversial PolicyThe case focused on one of the earliest actions Trump took during his second term in office. On January 27, 2025, a week after his second inauguration, Trump issued an executive order called "Prioritizing Military Excellence and Readiness".In it, he denounced the US armed forces as having been infiltrated with "radical gender ideology". He proceeded to describe transgender people as unfit for service for embracing a "false 'gender identity'"."A man's assertion that he is a woman, and his requirement that others honor this falsehood, is not consistent with the humility and selflessness required of a service member," Trump wrote.The executive order became the basis for a 13-page Pentagon memorandum, issued in February 2025 under Defense Secretary Pete Hegseth. It declared that any service member who has "symptoms" of gender dysphoria, or who has used hormone therapy or surgery to affirm their gender, would be "disqualified from military service".Military Service Record of Transgender PlaintiffsIn Monday's ruling, Wilkins described the policy as blatantly discriminatory. The policy, he wrote, "appears to be driven by the bare desire to harm a politically unpopular group: persons who identify as transgender"."To add insult, the President labeled transgender persons as dishonorable, undisciplined, arrogant, selfish liars," Wilkins added, pointing to the executive order.He pointed out that the transgender plaintiffs in the case had a combined 130 years of military service and had earned more than 80 commendations for their work.In the face of such evidence, Wilkins said the Trump administration had "forfeited any argument" that "retaining these service members will harm national security".Divided Rulings and Legal ImplicationsBut Wilkins stopped short of fully upholding a lower court ruling against the policy. Previously, Judge Ana Reyes had issued a temporary injunction against Trump's executive order, finding that the discrimination against transgender troops was unconstitutional.Wilkins agreed with Reyes that the Trump administration could not dismiss those already in the military's employ. But, he added, the harm was less for those seeking to enlist.Monday's ruling, therefore, strikes down the part of Reyes's injunction that would have barred the Trump administration from banning transgender people from the enlistment process.Rogers, the Clinton appointee, disagreed with that distinction. She pointed to testimony indicating that excluding transgender recruits from joining the military would deprive "our force of qualified personnel who have proven their ability to serve".Meanwhile, the dissent from the Trump appointee, Walker, hinged on his argument that the court had violated the separation of powers in the US government.Courts, he argued, should not be able to rule on the composition of the military."We have neither the expertise nor the authority to decide whether the military can exclude the plaintiffs from its ranks," Walker wrote. "The Constitution assigns that authority to Congress and the Commander in Chief."What Happens Next in the Legal BattleThe split decision is unlikely to have an immediate effect on US military policy. The appeals court has stayed the preliminary injunction from Reyes, as the legal fight continues, and last year, the US Supreme Court also halted an injunction against Trump's anti-transgender policy, in the case United States v Shilling.In a short, four-word social media post, Hegseth signalled that the Pentagon would appeal Monday's decision."See you at SCOTUS," he wrote, using the acronym for Supreme Court of the United States.But Democrats and LGBTQ+ advocates hailed the ruling as a victory against prejudice and discrimination in the Trump administration."No one who is qualified and answers the call to serve should be denied that opportunity because of who they are," US Representative John Larson of Connecticut wrote in a statement."Trump's trans military ban is discrimination — plain and simple. We'll keep fighting these attacks on our troops and all transgender Americans."