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The Hajj Pilgrimage: A Spiritual Journey Nearly 2 million Muslims are preparing to embark on the annual Hajj pilgrimage to Mecca, which begins on May 25, following the sighting of the crescent moon in Saudi Arabia. The Hajj is the largest annual gathering of Muslims from all over the world and a once-in-a-lifetime journey for many. It is also the fifth pillar of Islam. What is Hajj? The Hajj is the annual pilgrimage to Mecca, Saudi Arabia. It is the fifth and final pillar of Islam, along with the declaration of faith (shahada), five daily prayers, obligatory charity (zakat), and fasting during the month of Ramadan. When is the Hajj Performed? The Hajj is performed between the 8th and 12th (or 13th) of Dhul-Hijjah, the 12th and final month of the Islamic calendar. The timing falls roughly 70 days after the end of Ramadan, though this can vary slightly depending on the lunar cycle. In 2026, the Hajj will take place from May 25 to May 27. Why Do Muslims Perform the Hajj? Muslims believe that the Hajj is a direct commandment from God, as outlined in the Quran. Prophet Muhammad's 'farewell pilgrimage' in 632 AD affirmed the steps in the 10th year of the Islamic calendar, and it is mentioned in the Quran nearly a dozen times. The Hajj begins before pilgrims even enter Mecca. The journey is a spiritual one, and it is considered to allow Muslims to seek forgiveness, purify their souls and demonstrate their submission to God. How is the Hajj Performed? Muslims perform many rites and rituals during the five days of Hajj, which can be explained in the following steps: Ihram: Entering the pilgrimage Tawaf: Circling the Kaaba Sa'i: Walking between Safa and Marwah Mina: The tent city Arafat: The central day of Hajj Muzdalifah: Sleeping under the open sky Stoning of the pillars Sacrifice during Eid al-Adha Cutting or shaving hair Main tawaf Marking the End of Hajj Muslims mark the end of the Hajj with Eid al-Adha, celebrated on the 10th of Dhul-Hijjah and lasting up to three days in many countries. The day begins with a special prayer shortly after sunrise, as Muslims gather in mosques or open areas, wearing their finest clothes. The rest of the day is spent sharing meals, exchanging gifts, and visiting family and friends.

A Celebration of Britten's American ChapterIn a season marking the 50th anniversary of Benjamin Britten's death, the Britten Sinfonia has undertaken the ambitious task of celebrating the composer's time in America (1939-1942), a period often overlooked in his celebrated career. This "vacation from the general European atmosphere" proved to be remarkably fruitful, yielding significant works that the ensemble has brought to vibrant life in recent performances.The American Sojourn: Musical CrossroadsThe program, thoughtfully curated by Britten Sinfonia, explores the intersection of British and American musical traditions during this pivotal period. Benjamin Britten, already an internationally acclaimed composer from "the land without music," and his partner Peter Pears traveled to North America in spring 1939, not returning until mid-1942. During this time, Britten formed a significant friendship with American composer Aaron Copland, with whom he spent the summer of 1939 in Woodstock, engaging in creative pursuits alongside recreational activities like tennis and swimming.Britten's American Compositions RevealedThe performance showcased Britten's productivity during his American sojourn. Under the direction of Zoë Beyers from the violin, the ensemble delivered a taut, witty performance of "Young Apollo," a fanfare commissioned by the Canadian Broadcasting Corporation. Pianist Huw Watkins' mercurial scales and delicate glissandi techniques drew audible delight from audience members, highlighting the technical brilliance and playful character of the piece.Brittten's "Les Illuminations," a song cycle for soprano and strings, demonstrated a subtler encounter between musical languages. Soprano Elizabeth Watts delivered a relentlessly communicative performance, exhibiting total expressive control from her harshest lower register to the creamiest top notes. The Britten Sinfonia excelled in navigating the score's rotation of solo lines, impish pizzicato, and fierce, characterful details, revealing the work's sophisticated interplay between voice and instruments.American Counterpoints and CollaborationsSeparating Britten's works, Paul Bowles' "Six Piano Preludes" provided a fascinating glimpse into the period when Bowles and Britten shared a Brooklyn Heights apartment and even "fought over rights to the piano." Watkins relished the woozy poetry of these miniatures, which evoked the atmosphere of a jazz bar and reflected the cross-cultural musical exchanges of the time.The second half featured Ukrainian clarinettist Oleg Shebeta-Dragan in a blistering performance of Copland's "Clarinet Concerto." Despite its breathtaking virtuosity, the performance remained a thoroughly collective, collaborative affair, showcasing the ensemble's ability to support and enhance the soloist's dramatic narrative.Appalachian Spring: A Transatlantic Musical DialogueTo conclude the program, Britten Sinfonia performed Copland's "Appalachian Spring" in its original chamber scoring. The work traveled the gamut from crystalline vulnerability to weighted, rustic bowing and quasi-machinic precision. In this performance, the work's contrasting elements felt utterly inevitable, emerging organically from the ongoing musical conversation between the ensemble members and between the American and British musical traditions represented in the program.A Living Legacy of Transatlantic Musical ExchangeBritten Sinfonia's exploration of this significant period in Britten's career not only illuminates the composer's development during his American years but also highlights the rich cross-cultural musical exchanges that characterized this era. The performances at The Apex in Bury St Edmunds and The Halls in Norwich served as a reminder of the enduring power of classical music to transcend national boundaries and historical contexts.

The LeadFalling seriously ill, like falling in love, can happen all of a sudden – although this film is not exactly about either. Ryusuke Hamaguchi's new movie, co-scripted with the Franco-Japanese screenwriter Léa Le Dimna and his first not set entirely in Japan, is a bold and high-minded if rather pedagogic work that spreads itself over three hours. It's tender and sometimes beautifully made, but also contrived and occasionally features some too-good-to-be-true caring characters. Frankly, it's rather precious.The Film's International VisionHamaguchi and Le Dimna have taken as their starting point the nonfiction book "You and I: The Illness Suddenly Get Worse" by Makiko Miyano and Maho Isono, a meditative correspondence between a philosopher and medical professional on the subjects of love and mortality. Hamaguchi has opened this out to create a drama set in Paris and Kyoto, and it's incidentally hard not to suspect that Hamaguchi, like many a celebrated movie director spending so much time on the international festival circuit, has been led to create an uneasy international mixture.Care Home Dynamics and CharactersMarie-Lou (Virginie Efira) is the director of a private care home in Paris called the Garden of Freedom, where they practise a care technique called "humanitude," a time-consuming patient-centred approach that exasperates old-fashioned nurse Sophie (Marie Bunel). It needs more staffing facilities than the home is prepared to provide and, in any case, Marie-Lou has a bad habit of being patronising to those who question her. For all that, there are some lovely scenes with caregivers and patients, and these observant, unfussily compassionate moments are where the film works best.Cross-Cultural ConnectionsMarie-Lou is stressed and overworked, and her life is upended when she encounters an autistic Japanese teen called Tomoki (Kodai Kurosaki) in the street, apparently lost; he is being looked after by his grandfather, Gorô (Kyōzō Nagatsuka), an actor in town performing in an experimental piece about psychiatric care in which Tomoki is encouraged to take part if he feels like it. The show is directed by Mari (Tao Okamoto), and her stylish calm and intelligence entrances Marie-Lou; they are clearly on the verge of an intense friendship and perhaps more, although the film is reticent on this last point.Philosophical Exchanges and Narrative ConcernsMarie-Lou comes to a performance, stays for the Q&A; afterwards and reveals herself to be fluent in Japanese, asking questions of Mari in that language which touch on Mari's very serious illness. Some in the audience rather plaintively – and understandably – call for the conversation to be in French, though this film comes close to being insufferable when Gorô solemnly tells everyone that their exchange was so intimate and meaningful that the audience should be content with simply sensing that.The Film's Strengths and WeaknessesAll of a Sudden works best entirely outside the exotically overwritten, overthought bond between Mari and Marie-Lou. The realist set pieces are very moving, showing us patients with dementia surrounded by their families, and also showing us, often with photos of their younger selves in demanding jobs, how these patients have changed. The film's high concept is a little self conscious.All of a Sudden screened at the Cannes film festival.

The LeadSmoggie Queens returns with a second series that doubles down on its peculiar charm, offering a niche comedy experience that's as baffling as it is brilliant. Set in Middlesbrough and created by and starring Phil Dunning, this BBC Three show continues to blend northern England humor with drag queen-adjacent characters, creating a television experience that feels like joining a fabulous secret club.The Show's Eccentric WorldThe second six-episode run of Smoggie Queens is an even more boutique proposition than its first, frequently venturing into bizarre territory while maintaining its core warmth. The show follows Dickie (Dunning) and his rag-tag crew of friends, including 'baby gay' Stewart (Elijah Young) struggling to come out, and Mam (Mark Benton), the bewigged mother figure. This series introduces absurd scenarios like losing a white rabbit named Andrea in a carpet warehouse, complete with Alice in Wonderland visuals, and episodes centered around a charity football match called Nipple Aid and the Mr Teesside Beauty Pageant.Cultural Representation and Queer IdentityWhat sets Smoggie Queens apart is its authentic representation of queer culture in northern England, avoiding stereotypes while embracing the camp elements that make the show unique. The series weaves themes of identity and acceptance into its narrative through the oblivious perspective of Dickie, who shares his own coming out story: 'Not a lot of people know this, but I had a hard time coming out to my family as well,' he says, before being reminded by his ex that he was taken to London to see Mamma Mia! by his parents. 'Yes, Harrison,' he concedes. 'But I wanted to see Miss Saigon!'Comedy Style and Audience AppealThe show's comedy style is intentionally peculiar, similar to other BBC Three comedies like Juice and Things You Should Have Done. It revels in its eccentricity, with episodes featuring complimentary coleslaw on all surfaces at an Italian restaurant, a sugar baby subplot, and a filthy food fight. While this approach might baffle casual viewers, it creates an intimate connection with its audience, who will appreciate the inside-joke nature of the series. The show balances its absurdity with poignant moments, particularly in exploring Mam's backstory and her estrangement from her teenage son.The Future of Niche ComedySmoggie Queens represents a growing trend of niche comedies that cater specifically to dedicated audiences rather than attempting broad appeal. Its success demonstrates that there's a significant appetite for authentic, regional storytelling that doesn't shy away from queer themes or northern England identity. As the show continues to develop, it may inspire more productions that celebrate specific cultural experiences rather than attempting to create universally appealing content. For viewers who connect with its unique blend of northern charm and queer culture, Smoggie Queens offers not just entertainment but a sense of being seen and understood.

Erling Haaland's Acting Debut Manchester City striker Erling Haaland is to make his feature acting debut, in an animated film as the voice of a Viking – called Haaland. The Film Details According to the Hollywood Reporter, the Norwegian international is to play “an animated version of himself” in Viqueens, directed and co-written by Harald Zwart, the Dutch-Norwegian director of The Karate Kid and Agent Cody Banks. The Film's Plot The film’s IMDB synopsis describes Viqeens’ storyline thus: “To return a stowaway, two courageous Viking girls go from Norway to China. Discovering secrets, becoming proficient with dragon kites, fireworks and kung fu, and realising that friendship’s gifts surpass anything taken from adversaries.” The Director's Perspective Zwart said: “Erling has already become a kind of real-life Viking icon around the world – powerful, fearless and uniquely Norwegian. Bringing him into this universe as himself gives the film an unexpected energy and authenticity that felt completely right for this story.” The Film's Cast Zwart has already secured musician Rita Ora and Yellowjackets’ Ella Purnell as its leads, named Hedvig and Ingrid, as well as chatshow host Alan Carr in a smaller role as “a lyrically challenged royal scribe”. Haaland's Current Form Haaland, who joined Manchester City in 2022 from Borussia Dortmund, is leading the race for the Golden Boot, having scored 26 goals so far in the 2025-26 Premier League season. The Film's Release Viqueens is due for release around Christmas.

The Diplomatic Opening in BeijingOne day into US President Donald Trump's visit to China for trade talks, both he and Chinese President Xi Jinping have exchanged toasts at a state banquet at the Great Hall of the People in Beijing, and hailed their relationship as the world's most "consequential". On Thursday, following a visit to the Temple of Heaven, a 600-year-old landmark in the Chinese capital, Xi spoke of a "shared US-China future", while also warning that failure to handle this bond would create a "very dangerous situation"."We must make it work and never mess it up," he said.The Personal Diplomacy Between LeadersThe US president described his Chinese counterpart as "my friend" in his opening remarks at the state banquet that Xi hosted for the American leader. "We are going to have a fantastic future together. I have such respect for China, for the job you've done. You are a great leader," he told Xi.Trump also invited Xi and First Lady Peng Liyuan to pay a return visit to the White House on September 24. For his part, the Chinese president said he was "very happy" to meet Trump in Beijing at a time of "historic turbulence" when "the world stands at a new crossroads".Xi posed a series of questions to the US president: "Can we join hands to address global challenges and inject greater stability into the world? Can we uphold the wellbeing of our respective peoples and the shared future of humanity, working together to create a bright future for our bilateral relationship?"China's reception underscored how highly Xi regards this visit. Trump was welcomed at the Great Hall of the People, the seat of power in China, "the equivalent of the White House and all other important centres of power combined". Additionally, Vice President Han Zheng greeted Trump at the airport when he landed in Beijing on Wednesday, making him the highest-ranking Chinese official to ever welcome a US president.Strategic Framework for Bilateral RelationsXi and Trump agreed to frame their relationship as "constructive, strategic and stable" in a new positioning that is intended to guide US-China ties for the next three years and beyond, according to a Chinese Foreign Ministry statement about talks between the two.Trump said the relationship between the two countries went back to the founding of the US, noting that the early American traders who visited China were described, by the Chinese, as "the new people". Today, he said, the two countries' bilateral ties were among "the most consequential" in the world.The Chinese president said the two countries should become partners, rather than rivals, adding that "mutual respect is key to stable China-US ties". "I have always believed that the common interests between China and the US outweigh the differences," Xi said. "Let 2026 be a historic and landmark year for Sino-US relations to carry on the past and open up the future."Trade and Economic NegotiationsTrump and Xi discussed trade, with Xi saying that China's door of opportunity will open wider. What this means is not explicitly clear yet, but Trump will be hoping it includes a Chinese pledge to buy US soya beans, beef and aircraft. Officials in the Trump administration also hope to move towards setting up a Board of Trade with China to manage commercial disputes between the two countries.Xi also met with US business leaders who have accompanied Trump on this trip on Thursday. The US and China entered a tariff threat standoff last year, with each side imposing retaliatory tariffs on each other's exports. China also restricted exports of some rare-earth metals, which are crucial for technology manufacturing, in April. Later in the year, it announced plans to restrict several others. Those later plans are on pause since a truce was agreed between the two presidents in October last year on the sidelines of the APEC summit in South Korea.In return for China's agreement to pause restrictions on rare-earth metal exports, Trump dropped a threat of 100 percent tariffs on Chinese goods.The Taiwan ChallengeThe Taiwanese government maintains that the self-governing island of 23 million people is a sovereign state. During the meeting on Thursday, Xi reportedly warned Trump that the issue of Taiwan – which China regards as its own territory – could lead to conflict between Washington and Beijing if it is not handled carefully.However, Taiwan was not mentioned in a joint statement following the meeting, and Trump notably ignored a question from reporters about his stance on Taiwan. This is a tricky issue for the US. While the US government officially acknowledges that China views Taiwan as part of its territory, it does not explicitly state whether or not it agrees with that stance.The US formally severed official diplomatic ties with Taiwan – also known as the Republic of China – decades ago, but remains committed under the 1979 Taiwan Relations Act to supporting the defence of the self-governing democracy. That law has enabled Washington to supply Taiwan with billions of dollars' worth of weapons and to deepen cooperation in areas such as military training and intelligence sharing, moves Beijing regards as meddling in its internal affairs.Xi has told Trump that the "Taiwan question is the most important issue in China-US relations", Chinese Foreign Ministry spokesperson Mao Ning posted on X on Thursday. "If it is handled properly, the bilateral relationship will enjoy overall stability. Otherwise, the two countries will have clashes and even conflicts, putting the entire relationship in great jeopardy," she wrote.Taiwan's Foreign Ministry released a statement saying that China is "currently the sole risk to regional peace and stability", after Xi warned Trump. "Beijing has no right to make any claims on behalf of Taiwan internationally," the statement added.Global Security CooperationThe US-Israel war on Iran, which entered its 76th day on Thursday, also came up in the meeting between Trump and Xi. In their joint statement, Trump and Xi agreed that the Strait of Hormuz must remain open and Iran should never have nuclear weapons.US officials have previously said that they might need China's help in convincing Iran to open the Strait of Hormuz. But analysts say Beijing will want concessions from the US, likely regarding Taiwan, in exchange for any aid in resolving the crisis.Future Outlook for US-China RelationsTrump and Xi may meet again on at least two other occasions this year – the Asia-Pacific Economic Cooperation (APEC) leaders' meeting, in Shenzhen, China, in November; and the Group of 20 (G20) summit in Miami, Florida in the US in December. It would be unprecedented for the US president to travel to China twice in one year.The tone set during these initial talks suggests both sides recognize the importance of managing their complex relationship carefully. Xi's warning about not "messing it up" indicates the high stakes involved, while Trump's personal approach and emphasis on friendship suggests he may be seeking a personal channel for diplomacy alongside official channels.As both nations navigate differences on trade, Taiwan, and global security issues, the framework they've established as "constructive, strategic and stable" will be tested in the coming months. The frequency of their planned meetings suggests both sides understand the need for constant communication to prevent misunderstandings that could escalate into conflict.

Gen Z's Cinema Comeback People born between 1997 and 2012 are now more frequent cinemagoers than some older age groups, with 87% having seen at least one film in a cinema in the last 12 months compared with 58% of baby boomers. This shift in cinema attendance patterns is reshaping the film industry and challenging assumptions about younger generations' entertainment preferences. The Digital Escape to Big Screens Many young people cite the cinema as a rare distraction-free zone in an increasingly digital world. "It's a distraction-free zone," says Emma Balfour, 19, from Kirkcaldy in Scotland. "It helps me stay off my phone, since it's something I want to stop using so much. There's a lot more social stigma around being on your phone when a film's playing on a cinema screen versus your own home, and the complete darkness means I can fully immerse myself." Alex McAleer, 22, living in Berkeley, California, agrees. "The ability to block out two hours and have that time be your own is so rare in a world where you're constantly accessible, aware of the news cycle and aware of the potential for your phone to alert you." Communal Experience in a Fragmented Media Landscape Cinema provides a rare communal experience that appeals to younger generations. "You don't get a lot of opportunities any more to really watch things with people in a group," says Jae, 23, from Swansea. "There are moments when everyone in the cinema laughs in unison, or you can see people crying or gasping in shock. It's the kind of setting where there's absolutely no commitment to chat, but you are still spending time with people." This communal aspect has become particularly valuable as media consumption becomes increasingly fragmented. Cinema provides the few "water cooler moments" that Jae's generation has left, with films released universally allowing for shared cultural touchstones. Social Media's Influence on Cinema Culture Ironically, while many young people seek to escape their phones at the cinema, social media platforms are driving cinema's popularity with this demographic. "The cinema is romanticised on TikTok," Kate, 26, from Cambridge, explains. "Film TikTokers do films to look out for, and there are normal people showing their Letterboxd or their experience of going to the cinema. You put anything to nice music and make it a montage, and that content does very well on social media." Letterboxd, an app for cinephiles to log films and publish reviews, has over 26 million users and is most popular among those aged between 18 and 35. "I've used Letterboxd for probably four years now," says Kate, who has 850 films logged. "I'm on it more than probably anything else and that's my main way of tracking what might be worth going to see." The Future of Cinema in a Digital Age Despite the enthusiasm from Gen Z, the future of cinemas remains uncertain. Many young cinemagoers are conscious that theaters could be under threat as attendance declines. Cineworld closed 11 UK cinemas in 2024, and a 2025 survey showed almost a third of UK independent cinemas are at risk. Cost is also a significant factor, with many young people favoring more affordable options. "If my only option was to go to Cineworld or something which is at least £15, I think I would struggle to want to go as much," says Cesca, 26, from London. "But my local cinema is Peckhamplex and they do £6.99 tickets, so that's more reasonable." Despite these challenges, Gen Z's enthusiasm for cinema offers hope for the industry's future. "The cinema is really valuable," says Alex McAleer. "I try to encourage as many of my friends to go as possible."

Lead: A Celebrated Return of the Letter‑Based StoryThe Guardian praises *The Correspondent* as an "immensely enjoyable" revival of the epistolary novel, noting its bestseller status on both sides of the Atlantic and its shortlisting for the Women’s Prize for Fiction.Reviving the Epistolary Form: Evans’s Narrative TechniqueEvans structures the novel around three‑weekly letters written by 73‑year‑old Sybil Van Antwerp from her Maryland home. The correspondence includes friends, family, and even imagined replies from real‑life figures such as Ann Patchett, George Lucas and Joan Didion, creating a layered texture that keeps the story dynamic despite its hermetic format.Sales and Accolades: Bestseller Status and Prize ShortlistPublished by Michael Joseph at £16.99Bestseller in the UK and US marketsShortlisted for the Women’s Prize for Fiction (2026)Cultural Resonance: Why Letter Writing Finds New ReadersSybil’s voice—direct, irascible, yet generous—offers a relatable portrait of aging, loss, and the search for connection.The novel explores themes of memory, legal career, DNA testing, and impending blindness, grounding the epistolary form in contemporary concerns.Readers report a renewed urge to compose letters after finishing the book, indicating a broader cultural appetite for analog communication.Future of the Genre: Anticipating More Letter‑Based StoriesGiven the critical acclaim and commercial success, publishers are likely to seek additional epistolary projects, positioning the form as a viable avenue for literary innovation in the coming years.

The Sentencing of Erik Fleming A Los Angeles judge on Wednesday sentenced Erik Fleming, a licensed drug addiction counselor, to two years in prison for his role in the death of the Friends actor Matthew Perry. The Role in Matthew Perry's Death Fleming, 56, acted as a middleman by delivering the actor the doses of ketamine that killed him in October 2023. He had pleaded guilty in 2024 to a count of conspiracy to distribute ketamine, and a count of distribution resulting in death. The Investigation and Other Defendants Fleming was the fourth defendant sentenced in the case. Five have pleaded guilty in prosecutions over the actor’s 2023 death. The five people charged in the case include two doctors, Salvador Plasencia and Mark Chavez; the actor’s assistant Kenneth Iwamasa, who injected him with the drug before his death; Fleming, an acquaintance of Perry’s; and Jasveen Sangha, the convicted drug dealer. The Impact of the Case The case highlights the dangers of illicit ketamine use and the importance of addressing addiction and mental health issues. Matthew Perry, who had a long history of struggles with addiction and mental health, was found dead in the Jacuzzi at his Los Angeles home. The Future Outlook The sentencing of Erik Fleming and other defendants in the case serves as a reminder of the consequences of distributing and using illicit substances. It also underscores the need for continued efforts to address addiction and mental health issues in the entertainment industry and beyond.