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The Brilliance of 'Two Weeks in August' Hell is other people, but a fortnight's summer holiday in a Greek island villa with three pals you have known since university, the young second wife of one of them, your depressive husband and the mulish French nanny the second wife has hired to look after her foul child, is surely the innermost circle of it. The Flawless Performance of Jessica Raine Zoe, played by Jessica Raine, is a comprehensive school teacher managing life with more grace under pressure than most of us do. A natural carer and conciliator, she signed her family up for the trip partly because of friends' expectations, but also because a fortnight away in the sun sounded like a pleasure. The Intricate Web of Relationships Making up the rest of the island gang are glamorous Nat (Leila Farzad) whose nose is put out of joint when the casual boyfriend of her gay best friend, Jacob (Hugh Skinner) turns up at the villa, not-quite-at-the-moment-working actor Solomon (Nicholas Pinnock) and the younger wife, Jess (Antonia Thomas) – she has bagged the best bedroom and avoids as much outlay of money or effort as she can, usually by exploiting Zoe. A Standout Performance The show delivers a touch of wry social commentary (in Jacob and his gen Z boyfriend's differing reactions to the infidelity, in the HR complaint raised against Nat at work) without breaking the mood. It even manages to fold in a mythological element that does exactly what it should – makes the story feel only more authentic, eternal, universal – instead of seeming like a jarring supernatural bolt-on. A Holiday from Mediocre Dramas Two Weeks in August is in itself like a holiday – a holiday from dramas made up of meretricious moments and unearned payoffs, or which let the beautiful scenery instead of beautifully written scenes do the work. I feel restored after eight hours basking in its brilliance.

Mohamed Salah’s Final Anfield Appearance: A Defining MomentMohamed Salah will step onto the pitch for the last time in a Liverpool shirt this Sunday against Brentford at Anfield. The 33‑year‑old Egyptian forward announced in March that he will leave the club at the end of the 2025‑26 season, prompting manager Arne Slot to promise a "big send‑off" for a player who has become a cultural touchstone as well as a prolific scorer.Season‑Ending Farewell: Salah’s Last Match and Career HighlightsFinal game: Liverpool vs Brentford, Sunday, AnfieldTenure: 9 seasons (2017‑2026)Departure announced: March 2026Manager’s comment: "deserves a big send‑off" (Slot, May 2026)The farewell match caps a decade of consistency, during which Salah helped Liverpool secure two Premier League titles and consistently challenged for European honors.Statistical Legacy: Goals, Titles, and Awards Across Nine Years250+ goals for Liverpool2 Premier League championships4 Premier League Golden Boots3 PFA Players of the Year awardsMultiple domestic cup victoriesThese figures place Salah among the club’s all‑time greats and underline his role in Liverpool’s resurgence under Jürgen Klopp and now under Slot.Beyond the Pitch: Cultural and Social Influence on Muslim and North African RepresentationJournalists Ahmed Shooble and Maher Mezahi highlight Salah’s impact far beyond statistics. Shooble notes that Salah’s open practice of Islam—most visibly his sujoud celebration—offers a powerful counter‑narrative to rising Islamophobia in the UK and Europe. Mezahi points to Salah’s humble upbringing in Nagrig, Egypt, and his disciplined journey to the top as a blueprint for aspiring North African talent, citing the recent move of Egyptian striker Ibrahim Adel to Danish side Nordsjaelland as evidence of this ripple effect.Future Outlook: Salah’s Role in Egypt’s 2026 World Cup and Post‑Liverpool PathWhile Salah’s club career in England concludes, he will continue to captain the Egypt national team at the 2026 FIFA World Cup, sharing the field with emerging talents inspired by his story. Analysts expect his legacy to influence both player development pipelines in North Africa and the broader conversation about religious identity in elite sport, ensuring his impact endures long after the final whistle at Anfield.

The Dreamed Adventure debuted at the Cannes Film Festival, delivering a beautiful but deliberately opaque look at Bulgaria’s mountainous past and present. Director Valeska Grisebach blends archaeological intrigue with lingering war memories, leaving viewers to piece together meaning from atmospheric detail.Grisebach’s Opaque Bulgarian Drama Premieres at CannesThe film follows Veska (played by Yana Radeva), an archaeologist who uncovers more than ancient artifacts when an old acquaintance, Saïd, reappears with a shady diesel‑fuel deal. Set in the remote town of Matochina, the narrative weaves together local folklore, post‑communist decay, and a looming criminal enterprise.Artistic Choices and Narrative AmbiguityGrisebach continues her signature approach of casting non‑professionals for intimate, table‑side conversations that feel organic rather than plot‑driven. While the story adheres loosely to Chekhov’s gun principle, the climax avoids typical arthouse violence, opting instead for an unresolved, dream‑like conclusion that challenges conventional storytelling.Director: Valeska GrisebachLead Actress: Yana RadevaSetting: Matochina, southeast BulgariaFestival Premiere: Cannes Film Festival, May 2026Key Themes: Memory, exploitation, post‑communist transitionPotential Impact on the European Art‑House LandscapeThe film’s visual richness and refusal to provide tidy answers may resonate with festivals and niche audiences seeking contemplative cinema. However, its narrative opacity could limit broader commercial appeal, positioning it more as a critical darling than a box‑office contender.Future Prospects for Distribution and Audience ReceptionGiven its Cannes exposure, The Dreamed Adventure is likely to secure limited releases across European art‑house circuits and streaming platforms that specialize in auteur cinema. Audience reaction will hinge on tolerance for ambiguity; viewers drawn to atmospheric storytelling may champion it, while others may find the lack of clear resolution frustrating.

The Lead The Birthday Party, a film by Léa Mysius, brings a change of pace to the Cannes competition with its home-invasion suspense thriller. Adapted from Laurent Mauvignier's French bestseller Histoires de la Nuit, the film has its moments but falters in the third act. The Film's Dark Atmosphere Set in a remote French village, the story revolves around Thomas (Bastien Bouillon), a dairy farmer struggling with money woes. His family, including his wife Nora (Hafsia Herzi) and their daughter Ida, face a sinister threat when three tough guys, played by Benoît Magimel, Paul Hamy, and Alane Delhaye, invade their home on Nora's 40th birthday. The Performance Highlights Benoît Magimel stands out with a ripe turn, embodying a menacing character. The film also features Monica Bellucci as an elegant artist living next door, adding to the tense atmosphere. Despite some narrative shortcomings, the film manages to deliver a claustrophobic and bizarre experience. The Impact Analysis The film's screening at the Cannes film festival highlights its significance in the current cinematic landscape. While it may not fully absorb all plot twists, the tension is capably managed, making it a grimly compulsive watch. The Prediction As a contribution to the thriller genre, The Birthday Party will likely appeal to fans of rural suspense stories. Despite some flaws, Léa Mysius's direction and the performances, particularly by Benoît Magimel, make it a noteworthy entry in this year's festival lineup.

The Conversational Canvas of Roddy Doyle Acclaimed for his works that traverse books, films, TV shows, and plays, Roddy Doyle sits down to discuss his projects, particularly The Woman Who Walked Into Doors, which resonates deeply with readers, especially women. Unraveling The Woman Who Walked Into Doors Published in 1996, the book remains a significant work in Doyle's bibliography. It tells the story of a woman experiencing domestic violence, a theme that continues to evoke strong reactions from readers. Doyle recalls a recent book signing event in Auckland where two women shared how the book profoundly impacted their lives. The Genesis of The Women Behind the Door Doyle's protagonist, Paula Spencer, has been a long-standing character in his works, from the TV series to his trilogy of novels. The idea for The Women Behind the Door struck him during the Covid-19 pandemic when he reflected on Paula's character and her experiences. Paula Spencer's Enduring Presence Doyle shares anecdotes about how Paula's character has appeared in his everyday life, from a Facebook post of a woman dressed similarly to Paula to inspiring new storylines. He muses about her character's freedom and the significance of her plaid shirt. Reflections on Writing and Legacy As Doyle approaches his 70th birthday, he contemplates his legacy and future projects. He emphasizes the importance of having the 'itch' to write and expresses gratitude for his career, citing advice he received about replacing feelings of luck with gratitude. Literary Influences and Advice Doyle discusses his favorite book, Charles Dickens' Great Expectations, and shares advice for aspiring writers: be kind to yourself and focus on quantity before quality. He also humorously recounts his favorite swear words and a memorable anecdote about James Joyce. A Conversation with Dickens Doyle muses about having two pints with Charles Dickens, appreciating his creative energy and complex life. For his funeral, he requests the theme music from Match Of The Day to set the tone for a lighthearted farewell.

The LeadGame of Thrones actress Hannah Murray shares her experience of being sectioned in a psychiatric hospital in her new memoir "The Make-Believe: A Memoir of Magic and Madness." The actress describes her mental health journey and the experience of being involuntarily admitted under the Mental Health Act.The Hospital ExperienceThe door to the room opens. A man enters the room. He is a Black man, bald and overweight. He is dressed in uniform. Blue uniform, a blue lanyard that reads "NHS". But I know Steve, the leader of the organisation that introduced me to magic, is a magician. I know he can appear in disguise.I approach the man and try to kiss him.He does not let me kiss him. Then no. It is not Steve.The man has brought me a plate of toast. He has brought me a cup of tea. I add sugar to the tea, which I would never have done in my former life, but a spoonful of sugar helps the medicine go down!I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive … I will never need to eat again. I survive on liquids and air and lightI do not eat the toast. I drink the tea. I am alone in the room again and I urinate into the cup and drink that too.I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive. It is the most potent of potions I can drink. I am a self-contained, utterly self-sufficient being. I will never need to eat again. I survive on liquids and air and light.I decide to explore outside the room. Outside my sanctuary. He has not come. So maybe I need to go searching for him …The Phone CallTime jumps. I am in a corridor lit by overhead strip lights. The electric light is pale yellow in tone. I am sat on one of three chairs in a row against the wall. The chairs are purple, curved plastic. I am still waiting for him to appear.There are two doors in front of me. One is the door to the blue room with the blue sofa and chair. Behind the other door is an office of some kind, and there is a woman in there, shuffling papers and talking on the phone.The woman comes out of the office. She is holding out my phone. My only possession now – the one artefact from my previous life. There is someone she wants me to speak to.Him.When I hold the phone to my ear, I hear a voice I recognise.But the voice belongs to my mother."Hannah?" she says. "Where are you? What's going on?"There is distress in her voice. Her voice is trembling with pain and anxiety.I do not want to hear it.This is a test. A horrible test, certainly, but one that I can pass. They are trying to tempt me back into the human. They are trying to lure me back into the past.I hang up the phone.But, after a moment, it starts to ring. The word Mum lights up the screen."Talk to her," says the woman.I answer the call.My mother sounds different now. Calmer. She asks again what's going on but gently, even cheerfully. I tell her everything's OK. That I'm fine. I tell her not to worry. I'm in a good place.This is the last time I will ever hear her voice, I think. This is the way I say goodbye.The DiagnosisThey tell me I am being sectioned.The words jar with my beliefs."Section 2 … the Mental Health Act … 28 days … right to appeal … "I cock my head.This does not fit at all. It does not fit in the world of Steve, of Ritual Master, of Shambhala and the invention of magic.I am not concerned. I am concerned only with the energy I can feel spiralling up through my body and the voices I can hear in my head.I pace the hospital corridors, delivering a tearful monologue, delivering the greatest performance of my life. A phrase comes to me. The Girl With All the Gifts. The title of a post-apocalyptic horror film released in 2016, starring Gemma Arterton.I am a magician. I am an actress. I am a writer. I have superhuman strength. I can fly. Anything that can be imagined, I can perform it. Every skill and every ability is mine.The film came out as a warning, and a prophecy.And because of me, the apocalypse has been averted.I am the saviour of the planet. I am the girl with all the gifts.The Journey to RecoveryIt was very hard, the journey to get here. It took 27 years. The path was twisting and full of setbacks, there were challenges and so much pain. There were times I wanted to give up. It was very hard. Everyone will have to make their own journey, and their journeys will be their own, unique as snowflakes or fingerprints. That is the beauty of it, the joy of it. Everyone has to figure it out for themselves.But I have laid the groundwork. I have walked the path. It starts with the energy healing, and it goes on and on through the seven dimensions, through increasingly magical planes. It goes on and on until you meet your soulmate, like I met mine.I was in a TV show called Game of Thrones, hidden in plain sight in the midst of a cultural phenomenon. I, the key to the world's salvation, wore the face of a character called Gilly, but really I played every role. Then I worked on a film called Detroit in Boston. David Benioff and Dan Weiss and Kathryn Bigelow were the four horsemen of the apocalypse. Numbers are irrelevant. Three counts as four. David and Dan and Kathryn cast me in the roles that brought about my destiny. The end and beginning of the world.I am the Ur-actress. I am every actress. Every performance ever given has been animated by my energy, my talent, by the gestures and facial expressions I am performing here and now.The Memoir and BeyondThis is an edited extract from The Make-Believe: A Memoir of Magic and Madness by Hannah Murray, published by Cornerstone (£18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.Hannah Murray will be in conversation with Jessie Cave at Kings Place in London on 5 June.

The Unprecedented International Arms Backing for IsraelOn **2026-05-23**, reports confirmed that **51 nations** have pledged to supply Israel with a range of weapons and defense systems amid the ongoing Gaza war. The list spans traditional allies such as the **United States** and newer supporters including **India**, **Brazil**, and several European and Asian countries, marking the widest diplomatic military endorsement for Israel since the conflict began.Scale of the Supply: Numbers and Valuations**51 nations** confirmed arms deliveries or future commitments.Estimated total value of the shipments exceeds **$15 billion**, according to defense analysts.Key deliveries include advanced missile defense systems, precision‑guided munitions, and naval assets.Geopolitical Ripple Effects Across RegionsThe expansive support network is reshaping diplomatic calculations in the Middle East, South Asia, and Latin America. **India’s** involvement signals a shift toward deeper strategic ties with Israel, while **Brazil’s** participation reflects growing defense cooperation in South America. Critics argue the broad coalition may embolden Israel’s military posture, potentially complicating cease‑fire negotiations and influencing regional power balances.What Lies Ahead: Diplomatic and Military ForecastAnalysts warn that the sustained flow of arms could prolong the conflict, making a negotiated settlement more elusive. However, the visibility of such a wide‑spanning coalition may also pressure participating governments to advocate for diplomatic channels to avoid escalation. Future developments will hinge on the conflict’s trajectory, international pressure, and the willingness of these **51 nations** to balance security interests with humanitarian concerns.

Roughed up by Ramos Mohamed Salah's Liverpool career has been marked by significant moments, including his reaction to being injured by Sergio Ramos in the Champions League final, which showcased his impact on the English game and the respect he had earned. Persistence pays off against Spurs in 2019 Salah's determination and persistence were key factors in Liverpool's success, as seen in their 2019 match against Tottenham, where he played a crucial role in securing a win. Keeping his cool to set up glory in Madrid Salah's penalty in the 2019 Champions League final against Tottenham was a pivotal moment, showcasing his ability to perform under pressure and help Liverpool secure their sixth European Cup. Turning doubters to believers Salah's goal against Manchester United in the 2019-20 season was a significant moment, helping to convince fans that Liverpool could win the league, and ultimately contributing to their title win. Weaving magic against Manchester City Salah's goal against Manchester City in 2021 was a testament to his skill and creativity, as he weaved past four defenders to score a crucial goal for Liverpool.

Bernardo Silva: A One‑Man Utility Engine for Manchester CityThe Guardian’s tribute paints Silva as more than a footballer – a “time‑travelling, shapeshifting superhero” whose relentless work‑rate and technical brilliance defined a decade of success at Manchester City. His imminent exit marks the end of an era where a single player could seamlessly occupy every role on the pitch.The Unprecedented Versatility That Redefined the Modern MidfielderSilva routinely shifted from right‑back to playmaker, winger to libero within a single match, often completing a full positional rotation in a single move. This chameleon‑like adaptability allowed Pep Guardiola to experiment with fluid formations, turning defensive recoveries into instant attacks.Numbers Behind the Legend: Appearances, Goals, Assists and Stamina Records459 appearances for City76 goals and 77 assistsRecorded a Premier League distance of 13.7 km in a single match (City 2‑1 Liverpool, Jan 2019) – a league recordTwo decisive goals in the 2023 Champions League semi‑final against Real MadridHow Silva’s Style Shaped City’s Tactical DominanceHis ability to find space, execute split‑second passes and sustain high‑intensity runs enabled City to:Secure the first 100‑point Premier League seasonAchieve a domestic clean sweep of trophiesWin a treble (league, FA Cup, Champions League) and later a fourth consecutive league titleSilva’s “double engine” stamina meant he rarely needed substitution, giving Guardiola a reliable option to maintain pressure throughout 90 minutes.What Lies Ahead for Silva and the Premier League LandscapeWith Silva likely moving to a sunnier climate, his departure opens a strategic void that rivals will scramble to fill. Teams may seek to develop similarly versatile midfielders or adjust tactics to compensate for the loss of a player who could “play every position in a single move.” For Silva, the next chapter could involve a league where his unique skill set reshapes expectations for midfield endurance and adaptability.