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Entertainment Apr 28, 2026

Jimmy Kimmel Defends Melania Trump 'Widow' Joke Amid Trumps' Call for His Firing

Jimmy Kimmel refused to apologize for a joke describing Melania Trump as glowing 'like an expectant…
The Comedian's Stand Against Political PressureJimmy Kimmel has refused to apologize for a controversial joke made days before the White House correspondents' dinner shooting in which he described Melania Trump as glowing "like an expectant widow." The ABC host faced intense backlash from both Donald Trump and the first lady, who accused him of inciting violence and called for his immediate firing from the network.The Joke That Sparked the ControversyDuring a skit pretending to be the MC for the White House correspondents' dinner, Kimmel made the remark: "Our first lady Melania is here. So beautiful, Mrs Trump, you have a glow like an expectant widow." The joke, made three days before the alleged assassination attempt, was intended as a light-hearted comment about the couple's significant age difference, according to Kimmel's defense."Obviously, it was a joke about their age difference and the look of joy we see on her face every time they're together," Kimmel explained during his Monday night monologue. "It was a very light roast joke about the fact that he's almost 80 and she's younger than I am. It was not – by any stretch of the definition – a call to assassination."The Trumps' Response and AccusationsMelania Trump took to social media to condemn Kimmel, stating: "Kimmel's hateful and violent rhetoric is intended to divide our country. His monologue about my family isn't comedy- his words are corrosive and deepens the political sickness within America. People like Kimmel shouldn't have the opportunity to enter our homes each evening to spread hate."She accused Kimmel of hiding behind ABC and called on the network to "take a stand" against his "atrocious behavior." Donald Trump echoed these sentiments in a Truth Social post, demanding that "Jimmy Kimmel should be immediately fired by Disney and ABC." The former president claimed Kimmel made a "despicable call to violence."Kimmel's Defense and Free Speech StanceIn response to the Trumps' criticism, Kimmel stood firm on his right to free speech. "I've been very vocal for many years, speaking out against gun violence, in particular," he stated. "But I understand that the first lady had a stressful experience over the weekend, and probably every weekend is pretty stressful in that house."Kimmel also pointed out the timing of his joke, which was made three days before the dinner shooting. "If you want us to believe that a joke I made three days before this dinner had any effect on anything that happened, well then, maybe someone should look into this psychic lady too," he quipped.Broader Implications for Media and PoliticsThe controversy comes amid heightened tensions between late-night hosts and political figures, particularly the Trumps. This incident follows a similar situation in September 2025 when ABC suspended Kimmel after Brendan Carr, the pro-Trump chair of the Federal Communications Commission, threatened the network over jokes the comedian made about the president.The Trumps' call for Kimmel's ouster comes as critics highlight the violent rhetoric from the White House over the years, including when Donald Trump called on a crowd to "knock the crap out" of protesters and urged supporters to "fight like hell" after his 2020 election defeat.What Happens Next in the Ongoing FeudAs the dust settles from this latest controversy, the relationship between late-night comedy and political figures remains strained. Kimmel has shown no indication of backing down from his critical stance toward the Trump administration, while the former president continues to target media personalities who criticize him.The incident also raises questions about the boundaries of political comedy in an increasingly polarized media landscape. With the 2026 election season approaching, such clashes between entertainers and politicians may become more frequent, testing the limits of free speech and the role of comedy in political discourse.
#Jimmy Kimmel #Melania Trump #Donald Trump
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Economy Apr 27, 2026

Why Retirement Feels Like a Distant Dream for Modern Creatives

Writer Dave Schilling uses humor and Blade‑Runner imagery to illustrate how soaring living costs, s…
The Personal Crisis of Unretireable CreativesIn a wry Guardian column, Dave Schilling confesses that the word “retirement” now sounds like science‑fiction. Inflation, sky‑high fuel prices, and the automation of even the simplest tasks have turned the dream of a beach cocktail into a distant star. Schilling’s struggle to pay his electric bill mirrors the reality of many Los Angeles‑based writers who scrape by on irregular direct deposits.Rising Cost of Living and Stagnant Writer IncomesThe piece paints a vivid picture of a creative class forced to choose between paying rent and saving for the future. Schilling jokes that a chatbot could “fully screw” him, underscoring how quickly technology can replace low‑paid labor. He also references a recent bull‑fighting tragedy—Spanish matador José Antonio Morante de la Puebla was gored on his comeback—to highlight how even celebrated returns can end abruptly, reinforcing the fragility of any retirement plan.Numbers Behind the Aging Political ClassAverage age of U.S. representatives: 57.5 yearsAverage age of U.S. senators: 64.7 yearsFull Social Security benefit age: 67 yearsChuck Grassley (Iowa senator) – 92 years, recent gallstone surgeryBernie Sanders – 84 yearsDonald Trump – turning 80 in June 2026These figures, sourced from a Pew Research analysis (2025), illustrate a political elite that far outlives the traditional retirement age, shaping policies that affect gig workers and older Americans alike.Implications for the Gig Economy and Retirement NormsThe convergence of high living costs, an aging legislature, and a booming “longevity industry” creates a paradox: while biotech firms and bio‑hackers like Bryan Johnson promise longer, healthier lives, the economic structures that support retirement remain unchanged. Schilling notes the cultural flood of books, podcasts, and TikTok videos about anti‑aging, yet questions whether extending life without reforming pension systems merely prolongs the grind.Future Outlook: Redefining Work and Retirement in an Age of Longevity TechSchilling hints that the next wave may involve flexible, “micro‑retirement” models—short sabbaticals funded by gig platforms, or retirement tied to health metrics rather than age. As the New York Times piece on the “Longevity Project” suggests, society may soon judge “old” by functional ability (e.g., pickleball performance) rather than calendar years. If policymakers respond to the aging congressional cohort with reforms, future creatives could finally afford the freedom they’ve only imagined.
#Dave Schilling #Retirement #US Congress
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Music Apr 27, 2026

The Primitives' Crash: From Obscurity to Dumb and Dumber

The Primitives' 1987 single 'Crash' was initially met with skepticism but gained a second life afte…
The Formation of The Primitives and 'Crash' The Primitives formed in the summer of 1984 with a singer called Keiron, who brought PJ Court in to write songs. When Keiron left, the band pinned up an advert in Coventry library and Tracy Tracy, who PJ had met before on a Youth Opportunity Programme, answered. Initially, they sounded more like the Birthday Party or the Gun Club, but PJ wrote three new songs – Through the Flowers, Across My Shoulder and Crash – to test a more pop direction. The Initial Reception and Live Performances 'Crash' was simple and noisy, with a basic guitar line that became the 'Na na na' hook. It was in their live set but dropped quickly as they thought they already had enough bubblegum, Ramones-style songs. A live review at the time stated: 'If their new single Crash is anything to go by, this band are finished.' The Resurgence of 'Crash' In 1987, their producer Paul Sampson suggested they revisit 'Crash' as bait to generate interest from record companies. The song was released again as 'Crash (The '95 Mix)' – about 40 seconds longer, with a repeated chorus and added layers of ukulele, steel guitar, organ, and percussion – and became a worldwide hit after being featured in 'Dumb and Dumber'. The Impact on The Primitives' Career The band appeared on Top of the Pops, The Roxy, and Saturday Live. PJ recalls a memorable performance on the ITV show No. 73, where his fuzz box wasn't plugged in, making his guitar sound like a banjo. The Legacy of 'Crash' PJ believes the song has stood the test of time because it's got all the ingredients: a great melody, catchy lyrics, and a perfectly timed pop song. The song has been covered by several artists, including Belle and Sebastian and Matt Willis, though some get the lyrics wrong.
#The Primitives #Crash #Dumb and Dumber
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Entertainment Apr 27, 2026

Zadie Smith Says She Mostly Reads Women Now, Shifting Her Literary Lens

At the Cambridge Literary Festival, Zadie Smith revealed she now reads primarily women, a change dr…
Smith’s Confession: A Turn Toward Women’s WritingZadie Smith told a Cambridge audience that she "doesn’t know when I read men any more," explaining that as she ages she feels "enormously impatient with anything other than other older women." She now reads chiefly Helen Garner and other female authors, citing a need for wisdom.What “Dead and Alive” Reveals About Contemporary Female ArtistsThe essay collection Dead and Alive explores a range of female creators, from Joan Didion to Kara Walker and Celia Paul. Smith said the post‑1975 surge in women’s art is "cheering and extraordinary," prompting her to document it.Highlights essays on female writers and visual artists.Contrasts past limited visibility (e.g., AS Byatt, Margaret Drabble, Toni Morrison) with today’s broader recognition.No Hard Numbers, but Qualitative ShiftsThe interview provides no sales figures or readership statistics, but the qualitative shift is clear: Smith’s personal reading list now skews heavily female, and she recommends works like David Szalay’s Flesh alongside classic male essayists such as John Berger and James Baldwin.Implications for the Literary Landscape and Gender Reading HabitsSmith’s admission signals a broader cultural moment where established authors re‑evaluate their influences. By foregrounding women’s voices, she challenges the lingering myth of the "death of the male novelist" and encourages publishers to spotlight diverse perspectives.What This Means for Future Essays and NovelsSmith hinted that her next project—a novel about teenagers in the 1990s—will "shock people" by juxtaposing past possibilities with today’s constraints. The shift in her reading habits may inform the novel’s themes, emphasizing generational change and economic inclusivity.
#Zadie Smith #Dead and Alive #Cambridge Literary Festival
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Entertainment Apr 27, 2026

From YBA Binges to Suffolk Solitude: Johnnie Shand Kydd on Art, Death, and Rebirth

Former art dealer and photographer Johnnie Shand Kydd reflects on his transition from documenting t…
The Shift from YBA Chaos to Suffolk SolitudeJohnnie Shand Kydd, once the unofficial chronicler of the Young British Artists (YBAs), has pivoted his lens from the chaotic, hedonistic nights of the 1990s art scene to the quiet, introspective landscapes of Suffolk. His new photobook, Ramsholt, captures the mundane yet profound moments of his dog-walking routine, offering a stark contrast to the explosive creativity he once documented.Documenting the Birth of the YBA MovementShand Kydd's early career was defined by his access to the inner circle of the YBAs, including Tracey Emin, Damien Hirst, Sarah Lucas, and Sam Taylor-Johnson. Unlike traditional studio portraiture, his images—collected in the 1997 book Spit Fire—showed these artists in candid, unguarded moments of partying and debauchery. He recalls that the "studio" was often a nightclub, where intense creative conversations occurred amidst the chaos.Subject Matter: Hirst balancing hats, Emin in a rubber dinghy, and the collective boozing of the era.Trust Factor: Shand Kydd leveraged his background as an art dealer to gain the trust of notoriously difficult subjects.Stamina: He admits to struggling to keep up with the 48-hour benders that defined the era's work ethic.The Legacy of the 1990s Art SceneThe YBA era was characterized by a rejection of traditional materials and a belief that "everything and anything is possible." Shand Kydd argues that these late-night revelries were actually extensions of the creative process, serving as incubators for ideas that would later define contemporary art. He notes that the optimism of that period, where Damien Hirst famously believed "No" didn't exist, was a driving force behind the movement's success.Death, Rebirth, and the Personal Cost of CreativityWhile his past work celebrated the vitality of youth, Ramsholt confronts mortality. Tracey Emin famously critiqued the new work, stating, "Your photographs are all about death." Shand Kydd embraces this, viewing the images of barren fields and rotting wood as part of a natural cycle of reincarnation. He connects this visual language to his own family history, using the landscape to process past tragedies.Future Outlook: The Enduring Artist-Photographer BondDespite the decades that have passed, the relationships forged during the YBA boom remain strong. With Tracey Emin curating his exhibition and Sam Taylor-Johnson developing a film based on his images, Shand Kydd's legacy is secure. His work suggests that while the art world changes, the fundamental human need to document life—and the inevitable cycle of life and death—remains constant.
#Johnnie Shand Kydd #Tracey Emin #Damien Hirst
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Sports Apr 26, 2026

Sawe's Marathon Revolution: How Bread, Honey, and 150 Miles a Week Shattered the 2-Hour Barrier

Kenyan runner Sabastian Sawe made history by becoming the first man to break the two-hour marathon …
The Historic Sub-Two Hour MarathonSabastian Sawe has etched his name in sporting history by becoming the first human to officially break the two-hour marathon barrier at the London Marathon. The 31-year-old Kenyan runner clocked an astonishing 1 hour, 59 minutes, and 30 seconds, shattering the previous world record in front of an estimated 800,000 spectators in the capital. This achievement represents one of the most significant milestones in athletic history, comparable to Sir Roger Bannister's breaking of the four-minute mile barrier.The Anatomy of a Record-Breaking PerformanceSawe's historic victory was the culmination of meticulous preparation and exceptional execution. The Kenyan runner demonstrated remarkable strength in the second half of the race, powering through to achieve what many thought was impossible in an official competition. After crossing the finish line, Sawe immediately recognized the significance of his achievement: "I have made history today in London. For me, I have shown that nothing is not possible. It's something that will remain in my mind for ever."The 150-Mile Weekly Training RegimenBehind Sawe's record-breaking performance lies an extraordinary training program that pushed the boundaries of human endurance. According to his coach Claudio Berardelli, Sawe was averaging 200km (125 miles) per week in the final six weeks leading to the marathon, with a peak training week reaching 241km (150 miles). This intense preparation represented a significant improvement from his previous attempt in Berlin in September, where extreme heat had prevented him from reaching his full potential."In the last six weeks he was averaging 200km and above a week, while the peak was 241km," Berardelli revealed. "I knew he was super good for Berlin, but he couldn't express himself because of the conditions. But when I started to see him running the way he ran before London, I was like, hey, something special might come out."The Equipment and Nutrition RevolutionSawe's record was also aided by cutting-edge technology and nutrition. The Kenyan runner wore the new Adidas Pro Evo 3s, which are not only faster than previous models but are the first super shoes to weigh under 100 grams. This lightweight construction provided significant energy efficiency throughout the 26.2-mile race.Additionally, Sawe utilized Maurten carbohydrate gels, which are designed to help athletes maintain strength in the final stages of endurance events. These nutritional innovations, combined with his simple yet effective pre-race breakfast of bread and honey, created an optimal fueling strategy for his record attempt."There is no doubt we are in the new era of marathon running because of the shoe and proper fueling," Berardelli emphasized. "So we are super glad to Adidas and Maurten. They have come to Kenya so many times to support us."The Impact on Marathon RunningSawe's achievement marks a paradigm shift in marathon running, demonstrating that human performance limits can be pushed further than previously imagined. His performance has been compared to Sir Roger Bannister's breaking of the four-minute mile, a feat that was once considered impossible until it was achieved in 1954."Absolutely incredible," said Steve Cram, the former 1500m world champion and record holder, who was commentating for the BBC. "I've never seen anything like that. What a finish. That you would say is unbelievable – but we have just seen it happen. None of us ever thought we would see that, especially in London."This record opens the door for new possibilities in endurance sports, potentially inspiring a new generation of runners to aim for what was previously thought to be unattainable.The Future of Marathon RunningPerhaps most remarkably, both Sawe and his coach believe that there is still room for improvement. Berardelli suggested that Sawe could potentially run under 1:59 on a faster course such as Berlin or Chicago."I would say yes, it is possible," Berardelli stated. "Sabastian hasn't reached his maximum potential. It was only his fourth marathon, if we think of long term adaptations, which is a process requiring time, I believe Sebastian has not reached this yet."With his exceptional physical attributes combined with what his coach describes as "exceptional" character and positive energy, Sawe appears poised to continue pushing the boundaries of human endurance in the years to come, potentially rewriting the record books multiple times.
#Sabastian Sawe #London Marathon #World Record
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Politics Apr 25, 2026

Civil Rights Activist Kimberlé Crenshaw on America's Race Backlash and the Power of Intersectionality

Civil rights scholar Kimberlé Crenshaw reflects on the political backlash against her pioneering wo…
The Erasure of a Scholar's LegacyWhen Donald Trump returned to office in January last year, one of his first acts was to sign an executive order intended to cut federal funding for any school teaching what the administration defined as "critical race theory." A raft of other orders mandated the termination of DEI (diversity, equity and inclusion) personnel, offices and training across the federal government. Federal agencies began flagging hundreds of words to avoid or eliminate, including "intersectional" and "intersectionality." All of which has amounted to 40 years of Kimberlé Crenshaw's work being literally and deliberately erased.The Architect of IntersectionalityFor decades, the 66-year-old legal scholar has been naming things that powerful people would prefer remain unnamed. In 1989, she coined the term intersectionality to describe the way race and gender overlap to shape lived experience, often in ways the law fails to recognize. Around the same time, she was one of a group of African American scholars who created the framework that came to be known as "critical race theory," which sought to examine how racism is embedded in legal systems rather than simply enacted through individual prejudice. Now, Crenshaw's ideas are being contested like never before.The Political Weaponization of Academic Concepts"Unfortunately, I did see this coming," she tells me over a video call from the California offices of the African American Policy Forum, the thinktank she co-founded. We are calling to discuss Crenshaw's new memoir, Backtalker, but the conversation soon shifts. "The fact that they are targeting this … it is because they understand the power of these ideas, the power of this history." Behind her, posters reading "History repeats when we forget" and "The freedom to learn is the freedom to live" hang alongside shelves of critical race theory texts and Black history books the likes of which have, in some states, become politically radioactive.The Cultural War Over "Woke" IdeologyWhat makes the intensity of this backlash striking is how recently Crenshaw's work entered mainstream public consciousness. Until a few years ago, ideas such as intersectionality and critical race theory remained largely within the domain of legal scholarship, academic debate and activist vernacular. It wasn't until 2020, when a loose coalition of conservative activists, media figures and politicians began elevating them as political flashpoints, that they were thrust into the centre of the culture wars. In the ensuing five years, this snowballed into all-out war against "woke," with critical race theory as its ultimate bogeyman. It became a byword for liberal overreach, a catch-all for everything that was wrong with the US in the eyes of the conservative right.The Fascist Narrative and American Democracy"Trump jumped on a bandwagon started by a few rightwing propagandists, claiming that intersectionality and critical race theory were anti-white, anti-male and anti-American," she says. "Fox News amplified this, and within weeks, these ideas were mentioned more than they had been in the previous four decades."Crenshaw, true to form, is not shy about naming what she considers to be the problem. "One of the keys of fascism is control of the nation's narrative," she says. "That, alongside creating a group of people that are legitimate targets of exclusion – an us and them – allows for the autocrat to be seen as the embodiment of the essential nation. And in the United States, we come prefabricated for that dimension of fascism to set into our politics."Why is it that so many white Americans are willing to continue to vote for a president that is demolishing democracy, so long as he's willing to affirm them effectively as true Americans?" she continues. "Because of the idea that those over there are different from us. They don't really belong. That is the way fascism works."From Childhood Inequality to Intellectual FrameworkIt is clearly in Crenshaw's DNA to confront injustice, as is evidenced in Backtalker, which chronicles her journey from witnessing inequality as a child to challenging entrenched power structures in law, academia and politics. "Being a backtalker is like being lactose intolerant," she writes. "There is BS that I cannot digest. To accept anything close to second-class status as the price of belonging sickens me."Born in Ohio in 1959, on the verge of the civil rights movement, Crenshaw grew up at a time of expanding yet restricted possibilities. She watched that tension unfolding in real time, in the speeches of Malcolm X and Martin Luther King Jr on television, and in discussions around the kitchen table, where her parents, dedicated anti-racist activists, treated politics as a daily practice. "As a Black child, I had early inklings that differences would matter in my life, even if I couldn't name them," she says.The Making of an Intersectional ConsciousnessOne such inkling came when her family moved to the predominantly white suburb of Canton, Ohio. "When we arrived, there were children playing everywhere," she remembers. "I was excited." But almost overnight, the children vanished. Neighbours treated the new family as intruders and shouted slurs when they walked by; an estate agent knocked on their door urging a quick sale.Perhaps the most formative incident came when she was five years old, and was the only girl in her all-white class who was not given the opportunity to play the princess, Thorn Rosa, in a school performance. "Thorn Rosa marks the stirring of my nascent awareness that my colour and my girlness were linked," she writes."You push that doubt down until something happens that forces it open," she tells me. "You realize that how others see you will shape your experiences. And that realization is traumatic."The Trauma of Loss and the Birth of ActivismWhat mattered, she says, was that those moments were not dismissed. "I credit my parents for taking them seriously," she says. "They refused to minimize what I experienced, even as a young child. That affirmation was freeing, it told me my feelings were grounded in reality and gave me permission to understand them."It was tragedy that would, in many ways, become the making of the young Crenshaw. She was eight years old when Martin Luther King Jr was assassinated in 1968 – a before-and-after moment in her life. The following day, young Black activists in Canton directed schoolchildren to the local church for a hastily organized memorial service. Crowded into pews, everyone was silent when the activists asked if anyone had anything to say about Dr. King. No one moved. It was Crenshaw who broke the silence, exhorting the crowd not to let his death be the end of the freedom struggle. "We pick up where he left off," she recalls saying. "We continue to walk in his footsteps. They can't kill his dream for us – not if we won't let them."Further devastation followed. A year later, her father, an apparently healthy 34-year-old, died suddenly, leaving the family reeling. Not long after, her older brother Mantel was shot and killed while at university. The circumstances were never fully explained, and justice never came. She writes of that period with unflinching candor: "Happiness was dead." These losses left an indelible mark, sharpening her awareness of the unevenness of justice in a world already structured by racial and social inequities.The Complexity of Solidarity and the Limits of "We"Crenshaw arrived at Cornell University in 1978, to a campus shaped by the afterlives of civil rights struggle and Black student organizing. It was there that she entered into a relationship with a fellow student that became physically abusive. In one incident, he beat her and tried to throw her from the window of her 10th-floor dorm room."We were eye-to-eye when he threw the first punch," she writes in Backtalker. "Pressed out of denial, I woke to the fact that he was going to beat the daylights out of me."What followed unsettled her understanding of community more profoundly than the violence itself. Rather than rallying around her, many of her peers – fellow Black students and friends – closed ranks around him. To involve authorities, they told her, would be to expose a Black man to a system already predisposed against him. The implication was that her suffering as a woman should be subordinated to a broader racial solidarity."The way that sexual violence against Black women has long been justified – framing us as unlikely ever to say no to any sexual encounter – you can know this historically, but then when you experience it interpersonally, you have to grapple with the fact that more people in your own community will come to the defense of your abuser than you," she says. "It really presses the question of 'what is solidarity supposed to look like?' she continues. "What does it mean to defend the 'we', when that 'we' often excludes me?"The Birth of Intersectionality in Legal TheoryCrenshaw returns to that question – of the instability of "we"– again and again. From arriving at Harvard Law School and being called the N-word on her first day, to being directed to enter the university's exclusive Fly Club through the back door because she was a woman – the Black male friends she was with, rather than challenge the slight, urged her not to make a scene. What she would later call "asymmetrical solidarities" revealed themselves in practice: loyalty expected but not returned. "I cannot bring myself to ride or die for a politics that won't ride or die for me," she writes of the incident.In legal terms, the problem came into focus when Crenshaw came across a 1976 case in which an African American woman was denied the ability to bring a discrimination claim against her employer on the grounds that the law could recognize race or gender, but not both at once. Her experience – specifically of being discriminated against as a Black woman – fell through the cracks and the case was thrown out of court. In 1989, Crenshaw identified this form of compound discrimination and gave it a name: intersectionality. Around the same time, she was part of a group of scholars developing what would become critical race theory, a broader attempt to understand how racism is a structural part of the legal system.The Promise and Limits of Political RepresentationIt is a lesson that would resurface, years later, in a very different arena. When Barack Obama was elected president in 2008, the language of "we" returned with renewed force – this time, as a promise. For many, Obama's election felt like a rupture with the past. But for Crenshaw, it quickly raised a familiar question."I didn't think it would happen in my lifetime," she says, of that initial hope after Obama's victory. "It felt like a miracle. My mother and I celebrated together on the phone – I was dancing on a table at Stanford and she was doing the same in her retirement facility. For her especially, it was a dream come true."But symbolism, Crenshaw suggests, has limits, particularly when it is used as a substitute for structural change. She found his reticence to address racial injustice head-on frustrating. Very quickly, the terms of Obama's political viability became clear."He had been framed as post-racial, beyond these issues," she says. "And that framing became a constraint on what he could say and how directly he could address racial injustice."Even when Obama did address racial inequality more explicitly in his second term – most notably after the killing of 17-year-old Trayvon Martin in 2012 – the focus, she felt, remained narrow, failing to address the systemic nature of the problem.The Future of Racial Justice in AmericaAs Crenshaw reflects on her life's work and the current political climate, she remains committed to the struggle for racial justice, even as her ideas face unprecedented opposition. "If speaking out means being at odds with people I love, well, so be it," she writes. "I still love them. I hope they still love me."Looking ahead, Crenshaw sees both challenges and opportunities in the fight for racial justice. The backlash against critical race theory and intersectionality, she argues, is a sign of the power these ideas hold to transform American society. "There's a long history in this country of using the threat of violence to keep people under heel," she observes. "But the resistance has always been there too, and it's getting stronger."As America continues to grapple with its racial legacy, Crenshaw's work – and the concept of intersectionality she pioneered – offers a framework for understanding the complex ways race, gender, and other identities intersect to shape experiences of discrimination and privilege. Whether this framework will survive the current political assault remains to be seen, but Crenshaw's decades of scholarship and activism have already left an indelible mark on American discourse and law.
#Kimberlé Crenshaw #intersectionality #critical race theory
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Sports Apr 25, 2026

Victorian Parlours, Whiff-Waff and a Soviet Spy: Ping-Pong's Coming Home

As London hosts the World Team Table Tennis Championships for the first time since 1954, the articl…
The Return of Table Tennis to LondonLondon is hosting the World Team Table Tennis Championships for the first time since 1954, marking a significant moment for the sport in England. The England Federation set up a trail of golden tables around the city to celebrate the occasion and generate publicity for the championships. During a sunny lunch hour outside Temple Bar, underneath the walls of St Paul's, city workers enjoyed playing during their break, with the familiar sound of ping-pong echoing through the urban landscape.The Physics of Ping-Pong MasteryThe way world No 1 player Wang Chuqin demonstrates the sport is nothing short of physical impossibility. By the time you finish reading the first two words of a sentence describing his play, Chuqin has already processed the ball's speed, direction, height, and spin type, decided on his return strategy, positioned his body, and executed the shot—twelve times over. This incredible speed and precision showcases why table tennis is simultaneously the easiest and most difficult game to master.Participation Numbers and Growing PopularitySport England's latest data reveals that approximately 2.5 million English adults played table tennis at least once last year. More than 600 people used the table in St Paul's during its first week alone. The sport has seen remarkable growth with over 100 public tables just in London, ping-pong themed bars, and specialized clubs like Bounce in Farringdon, which attracts 600 people nightly to its 17 tables—including one used in the 2012 Olympic final.A Sport for All Ages and AbilitiesTable tennis stands out as one of the few sports where an eight-year-old and an 88-year-old can compete on an even footing. Recent research highlights its therapeutic benefits for the elderly, particularly those with Parkinson's disease, leading to an annual world championship specifically for people affected by the condition. Chris Brown, development chief at Table Tennis England, emphasizes the sport's versatility: "That's the beauty of it, it can be anything you want. If you want to pick it up and have a chat while you play you can do that."The Competitive Gap and International SceneDespite its casual popularity, England faces challenges in competitive table tennis. There isn't a single English player in the top 50 on either side of the world rankings, with only Tom Jarvis (men's No 1) in the top 100. England's female No 1, Tin-Tin Ho, has won the women's national title eight times in the last decade but still encounters lack of respect for the sport's demands. Many top English players compete abroad, with Ho playing in the Spanish league, where the sport draws larger audiences. Countries like Germany, Sweden, and France dominate the world's top 10 rankings, with Félix Lebrun's bronze medal run at the Paris Olympics elevating the sport's profile in 2024.The Future of Table Tennis in EnglandAs the World Team Table Tennis Championships return to London, the sport stands at a crossroads. While participation continues to grow and the game's accessibility remains unmatched, England must develop pathways to nurture competitive talent if it hopes to reclaim its former table tennis glory. The golden tables scattered across the city symbolize both the sport's rich history dating back to Victorian parlors and its modern evolution as a global phenomenon that continues to captivate players of all ages and abilities.
#Table Tennis #World Championships #London
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Tech Apr 25, 2026

Meta’s Loss Is Thinking Machines’ Gain

Meta sees a wave of senior AI talent leave for Thinking Machines Lab, which just secured a multibil…
Meta Veteran Departs for Thinking Machines LabWeiyao Wang ended an eight‑year stint at Meta last week and joined Thinking Machines Lab (TML), marking the latest high‑profile move in a growing talent exodus from the social‑media giant to the AI startup.Multibillion‑Dollar Cloud Deal Powers TML’s GPU LeapTML announced a multibillion‑dollar agreement with Google Cloud at Google Cloud Next, granting the startup access to Nvidia’s latest GB300 chips. The deal places TML in the same infrastructure tier as Anthropic and Meta, following an earlier partnership with Nvidia.Valuation and Headcount Signal Rapid GrowthCurrent estimates value TML at roughly $12 billion, despite having released only one product to date. The company’s headcount has risen to about 140 employees, reflecting an aggressive hiring spree.Soumith Chintala – CTO, former Meta researcher and co‑founder of PyTorchPiotr Dollár – Technical staff, co‑author of Segment AnythingAndrea Madotto – Research scientist from Meta’s FAIR divisionJames Sun – Software engineer, nine‑year Meta veteranTalent War Intensifies Between Meta and Emerging AI StartupsMeta’s recent poaching of seven TML founders is mirrored by TML’s recruitment of senior Meta staff, making Meta both a source and a target in the AI talent scramble. A LinkedIn audit shows TML has hired more researchers from Meta than any other single employer.What the Next Funding Round Could Mean for the AI LandscapeIf TML leverages its cloud resources and talent pipeline into a new funding round, it could challenge the valuation dominance of OpenAI and Anthropic. Analysts anticipate heightened competition for GPU allocations and a possible acceleration of product releases, which may reshape partnership dynamics across the AI ecosystem.
#Meta #Thinking Machines Lab #Google Cloud
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